The Preacher

by George MacDonald · from The Princess and Curdie

fairy tale satire satirical Ages all ages 1526 words 7 min read
Cover: The Preacher

Adapted Version

CEFR A1 Age 5 397 words 2 min Canon 100/100

Gwyntystorm had some unkind people.

It was a special day. Mr. Grumpy was a priest. He stood up to talk. He talked to many people. He said, "Care for yourself." "You are first." Think only of yourself. This is best.

Then, a big creature came. It was The Gentle Giant. It rose from the floor. It was very tall. It had big, kind eyes. It gently picked up Mr. Grumpy. It held him high in the air. The Giant walked out slowly. Mr. Grumpy was very surprised. The Giant gave him a lesson. It showed him a new way.

The people watched it all. They felt great wonder. They were very surprised. They saw a big creature. What did this mean? They did not know. It was a very strange day. They talked about it much.

Other priests met quickly. They chose a new leader. They said, "King Kind is bad!" His house changed. They wanted to fix it. They wanted to make it good. They said King Kind was wrong.

The priests sang songs. They prayed very loud. They did this in the temple. They did this in the market. They did this near the palace. They wanted things to be good. They hoped for happy times. They wished for peace.

That night, strange things happened. King Kind had secret helpers. A man was not kind to others. He found his shop very messy. His things were all mixed up. He could not find anything. Another man was very greedy. His yummy soup was all gone. A stone statue lost its arm. It was a gentle lesson for them. They learned to be more fair. They learned to be good. They felt a bit sad.

New signs appeared in town. King Kind made these signs. They said, "Be kind to all." Help people. Do not hurt anyone. Be good to everyone. Share your smiles.

The songs did not help much. Some men were still mean. They saw an old man walking. He wore old, torn clothes. They tried to scare him. Their dogs ran very fast. Ms. Derba's house was open. It was very close by. The old man went inside fast. He was safe there. Ms. Derba was kind to him. She gave him a warm place.

Ms. Derba was kind. King Kind wanted everyone to be kind. It is always good to be kind.

Original Story 1526 words · 7 min read

The Preacher

Various reports went undulating through the city as to the nature of what had taken place in the palace. The people gathered, and stared at the house, eyeing it as if it had sprung up in the night. But it looked sedate enough, remaining closed and silent, like a house that was dead. They saw no one come out or go in. Smoke arose from a chimney or two; there was hardly another sign of life. It was not for some little time generally understood that the highest officers of the crown as well as the lowest menials of the palace had been dismissed in disgrace: for who was to recognize a lord chancellor in his nightshirt? And what lord chancellor would, so attired in the street, proclaim his rank and office aloud? Before it was day most of the courtiers crept down to the river, hired boats, and betook themselves to their homes or their friends in the country. It was assumed in the city that the domestics had been discharged upon a sudden discovery of general and unpardonable peculation; for, almost everybody being guilty of it himself, petty dishonesty was the crime most easily credited and least easily passed over in Gwyntystorm.

Now that same day was Religion day, and not a few of the clergy, always glad to seize on any passing event to give interest to the dull and monotonic grind of their intellectual machines, made this remarkable one the ground of discourse to their congregations. More especially than the rest, the first priest of the great temple where was the royal pew, judged himself, from his relation to the palace, called upon to 'improve the occasion', for they talked ever about improvement at Gwyntystorm, all the time they were going down hill with a rush.

The book which had, of late years, come to be considered the most sacred, was called The Book of Nations, and consisted of proverbs, and history traced through custom: from it the first priest chose his text; and his text was, 'Honesty Is the Best Policy.' He was considered a very eloquent man, but I can offer only a few of the larger bones of his sermon.

