9\. Put Me in Again

by George MacDonald · from The Light Princess

fairy tale romance whimsical Ages 8-14 1994 words 9 min read
Cover: 9\. Put Me in Again

Adapted Version

CEFR A1 Age 5 406 words 2 min Canon 100/100

Once there was a prince. His name was Prince Leo. He looked for a special friend. Prince Leo met many princesses. They were all very nice. But none were quite right for him.

Prince Leo heard about a princess. She was very special. She floats in the air. He thinks she is too different. He does not want her as a friend. He did not know her yet.

Prince Leo gets lost. He is in a big, dark forest. He walks and walks for a long time. He finds a quiet lake. The sun goes down. It gets dark.

He hears a funny sound. It is a splash. He thinks someone needs help. Someone is in the water. Prince Leo is brave. He jumps in. He wants to help. He swims fast.

Prince Leo pulls out a girl. She is very light. But she does not stay down. She floats up, up, up. She goes into the air. She is Princess Lily! She is floating high.

Princess Lily is surprised. She is floating high. She asks, "Why pull me out?" She is unhappy. She likes the water. She wants to be there.

Prince Leo knows her now. She is the floating princess. She is very special. He likes her special way. He thinks she is fun. He smiles at her.

Princess Lily says, "Put me back in!" She likes water. She wants to jump. They go to a high place. It is by the lake. It is a big rock.

Prince Leo holds her hand. They look at the water. They jump! Splash! They fall into the water. Princess Lily laughs. She loves to fall in! It is so much fun.

They swim and play. They dive and splash. In the water, she swims well. She is like everyone else. It is so much fun! They play many games.

It gets dark now. The moon is out. Princess Lily has a clever idea. "Lift me up!" she says. She wants to float to her window. It is very high.

Prince Leo gives her a gentle push. Up, up, up she floats! She goes to her window. She waves goodbye. She smiles at him. She goes inside. She is safe now.

Prince Leo is alone. He sees lights. They look for her. He finds his things. He waits in a cave. He hopes to see his friend. Prince Leo smiled. He knew he would see Lily soon.

Original Story 1994 words · 9 min read

9. Put Me in Again.

It must have been about this time that the son of a king, who lived a thousand miles from Lagobel set out to look for the daughter of a queen. He travelled far and wide, but as sure as he found a princess, he found some fault in her. Of course he could not marry a mere woman, however beautiful; and there was no princess to be found worthy of him. Whether the prince was so near perfection that he had a right to demand perfection itself, I cannot pretend to say. All I know is, that he was a fine, handsome, brave, generous, well-bred, and well-behaved youth, as all princes are.

In his wanderings he had come across some reports about our princess; but as everybody said she was bewitched, he never dreamed that she could bewitch him. For what indeed could a prince do with a princess that had lost her gravity? Who could tell what she might not lose next? She might lose her visibility, or her tangibility; or, in short, the power of making impressions upon the radical sensorium; so that he should never be able to tell whether she was dead or alive. Of course he made no further inquiries about her. One day he lost sight of his retinue in a great forest. These forests are very useful in delivering princes from their courtiers, like a sieve that keeps back the bran. Then the princes get away to follow their fortunes. In this way they have the advantage of the princesses, who are forced to marry before they have had a bit of fun. I wish our princesses got lost in a forest sometimes.

One lovely evening, after wandering about for many days, he found that he was approaching the outskirts of this forest; for the trees had got so thin that he could see the sunset through them; and he soon came upon a kind of heath. Next he came upon signs of human neighbourhood; but by this time it was getting late, and there was nobody in the fields to direct him.

After travelling for another hour, his horse, quite worn out with long labour and lack of food, fell, and was unable to rise again. So he continued his journey on foot. At length he entered another wood—not a wild forest, but a civilized wood, through which a footpath led him to the side of a lake. Along this path the prince pursued his way through the gathering darkness. Suddenly he paused, and listened. Strange sounds came across the water. It was, in fact, the princess laughing. Now there was something odd in her laugh, as I have already hinted; for the hatching of a real hearty laugh requires the incubation of gravity; and perhaps this was how the prince mistook the laughter for screaming. Looking over the lake, he saw something white in the water; and, in an instant, he had torn off his tunic, kicked off his sandals, and plunged in. He soon reached the white object, and found that it was a woman. There was not light enough to show that she was a princess, but quite enough to show that she was a lady, for it does not want much light to see that.

