Dr Kelman

by George MacDonald · from The Princess and Curdie

fairy tale adventure hopeful Ages 8-14 1702 words 8 min read
Cover: Dr Kelman

Adapted Version

CEFR A1 Age 5 534 words 3 min Canon 100/100

Curdie came to a big palace. He had his clever dog, Lina, with him.

Curdie walked into the big hall. Lina walked behind him. It was very quiet. A girl sat by the fire. She was crying. She was The Maid. She was sad. She told the truth. But no one believed her. Curdie felt sorry for her.

"I see you are sad," said Curdie. "You told the truth. That was good." The Maid looked at him. "Can you be brave?" asked Curdie. "Yes," said The Maid. "Will you help me?" asked Curdie. "I will help the King." Maid saw Lina. She was not scared. "I will help," she said.

Curdie went to see the King. The King was in his big bed. He was very tired. He was very sad. "The doctor comes at night," said the King. "He gives me bad medicine. It makes me sick." The King looked scared. Curdie listened. He wanted to help.

"I know about the bad doctor," said Curdie. "He is not your friend. He gives you bad medicine. But I am your friend. I will keep you safe. You can trust me." The King smiled. He felt a little better. "Thank you," said the King.

"Now you must sleep," said Curdie. "I will watch over you." King closed eyes. He slept. Princess Irene slept too. Curdie sat behind a curtain. He hid near the bed. "Lina, hide under the bed," he said. Lina hid under the bed. They waited.

It was very late. The Bad Doctor came in. He was very quiet. He looked around the room. No one was there. He smiled a mean smile. He took out a little bottle. He put the bad drink in a glass. He walked to the King's bed. His face looked very mean.

"Lina, stop him!" said Curdie. Lina jumped out fast. She barked very loud. The Bad Doctor was so scared! He fell down. He yelled. Curdie ran to him. "You are caught!" said Curdie. Curdie took the Bad Doctor out. He left him in the hall. The Bad Doctor yelled again. Then he was quiet.

The King woke up. He looked scared. Curdie came back in. He smiled at the King. "It is okay now, King," said Curdie. "The Bad Doctor is gone. He cannot hurt you. You are safe." The King smiled. He lay down again. He felt safe now.

The Bad Doctor made a loud noise. Other helpers heard it. They came out of their rooms. They looked around. The Head Helper opened his door. He looked very scared. He bumped into the Bad Doctor. "What happened?" he said. He saw the Bad Doctor on the floor. He was very confused.

Curdie went back inside. He closed the King's door. He locked it. The King was safe now. Princess Irene was still sleeping. She did not wake up. She felt safe. She knew Curdie was there. Everyone was safe.

Curdie was brave. He told the truth. He helped the King. Be brave and tell truth. It is good.

The King was safe. Princess Irene was safe. Curdie was a hero. He showed brave truth is the best way. And everyone lived happily ever after.

Original Story 1702 words · 8 min read

Dr Kelman

As soon as he had reason to hope the way was clear, Curdie ventured softly into the hall, with Lina behind him. There was no one asleep on the bench or floor, but by the fading fire sat a girl weeping. It was the same who had seen him carrying off the food, and had been so hardly used for saying so. She opened her eyes when he appeared, but did not seem frightened at him.

'I know why you weep,' said Curdie, 'and I am sorry for you.'

'It is hard not to be believed just because one speaks the truth,' said the girl, 'but that seems reason enough with some people. My mother taught me to speak the truth, and took such pains with me that I should find it hard to tell a lie, though I could invent many a story these servants would believe at once; for the truth is a strange thing here, and they don't know it when they see it. Show it them, and they all stare as if it were a wicked lie, and that with the lie yet warm that has just left their own mouths! You are a stranger,' she said, and burst out weeping afresh, 'but the stranger you are to such a place and such people the better!'

