8\. Try a Drop of Water
by George MacDonald · from The Light Princess
Adapted Version
Once, there was a little princess. She was very special because she could float! She did not stay on the ground. Princess Lily floated high. She needed help to stay down. It was a little hard for her.
Princess Lily loved the big lake. Her home was by the lake. In the water, she did not float. She could walk and play. She was like other children there. She felt very happy in the water.
King Papa took her on a boat. They were on the lake. King Papa wanted to move her. He held her. He dropped her by mistake. Princess Lily fell into the water. Splash!
Everyone was surprised. Princess Lily went under the water. Then she came up. She swam like a fish. She laughed a happy laugh. She was so happy in the water.
Princess Lily loved the water. She swam all day. She played in the lake. She was so happy there. She stayed in the water long.
She wanted to jump from her window. Into the water below. But the wind was strong. She could float away. It was too hard for her. She just looked at the water.
On land, she floated. Ropes held her down. Many ropes. King Papa was careful. In the water, she was free. She could run. She could play. She could swim fast.
Two wise men talked. Water helped her outside. Maybe water inside would help. Tears, they said. Tears can make her strong. They thought this was a good idea.
They tried to make her cry. But Princess Lily did not cry. She just laughed. She thought it was all very funny.
The Sad Story Man came. He told a sad story. Princess Lily laughed. She laughed very loud. It was a funny story to her. She did not cry at all.
King Papa was sad. He wanted her to cry. He told a sad tale. He wanted her to feel sad. But Princess Lily laughed. She did not cry. Her eyes were bright blue.
Princess Lily loved water most of all. In the lake, she could swim and play, happy and free, just like a fish. She was a very special princess.
Original Story
8. Try a Drop of Water.
Perhaps the best thing for the princess would have been to fall in love. But how a princess who had no gravity could fall into anything is a difficulty—perhaps THE difficulty.
As for her own feelings on the subject, she did not even know that there was such a beehive of honey and stings to be fallen into. But now I come to mention another curious fact about her.
The palace was built on the shores of the loveliest lake in the world; and the princess loved this lake more than father or mother. The root of this preference no doubt, although the princess did not recognise it as such, was, that the moment she got into it, she recovered the natural right of which she had been so wickedly deprived—namely, gravity. Whether this was owing to the fact that water had been employed as the means of conveying the injury, I do not know. But it is certain that she could swim and dive like the duck that her old nurse said she was. The manner in which this alleviation of her misfortune was discovered was as follows.
One summer evening, during the carnival of the country, she had been taken upon the lake by the king and queen, in the royal barge. They were accompanied by many of the courtiers in a fleet of little boats. In the middle of the lake she wanted to get into the lord chancellor's barge, for his daughter, who was a great favourite with her, was in it with her father. Now though the old king rarely condescended to make light of his misfortune, yet, Happening on this occasion to be in a particularly good humour, as the barges approached each other, he caught up the princess to throw her into the chancellor's barge. He lost his balance, however, and, dropping into the bottom of the barge, lost his hold of his daughter; not, however, before imparting to her the downward tendency of his own person, though in a somewhat different direction; for, as the king fell into the boat, she fell into the water. With a burst of delighted laughter she disappeared in the lake. A cry of horror ascended from the boats. They had never seen the princess go down before. Half the men were under water in a moment; but they had all, one after another, come up to the surface again for breath, when—tinkle, tinkle, babble, and gush! came the princess's laugh over the water from far away. There she was, swimming like a swan. Nor would she come out for king or queen, chancellor or daughter. She was perfectly obstinate.
But at the same time she seemed more sedate than usual. Perhaps that was because a great pleasure spoils laughing. At all events, after this, the passion of her life was to get into the water, and she was always the better behaved and the more beautiful the more she had of it. Summer and winter it was quite the same; only she could not stay so long in the water when they had to break the ice to let her in. Any day, from morning till evening in summer, she might be descried—a streak of white in the blue water—lying as still as the shadow of a cloud, or shooting along like a dolphin; disappearing, and coming up again far off, just where one did not expect her. She would have been in the lake of a night, too, if she could have had her way; for the balcony of her window overhung a deep pool in it; and through a shallow reedy passage she could have swum out into the wide wet water, and no one would have been any the wiser. Indeed, when she happened to wake in the moonlight she could hardly resist the temptation. But there was the sad difficulty of getting into it. She had as great a dread of the air as some children have of the water. For the slightest gust of wind would blow her away; and a gust might arise in the stillest moment. And if she gave herself a push towards the water and just failed of reaching it, her situation would be dreadfully awkward, irrespective of the wind; for at best there she would have to remain, suspended in her nightgown, till she was seen and angled for by someone from the window.