Now I cannot tell how it came about,—whether she pretended to be drowning, or whether he frightened her, or caught her so as to embarrass her,—but certainly he brought her to shore in a fashion ignominious to a swimmer, and more nearly drowned than she had ever expected to be; for the water had got into her throat as often as she had tried to speak.

At the place to which he bore her, the bank was only a foot or two above the water; so he gave her a strong lift out of the water, to lay her on the bank. But, her gravitation ceasing the moment she left the water, away she went up into the air, scolding and screaming.

"You naughty, naughty, NAUGHTY, NAUGHTY man!" she cried.

No one had ever succeeded in putting her into a passion before.—When the prince saw her ascend, he thought he must have been bewitched, and have mistaken a great swan for a lady. But the princess caught hold of the topmost cone upon a lofty fir. This came off; but she caught at another; and, in fact, stopped herself by gathering cones, dropping them as the stalks gave way. The prince, meantime, stood in the water, staring, and forgetting to get out. But the princess disappearing, he scrambled on shore, and went in the direction of the tree. There he found her climbing down one of the branches towards the stem. But in the darkness of the wood, the prince continued in some bewilderment as to what the phenomenon could be; until, reaching the ground, and seeing him standing there, she caught hold of him, and said,—

"I'll tell papa."

"Oh no, you won't!" returned the prince.

"Yes, I will," she persisted. "What business had you to pull me down out of the water, and throw me to the bottom of the air? I never did you any harm."

"Pardon me. I did not mean to hurt you."

"I don't believe you have any brains; and that is a worse loss than your wretched gravity. I pity you."

The prince now saw that he had come upon the bewitched princess, and had already offended her. But before he could think what to say next, she burst out angrily, giving a stamp with her foot that would have sent her aloft again but for the hold she had of his arm,—

"Put me up directly."

"Put you up where, you beauty?" asked the prince.

He had fallen in love with her almost, already; for her anger made her more charming than any one else had ever beheld her; and, as far as he could see, which certainly was not far, she had not a single fault about her, except, of course, that she had not any gravity. No prince, however, would judge of a princess by weight. The loveliness of her foot he would hardly estimate by the depth of the impression it could make in mud.

"Put you up where, you beauty?" asked the prince.

"In the water, you stupid!" answered the princess.

"Come, then," said the prince.

The condition of her dress, increasing her usual difficulty in walking, compelled her to cling to him; and he could hardly persuade himself that he was not in a delightful dream, notwithstanding the torrent of musical abuse with which she overwhelmed him. The prince being therefore in no hurry, they came upon the lake at quite another part, where the bank was twenty-five feet high at least; and when they had reached the edge, he turned towards the princess, and said,—

"How am I to put you in?" "That is your business," she answered, quite snappishly. "You took me out—put me in again."

"Very well," said the prince; and, catching her up in his arms, he sprang with her from the rock. The princess had just time to give one delighted shriek of laughter before the water closed over them. When they came to the surface, she found that, for a moment or two, she could not even laugh, for she had gone down with such a rush, that it was with difficulty she recovered her breath. The instant they reached the surface—

"How do you like falling in?" said the prince.

After some effort the princess panted out,—

"Is that what you call FALLING IN?"

"Yes," answered the prince, "I should think it a very tolerable specimen."

"It seemed to me like going up," rejoined she.

"My feeling was certainly one of elevation too," the prince conceded.

The princess did not appear to understand him, for she retorted his question:—

"How do YOU like falling in?" said the princess.

"Beyond everything," answered he; "for I have fallen in with the only perfect creature I ever saw."

"No more of that: I am tired of it," said the princess.

Perhaps she shared her father's aversion to punning.

"Don't you like falling in then?" said the prince.

"It is the most delightful fun I ever had in my life," answered she. "I never fell before. I wish I could learn. To think I am the only person in my father's kingdom that can't fall!"

Here the poor princess looked almost sad.