'I am the person,' said Curdie, whom you saw carrying the things from the supper table.' He showed her the loaf. 'If you can trust, as well as speak the truth, I will trust you. Can you trust me?'

She looked at him steadily for a moment.

'I can,' she answered.

'One thing more,' said Curdie: 'have you courage as well as truth?'

'I think so.'

'Look my dog in the face and don't cry out. Come here, Lina.'

Lina obeyed. The girl looked at her, and laid her hand on Lina's head.

'Now I know you are a true woman,' said curdie. 'I am come to set things right in this house. Not one of the servants knows I am here. Will you tell them tomorrow morning that, if they do not alter their ways, and give over drinking, and lying, and stealing, and unkindness, they shall every one of them be driven from the palace?'

'They will not believe me.'

'Most likely; but will you give them the chance?'

'I will.'

'Then I will be your friend. Wait here till I come again.'

She looked him once more in the face, and sat down.

When he reached the royal chamber, he found His Majesty awake, and very anxiously expecting him. He received him with the utmost kindness, and at once, as it were, put himself in his hands by telling him all he knew concerning the state he was in. His voice was feeble, but his eye was clear, although now and then his words and thoughts seemed to wander. Curdie could not be certain that the cause of their not being intelligible to him did not lie in himself. The king told him that for some years, ever since his queen's death, he had been losing heart over the wickedness of his people. He had tried hard to make them good, but they got worse and worse. Evil teachers, unknown to him, had crept into the schools; there was a general decay of truth and right principle at least in the city; and as that set the example to the nation, it must spread.

The main cause of his illness was the despondency with which the degeneration of his people affected him. He could not sleep, and had terrible dreams; while, to his unspeakable shame and distress, he doubted almost everybody. He had striven against his suspicion, but in vain, and his heart was sore, for his courtiers and councillors were really kind; only he could not think why none of their ladies came near his princess. The whole country was discontented, he heard, and there were signs of gathering storm outside as well as inside his borders. The master of the horse gave him sad news of the insubordination of the army; and his great white horse was dead, they told him; and his sword had lost its temper: it bent double the last time he tried it!—only perhaps that was in a dream; and they could not find his shield; and one of his spurs had lost the rowel.

Thus the poor king went wandering in a maze of sorrows, some of which were purely imaginary, while others were truer than he understood. He told how thieves came at night and tried to take his crown, so that he never dared let it out of his hands even when he slept; and how, every night, an evil demon in the shape of his physician came and poured poison down his throat. He knew it to be poison, he said, somehow, although it tasted like wine.

Here he stopped, faint with the unusual exertion of talking.

Curdie seized the flagon, and ran to the wine cellar.

In the servants' hall the girl still sat by the fire, waiting for him. As he returned he told her to follow him, and left her at the chamber door until he should rejoin her. When the king had had a little wine, he informed him that he had already discovered certain of His Majesty's enemies, and one of the worst of them was the doctor, for it was no other demon than the doctor himself who had been coming every night, and giving him a slow poison.

'So!' said the king. 'Then I have not been suspicious enough, for I thought it was but a dream! Is it possible Kelman can be such a wretch? Who then am I to trust?'

'Not one in the house, except the princess and myself,' said Curdie.

'I will not go to sleep,' said the king.

'That would be as bad as taking the poison,' said Curdie. 'No, no, sire; you must show your confidence by leaving all the watching to me, and doing all the sleeping Your Majesty can.'

The king smiled a contented smile, turned on his side, and was presently fast asleep. Then Curdie persuaded the princess also to go to sleep, and telling Lina to watch, went to the housemaid. He asked her if she could inform him which of the council slept in the palace, and show him their rooms. She knew every one of them, she said, and took him the round of all their doors, telling him which slept in each room. He then dismissed her, and returning to the king's chamber, seated himself behind a curtain at the head of the bed, on the side farthest from the king. He told Lina to get under the bed, and make no noise.

