The Vengeance
by George MacDonald · from The Princess and Curdie
Adapted Version
Servants in a palace were not kind. They did not do their jobs well. The Girl came into the room. Servants sat at a long table. They made loud sounds. They did not like The Girl. They stared at her. A Young Helper came in. He stood by The Girl.
The Butler was very angry. He hit the table with his hand. He spoke loudly to The Girl. "Where are you from?" he asked. The Girl said, "Be good now." The Butler tried to stop her. The Young Helper stepped in to help. He stood between them.
Curdie came into the room. He spoke to all the servants. He said they were doing bad things. He said The Butler was not good. Curdie spoke loudly. He knew their bad ways. He said they took the king's money. They did not work well. They made the palace messy.
A big servant tried to push Curdie. Curdie held his tool. He stood strong. He hit the servant's arm. The servant cried out. He moved back quickly. The servant did not push Curdie again.
Curdie looked at the servants. He asked, "Who wants to say sorry?" The Young Helper stepped forward. He said, "I am sorry." Other servants laughed at him. They did not say sorry.
The Butler picked up a kitchen tool. The Cook picked up a spit. They tried to scare Curdie. Curdie's dog, Lina, ran in. She barked loudly. Lina made The Butler stop.
Then Curdie's special friends came in. They were strange creatures. They came into the room. They stood by the walls. No one could leave the room.
Curdie told his friends what to do. He told them: show servants they were wrong. The creatures moved around the room. They followed the servants.
The servants ran to the kitchen. The creatures followed them. The servants ran to another room. The creatures were still there.
The servants went outside. Curdie's friends made them leave the palace. The doors closed. They had to stay outside in the cold.
It is important to be good and do your job. If you are bad and do not say sorry, bad things will happen. The bad servants learned a lesson. It is always best to be good and kind.
Original Story
The Vengeance
By the time the girl reached the servants' hall they were seated at supper. A loud, confused exclamation arose when she entered. No one made room for her; all stared with unfriendly eyes. A page, who entered the next minute by another door, came to her side.
'Where do you come from, hussy?' shouted the butler, and knocked his fist on the table with a loud clang.
He had gone to fetch wine, had found the stair door broken open and the cellar door locked, and had turned and fled. Among his fellows, however, he had now regained what courage could be called his.
'From the cellar,' she replied. 'The messenger broke open the door, and sent me to you again.'
'The messenger! Pooh! What messenger?'
'The same who sent me before to tell you to repent.'
'What! Will you go fooling it still? Haven't you had enough of it?' cried the butler in a rage, and starting to his feet, drew near threateningly.
'I must do as I am told,' said the girl.
'Then why don't you do as I tell you, and hold your tongue?' said the butler. 'Who wants your preachments? If anybody here has anything to repent Of, isn't that enough—and more than enough for him—but you must come bothering about, and stirring up, till not a drop of quiet will settle inside him? You come along with me, young woman; we'll see if we can't find a lock somewhere in the house that'll hold you in!'
'Hands off, Mr Butler!' said the page, and stepped between.
'Oh, ho!' cried the butler, and pointed his fat finger at him. 'That's you, is it, my fine fellow? So it's you that's up to her tricks, is it?'
The youth did not answer, only stood with flashing eyes fixed on him, until, growing angrier and angrier, but not daring a step nearer, he burst out with a rude but quavering authority:
'Leave the house, both of you! Be off, or I'll have Mr Steward to talk to you. Threaten your masters, indeed! Out of the house with you, and show us the way you tell us of!'
Two or three of the footmen got up and ranged themselves behind the butler.
'Don't say I threaten you, Mr Butler,' expostulated the girl from behind the page. 'The messenger said I was to tell you again, and give you one chance more.'
'Did the messenger mention me in particular?' asked the butler, looking the page unsteadily in the face.
'No, sir,' answered the girl.
'I thought not! I should like to hear him!'
'Then hear him now,' said Curdie, who that moment entered at the opposite corner of the hall. 'I speak of the butler in particular when I say that I know more evil of him than of any of the rest. He will not let either his own conscience or my messenger speak to him: I therefore now speak myself. I proclaim him a villain, and a traitor to His Majesty the king. But what better is any one of you who cares only for himself, eats, drinks, takes good money, and gives vile service in return, stealing and wasting the king's property, and making of the palace, which ought to be an example of order and sobriety, a disgrace to the country?'