The main proof of the verity of their religion, he said, was that things always went well with those who profess it; and its first fundamental principle, grounded in inborn invariable instinct, was, that every One should take care of that One. This was the first duty of Man. If every one would but obey this law, number one, then would every one be perfectly cared for—one being always equal to one. But the faculty of care was in excess of need, and all that overflowed, and would otherwise run to waste, ought to be gently turned in the direction of one's neighbour, seeing that this also wrought for the fulfilling of the law, inasmuch as the reaction of excess so directed was upon the director of the same, to the comfort, that is, and well-being of the original self. To be just and friendly was to build the warmest and safest of all nests, and to be kind and loving was to line it with the softest of all furs and feathers, for the one precious, comfort-loving self there to lie, revelling in downiest bliss. One of the laws therefore most binding upon men because of its relation to the first and greatest of all duties, was embodied in the Proverb he had just read; and what stronger proof of its wisdom and truth could they desire than the sudden and complete vengeance which had fallen upon those worse than ordinary sinners who had offended against the king's majesty by forgetting that 'Honesty Is the Best Policy'?

At this point of the discourse the head of the legserpent rose from the floor of the temple, towering above the pulpit, above the priest, then curving downward, with open mouth slowly descended upon him. Horror froze the sermon-pump. He stared upward aghast. The great teeth of the animal closed upon a mouthful of the sacred vestments, and slowly he lifted the preacher from the pulpit, like a handful of linen from a washtub, and, on his four solemn stumps, bore him out of the temple, dangling aloft from his jaws. At the back of it he dropped him into the dust hole among the remnants of a library whose age had destroyed its value in the eyes of the chapter. They found him burrowing in it, a lunatic henceforth—whose madness presented the peculiar feature, that in its paroxysms he jabbered sense.

Bone-freezing horror pervaded Gwyntystorm. If their best and wisest were treated with such contempt, what might not the rest of them look for? Alas for their city! Their grandly respectable city! Their loftily reasonable city! Where it was all to end, who could tell!

But something must be done. Hastily assembling, the priests chose a new first priest, and in full conclave unanimously declared and accepted that the king in his retirement had, through the practice of the blackest magic, turned the palace into a nest of demons in the midst of them. A grand exorcism was therefore indispensable.

In the meantime the fact came out that the greater part of the courtiers had been dismissed as well as the servants, and this fact swelled the hope of the Party of Decency, as they called themselves. Upon it they proceeded to act, and strengthened themselves on all sides.

The action of the king's bodyguard remained for a time uncertain. But when at length its officers were satisfied that both the master of the horse and their colonel were missing, they placed themselves under the orders of the first priest.

Every one dated the culmination of the evil from the visit of the miner and his mongrel; and the butchers vowed, if they could but get hold of them again, they would roast both of them alive. At once they formed themselves into a regiment, and put their dogs in training for attack.

Incessant was the talk, innumerable were the suggestions, and great was the deliberation. The general consent, however, was that as soon as the priests should have expelled the demons, they would depose the king, and attired in all his regal insignia, shut him in a cage for public show; then choose governors, with the lord chancellor at their head, whose first duty should be to remit every possible tax; and the magistrates, by the mouth of the city marshal, required all able-bodied citizens, in order to do their part toward the carrying out of these and a multitude of other reforms, to be ready to take arms at the first summons.

Things needful were prepared as speedily as possible, and a mighty ceremony, in the temple, in the market place, and in front of the palace, was performed for the expulsion of the demons. This over, the leaders retired to arrange an attack upon the palace.

But that night events occurred which, proving the failure of their first, induced the abandonment of their second, intent. Certain of the prowling order of the community, whose numbers had of late been steadily on the increase, reported frightful things. Demons of indescribable ugliness had been espied careering through the midnight streets and courts. A citizen—some said in the very act of housebreaking, but no one cared to look into trifles at such a crisis—had been seized from behind, he could not see by what, and soused in the river. A well-known receiver of stolen goods had had his shop broken open, and when he came down in the morning had found everything in ruin on the pavement. The wooden image of justice over the door of the city marshal had had the arm that held the sword bitten off. The gluttonous magistrate had been pulled from his bed in the dark, by beings of which he could see nothing but the flaming eyes, and treated to a bath of the turtle soup that had been left simmering by the side of the kitchen fire. Having poured it over him, they put him again into his bed, where he soon learned how a mummy must feel in its cerements.