About one o'clock the doctor came stealing in. He looked round for the princess, and seeing no one, smiled with satisfaction as he approached the wine where it stood under the lamp. Having partly filled a glass, he took from his pocket a small phial, and filled up the glass from it. The light fell upon his face from above, and Curdie saw the snake in it plainly visible. He had never beheld such an evil countenance: the man hated the king, and delighted in doing him wrong.

With the glass in his hand, he drew near the bed, set it down, and began his usual rude rousing of His Majesty. Not at once succeeding, he took a lancet from his pocket, and was parting its cover with an involuntary hiss of hate between his closed teeth, when Curdie stooped and whispered to Lina.

'Take him by the leg, Lina.' She darted noiselessly upon him. With a face of horrible consternation, he gave his leg one tug to free it; the next instant Curdie heard the one scrunch with which she crushed the bone like a stick of celery. He tumbled on the floor with a yell.

'Drag him out, Lina,' said Curdie. Lina took him by the collar, and dragged him out. Her master followed her to direct her, and they left the doctor lying across the lord chamberlain's door, where he gave another horrible yell, and fainted.

The king had waked at his first cry, and by the time Curdie re-entered he had got at his sword where it hung from the centre of the tester, had drawn it, and was trying to get out of bed. But when Curdie told him all was well, he lay down again as quietly as a child comforted by his mother from a troubled dream. Curdie went to the door to watch.

The doctor's yells had aroused many, but not one had yet ventured to appear. Bells were rung violently, but none were answered; and in a minute or two Curdie had what he was watching for. The door of the lord chamberlain's room opened, and, pale with hideous terror, His Lordship peeped out. Seeing no one, he advanced to step into the corridor, and tumbled over the doctor. Curdie ran up, and held out his hand. He received in it the claw of a bird of prey—vulture or eagle, he could not tell which.

His Lordship, as soon as he was on his legs, taking him for one of the pages abused him heartily for not coming sooner, and threatened him with dismissal from the king's service for cowardice and neglect. He began indeed what bade fair to be a sermon on the duties of a page, but catching sight of the man who lay at his door, and seeing it was the doctor, he fell upon Curdie afresh for standing there doing nothing, and ordered him to fetch immediate assistance. Curdie left him, but slipped into the King's chamber, closed and locked the door, and left the rascals to look after each other. Ere long he heard hurrying footsteps, and for a few minutes there was a great muffled tumult of scuffling feet, low voices and deep groanings; then all was still again.

Irene slept through the whole—so confidently did she rest, knowing Curdie was in her father's room watching over him.


Story DNA fairy tale · hopeful

Moral

Truth and courage, even in the face of widespread corruption, can expose evil and restore order.

Plot Summary

Curdie, with his dog Lina, infiltrates a corrupt palace where the king is gravely ill, suffering from the hidden treachery of his physician, Dr. Kelman. After enlisting a truthful housemaid, Curdie meets the king, who, in his delirium, reveals his fear of being poisoned. Curdie confirms Dr. Kelman's villainy and, with Lina's help, ambushes the doctor during his nightly poisoning attempt, exposing him. The king is saved, and justice begins to unfold against the corrupt court.

Themes

truth vs. deceptionloyalty and trustcorruption and justicecourage and integrity

Emotional Arc

despair to hope

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate

Narrative Elements

Conflict: person vs person
Ending: moral justice
Magic: Lina, the dog, possesses unusual intelligence and strength, acting as a protector and enforcer of justice., Curdie's ability to perceive the 'snake' in Dr. Kelman's face suggests a heightened moral perception.
The poisoned wine/flagon (corruption, betrayal)The king's lost sword/shield/spur (his weakened state, loss of power)The 'snake' in Dr. Kelman's face (inherent evil)

Cultural Context

Origin: Scottish
Era: timeless fairy tale

George MacDonald's fairy tales often blend Christian allegory with traditional fantasy elements, emphasizing moral purity and the triumph of good over evil.

