The Dogs of Gwyntystorm
by George MacDonald · from The Princess and Curdie
Adapted Version
Curdie and Lina, his big dog, arrived.
The market dogs barked loudly. Lina was a big, strange dog. Lina was very big. Her fur was dark. The market dogs were scared. They barked because Lina looked not the same.
Lina made a loud noise. The dogs yelped. They ran very far. The barking dogs ran away fast. Lina scared them all. She showed her big power.
Two angry men came. They had big knives. Curdie talked to them calmly. Curdie spoke kind words. Lina stood by his side. Lina made a soft, low growl. The men got scared. They walked away quickly.
Many people gathered there. They shouted very loudly. Some threw small, soft leaves. The leaves fell softly. Curdie did not move. Lina stayed calm. Curdie and Lina stood still. The people got scared. They ran away fast.
All the doors in the town closed. The town became quiet. No one came outside. No one wanted to help them. People were scared of Lina. She looked very not the same.
Curdie knocked on a door. Someone shouted from inside. They threw a soft cloth at him. Curdie felt very sad. He felt very alone. Lina nudged his hand.
A small girl came out of a house. She was not scared of Lina. Her eyes were bright. She liked Lina's big face. She smiled at Lina. The girl was very kind.
Lina was very gentle with the girl. Lina was very slow. She loved the kind girl. She put her big paws over her mouth. She did not want to scare the girl. Lina is a good dog.
The Little Girl gave Curdie a kiss. She took his hand. Curdie smiled a little. He felt a bit happy. She walked to her house. Curdie followed her.
The Little Girl sat on Lina's back. Lina walked slowly and with care. Lina was very steady. The girl held on tight. They went into the house. The people in the town watched. They were still scared.
A Kind Old Woman was in the house. Her smile was warm. She knew kindness. She smiled at Curdie and Lina. She said, "Welcome!" She saw Lina was good. She was not scared.
The people outside still talked about them. They did not know. The town was wrong. Inside was peace. The woman was wise. But Curdie and Lina were safe. They were warm inside the house. The Kind Old Woman knew they were good. It is good to be kind to all people.
Original Story
The Dogs of Gwyntystorm
The steep street led them straight up to a large market place with butchers' shops, about which were many dogs. The moment they caught sight of Lina, one and all they came rushing down upon her, giving her no chance of explaining herself. When Curdie saw the dogs coming he heaved up his mattock over his shoulder, and was ready, if they would have it so. Seeing him thus prepared to defend his follower, a great ugly bulldog flew at him. With the first blow Curdie struck him through the brain and the brute fell dead at his feet. But he could not at once recover his weapon, which stuck in the skull of his foe, and a huge mastiff, seeing him thus hampered, flew at him next.
Now Lina, who had shown herself so brave upon the road thither, had grown shy upon entering the city, and kept always at Curdie's heel. But it was her turn now. The moment she saw her master in danger she seemed to go mad with rage. As the mastiff jumped at Curdie's throat, Lina flew at him, seized him with her tremendous jaws, gave one roaring grind, and he lay beside the bulldog with his neck broken. They were the best dogs in the market, after the judgement of the butchers of Gwyntystorm. Down came their masters, knives in hand.
Curdie drew himself up fearlessly, mattock on shoulder, and awaited their coming, while at his heel his awful attendant showed not only her outside fringe of icicle teeth, but a double row of right serviceable fangs she wore inside her mouth, and her green eyes flashed yellow as gold. The butchers, not liking the look of either of them or of the dogs at their feet, drew back, and began to remonstrate in the manner of outraged men.
'Stranger,' said the first, 'that bulldog is mine.'
'Take him, then,' said Curdie, indignant.
'You've killed him!'
'Yes—else he would have killed me.'
'That's no business of mine.'
'No?'
'No.'
'That makes it the more mine, then.'
'This sort of thing won't do, you know,' said the other butcher.
'That's true,' said Curdie. 'That's my mastiff,' said the butcher.
'And as he ought to be,' said Curdie.
'Your brute shall be burned alive for it,' said the butcher.
'Not yet,' answered Curdie. 'We have done no wrong. We were walking quietly up your street when your dogs flew at us. If you don't teach your dogs how to treat strangers, you must take the consequences.'
'They treat them quite properly,' said the butcher. 'What right has any one to bring an abomination like that into our city? The horror is enough to make an idiot of every child in the place.'
'We are both subjects of the king, and my poor animal can't help her looks. How would you like to be served like that because you were ugly? She's not a bit fonder of her looks than you are—only what can she do to change them?'