Worst of all, in the market place was fixed up a paper, with the king's own signature, to the effect that whoever henceforth should show inhospitality to strangers, and should be convicted of the same, should be instantly expelled the city; while a second, in the butchers' quarter, ordained that any dog which henceforth should attack a stranger should be immediately destroyed. It was plain, said the butchers, that the clergy were of no use; they could not exorcise demons! That afternoon, catching sight of a poor old fellow in rags and tatters, quietly walking up the street, they hounded their dogs upon him, and had it not been that the door of Derba's cottage was standing open, and was near enough for him to dart in and shut it ere they reached him, he would have been torn in pieces.

And thus things went on for some days.


Story DNA fairy tale · satirical

Moral

Self-serving interpretations of morality lead to chaos and expose true character.

Plot Summary

In the corrupt city of Gwyntystorm, after a mysterious palace purge, the first priest preaches a self-serving sermon on 'Honesty Is The Best Policy' and is immediately carried away by a monstrous legserpent. Terrified, the city's leaders declare the king's palace demon-infested and plan an exorcism and a coup. However, after the exorcism, 'demons' continue to inflict targeted punishments on corrupt citizens, and decrees signed by the king appear, enforcing true justice and hospitality. The story concludes with the city's inhabitants, particularly the butchers, demonstrating their continued cruelty despite these events, highlighting the deep-seated nature of their corruption.

Themes

hypocrisyself-interestjusticesocietal corruption

Emotional Arc

complacency to fear to chaotic realization

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: irony, allegory

Narrative Elements

Conflict: person vs society
Ending: moral justice
Magic: legserpent, demons, black magic
the legserpent (divine or natural justice)the dust hole (where discarded knowledge/wisdom ends up)the defaced image of justicethe king's decrees (true, uncorrupted law)

Cultural Context

Origin: Scottish (George MacDonald)
Era: timeless fairy tale

MacDonald often used fairy tales to critique Victorian society's materialism and hypocrisy, particularly within religious institutions.

Plot Beats (11)

  1. Reports spread through Gwyntystorm about the mysterious dismissal of all palace staff and courtiers, which the city assumes is due to peculation.
  2. On 'Religion day,' the first priest preaches a sermon on 'Honesty Is The Best Policy,' twisting it to advocate for self-interest and prudent care for 'number one'.
  3. During the sermon, a monstrous legserpent rises from the temple floor, seizes the priest, and carries him away, dropping him into a dust hole, leaving him a jabbering lunatic.
  4. The city is terrified and confused by this event, fearing for their own safety if their 'best and wisest' are treated so contemptuously.
  5. The priests hastily choose a new first priest and declare that the king, through black magic, has turned the palace into a nest of demons, necessitating a grand exorcism.
  6. The 'Party of Decency' gains power, and the king's bodyguard aligns with the new first priest, while butchers blame a miner and his mongrel for the city's woes.
  7. The citizens plan to depose the king, cage him, and establish a new government with tax remissions, preparing for an attack on the palace after the exorcism.
  8. A mighty exorcism ceremony is performed in the temple, market place, and in front of the palace.
  9. That night, reports surface of frightful demonic activity: ugly demons sighted, a citizen soused in the river, a receiver of stolen goods' shop ruined, the wooden image of justice defaced, and a gluttonous magistrate bathed in turtle soup.
  10. Papers signed by the king appear in the market place and butchers' quarter, decreeing expulsion for inhospitality to strangers and destruction for dogs attacking strangers.
  11. The butchers realize the clergy's exorcism failed and attempt to set their dogs on a poor old man, who barely escapes into Derba's cottage.

Characters 4 characters

The First Priest ⚔ antagonist

human adult male

Of average height and build, with a somewhat portly figure suggesting a life of comfort. His skin is likely fair, given the implied European setting, and his hands are soft, unaccustomed to manual labor.

Attire: Elaborate, sacred vestments made of fine, heavy fabric, possibly silk or brocade, in rich ecclesiastical colors like purple, gold, or crimson. These would be adorned with intricate embroidery, perhaps with religious symbols of Gwyntystorm. He would wear a tall, pointed mitre or a similar ceremonial headpiece during services.