Plot Beats (10)

  1. Curdie and Lina enter the palace hall and find a weeping housemaid, who was punished for telling the truth about Curdie taking food.
  2. Curdie reveals his identity to the maid, tests her truthfulness and courage, and enlists her help to warn the corrupt servants.
  3. Curdie meets the king, who is suffering from despondency, sleeplessness, and paranoia, believing his physician is poisoning him.
  4. Curdie confirms the king's fears, identifying Dr. Kelman as the poisoner, and assures the king he will protect him.
  5. Curdie convinces the king and princess to sleep, then positions himself and Lina to ambush Dr. Kelman.
  6. Dr. Kelman enters, prepares a poisoned drink, and approaches the king's bed with a malevolent expression.
  7. Lina attacks Dr. Kelman, crushing his leg, and Curdie drags him out of the room.
  8. The king awakens, but Curdie reassures him that the danger is past.
  9. The doctor's cries alert other corrupt officials, including the lord chamberlain, who stumbles over the doctor.
  10. Curdie locks the king's door, leaving the corrupt officials to deal with the situation themselves, as the princess sleeps soundly.

Characters 7 characters

Curdie ★ protagonist

human young adult male

Lean and agile build, of average height for a young man, with a strong, determined posture. His movements are quiet and deliberate, indicating a background of stealth or careful observation. He possesses a youthful strength.

Attire: Simple, practical clothing suitable for movement and stealth, likely made of durable, muted fabrics like wool or linen in dark or earthy tones. Perhaps a tunic, trousers, and sturdy boots, without any ornamentation.

Wants: To restore order and truth to the palace, protect the king and princess, and expose corruption.

Flaw: Perhaps a youthful directness that might underestimate the cunning of his adversaries, though he quickly adapts.

He acts as a catalyst for change, exposing corruption and restoring the king's faith, solidifying his role as a protector and agent of truth.

His calm, resolute expression even in dangerous situations, paired with his simple, practical attire.

Brave, truthful, resourceful, compassionate, determined. He takes initiative to right wrongs and protect the innocent.

Image Prompt & Upload
A young man standing upright, facing forward, full body visible from head to toe. He has a lean, agile build and a determined expression. His eyes are clear and observant. He wears a simple, dark grey linen tunic, sturdy brown trousers, and practical leather boots. His dark hair is cut short and unadorned. He holds a small, round loaf of rustic bread in his left hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Lina ◆ supporting

animal adult female

A large, powerful dog, likely a mastiff or similar breed known for strength and loyalty. Her movements are silent and swift when necessary, but she is calm and obedient to Curdie. Her fur is dark, allowing her to blend into shadows.

Attire: None, as she is a dog.

Wants: To obey and protect Curdie, her master.

Flaw: Her actions are entirely dependent on Curdie's commands.

Remains a steadfast and effective companion, proving her worth as a protector.

Her silent, powerful presence and the swift, decisive way she executes Curdie's commands.

Loyal, obedient, powerful, protective, intelligent. She acts as Curdie's silent enforcer.

Image Prompt & Upload
A large, powerful dark-furred dog, resembling a mastiff, standing alert and facing forward, full body visible from head to toe. Its eyes are intelligent and watchful. Its posture is strong and ready, but calm. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Housemaid ◆ supporting

human young adult female

Likely of a slender build, showing signs of hard work and perhaps a degree of weariness from her difficult life in the palace. Her appearance is unadorned, reflecting her status.

Attire: Simple, worn servant's attire, likely a plain linen dress or skirt and bodice in muted colors, perhaps with a plain apron. The fabric would be coarse and functional, not decorative.

Wants: To be believed and to see justice done; to escape the mistreatment and corruption of the palace.

Flaw: Vulnerable to the abuse and disbelief of others due to her honesty.

From a weeping, disbelieved servant, she gains an ally and a purpose, becoming an instrument of change by delivering Curdie's message.