"I shall be most happy to fall in with you any time you like," said the prince, devotedly.

"Thank you. I don't know. Perhaps it would not be proper. But I don't care. At all events, as we have fallen in, let us have a swim together."

"With all my heart," responded the prince.

And away they went, swimming, and diving, and floating, until at last they heard cries along the shore, and saw lights glancing in all directions. It was now quite late, and there was no moon.

"I must go home," said the princess. "I am very sorry, for this is delightful."

"So am I," returned the prince. "But I am glad I haven't a home to go to—at least, I don't exactly know where it is."

"I wish I hadn't one either," rejoined the princess; "it is so stupid! I have a great mind," she continued, "to play them all a trick. Why couldn't they leave me alone? They won't trust me in the lake for a single night!—You see where that green light is burning? That is the window of my room. Now if you would just swim there with me very quietly, and when we are all but under the balcony, give me such a push—up you call it-as you did a little while ago, I should be able to catch hold of the balcony, and get in at the window; and then they may look for me till to-morrow morning!"

"With more obedience than pleasure," said the prince, gallantly; and away they swam, very gently.

"Will you be in the lake to-morrow night?" the prince ventured to ask.

"To be sure I will. I don't think so. Perhaps," was the princess's somewhat strange answer.

But the prince was intelligent enough not to press her further; and merely whispered, as he gave her the parting lift, "Don't tell."

The only answer the princess returned was a roguish look. She was already a yard above his head. The look seemed to say, "Never fear. It is too good fun to spoil that way."

So perfectly like other people had she been in the water, that even yet the prince could scarcely believe his eyes when he saw her ascend slowly, grasp the balcony, and disappear through the window. He turned, almost expecting to see her still by his side. But he was alone in the water. So he swam away quietly, and watched the lights roving about the shore for hours after the princess was safe in her chamber. As soon as they disappeared, he landed in search of his tunic and sword, and, after some trouble, found them again. Then he made the best of his way round the lake to the other side. There the wood was wilder, and the shore steeper-rising more immediately towards the mountains which surrounded the lake on all sides, and kept sending it messages of silvery streams from morning to night, and all night long. He soon found a spot whence he could see the green light in the princess's room, and where, even in the broad daylight, he would be in no danger of being discovered from the opposite shore. It was a sort of cave in the rock, where he provided himself a bed of withered leaves, and lay down too tired for hunger to keep him awake. All night long he dreamed that he was swimming with the princess.


Story DNA fairy tale · whimsical

Plot Summary

A prince, searching for a perfect princess, dismisses a bewitched princess who lacks gravity. Lost in a forest, he encounters her by a lake, mistaking her laughter for screams and pulling her from the water. Her immediate ascent into the air reveals her unique condition, but her spirited anger charms him. She demands he 'put her in again,' leading to a delightful jump from a high bank into the lake. They enjoy swimming, where her lack of gravity is nullified, and she devises a clever plan for him to 'lift' her to her balcony to avoid detection. The prince, now smitten, watches her float away, eagerly anticipating their next secret meeting.

Themes

love at first sightacceptance of differenceadventuredefiance of convention

Emotional Arc

loneliness to companionship

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: authorial interjection, witty asides

Narrative Elements

Conflict: person vs self (prince's prejudice) | person vs society (princess's condition)
Ending: hopeful
Magic: a princess without gravity, bewitchment
the lake (a place of freedom and equality)the prince's critical eye (symbolizing superficial judgment)

Cultural Context

Origin: Scottish (George MacDonald)
Era: timeless fairy tale

George MacDonald was a Victorian author known for his fantasy works, often imbued with allegorical and philosophical undertones, though this particular excerpt is more straightforwardly whimsical.

