More Vengeance

by George MacDonald · from The Princess and Curdie

fairy tale moral tale solemn Ages 8-14 1632 words 8 min read
Cover: More Vengeance

Adapted Version

CEFR A1 Age 5 450 words 2 min Canon 100/100

Curdie was a special helper for The King. He had many strange creature friends. Curdie wanted The King's palace good.

Curdie told his friends to clean. They cleaned the big hall. They cleaned it all fast. Ballbody could not clean. He just rolled around.

Curdie went to The King. He told The King it all. The bad people left. They did not make noise. The palace was quiet now.

Curdie had more work. Bad men still lived there. Curdie wanted them to go. He would make them leave. The palace must be good.

Curdie listened from a room. Bad men talked inside. The Chamberlain was there. The Royal Lawyer was there. The Horse Master was there. The King's Secretary was there. They had a bad plan. They wanted to hurt The King. They wanted his place.

Curdie sent Lina. Lina went to The King's Secretary. She looked at him. He saw her big teeth. He got very scared. He ran away fast.

Curdie sent the legserpent. It went to The Chamberlain. The legserpent wiggled under his bed. It made the bed shake. The Chamberlain felt very bad. He wanted to leave his bed.

Curdie sent the tapir. It went to The Horse Master. The Horse Master was awake. The tapir nudged his legs. He jumped into his bed. He hid under the covers.

Curdie sent a big spider. It went to The Royal Lawyer. He sat in a chair. The spider put sticky threads. He could not move. He was stuck fast.

Curdie walked through rooms. He found some good men. They had good hearts. Curdie let them go. They left the palace. They went in peace.

Curdie's friends helped him. They made all bad people leave. The bad people were scared. They ran out of the palace. They wore their nightclothes. They did not make noise. They just ran away.

The bad men went to town. They looked for a place. The inns were full. No one let them in. People knew they were mean. They did bad things. They had no home.

Derba lived in a small house. She was a kind woman. She opened her door. She let the men come in. One bad man shared a bed. He shared with a horse boy.

Next morning, Curdie came. The bad men were scared. Curdie did not look at them. He came for Derba. The King needed her help.

Curdie told Derba good news. Her home was the palace. She was The King's special helper. She would cook for The King. She would cook his breakfast. Derba was very happy.

Good people help others. Good things happen to good people. Bad people do not stay in the palace.

Original Story 1632 words · 8 min read

More Vengeance

As soon as they were gone, Curdie brought the creatures back to the servants' hall, and told them to eat up everything on the table. It was a sight to see them all standing round it—except such as had to get upon it—eating and drinking, each after its fashion, without a smile, or a word, or a glance of fellowship in the act. A very few moments served to make everything eatable vanish, and then Curdie requested them to clean house, and the page who stood by to assist them.

Every one set about it except Ballbody: he could do nothing at cleaning, for the more he rolled, the more he spread the dirt. Curdie was curious to know what he had been, and how he had come to be such as he was: but he could only conjecture that he was a gluttonous alderman whom nature had treated homeopathically. And now there was such a cleaning and clearing out of neglected places, such a burying and burning of refuse, such a rinsing of jugs, such a swilling of sinks, and such a flushing of drains as would have delighted the eyes of all true housekeepers and lovers of cleanliness generally.

Curdie meantime was with the king, telling him all he had done. They had heard a little noise, but not much, for he had told the avengers to repress outcry as much as possible; and they had seen to it that the more anyone cried out the more he had to cry out upon, while the patient ones they scarcely hurt at all.

Having promised His Majesty and Her Royal Highness a good breakfast, Curdie now went to finish the business. The courtiers must be dealt with. A few who were the worst, and the leaders of the rest, must be made examples of; the others should be driven to the street.

He found the chiefs of the conspiracy holding a final consultation in the smaller room off the hall. These were the lord chamberlain, the attorney-general, the master of the horse, and the king's private secretary: the lord chancellor and the rest, as foolish as faithless, were but the tools of these.