Her tear-streaked face, illuminated by the fading fire, as she sits alone and weeps.

Truthful, sorrowful, brave (in her willingness to speak the truth despite consequences), trusting (once convinced), obedient.

Image Prompt & Upload
A young peasant woman sitting by a fading fire, facing forward, full body visible from head to toe. She has a slender build and a sorrowful expression, with tear tracks on her fair skin. Her light brown hair is pulled back in a simple, practical bun. She wears a plain, worn grey linen dress with a white apron tied at the waist, and simple leather shoes. Her hands are clasped in her lap. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King ◆ supporting

human elderly male

Frail and weakened by illness and despair, but with a lingering dignity. His body is likely thin and his movements slow due to his condition. He is described as having a feeble voice.

Attire: Despite his illness, he would still wear royal nightclothes, perhaps a fine linen nightshirt and a silk dressing gown, though possibly disheveled due to his distress. The fabrics would be luxurious, even if his current state diminishes their grandeur.

Wants: To see his kingdom restored to goodness and truth; to find peace from his torment and suspicion.

Flaw: His profound despondency, his susceptibility to manipulation due to his illness and isolation, and his inability to discern truth from deception on his own.

From a despondent, suspicious, and poisoned ruler, he is restored to a state of peace and trust, his faith in his kingdom and himself beginning to heal.

His clear, anxious eyes contrasting with his frail, despondent demeanor, holding his sword in bed.

Despondent, trusting (once convinced), good-hearted, anxious, vulnerable. He is deeply affected by the moral decay of his kingdom.

Image Prompt & Upload
An elderly king lying in a grand bed, facing forward, full body visible from head to toe. He has a frail build and a face etched with worry, but his eyes are clear and intelligent. His white hair is thin. He wears a fine, cream-colored linen nightshirt. He holds a golden crown in his hands, resting on his chest. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Dr. Kelman ⚔ antagonist

human adult male

Not explicitly described, but Curdie sees a 'snake' in his face, implying a sinister and untrustworthy appearance. He is likely of average build, allowing him to move stealthily. His movements are calculated and insidious.

Attire: Professional attire befitting a physician in a royal court, likely dark, tailored garments of fine wool or velvet, perhaps a long coat or tunic, to project an image of authority and respectability, masking his true nature.

Wants: To slowly poison and undermine the king, likely for power or personal gain, driven by deep-seated hatred.

Flaw: Overconfidence in his deception, underestimating Curdie and Lina.

His treachery is exposed, and he is brutally incapacitated by Lina, leading to his downfall.

The 'snake' that Curdie sees in his face, revealing his true, malevolent nature.

Evil, cunning, hateful, treacherous, cruel, manipulative. He delights in causing harm.

Image Prompt & Upload
An adult man standing, facing forward, full body visible from head to toe. He has a cunning and malevolent expression, with cold, calculating eyes. His dark hair is neatly combed. He wears a dark, tailored velvet coat over a crisp white shirt, with dark trousers and polished leather shoes. He holds a small, dark glass phial in his right hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Princess Irene ◆ supporting

human child female

Not explicitly described in this excerpt, but implied to be young and innocent, sleeping soundly due to her trust in Curdie. She is likely of a delicate build, as a princess.

Attire: Fine nightclothes befitting a princess, likely a delicate silk or linen nightgown, perhaps embroidered, in soft, light colors.

Wants: To be safe and for her father to be well.

Flaw: Her innocence makes her vulnerable to the dangers around her, though she is protected by Curdie.

Remains a symbol of purity and trust, untouched by the night's events due to Curdie's protection.

Her serene, trusting sleep amidst the palace's turmoil.

Trusting, innocent, peaceful. Her presence provides a contrast to the palace's corruption.