Plot Beats (13)

  1. A prince travels widely, finding fault with every princess he meets, seeking perfection.
  2. He hears reports of a bewitched princess who lacks gravity but dismisses her as unsuitable.
  3. The prince gets lost in a forest, losing his retinue, and eventually reaches a lake at dusk.
  4. He hears strange sounds, which he mistakes for screams, and dives into the lake to rescue what he believes is a drowning woman.
  5. The prince pulls the woman (the princess) from the water, but she immediately floats into the air, revealing her lack of gravity.
  6. The princess, initially angry at being 'thrown to the bottom of the air', scolds the prince.
  7. The prince, realizing she is the bewitched princess, is charmed by her anger and her unique condition.
  8. The princess demands he 'put her in again' (into the water), and they go to a high bank.
  9. The prince, holding her, jumps from the bank into the lake, giving the princess her first experience of 'falling in'.
  10. They both enjoy swimming and diving together, where her lack of gravity is no impediment.
  11. As it gets late, the princess devises a plan to return to her room undetected by having the prince 'lift' her to her balcony.
  12. The prince gives her a final push, and she floats up to her window, disappearing inside.
  13. The prince, now alone, watches the lights searching for her, then finds his belongings and settles in a cave to await their next meeting.

Characters 2 characters

The Prince ★ protagonist

human young adult male

A fine, handsome, and well-built young man, with the robust physique of someone accustomed to travel and physical activity. His skin is likely tanned from his extensive wanderings.

Attire: Initially wears a tunic and sandals, which he quickly removes to plunge into the lake. His tunic would be of good quality, perhaps linen or fine wool, suitable for travel but not overly ornate. He also carries a sword, indicating a practical, yet noble, traveling attire.

Wants: Initially, to find a perfect princess to marry. After meeting the bewitched princess, his motivation shifts to understanding her unique condition and winning her affection.

Flaw: His initial idealism and pickiness about finding a 'perfect' princess, though he quickly overcomes this when faced with the princess's unique charm. He can also be somewhat naive, as shown by his initial bewilderment.

Transforms from a picky, idealistic prince seeking an unattainable perfection to a devoted and accepting lover who embraces the princess's unique 'flaw' as part of her charm.

His strong, noble profile as he plunges into the water to rescue the princess.

Brave, generous, well-bred, well-behaved, decisive, intelligent, and romantic. He is quick to act in an emergency and falls in love easily with the princess's unique charm.

Image Prompt & Upload
A young adult man with a strong, noble physique, standing upright, facing forward, full body visible from head to toe. He has sun-kissed fair skin, a square jawline, and dark, wavy hair that falls just above his shoulders. His eyes are a piercing blue, and his expression is determined and kind. He wears a simple, cream-colored linen tunic with short sleeves, tied at the waist with a leather cord, and sturdy brown leather sandals. He holds a sheathed, straight iron sword at his hip. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Princess ★ protagonist

human young adult female

A beautiful young woman, described as 'white' when seen in the water, implying fair skin. Her most distinguishing feature is her lack of gravity, which causes her to float upwards unless held down. She is graceful in water but struggles on land due to her condition.

Attire: Her dress is only mentioned as being in a 'condition' that increases her difficulty in walking, implying it is wet and perhaps heavy or clinging after her time in the lake. It would be a princess's gown, likely made of fine fabric, but not overly ornate for swimming.

Wants: To experience life and overcome the boredom of her condition. She desires to 'fall' like others and finds joy in the unique experiences her lack of gravity allows, especially with the Prince.

Flaw: Her lack of gravity, which makes her vulnerable and dependent on others for basic actions like staying on the ground. Her quick temper can also be a weakness.

Initially isolated and frustrated by her condition, she finds joy and connection through her interactions with the Prince, who helps her embrace her unique nature and experience new forms of 'falling'.

Floating upwards, grasping at a fir cone, with a mischievous or angry expression.

Spirited, quick-tempered, playful, curious, and somewhat mischievous. She is easily angered when startled or inconvenienced but also finds immense delight in new experiences, especially 'falling in'. She is also a bit spoiled, used to getting her way.

Image Prompt & Upload
A young adult woman with fair skin, a delicate but spirited face, and wide, expressive eyes. Her long, wavy light brown hair is damp and slightly disheveled. She wears a simple, flowing white linen gown that clings slightly from being wet. She is depicted in mid-air, a foot above the ground, with one hand reaching upwards as if grasping for something, and the other arm slightly bent. Her expression is a mix of surprise and playful indignation. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 5 locations
No image yet

Outskirts of the Great Forest and Heath

outdoor golden hour | dusk Implied mild evening, clear sky for sunset

The edge of a vast, wild forest where trees thin out, allowing the sunset to be seen through them. It transitions into a heath, a wide-open, uncultivated area, with signs of human habitation appearing as dusk settles.