The housemaid had shown him a little closet, opening from a passage behind, where he could overhear all that passed in that room; and now Curdie heard enough to understand that they had determined, in the dead of that night, rather in the deepest dark before the morning, to bring a certain company of soldiers into the palace, make away with the king, secure the princess, announce the sudden death of His Majesty, read as his the will they had drawn up, and proceed to govern the country at their ease, and with results: they would at once levy severer taxes, and pick a quarrel with the most powerful of their neighbours. Everything settled, they agreed to retire, and have a few hours' quiet sleep first—all but the secretary, who was to sit up and call them at the proper moment. Curdie allowed them half an hour to get to bed, and then set about completing his purgation of the palace.

First he called Lina, and opened the door of the room where the secretary sat. She crept in, and laid herself down against it. When the secretary, rising to stretch his legs, caught sight of her eyes, he stood frozen with terror. She made neither motion nor sound. Gathering courage, and taking the thing for a spectral illusion, he made a step forward. She showed her other teeth, with a growl neither more than audible nor less than horrible. The secretary sank fainting into a chair. He was not a brave man, and besides, his conscience had gone over to the enemy, and was sitting against the door by Lina.

To the lord chamberlain's door next, Curdie conducted the legserpent, and let him in.

Now His Lordship had had a bedstead made for himself, sweetly fashioned of rods of silver gilt: upon it the legserpent found him asleep, and under it he crept. But out he came on the other side, and crept over it next, and again under it, and so over it, under it, over it, five or six times, every time leaving a coil of himself behind him, until he had softly folded all his length about the lord chamberlain and his bed. This done, he set up his head, looking down with curved neck right over His Lordship's, and began to hiss in his face.

He woke in terror unspeakable, and would have started up but the moment he moved, the legserpent drew his coils closer, and closer still, and drew and drew until the quaking traitor heard the joints of his bedstead grinding and gnarring. Presently he persuaded himself that it was only a horrid nightmare, and began to struggle with all his strength to throw it off. Thereupon the legserpent gave his hooked nose such a bite that his teeth met through it—but it was hardly thicker than the bowl of a spoon; and then the vulture knew that he was in the grasp of his enemy the snake, and yielded.

As soon as he was quiet the legserpent began to untwist and retwist, to uncoil and recoil himself, swinging and swaying, knotting and relaxing himself with strangest curves and convolutions, always, however, leaving at least one coil around his victim. At last he undid himself entirely, and crept from the bed. Then first the lord chamberlain discovered that his tormentor had bent and twisted the bedstead, legs and canopy and all, so about him that he was shut in a silver cage out of which it was impossible for him to find a way. Once more, thinking his enemy was gone, he began to shout for help. But the instant he opened his mouth his keeper darted at him and bit him, and after three or four such essays, he lay still.

The master of the horse Curdie gave in charge to the tapir. When the soldier saw him enter—for he was not yet asleep—he sprang from his bed, and flew at him with his sword. But the creature's hide was invulnerable to his blows, and he pecked at his legs with his proboscis until he jumped into bed again, groaning, and covered himself up; after which the tapir contented himself with now and then paying a visit to his toes.

As for the attorney-general, Curdie led to his door a huge spider, about two feet long in the body, which, having made an excellent supper, was full of webbing. The attorney-general had not gone to bed, but sat in a chair asleep before a great mirror. He had been trying the effect of a diamond star which he had that morning taken from the jewel room. When he woke he fancied himself paralysed; every limb, every finger even, was motionless: coils and coils of broad spider ribbon bandaged his members to his body, and all to the chair. In the glass he saw himself wound about with slavery infinite. On a footstool a yard off sat the spider glaring at him.

Clubhead had mounted guard over the butler, where he lay tied hand and foot under the third cask. From that cask he had seen the wine run into a great bath, and therein he expected to be drowned. The doctor, with his crushed leg, needed no one to guard him.

And now Curdie proceeded to the expulsion of the rest. Great men or underlings, he treated them all alike. From room to room over the house he went, and sleeping or waking took the man by the hand. Such was the state to which a year of wicked rule had reduced the moral condition of the court, that in it all he found but three with human hands. The possessors of these he allowed to dress themselves and depart in peace. When they perceived his mission, and how he was backed, they yielded.