"Oh! if I had my gravity," thought she, contemplating the water, "I would flash off this balcony like a long white sea-bird, headlong into the darling wetness. Heigh-ho!"
This was the only consideration that made her wish to be like other people.
Another reason for her being fond of the water was that in it alone she enjoyed any freedom. For she could not walk out without a cortege, consisting in part of a troop of light horse, for fear of the liberties which the wind might take with her. And the king grew more apprehensive with increasing years, till at last he would not allow her to walk abroad at all without some twenty silken cords fastened to as many parts of her dress, and held by twenty noblemen. Of course horseback was out of the question. But she bade good-by to all this ceremony when she got into the water.
And so remarkable were its effects upon her, especially in restoring her for the time to the ordinary human gravity, that Hum-Drum and Kopy-Keck agreed in recommending the king to bury her alive for three years; in the hope that, as the water did her so much good, the earth would do her yet more. But the king had some vulgar prejudices against the experiment, and would not give his consent. Foiled in this, they yet agreed in another recommendation; which, seeing that one imported his opinions from China and the other from Thibet, was very remarkable indeed. They argued that, if water of external origin and application could be so efficacious, water from a deeper source might work a perfect cure; in short, that if the poor afflicted princess could by any means be made to cry, she might recover her lost gravity.
But how was this to be brought about? Therein lay all the difficulty—to meet which the philosophers were not wise enough. To make the princess cry was as impossible as to make her weigh. They sent for a professional beggar; commanded him to prepare his most touching oracle of woe; helped him out of the court charade box, to whatever he wanted for dressing up, and promised great rewards in the event of his success. But it was all in vain. She listened to the mendicant artist's story, and gazed at his marvellous make up, till she could contain herself no longer, and went into the most undignified contortions for relief, shrieking, positively screeching with laughter.
When she had a little recovered herself, she ordered her attendants to drive him away, and not give him a single copper; whereupon his look of mortified discomfiture wrought her punishment and his revenge, for it sent her into violent hysterics, from which she was with difficulty recovered.
But so anxious was the king that the suggestion should have a fair trial, that he put himself in a rage one day, and, rushing up to her room, gave her an awful whipping. Yet not a tear would flow. She looked grave, and her laughing sounded uncommonly like screaming—that was all. The good old tyrant, though he put on his best gold spectacles to look, could not discover the smallest cloud in the serene blue of her eyes.
Story DNA
Plot Summary
A princess is born without gravity, causing her to float and live a life of constant constraint. She discovers that in water, she regains her gravity and experiences true freedom, leading her to an obsessive love for the lake. Court philosophers suggest that if external water helps, internal water (tears) might cure her completely. Despite various attempts, including a professional beggar and even a whipping from her desperate father, the princess remains unable to cry, finding her only solace and normalcy in the water.
Themes
Emotional Arc
constraint to temporary freedom
Writing Style
Narrative Elements
Cultural Context
George MacDonald was a Victorian author, and his fairy tales often explore deeper philosophical and spiritual themes beneath a whimsical surface, reflecting Victorian sensibilities and moral inquiries.
Plot Beats (12)
- A princess is born without gravity, making her life difficult and requiring constant care to prevent her from floating away.
- The princess has no concept of love or normal human emotions due to her unique condition.
- She develops an intense love for the lake near her palace, as it is the only place where she regains her gravity and can move freely.
- During a royal outing on the lake, the king playfully attempts to toss her into another barge but accidentally drops her into the water.
- To everyone's surprise and horror, she disappears, only to resurface far away, swimming joyfully and normally.
- The princess becomes obsessed with being in the water, spending all her time there and becoming more beautiful and well-behaved when she does.
- She longs to be able to enter the water from her balcony at night but fears the wind and the awkwardness of being suspended if she misses.