Wants: To maintain his position of power and influence, to be seen as wise and important, and to benefit personally from his religious office.

Flaw: His hypocrisy and self-interest. He is easily terrified when confronted with genuine supernatural power, revealing his lack of true faith or courage.

He begins as a respected, influential religious leader, but is publicly humiliated and driven mad by the legserpent, becoming a jabbering lunatic who speaks 'sense' in his paroxysms, implying a forced awakening to truth.

Being dangled aloft from the jaws of the legserpent, still clad in his elaborate, torn sacred vestments.

Self-serving, hypocritical, eloquent (in a superficial way), opportunistic, and cowardly. He preaches one thing while living another, always seeking personal gain and validation.

Image Prompt & Upload
A portly adult man with a round, pale face, small shifty eyes, and a receding hairline of light brown hair. He wears torn, elaborate purple and gold brocade vestments with intricate embroidery. He is suspended in the air, dangling from the jaws of a large, scaled creature, his body limp and terrified. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Legserpent ◆ supporting

magical creature ageless non-human

A massive, serpentine creature with a thick, scaly body that rises from the floor. It has four solemn, stump-like legs that support its immense weight. Its scales are likely dark and ancient, perhaps a deep green, brown, or black, giving it a formidable and ancient appearance.

Attire: None, as it is a creature.

Wants: To punish hypocrisy and corruption, particularly within the religious establishment, and to enforce a true sense of 'sense' or reality.

Flaw: None apparent in the story; it seems to be an unstoppable force.

Appears suddenly to enact justice, then disappears, leaving a lasting impact on the city.

Its massive head and open mouth towering over the pulpit, about to seize the First Priest.

Mysterious, powerful, and an enforcer of a higher, perhaps cosmic, justice. It acts with purpose and without hesitation, seemingly unaffected by human fear or pleas.

Image Prompt & Upload
A colossal, ancient serpentine creature with dark green scales and four thick, stump-like legs. Its massive head is raised high, mouth wide open, revealing great, sharp teeth. It is positioned above a wooden pulpit, looking down. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King ◆ supporting

human adult male

Not explicitly described, but implied to be a figure of authority and power. His actions suggest a strong will and a desire for justice, even if unconventional. He is likely of average height and build for a ruler of his time.

Attire: Initially, regal insignia, but later implied to be in simpler attire as he acts covertly. His signature would be on official papers.

Wants: To cleanse his palace and city of corruption, dishonesty, and inhospitality, and to restore a true sense of justice.

Flaw: His methods are extreme and terrifying to his populace, leading to misunderstanding and fear.

Begins as a seemingly absent or tyrannical ruler, but is revealed to be the orchestrator of the 'demonic' events, acting to reform his city. He becomes a silent, powerful force for justice.

His signature on the decrees posted in the market, signifying his unseen but powerful influence.

Decisive, unconventional, just (in his own way), and willing to use drastic measures to correct corruption. He is a silent force for change.

Image Prompt & Upload
A regal adult man, facing forward, with a stern but just expression. He has a neatly trimmed beard and dark, short hair. He wears a simple, dark tunic and trousers, but a heavy gold signet ring is prominent on his right hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Derba ○ minor

human adult female

Not explicitly described, but implied to be a simple, kind woman living in a cottage. Her appearance would be humble, consistent with a common citizen.

Attire: Simple, practical peasant clothing, likely made of linen or wool in muted colors, perhaps a smock and apron.

Wants: To offer kindness and shelter to those in distress.

Flaw: None shown, but her kindness could make her vulnerable in a hostile city.

A static character who serves as an example of true hospitality.

Her cottage door, standing open, offering sanctuary.

Hospitable and kind, providing refuge to a stranger in need, contrasting sharply with the city's general inhospitality.

Image Prompt & Upload
A kind-faced adult woman, facing forward, with simple brown hair tied back from her face. She wears a plain, long-sleeved cream linen smock and a dark blue wool apron. Her hands are clasped gently in front of her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 4 locations
No image yet

The Royal Palace of Gwyntystorm

indoor Implied temperate climate, no specific season mentioned.