Then commenced a general hunt, to clear the house of the vermin. Out of their beds in their night clothing, out of their rooms, gorgeous chambers or garret nooks, the creatures hunted them. Not one was allowed to escape. Tumult and noise there was little, for fear was too deadly for outcry. Ferreting them out everywhere, following them upstairs and downstairs, yielding no instant of repose except upon the way out, the avengers persecuted the miscreants, until the last of them was shivering outside the palace gates, with hardly sense enough left to know where to turn.

When they set out to look for shelter, they found every inn full of the servants expelled before them, and not one would yield his place to a superior suddenly levelled with himself. Most houses refused to admit them on the ground of the wickedness that must have drawn on them such a punishment; and not a few would have been left in the streets all night, had not Derba, roused by the vain entreaties at the doors on each side of her cottage, opened hers, and given up everything to them. The lord chancellor was only too glad to share a mattress with a stableboy, and steal his bare feet under his jacket.

In the morning Curdie appeared, and the outcasts were in terror, thinking he had come after them again. But he took no notice of them: his object was to request Derba to go to the palace: the king required her services. She need take no trouble about her cottage, he said; the palace was henceforward her home: she was the king's chatelaine over men and maidens of his household. And this very morning she must cook His Majesty a nice breakfast.


Story DNA fairy tale · solemn

Moral

Those who abuse their power and betray trust will face fitting consequences for their actions.

Plot Summary

Curdie, an agent of the king, continues his mission to cleanse the palace of corruption. After dealing with the servants, he overhears the chief courtiers plotting to murder the king and seize power. Curdie then dispatches his fantastical creatures to individually torment and incapacitate these conspirators in ways that reflect their character. Following this, all remaining corrupt individuals are systematically hunted down and expelled from the palace, finding no refuge in the town due to their ill reputation. Finally, a kind woman named Derba, who offered shelter to the outcasts, is rewarded by Curdie with a position of honor in the now-purified palace, signifying the restoration of justice and goodness.

Themes

justicevengeancecorruptionredemption

Emotional Arc

tension to resolution

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: detailed descriptions of fantastical creatures' actions, focus on physical discomfort as punishment

Narrative Elements

Conflict: person vs person
Ending: moral justice
Magic: fantastical creatures with specific abilities (Lina, legserpent, tapir, giant spider, Clubhead), creatures acting as agents of justice, Curdie's ability to command these creatures
the 'human hands' as a symbol of integritythe silver bedstead twisted into a cage, symbolizing self-made entrapment

Cultural Context

Origin: Scottish (Victorian era author)
Era: timeless fairy tale

George MacDonald's works often blend Christian allegory with fantasy, and this story reflects themes of divine justice and the consequences of sin, common in Victorian moral tales.

Plot Beats (15)

  1. Curdie instructs his creatures to clean the servants' hall after their previous task, noting Ballbody's inability to clean.
  2. Curdie reports his progress to the king, explaining how the creatures targeted the most resistant individuals.
  3. Curdie plans to deal with the courtiers, making examples of the worst and expelling the rest.
  4. Curdie overhears the chief conspirators (lord chamberlain, attorney-general, master of the horse, private secretary) finalizing their plot to murder the king and take over.
  5. Curdie sends Lina to terrorize the private secretary, who faints from fear and a guilty conscience.
  6. The legserpent coils around the lord chamberlain in his bed, biting him and twisting his silver bedstead into a cage.
  7. The tapir confronts the master of the horse, pecking him until he retreats to his bed.
  8. A giant spider webs the attorney-general to his chair, leaving him immobilized and staring at his reflection.
  9. Clubhead guards the butler, who is tied under a wine cask, while the doctor is incapacitated by his injury.
  10. Curdie, finding only three courtiers with 'human hands' (i.e., not utterly corrupt), allows them to leave peacefully.
  11. The creatures hunt down and expel all remaining corrupt courtiers and underlings from the palace, driving them out in their nightclothes.
  12. The expelled courtiers find no refuge in the town, as inns are full and houses refuse them due to their wickedness.
  13. Derba, a kind woman, opens her cottage to the desperate outcasts, forcing the lord chancellor to share a mattress with a stableboy.
  14. Curdie appears the next morning, not to punish the outcasts further, but to summon Derba to the palace.
  15. Derba is appointed the king's chatelaine, her cottage is abandoned, and she is tasked with preparing the king's breakfast in her new home.