- Her lack of gravity also means she cannot walk freely outside and requires elaborate precautions, which she escapes only in the water.
- Two philosophers, Hum-Drum and Kopy-Keck, suggest that if external water helps, internal water (tears) might cure her completely.
- They recommend trying to make her cry, but this proves to be an impossible task.
- A professional beggar is hired to tell a sad story, but the princess finds it so amusing that she laughs hysterically instead of crying.
- The king, desperate, attempts to make her cry by whipping her, but she remains tearless, only looking grave and laughing in a strained way.
Characters
The Princess ★ protagonist
Slender and delicate, appearing almost weightless due to her lack of gravity. Her movements are light and airy when not in water, prone to being carried by the wind. In water, she moves with the grace and power of a dolphin or swan.
Attire: When out of water, she wears light, flowing garments, such as a white nightgown when on her balcony, or dresses that require many silken cords to keep her grounded. These would be made of fine, lightweight fabrics like silk or linen, suitable for royalty but chosen for their minimal weight. When in water, she is described as a 'streak of white', suggesting a simple, light-colored swimming garment or perhaps just her undergarments.
Wants: To experience the freedom and gravity she finds in water, and to be unburdened by her peculiar condition and the restrictions it imposes on land.
Flaw: Her lack of gravity makes her vulnerable to the wind and restricts her movement on land, forcing her into a life of ceremony and confinement. She also struggles to feel deep emotions like sadness, making her unable to cry.
She begins as a princess defined by her lack of gravity and the limitations it imposes. Through the story, she discovers the lake as her sanctuary and the place where she can be truly free and 'normal', embracing her unique connection to water as a source of joy and liberation.
Delighted, obstinate, playful, serene, curious, and somewhat detached from typical human emotions like sorrow. She finds immense joy in her unique condition, especially when it allows her freedom in the water.
Image Prompt & Upload
A young woman with a slender, delicate build, appearing weightless, with fair skin and serene blue eyes. Her long, light-colored hair flows freely around her. She wears a simple, flowing white linen dress, with twenty thin, shimmering silken cords fastened to various parts of her dress, held taut by invisible hands, preventing her from floating away. Her expression is one of gentle amusement and slight detachment. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The King ◆ supporting
An old man, likely of a regal build, who becomes more apprehensive with increasing years. He wears gold spectacles.
Attire: Royal attire, likely consisting of rich fabrics like velvet or brocade, possibly a tunic and breeches, with a cloak. He would wear a crown or other royal headwear on formal occasions. His 'best gold spectacles' are a specific accessory.
Wants: To find a cure for his daughter's lack of gravity and ensure her safety and happiness.
Flaw: His overprotectiveness and willingness to resort to extreme, sometimes cruel, measures (like whipping) in his desperation to 'cure' his daughter. He is also easily swayed by the advice of his philosophers.
He remains largely consistent, driven by his love and concern for his daughter, trying various methods to 'cure' her, but ultimately unable to change her fundamental nature or his own approach.
Loving, overprotective, occasionally tyrannical, good-humored at times, but also prone to rage and 'vulgar prejudices' against extreme experiments. He is anxious for his daughter's well-being.
Image Prompt & Upload
An elderly European king, with a regal, slightly worried expression. He has a neatly trimmed grey beard and wears a heavy, deep crimson velvet tunic embroidered with gold thread, over a white linen shirt, and dark breeches. He holds a pair of small, round gold spectacles in one hand. His posture is upright but with a slight lean of concern. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Hum-Drum ○ minor
Not explicitly described, but as a philosopher, he would likely have an intellectual appearance. Given he imports opinions from China, he might have features consistent with East Asian ethnicity.
Attire: Clothing that suggests a scholar or philosopher, possibly influenced by Chinese attire, such as a long, flowing silk robe in muted colors, perhaps with subtle embroidery, and simple cloth shoes.
Wants: To apply his philosophical theories to solve the princess's problem, driven by intellectual curiosity and a desire for recognition.
Flaw: His reliance on abstract theories over practical or humane considerations, leading to extreme and dangerous recommendations.
Remains consistent as a theoretical advisor.
Intellectual, analytical, and somewhat detached, offering radical and unfeeling advice based on his philosophical theories.