A large, imposing structure in the city of Gwyntystorm, initially appearing sedate, closed, and silent, like a dead house. Smoke arises from one or two chimneys. Later, it is believed to be a 'nest of demons'. The architecture would likely be grand and formal, reflecting the city's 'grandly respectable' and 'loftily reasonable' character, possibly with stone facades and multiple stories.

Mood: Initially mysterious and silent, later perceived as eerie and demon-infested, then a target for attack.

The site of the king's mysterious actions, the dismissal of courtiers, and the target of the city's planned exorcism and attack.

Stone facade Chimneys with smoke Closed windows/doors Grand entrance Courtyards (implied)
Image Prompt & Upload
A grand, imposing stone palace in a medieval European city, its windows dark and silent, with only faint wisps of smoke rising from a few tall chimneys against a pale, overcast sky. The architecture is sturdy and formal, with high walls and a sense of quiet, unsettling dormancy. Cobblestone streets lead up to its heavy, closed gates. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

The Great Temple of Gwyntystorm

indoor morning Implied temperate climate, no specific season mentioned.

A significant religious building in Gwyntystorm, housing the royal pew. It has a pulpit from which the first priest delivers sermons. The interior is large enough to accommodate a 'legserpent' rising from the floor and towering over the pulpit. The architecture would be grand and solemn, reflecting its importance.

Mood: Initially solemn and formal during the sermon, then abruptly terrifying and chaotic with the appearance of the legserpent.

The first priest delivers his sermon, and is then dramatically seized and carried away by the legserpent, marking a turning point in the city's perception of events.

Pulpit Royal pew High ceilings Stone floor Religious iconography (implied)
Image Prompt & Upload
The vast, echoing interior of a medieval European temple, with tall, arched stone columns supporting a high vaulted ceiling. Stained-glass windows cast muted light onto the stone floor. A grand wooden pulpit stands prominently, and a large, serpentine creature with a scaly body and glowing eyes rises from the floor, its head towering above the pulpit, its mouth open. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Gwyntystorm City Streets and Market Place

outdoor varies (day and night) Implied temperate climate, no specific season mentioned. Night scenes are dark.

The bustling public areas of Gwyntystorm, including streets, courts, and a central market place. These areas are where citizens gather, rumors spread, and public events occur. Shops line the streets, and the city marshal's office has a wooden image of justice over its door. Cobblestone streets are implied.

Mood: Initially filled with speculation and fear, later chaotic and increasingly dangerous as strange events unfold and citizens take up arms. The butchers' quarter is a specific, rougher area.

The city's populace reacts to the palace events, priests perform exorcisms, and later, strange 'demonic' occurrences terrorize citizens, including the posting of new royal decrees.

Cobblestone streets Market stalls Shops (e.g., receiver of stolen goods' shop) Wooden image of justice Public squares River (implied as nearby) Butchers' quarter
Image Prompt & Upload
A bustling medieval European market square at dusk, with rough-hewn wooden stalls and stone buildings lining the perimeter. Citizens in period attire mill about, some looking up at a freshly posted decree on a wooden pillar. The ground is packed earth and scattered straw, with the faint glow of lanterns beginning to appear. In the distance, the silhouette of a grand temple or palace looms. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Derba's Cottage

indoor afternoon Implied temperate climate, no specific season mentioned.

A humble, small cottage located on a street in Gwyntystorm. Its door is easily accessible and can be quickly shut, providing refuge.

Mood: A place of sudden, desperate refuge from immediate danger.

A poor old man narrowly escapes being torn apart by butchers' dogs by darting into Derba's open cottage door, highlighting the escalating chaos and danger in the city.

Wooden door Small windows (implied) Simple construction
Image Prompt & Upload
A small, weathered timber-framed cottage with a thatched roof, nestled along a narrow, unpaved street in a medieval European town. The wooden door stands ajar, revealing a glimpse of a dark interior. Wild, overgrown weeds and a few scattered stones line the path leading to the entrance. The afternoon light casts long shadows. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.