Characters 7 characters

Curdie ★ protagonist

human young adult male

Lean and agile, with a strong, determined build. His movements are swift and purposeful, reflecting his decisive nature. He possesses an air of quiet authority.

Attire: Practical, sturdy clothing suitable for someone who moves freely and takes action. Perhaps a tunic and breeches made of durable wool or linen, in earthy tones, with a simple leather belt.

Wants: To purge the palace of corruption and restore order and justice to the kingdom, protecting the King and Princess.

Flaw: His methods, while effective, can be harsh and unforgiving, potentially lacking in mercy for those he deems irredeemable.

He serves as an agent of change, bringing about a swift and complete transformation of the palace's moral landscape.

His calm, unwavering gaze, even when orchestrating chaos.

Decisive, just, resourceful, firm, and observant. He acts with a clear sense of right and wrong, and is unafraid to take drastic measures to achieve justice.

Image Prompt & Upload
A lean young man with a determined expression, standing upright and facing forward, full body visible from head to toe. He has sharp, observant dark eyes and practical, short dark hair. He wears a simple, sturdy dark green linen tunic, practical brown breeches, and a wide leather belt. His posture is confident and authoritative. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Ballbody ○ minor

human (transformed) adult male

Extremely corpulent, so round that he rolls rather than walks. His body is a vast, spherical mass, making him incapable of normal movement or cleaning.

Attire: Whatever clothing he wears would be stretched taut over his immense frame, likely simple and ill-fitting due to his size. Perhaps a stained, oversized tunic.

Wants: To eat.

Flaw: His immense size and inability to move or clean himself.

Remains unchanged, serving as a static example of gluttony.

His perfectly spherical, rolling body.

Gluttonous, helpless (in his current state), a symbol of excess.

Image Prompt & Upload
An extremely corpulent adult man, so round he appears spherical, standing upright and facing forward, full body visible from head to toe. His face is round and fleshy, with small eyes. He wears a stretched, simple, stained brown tunic. He appears to be barely able to stand, or perhaps slightly off-balance as if about to roll. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King ◆ supporting

human adult male

Not explicitly described, but implied to be in a position of authority and somewhat vulnerable due to the conspiracy. Likely of a dignified but perhaps weary bearing.

Attire: Royal attire, but perhaps less ostentatious than his corrupt courtiers. A rich, but not overly ornate, velvet robe in deep jewel tones, with minimal gold embroidery, reflecting his current state of vulnerability.

Wants: To restore order and purity to his palace and kingdom.

Flaw: His inability to discern the treachery of his courtiers, leading to the kingdom's moral decay.

From being a king whose court is overrun with corruption, he is restored to a position of true authority and surrounded by loyal, honest individuals.

His regal bearing combined with a look of quiet relief after Curdie's intervention.

Trusting (of Curdie), perhaps a bit naive or overwhelmed by the corruption, but ultimately desirous of justice.

Image Prompt & Upload
A dignified adult man with a weary but hopeful expression, standing upright and facing forward, full body visible from head to toe. He has a mature face, perhaps with a short, neatly trimmed beard, and dark, receding hair. He wears a deep blue velvet robe with subtle silver embroidery at the cuffs and collar, and a simple golden circlet on his head. His posture is regal but slightly relaxed. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Princess ◆ supporting

human young adult female

Not explicitly described, but implied to be a figure of innocence and royalty, targeted by the conspirators. Likely graceful and delicate.