'I'll do to change them,' said the fellow.
Thereupon the butchers brandished their long knives and advanced, keeping their eyes upon Lina.
'Don't be afraid, Lina,' cried Curdie. 'I'll kill one—you kill the other.'
Lina gave a howl that might have terrified an army, and crouched ready to spring. The butchers turned and ran.
By this time a great crowd had gathered behind the butchers, and in it a number of boys returning from school who began to stone the strangers. It was a way they had with man or beast they did not expect to make anything by. One of the stones struck Lina; she caught it in her teeth and crunched it so that it fell in gravel from her mouth. Some of the foremost of the crowd saw this, and it terrified them. They drew back; the rest took fright from their retreat; the panic spread; and at last the crowd scattered in all directions. They ran, and cried out, and said the devil and his dam were come to Gwyntystorm. So Curdie and Lina were left standing unmolested in the market place. But the terror of them spread throughout the city, and everybody began to shut and lock his door so that by the time the setting sun shone down the street, there was not a shop left open, for fear of the devil and his horrible dam. But all the upper windows within sight of them were crowded with heads watching them where they stood lonely in the deserted market place.
Curdie looked carefully all round, but could not see one open door. He caught sight of the sign of an inn, however, and laying down his mattock, and telling Lina to take care of it, walked up to the door of it and knocked. But the people in the house, instead of opening the door, threw things at him from the windows. They would not listen to a word he said, but sent him back to Lina with the blood running down his face. When Lina saw that she leaped up in a fury and was rushing at the house, into which she would certainly have broken; but Curdie called her, and made her lie down beside him while he bethought him what next he should do.
'Lina,' he said, 'the people keep their gates open, but their houses and their hearts shut.'
As if she knew it was her presence that had brought this trouble upon him, she rose and went round and round him, purring like a tigress, and rubbing herself against his legs.
Now there was one little thatched house that stood squeezed in between two tall gables, and the sides of the two great houses shot out projecting windows that nearly met across the roof of the little one, so that it lay in the street like a doll's house. In this house lived a poor old woman, with a grandchild. And because she never gossiped or quarrelled, or chaffered in the market, but went without what she could not afford, the people called her a witch, and would have done her many an ill turn if they had not been afraid of her.
Now while Curdie was looking in another direction the door opened, and out came a little dark-haired, black-eyed, gypsy-looking child, and toddled across the market place toward the outcasts. The moment they saw her coming, Lina lay down flat on the road, and with her two huge forepaws covered her mouth, while Curdie went to meet her, holding out his arms. The little one came straight to him, and held up her mouth to be kissed. Then she took him by the hand, and drew him toward the house, and Curdie yielded to the silent invitation.
But when Lina rose to follow, the child shrank from her, frightened a little. Curdie took her up, and holding her on one arm, patted Lina with the other hand. Then the child wanted also to pat doggy, as she called her by a right bountiful stretch of courtesy, and having once patted her, nothing would serve but Curdie must let her have a ride on doggy. So he set her on Lina's back, holding her hand, and she rode home in merry triumph, all unconscious of the hundreds of eyes staring at her foolhardiness from the windows about the market place, or the murmur of deep disapproval that rose from as many lips.
At the door stood the grandmother to receive them. She caught the child to her bosom with delight at her courage, welcomed Curdie, and showed no dread of Lina. Many were the significant nods exchanged, and many a one said to another that the devil and the witch were old friends. But the woman was only a wise woman, who, having seen how Curdie and Lina behaved to each other, judged from that what sort they were, and so made them welcome to her house. She was not like her fellow townspeople, for that they were strangers recommended them to her.
The moment her door was shut the other doors began to open, and soon there appeared little groups here and there about a threshold, while a few of the more courageous ventured out upon the square—all ready to make for their houses again, however, upon the least sign of movement in the little thatched one.
The baker and the barber had joined one of these groups, and were busily wagging their tongues against Curdie and his horrible beast.
'He can't be honest,' said the barber; 'for he paid me double the worth of the pane he broke in my window.'
And then he told them how Curdie broke his window by breaking a stone in the street with his hammer. There the baker struck in.
'Now that was the stone,' said he, 'over which I had fallen three times within the last month: could it be by fair means he broke that to pieces at the first blow? Just to make up my mind on that point I tried his own hammer against a stone in the gate; it nearly broke both my arms, and loosened half the teeth in my head!'
Story DNA
Moral
Do not judge others by their appearance or by the fearful rumors spread by others; true character is revealed through actions.