For a moment all stood astonished into silence by this bold speech from a stranger. True, they saw by his mattock over his shoulder that he was nothing but a miner boy, yet for a moment the truth told notwithstanding. Then a great roaring laugh burst from the biggest of the footmen as he came shouldering his way through the crowd toward Curdie.
'Yes, I'm right,' he cried; 'I thought as much! This messenger, forsooth, is nothing but a gallows bird—a fellow the city marshal was going to hang, but unfortunately put it off till he should be starved enough to save rope and be throttled with a pack thread. He broke prison, and here he is preaching!' As he spoke, he stretched out his great hand to lay hold of him. Curdie caught it in his left hand, and heaved his mattock with the other. Finding, however, nothing worse than an ox hoof, he restrained himself, stepped back a pace or two, shifted his mattock to his left hand, and struck him a little smart blow on the shoulder. His arm dropped by his side, he gave a roar, and drew back.
His fellows came crowding upon Curdie. Some called to the dogs; others swore; the women screamed; the footmen and pages got round him in a half circle, which he kept from closing by swinging his mattock, and here and there threatening a blow.
'Whoever confesses to having done anything wrong in this house, however small, however great, and means to do better, let him come to this corner of the room,' he cried.
None moved but the page, who went toward him skirting the wall. When they caught sight of him, the crowd broke into a hiss of derision.
'There! See! Look at the sinner! He confesses! Actually confesses! Come, what is it you stole? The barefaced hypocrite! There's your sort to set up for reproving other people! Where's the other now?'
But the maid had left the room, and they let the page pass, for he looked dangerous to stop. Curdie had just put him betwixt him and the wall, behind the door, when in rushed the butler with the huge kitchen poker, the point of which he had blown red-hot in the fire, followed by the cook with his longest spit. Through the crowd, which scattered right and left before them, they came down upon Curdie. Uttering a shrill whistle, he caught the poker a blow with his mattock, knocking the point to the ground, while the page behind him started forward, and seizing the point of the spit, held on to it with both hands, the cook kicking him furiously.
Ere the butler could raise the poker again, or the cook recover the spit, with a roar to terrify the dead, Lina dashed into the room, her eyes flaming like candles. She went straight at the butler. He was down in a moment, and she on the top of him, wagging her tail over him like a lioness.
'Don't kill him, Lina,' said Curdie.
'Oh, Mr Miner!' cried the butler.
'Put your foot on his mouth, Lina,' said Curdie. 'The truth Fear tells is not much better than her lies.'
The rest of the creatures now came stalking, rolling, leaping, gliding, hobbling into the room, and each as he came took the next place along the wall, until, solemn and grotesque, all stood ranged, awaiting orders.
And now some of the culprits were stealing to the doors nearest them. Curdie whispered to the two creatures next him. Off went Ballbody, rolling and bounding through the crowd like a spent cannon shot, and when the foremost reached the door to the corridor, there he lay at the foot of it grinning; to the other door scuttled a scorpion, as big as a huge crab. The rest stood so still that some began to think they were only boys dressed up to look awful; they persuaded themselves they were only another part of the housemaid's and page's vengeful contrivance, and their evil spirits began to rise again. Meantime Curdie had, with a second sharp blow from the hammer of his mattock, disabled the cook, so that he yielded the spit with a groan. He now turned to the avengers.
'Go at them,' he said.
The whole nine-and-forty obeyed at once, each for himself, and after his own fashion. A scene of confusion and terror followed. The crowd scattered like a dance of flies. The creatures had been instructed not to hurt much, but to hunt incessantly, until everyone had rushed from the house. The women shrieked, and ran hither and thither through the hall, pursued each by her own horror, and snapped at by every other in passing. If one threw herself down in hysterical despair, she was instantly poked or clawed or nibbled up again.
Though they were quite as frightened at first, the men did not run so fast; and by and by some of them finding they were only glared at, and followed, and pushed, began to summon up courage once more, and with courage came impudence. The tapir had the big footman in charge: the fellow stood stock-still, and let the beast come up to him, then put out his finger and playfully patted his nose. The tapir gave the nose a little twist, and the finger lay on the floor.