Image Prompt & Upload
A middle-aged East Asian man with a thoughtful expression, dark eyes, and a short, neat black beard. He wears a long, flowing sage green silk scholar's robe with wide sleeves, tied with a simple dark sash. His hands are clasped in front of him. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Kopy-Keck ○ minor
Not explicitly described, but as a philosopher, he would likely have an intellectual appearance. Given he imports opinions from Thibet, he might have features consistent with Tibetan ethnicity.
Attire: Clothing that suggests a scholar or philosopher, possibly influenced by Tibetan attire, such as a maroon or saffron monastic robe, layered and practical, with simple boots.
Wants: To apply his philosophical theories to solve the princess's problem, driven by intellectual curiosity and a desire for recognition.
Flaw: His reliance on abstract theories over practical or humane considerations, leading to extreme and dangerous recommendations.
Remains consistent as a theoretical advisor.
Intellectual, analytical, and somewhat detached, offering radical and unfeeling advice based on his philosophical theories.
Image Prompt & Upload
A middle-aged Tibetan man with a calm, thoughtful expression, dark eyes, and a shaved head. He wears a traditional maroon and saffron layered monastic robe, with one shoulder draped, and simple cloth boots. His hands are held in a gesture of contemplation. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Beggar ○ minor
A professional beggar, skilled in dramatic make-up and costume to evoke pity. His true appearance is obscured by his 'marvellous make up'.
Attire: Costume from the court charade box, chosen to enhance his 'oracle of woe'. This would likely be tattered, patched, and drab clothing, perhaps with props like a staff or a begging bowl, designed to look authentically impoverished.
Wants: To earn great rewards by making the princess cry, using his acting skills.
Flaw: His inability to genuinely move the princess, leading to his humiliation.
He attempts to fulfill his task, fails spectacularly, and experiences mortification and a desire for revenge, which is inadvertently fulfilled by the princess's hysterics.
Professional, theatrical, persistent, but ultimately mortified and vengeful when his efforts fail.
Image Prompt & Upload
A middle-aged man dressed in theatrical, tattered brown and grey patched clothes, with a worn cloak draped over his shoulders. His face is covered in elaborate stage make-up to appear gaunt and sorrowful, with painted dark circles under his eyes and exaggerated downturned lips. He holds a simple wooden begging bowl in his hand. His posture is hunched and dejected. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Royal Palace Balcony
A balcony overhanging a deep pool of the lake, likely constructed with durable stone or carved wood, offering a direct, albeit precarious, view and access to the water. It would feature architectural details consistent with a European royal residence, perhaps with ornate railings or columns.
Mood: longing, contemplative, slightly perilous
The princess contemplates jumping into the water to regain her gravity, but fears the wind and getting stuck.
Image Prompt & Upload
A stone balcony of a European palace, intricately carved, extends over a dark, still lake. Moonlight casts a silver path across the water, illuminating the gentle ripples of a deep pool directly beneath the balcony. Reeds are visible along a shallow passage leading from the pool into the wider expanse of the lake. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Loveliest Lake in the World
A vast, beautiful lake, clear and deep, surrounded by the palace and likely lush, temperate European landscape. The water is so clear that a streak of white (the princess) is visible. It is large enough for royal barges and small boats, and in winter, it freezes over, requiring ice to be broken.
Mood: liberating, joyful, serene, magical
The princess discovers she regains gravity in the water and spends most of her time swimming here. The king accidentally drops her in during a carnival.
Image Prompt & Upload
A wide, serene lake stretches under a clear blue sky, reflecting the distant, elegant architecture of a European palace on its shores. The water is a deep, inviting blue, with gentle ripples. In the foreground, a grand royal barge, adorned with banners, glides alongside smaller, ornate boats. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Princess's Royal Chamber
A lavish room within a European royal palace, furnished with rich textiles and ornate furniture. It is where the king attempts to make the princess cry, suggesting a private, yet formal, space.
Mood: tense, formal, desperate
The king, in a fit of rage, attempts to whip the princess to make her cry, but fails.
Image Prompt & Upload
A richly appointed royal bedchamber in a European palace, with heavy velvet drapes framing a tall window and a four-poster bed draped in silk. Ornate wooden furniture with intricate carvings stands on a patterned rug. Sunlight streams through the window, illuminating dust motes in the air. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.