Attire: Elegant but not overly extravagant, reflecting her royal status but also the current state of vulnerability in the palace. Perhaps a gown of soft silk in a light color like pale gold or ivory, with delicate embroidery.

Wants: To be safe and for her father's kingdom to be just.

Flaw: Her vulnerability to the conspirators' plot.

From being a potential victim, she is secured and protected by Curdie's actions.

Her delicate, regal appearance, symbolizing the purity Curdie is fighting to preserve.

Likely gentle and innocent, a victim of circumstance rather than a participant in the corruption.

Image Prompt & Upload
A graceful young woman with a gentle, slightly anxious expression, standing upright and facing forward, full body visible from head to toe. She has soft, light brown hair styled in elegant waves, and kind blue eyes. She wears a flowing gown of pale gold silk with delicate white lace trim at the neckline and cuffs. Her posture is refined and poised. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Lord Chamberlain ⚔ antagonist

human adult male

Implied to be a man of some physical presence, as he has a 'hooked nose' and is described as a 'vulture' by the legserpent. Likely well-fed and accustomed to luxury.

Attire: Luxurious nightclothes, perhaps a silk nightshirt and cap, reflecting his wealth and status, even in bed. His bedstead is 'sweetly fashioned of rods of silver gilt'.

Wants: To seize power and govern the country for his own benefit, levying severe taxes.

Flaw: His cowardice and physical vulnerability when faced with true terror.

From a powerful, scheming conspirator to a terrified, trapped prisoner, physically and mentally broken.

His hooked nose, and being trapped within his own twisted silver-gilt bedstead.

Treacherous, cunning, self-serving, cruel, and cowardly when confronted.

Image Prompt & Upload
A middle-aged man with a sharp, hooked nose and a terrified expression, standing upright and facing forward, full body visible from head to toe. He has slicked-back graying hair and narrow, cunning eyes. He wears a luxurious, pale blue silk nightshirt. His posture is hunched and fearful, as if recoiling. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Attorney-General ⚔ antagonist

human adult male

Not explicitly described, but implied to be vain, as he admires himself in a mirror. Likely of a respectable, perhaps slightly portly, build befitting his office.

Attire: He is still dressed, having not gone to bed. Likely wears formal court attire, perhaps a dark velvet coat, silk waistcoat, and breeches, with a ruffled cravat, suitable for an attorney-general. He is trying on a diamond star.

Wants: To gain power and wealth through the conspiracy.

Flaw: His vanity and his complete paralysis when confronted by the spider.

From a vain, powerful conspirator to a completely immobilized and terrified victim, bound by spider silk.

Bound to his chair by spider silk, staring at his reflection in a mirror, with a huge spider glaring at him.

Vain, self-serving, treacherous, and easily incapacitated by fear.

Image Prompt & Upload
A middle-aged man with a vain, self-satisfied expression, now frozen in terror, standing upright and facing forward, full body visible from head to toe. He has a neatly trimmed dark beard and dark, calculating eyes. He wears a dark blue velvet coat, a white silk waistcoat, and dark breeches, with a ruffled white cravat. A diamond star is pinned to his chest. His posture is rigid and paralyzed. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Derba ◆ supporting

human adult female

A kind and compassionate woman, likely of a humble background. Her hands would show signs of work, but her demeanor would be gentle.

Attire: Simple, clean peasant clothing. A sturdy linen dress in a muted color like grey or brown, with a plain apron and a headscarf.

Wants: To help those in need, driven by her inherent goodness.

Flaw: Her extreme generosity could be exploited, though in this story it leads to her reward.

From a simple peasant woman, she is elevated to the position of the King's chatelaine, a reward for her virtue.

Her open cottage door, inviting in the outcasts, and her kind, welcoming expression.

Compassionate, generous, kind, and selfless. She offers help even to those who have wronged her or are her social superiors.