Then indeed did the footman run.
Gradually the avengers grew more severe, and the terrors of the imagination were fast yielding to those of sensuous experience, when a page, perceiving one of the doors no longer guarded, sprang at it, and ran out. Another and another followed. Not a beast went after, until, one by one, they were every one gone from the hall, and the whole crew in the kitchen.
There they were beginning to congratulate themselves that all was over, when in came the creatures trooping after them, and the second act of their terror and pain began. They were flung about in all directions; their clothes were torn from them; they were pinched and scratched any- and everywhere; Ballbody kept rolling up them and over them, confining his attentions to no one in particular; the scorpion kept grabbing at their legs with his huge pincers; a three-foot centipede kept screwing up their bodies, nipping as he went; varied as numerous were their woes. Nor was it long before the last of them had fled from the kitchen to the sculleries.
But thither also they were followed, and there again they were hunted about. They were bespattered with the dirt of their own neglect; they were soused in the stinking water that had boiled greens; they were smeared with rancid dripping; their faces were rubbed in maggots: I dare not tell all that was done to them. At last they got the door into a back yard open, and rushed out. Then first they knew that the wind was howling and the rain falling in sheets. But there was no rest for them even there. Thither also were they followed by the inexorable avengers, and the only door here was a door out of the palace: out every soul of them was driven, and left, some standing, some lying, some crawling, to the farther buffeting of the waterspouts and whirlwinds ranging every street of the city. The door was flung to behind them, and they heard it locked and bolted and barred against them.
Story DNA
Moral
Those who neglect their duties, abuse their positions, and refuse to acknowledge their wrongdoing will face severe and inescapable consequences.
Plot Summary
A young girl attempts to deliver a message of repentance to the corrupt and disloyal servants of a palace, but they mock and threaten her. Curdie, the true messenger, arrives and publicly denounces their villainy, offering a final chance for confession, which only a page accepts. When the butler and cook attack, Curdie's dog, Lina, intervenes, and Curdie unleashes his forty-nine grotesque creatures upon the unrepentant servants. These 'avengers' relentlessly pursue and torment the servants through the hall, kitchen, and sculleries, subjecting them to escalating humiliation and pain. Finally, the entire crew is driven out of the palace into a raging storm, locked out and left to face the harsh elements as their ultimate punishment.
Themes
Emotional Arc
impudence to terror
Writing Style
Narrative Elements
Cultural Context
George MacDonald's works often blend Christian allegory with fantasy, and this story reflects themes of divine justice and moral accountability, common in Victorian-era moral tales.
Plot Beats (11)
- A girl, acting as a messenger, enters the servants' hall and is met with hostility and threats for her message of repentance.
- The butler, enraged, threatens the girl and attempts to seize her, but a page intervenes to protect her.
- Curdie enters and publicly exposes the servants' corruption, specifically calling out the butler as a villain and traitor.
- A large footman attempts to attack Curdie, who easily fends him off with his mattock.
- Curdie offers a chance for repentance, asking those who confess to join him; only the page does so, enduring mockery.
- The butler and cook attack Curdie with a red-hot poker and a spit, but Curdie's dog, Lina, subdues the butler.
- Curdie's other forty-nine grotesque creatures enter the hall, taking positions along the wall, and prevent any escape.
- Curdie commands his 'avengers' to attack, and they relentlessly pursue and torment the servants throughout the hall.
- The servants flee from the hall to the kitchen, but the creatures follow, continuing their torment.
- The servants flee from the kitchen to the sculleries, where they are further humiliated and subjected to disgusting punishments.
- Finally, the servants escape to a back yard, only to be driven out of the palace entirely into a severe storm, and the doors are locked behind them.
Characters
The Girl ◆ supporting
Slender build, average height, with a somewhat ethereal or otherworldly presence that makes her seem out of place in the boisterous servants' hall.
Attire: Simple, unadorned dress of coarse linen or wool, likely in muted, practical colors like grey or brown, suggesting a humble background or a spiritual detachment from worldly finery. It would be a common garment for a servant or messenger of the period.
Wants: To deliver the message of repentance as instructed by 'the messenger' (Curdie).
Flaw: Her quiet demeanor and directness make her seem naive or foolish to those unwilling to listen, making her vulnerable to their aggression.