Plot Summary
Curdie and his formidable dog-like companion, Lina, arrive in Gwyntystorm and are immediately met with hostility when market dogs attack them, forcing Lina to defend herself by killing two. The townspeople, terrified by Lina's appearance and the incident, turn into a fearful mob, stoning the pair and shutting their doors to them. Isolated and rejected, Curdie and Lina are eventually approached by a fearless little child, who, along with her 'wise' grandmother, welcomes them into their home, demonstrating kindness and acceptance in stark contrast to the prejudiced town.
Themes
Emotional Arc
fear and rejection to acceptance and warmth
Writing Style
Narrative Elements
Cultural Context
Reflects common societal fears and prejudices found in many historical periods, particularly regarding outsiders or those perceived as different.
Plot Beats (12)
- Curdie and Lina enter Gwyntystorm and are immediately attacked by market dogs.
- Curdie kills a bulldog, and Lina kills a mastiff, defending themselves.
- The butchers confront Curdie, who defends their actions and Lina's right to be there, causing the butchers to back down.
- A crowd gathers and stones Curdie and Lina, but Lina's strength and their defiance cause the crowd to flee in terror.
- The city is gripped by fear, with all doors locked and no one willing to offer shelter to the 'devil and his dam'.
- Curdie attempts to find lodging but is met with hostility and violence.
- A small child from a 'witch's' house approaches Curdie and Lina without fear.
- Lina, despite her fearsome appearance, responds gently to the child, covering her mouth with her paws.
- The child kisses Curdie, then takes his hand and leads him towards her house.
- The child, after initial hesitation, rides on Lina's back into the house, observed by the terrified townspeople.
- The grandmother, a 'wise woman', welcomes Curdie and Lina, judging them by their behavior, not their looks or the town's rumors.
- The townspeople, still fearful, emerge to gossip about the 'devil and the witch' being old friends, reinforcing their prejudice.
Characters
Curdie ★ protagonist
Strong and capable, with a build that suggests physical labor. He carries a mattock with ease, indicating a sturdy physique.
Attire: Practical, durable clothing suitable for travel and labor, likely made of sturdy fabrics like wool or linen in muted colors, allowing for freedom of movement.
Wants: To protect Lina and himself, to find shelter and safety, and to assert their right to peaceful passage.
Flaw: His strong sense of justice can make him confrontational, and he is vulnerable to the prejudices of others.
He remains steadfast in his character, demonstrating his inherent goodness and courage despite facing extreme prejudice and violence. He learns that kindness can come from unexpected places.
Brave, protective, principled, indignant, resourceful.
Image Prompt & Upload
A young man of sturdy build, facing forward, full body visible from head to toe. He has a determined expression, with a strong jawline. His short, practical hair is dark brown. He wears a simple, earth-toned tunic made of coarse linen, cinched at the waist with a leather belt, and dark trousers tucked into sturdy leather boots. A heavy mattock is slung over his right shoulder. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Lina ★ protagonist
A huge, formidable dog, described as an 'abomination' by the townspeople. She has 'icicle teeth' on the outside and a 'double row of right serviceable fangs' inside her mouth. Her eyes are green and flash yellow as gold. Her size is tremendous, capable of breaking a mastiff's neck with one bite.
Attire: None, as she is an animal.
Wants: To protect Curdie at all costs, to remain by his side.
Flaw: Her terrifying appearance makes her an immediate target of fear and prejudice.
She demonstrates her true nature: a terrifying protector to those who threaten her master, but capable of immense gentleness and understanding towards the innocent. She learns to trust the little girl.
Fiercely loyal, protective, powerful, intelligent, surprisingly gentle (especially with the child).
Image Prompt & Upload
A massive, powerful dog with dark, shaggy fur, standing on all fours, facing forward, full body visible from head to toe. She has piercing green eyes that glow with a hint of yellow, a wide muzzle showing a double row of sharp, white fangs, and large, pointed ears. Her build is muscular and formidable. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
First Butcher ⚔ antagonist
A man of the market, likely robust from his trade. He carries a long knife.
Attire: Practical, blood-stained clothing typical of a butcher, likely an apron over a tunic or shirt, made of coarse fabric.
Wants: To avenge his dog and assert his authority, to protect his property.
Flaw: Cowardice and fear, especially when confronted by true danger.
He is quickly humbled and driven away by fear, showing no change in his prejudiced views.
Aggressive, possessive, prejudiced, easily intimidated.