Mood: Transitional, weary, hopeful as signs of civilization appear

The prince emerges from the wild forest, his horse collapses, and he continues on foot, approaching the princess's kingdom.

Thinning forest trees Sunset light Open heathland Dusk light Worn-out horse
Image Prompt & Upload
A wide, open heath stretches towards a distant, thinning forest line, where the last rays of a golden hour sunset pierce through the sparse tree trunks. The ground is covered in dry, low-lying grasses and heather, with faint tracks indicating a path. The sky above is a gradient of soft oranges, purples, and deep blues. In the foreground, a weary horse lies on the ground beside a lone figure. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Civilized Wood and Lake Shore (First Encounter)

outdoor night Mild night, no moon, implied calm water

A less wild, 'civilized' wood with a clear footpath leading to the side of a lake. The bank here is only a foot or two above the water. The scene is shrouded in gathering darkness.

Mood: Mysterious, surprising, slightly disorienting due to darkness

The prince hears the princess's laughter (mistaking it for screaming), plunges into the lake to rescue her, and experiences her lack of gravity for the first time as she ascends to a fir tree.

Footpath through woods Dark lake water Low bank (1-2 feet high) Lofty fir trees Topmost fir cones Darkness
Image Prompt & Upload
A narrow, winding footpath disappears into the deep shadows of a 'civilized' wood, where tall, straight fir trees rise steeply. The path opens onto the edge of a still, dark lake, its surface reflecting the faint, starless night sky. The bank is a low, earthy ledge, barely a foot above the water. The air is thick with the scent of pine and damp earth. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

High Cliff Edge by the Lake

outdoor night Mild night, no moon

A different part of the lake shore where the bank rises dramatically, forming a cliff at least twenty-five feet high. The water below is dark.

Mood: Dramatic, exhilarating, playful

The prince, at the princess's command, springs from this high rock into the lake with her, allowing her to 'fall in' again.

High cliff edge (25 feet) Dark lake water below Rock face
Image Prompt & Upload
A sheer, rugged cliff face, at least twenty-five feet high, drops sharply into the dark, moonless waters of a large lake. The rock is rough and uneven, with sparse, hardy vegetation clinging to its crevices. The sky above is a deep, inky black, offering no light. The water below is a calm, reflective void. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Princess's Balcony and Room Window

transitional night Mild night, no moon

A balcony and window of the princess's room, identifiable by a green light burning within. It is situated above the lake, allowing access from the water with a sufficient 'push'.

Mood: Secretive, mischievous, intimate

The princess uses her lack of gravity and the prince's help to re-enter her room via the balcony window, avoiding her attendants.

Balcony Window with green light Lake water below Palace/castle architecture (implied)
Image Prompt & Upload
A stone balcony with intricate, perhaps Gothic or Renaissance-inspired, railings extends from a grand, dark stone wall of a palace. A single window behind the balcony emits a soft, emerald green light, contrasting with the deep blue-black of the night sky. The balcony hangs directly over the still, dark waters of a lake, with no visible shore immediately beneath. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Wilder Wood and Mountain Cave (Prince's Hideout)

outdoor night | varies Implied cool mountain air, constant flow of streams

The opposite side of the lake from the princess's dwelling, characterized by a wilder wood and a steeper shore that rises immediately towards surrounding mountains. A natural cave in the rock serves as a hidden vantage point.

Mood: Solitary, watchful, rugged, natural

The prince finds refuge in a hidden cave after leaving the princess, watching her window and dreaming of her.

Wilder forest Steep shore Mountains surrounding the lake Silvery streams Rock cave Withered leaves (bed) View of green light across the lake
Image Prompt & Upload
A rugged, steep mountainside covered in a dense, wild forest of ancient, gnarled pines and dark undergrowth. Halfway up the slope, a natural cave entrance, barely visible, is carved into the rough, grey rock face. The ground inside is covered with a thick layer of dry, withered leaves. From this vantage point, a vast, dark lake stretches out below, and far across its surface, a tiny, distant green light twinkles. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.