Image Prompt & Upload
A young girl sleeping peacefully in a grand bed, facing forward, full body visible from head to toe. She has a delicate build and a serene expression, with soft, light blonde hair spread on the pillow. She wears a delicate, white silk nightgown. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Lord Chamberlain ○ minor

human adult male

Likely a man of some stature, but his appearance is dominated by his terror. He is described as pale. Curdie perceives his hand as a 'claw of a bird of prey', suggesting a grasping or predatory nature beneath his official facade.

Attire: Likely nightclothes, perhaps a fine silk or velvet dressing gown over a nightshirt, but disheveled due to his sudden awakening and terror.

Wants: To protect himself; to maintain his position and authority.

Flaw: His profound cowardice and self-importance, which make him ineffective and easily manipulated.

His cowardice and complicity are revealed, as he stumbles over the incapacitated Dr. Kelman and is left to deal with the situation by Curdie.

His pale face peeping out from his door, contorted with 'hideous terror'.

Cowardly, abusive (to Curdie, whom he mistakes for a page), self-important, easily terrified, likely complicit in the palace's corruption.

Image Prompt & Upload
An adult man with a pale face contorted in 'hideous terror', peeking out from a doorway, full body visible from head to toe. He has a portly build and wide, fearful eyes. His dark hair is disheveled. He wears a luxurious, dark blue velvet dressing gown over a white linen nightshirt. His hand is raised in a claw-like gesture. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
No image yet

Palace Hallway

indoor night Implied cool, still night

A grand, dimly lit hallway within a European-style palace, with a fading fire in a large hearth. Benches line the walls, and the floor is likely stone or polished wood. The air is still and heavy with unspoken sorrow.

Mood: Somber, quiet, melancholic, with a hint of foreboding

Curdie encounters the weeping housemaid and begins to uncover the palace's corruption.

Fading fireplace embers Long wooden bench Stone or polished wood floor Shadows cast by low light
Image Prompt & Upload
A vast, high-ceilinged palace hallway at night, illuminated only by the dying embers of a grand stone fireplace. Long, dark shadows stretch across the polished stone floor, reflecting the faint, warm glow. Heavy, dark wooden benches are pushed against the walls, and the air is thick with a sense of quiet despair. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Royal Chamber

indoor night Implied cool, still night

The King's private bedchamber in a European palace, likely furnished with a grand four-poster bed with a tester. The room is initially dimly lit, but later a lamp illuminates a specific area. It feels like a place of vulnerability and hidden danger.

Mood: Tense, vulnerable, secretive, with a sense of impending confrontation

Curdie speaks with the King, learns of his poisoning, and later ambushes Dr. Kelman.

Four-poster bed with tester Curtains (behind which Curdie hides) Lamp Wine flagon and glass King's sword hanging from the tester
Image Prompt & Upload
A lavish royal bedchamber at deep night, dominated by a massive four-poster bed with heavy velvet drapes and a central tester from which a sword hangs. A single oil lamp on a nearby table casts a warm, focused glow on a wine flagon and glass, leaving the rest of the room in deep, rich shadows. Ornate tapestries adorn the walls, and a thick, patterned rug covers the floor. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Lord Chamberlain's Doorway

transitional night Implied cool, still night

The threshold of a nobleman's room, opening onto a palace corridor. It becomes a site of chaos and discovery, with the doctor's unconscious body blocking the way.

Mood: Chaotic, alarming, revealing, with a touch of dark humor

Dr. Kelman is dragged out and left at the Lord Chamberlain's door, leading to the discovery of his treachery and the Lord Chamberlain's true nature.

Heavy wooden door (of the Lord Chamberlain's room) Palace corridor Unconscious body of Dr. Kelman
Image Prompt & Upload
A grand, dark wooden door with intricate carvings, slightly ajar, opening onto a dimly lit palace corridor. An unconscious figure lies sprawled across the threshold, partially illuminated by a faint, distant light source down the corridor. The polished stone floor of the corridor reflects the sparse light, and the air is thick with the aftermath of a struggle. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.