Image Prompt & Upload
A kind adult woman with a gentle, compassionate expression, standing upright and facing forward, full body visible from head to toe. She has soft brown hair pulled back in a simple bun and warm brown eyes. She wears a practical grey linen dress, a plain white apron, and a simple white headscarf. Her posture is humble but welcoming. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 5 locations
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Servants' Hall

indoor night implied temperate, no specific weather

A large, neglected room within the palace, likely utilitarian with a long table, now being thoroughly cleaned and flushed of refuse. The atmosphere shifts from chaotic feasting to diligent, if unusual, cleaning.

Mood: chaotic, then industrious, a sense of purgation

The 'avengers' (transformed courtiers) are brought here to eat and then clean the neglected palace areas.

long table eating creatures sinks drains cleaning implements
Image Prompt & Upload
A large, high-ceilinged servants' hall in a medieval European palace, with rough-hewn timber beams and stone walls. A long, heavy wooden table is being scrubbed clean, and the stone floor is wet from swilling. Moonlight streams through a high, arched window, illuminating dust motes and the industrious activity of strange, animalistic figures. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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Smaller Room off the Hall (Conspiracy Meeting Room)

indoor deepest dark before morning implied temperate, no specific weather

A private, more intimate room within the palace, where the chief conspirators hold their final consultation. It has a hidden closet accessible from a passage behind it.

Mood: tense, secretive, conspiratorial

The leaders of the conspiracy finalize their plan to overthrow the king, overheard by Curdie.

meeting table chairs hidden closet passage
Image Prompt & Upload
A dimly lit, wood-paneled private chamber in a medieval European palace. A heavy oak table is surrounded by high-backed chairs, with parchment scrolls and inkwells scattered on its surface. A small, concealed door to a closet is barely visible in the shadows of one wall. Moonlight filters weakly through a tall, narrow window, casting long, distorted shadows across the room. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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Lord Chamberlain's Bedroom

indoor deepest dark before morning implied temperate, no specific weather

A lavish bedroom in the palace, featuring a unique bedstead made of silver-gilt rods. The room becomes a scene of terror and entrapment.

Mood: terrifying, claustrophobic, surreal

The Lord Chamberlain is ensnared and tormented by the legserpent in his bed, which is twisted into a cage around him.

silver-gilt rod bedstead bedding legserpent creature
Image Prompt & Upload
A luxurious bedroom in a medieval European palace, with tapestries on the walls and a richly patterned rug on the floor. The central feature is an ornate bedstead crafted from gleaming silver-gilt rods, now bent and twisted into a grotesque cage around a figure. Shadows dance in the corners, and the only light comes from a faint, ethereal glow, highlighting the metallic gleam of the bed. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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Attorney-General's Room

indoor deepest dark before morning implied temperate, no specific weather

A room in the palace where the Attorney-General sits, possibly a study or private chamber, featuring a large mirror.

Mood: immobilizing, horrifying, reflective

The Attorney-General is bound to his chair by a giant spider's webbing, witnessing his own entrapment in the mirror.

large mirror chair diamond star spider creature spider webbing
Image Prompt & Upload
A richly appointed study in a medieval European palace, with dark wood paneling and shelves filled with leather-bound books. A grand, ornate mirror dominates one wall, reflecting a figure bound to a high-backed chair by thick, silken webbing. A monstrous, two-foot-long spider sits on a footstool nearby, its multiple eyes gleaming in the dim light. The room is still and eerie, with only the faint glow of a dying fire in a stone hearth. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
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Derba's Cottage

outdoor night to morning implied temperate, cool night air

A humble cottage, likely small and simple, situated near the palace gates, with doors on each side. It offers refuge to the expelled courtiers.

Mood: desperate, then unexpectedly charitable, humble

Derba, a kind woman, opens her cottage to the disgraced courtiers who are unable to find shelter elsewhere.

small cottage doors on each side mattress expelled courtiers
Image Prompt & Upload
A quaint, thatched-roof cottage in a rural European setting, with rough plaster walls and a small, wooden door. The cottage stands on a simple dirt path, surrounded by overgrown weeds and a few hardy shrubs. The sky is transitioning from deep night to a pale pre-dawn light, casting soft, cool tones over the scene. Figures in disarrayed nightclothes huddle around the cottage, seeking shelter. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.