Image Prompt & Upload
A burly adult man with a scowling expression, facing forward, full body visible from head to toe. He has a ruddy complexion and short, dark, unkempt hair. He wears a stained white linen tunic, a heavy, blood-splattered leather apron tied over it, and dark, practical trousers with worn leather boots. He holds a long, sharp butcher's knife in his right hand, pointed downwards. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Second Butcher ⚔ antagonist
Similar to the first butcher, a man of the market, also carrying a long knife.
Attire: Practical, blood-stained clothing typical of a butcher, likely an apron over a tunic or shirt, made of coarse fabric.
Wants: To avenge his dog and support his fellow butcher.
Flaw: Cowardice and fear.
Like the first butcher, he is quickly driven away by fear and shows no change.
Aggressive, prejudiced, easily intimidated, follows the lead of others.
Image Prompt & Upload
A burly adult man with a scowling expression, facing forward, full body visible from head to toe. He has a ruddy complexion and short, dark, unkempt hair. He wears a stained white linen tunic, a heavy, blood-splattered leather apron tied over it, and dark, practical trousers with worn leather boots. He holds a long, sharp butcher's knife in his left hand, pointed downwards. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Little Girl ◆ supporting
Small, toddling child.
Attire: Simple, likely homespun clothing appropriate for a poor child of the era, perhaps a plain dress or smock.
Wants: Curiosity and a natural inclination towards kindness, seeking affection.
Flaw: Her small size and innocence make her vulnerable, though she is protected.
She acts as a catalyst for Curdie and Lina finding shelter, demonstrating the power of innocent kindness to overcome fear and prejudice.
Innocent, brave, trusting, affectionate, playful.
Image Prompt & Upload
A small, dark-haired child with black eyes and a round, innocent face, facing forward, full body visible from head to toe. Her dark hair is short and slightly curly. She wears a simple, light-colored linen smock dress with short sleeves and a plain hem, and soft leather slippers. She has a trusting, curious expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Old Woman (Grandmother) ◆ supporting
An old woman, living in a small, thatched house. Her appearance is not detailed, but she is perceived as a 'witch' by the townspeople.
Attire: Humble, practical clothing suitable for a poor old woman, likely made of homespun fabrics in muted colors, perhaps a simple dress or skirt and bodice with an apron.
Wants: To offer hospitality to those in need, judging them by their actions rather than their appearance or reputation.
Flaw: Her isolation and reputation as a 'witch' make her vulnerable to the town's suspicion.
She remains a steadfast beacon of kindness and wisdom, providing a safe haven for the protagonists and demonstrating true hospitality.
Wise, discerning, kind, brave, non-judgmental, independent.
Image Prompt & Upload
An elderly woman with a kind, weathered face and observant eyes, facing forward, full body visible from head to toe. Her grey hair is pulled back in a simple bun. She wears a practical, dark blue linen dress with long sleeves, a plain white apron tied at the waist, and sturdy, low-heeled leather shoes. Her posture is upright and welcoming. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Gwyntystorm Market Place
A large, open market square in the city of Gwyntystorm, featuring butchers' shops and a steep street leading up to it. Later, it becomes deserted and silent, with only the upper windows of surrounding buildings crowded with watching heads.
Mood: Initially bustling and hostile, then tense and deserted, filled with fear and suspicion.
Curdie and Lina's confrontation with the dogs and butchers, the scattering of the crowd, and their subsequent isolation and rejection by the townspeople.
Image Prompt & Upload
A wide, open market square in a medieval Welsh town, paved with rough-hewn cobblestones. On one side, a row of half-timbered butchers' shops with overhanging upper stories and small, leaded-pane windows. A steep, winding street ascends into the square from the foreground. The late afternoon sun casts long shadows across the square, highlighting the texture of the stone and the weathered wood of the buildings. The sky is a clear, pale blue. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Old Woman's Thatched House
A small, humble thatched house, squeezed between two much taller gabled houses whose projecting windows nearly meet over its roof, making it appear like a doll's house from the street. Inside, it is a warm and welcoming space.
Mood: Safe, warm, welcoming, a stark contrast to the hostile city outside.
Curdie and Lina find refuge and acceptance with the old woman and her grandchild, marking a turning point from rejection to welcome.
Image Prompt & Upload
A cozy, small Welsh cottage with a thick, neatly thatched roof, nestled tightly between two much taller, imposing half-timbered gabled houses. The upper stories of the larger houses project outwards, almost touching above the little cottage's roof. A small, wooden door with a simple latch is visible. Warm, inviting light spills from a tiny window, contrasting with the cool, dim light of the golden hour outside. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.