She remains steadfast in her role, serving as a catalyst for the confrontation but not undergoing a personal transformation within this specific narrative segment.
Obedient, resolute, calm, unwavering, earnest.
Image Prompt & Upload
A young woman standing calmly, facing forward, full body visible from head to toe. She has a slender build, fair skin, and light brown hair pulled back simply. Her eyes are light blue and hold a steady, earnest expression. She wears a simple, long-sleeved grey linen dress with a high neckline and no adornments. Her hands are clasped loosely in front of her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Butler ⚔ antagonist
Portly and well-fed, indicating his position and indulgence. He is likely of average height but appears larger due to his build.
Attire: A dark, formal livery of the period, perhaps a heavy wool coat with brass buttons, a waistcoat, and breeches, indicating his status as a head servant in a grand household. The fabric might be slightly strained over his ample figure.
Wants: To maintain his authority and comfortable position, avoid accountability for his misdeeds, and silence anyone who threatens his status quo.
Flaw: Cowardice and a deep-seated guilt he tries to suppress, making him lash out violently when confronted with truth.
He is exposed as a villain and traitor, physically subdued by Lina, and ultimately driven out of the palace in disgrace.
Bullying, cowardly, gluttonous, hypocritical, quick-tempered.
Image Prompt & Upload
A portly adult man standing, facing forward, full body visible from head to toe. He has a round, red face with small, shifty eyes and thinning dark hair. He wears a dark blue wool livery coat with brass buttons, a cream waistcoat, and dark breeches. His posture is blustering and arrogant, but with a hint of underlying fear. He holds a large, heavy iron kitchen poker with a glowing red-hot tip in his right hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Page ◆ supporting
Likely slender and agile, as befits a page, with a youthful energy. He is of average height for his age.
Attire: A neat, fitted uniform of a page, likely in the king's livery colors (e.g., blue or red with gold trim), made of finer wool or broadcloth than the common servants, indicating his slightly higher status. Perhaps a short jacket, waistcoat, and breeches.
Wants: To protect the Girl and later to confess his own wrongdoings, seeking redemption.
Flaw: His youth and relative lack of power compared to the Butler and other senior servants.
He is the first to confess his wrongdoings and align himself with Curdie, demonstrating a moral awakening and courage.
Brave, protective, defiant, remorseful, quick-thinking.
Image Prompt & Upload
A young man standing, facing forward, full body visible from head to toe. He has a slender build, a youthful face with bright, defiant dark eyes, and neatly cut dark brown hair. He wears a fitted blue wool page's jacket with gold trim, a white shirt, and dark breeches. His posture is alert and protective. He holds the point of a long metal cooking spit with both hands, pulling it away from a larger figure. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Curdie ★ protagonist
Strong and sturdy build, accustomed to physical labor from his mining background. He is of average height but possesses a commanding presence.
Attire: Practical, sturdy clothing of a miner: a coarse tunic or shirt, durable trousers, and heavy boots, possibly with a leather apron or vest. His clothes would be functional and show signs of wear, contrasting sharply with the palace finery.
Wants: To bring justice and order to the corrupt palace, exposing the wrongdoers and forcing them to repent or leave.
Flaw: His directness can provoke immediate hostility from those unwilling to face the truth.
He acts as the agent of change, orchestrating the 'vengeance' and cleansing the palace of corruption, fulfilling his role as a righteous enforcer.
Brave, righteous, authoritative, discerning, strategic.
Image Prompt & Upload
A young man standing, facing forward, full body visible from head to toe. He has a strong, sturdy build, a determined face with piercing dark eyes, and shaggy dark brown hair. He wears a coarse grey tunic, dark brown trousers, and heavy leather boots. Over his shoulder, he carries a miner's mattock with a wooden handle and a metal head. His expression is serious and authoritative. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Lina ◆ supporting
A large, powerful dog-like creature, described as 'wagging her tail over him like a lioness.' She is likely a formidable size, perhaps with a shaggy coat and strong limbs.
Attire: None, as she is an animal.
Wants: To obey Curdie's commands and enforce justice.
Flaw: Her loyalty is entirely to Curdie, making her actions dependent on his direction.
She serves as a powerful enforcer of Curdie's will, demonstrating her ferocity and obedience.
Fierce, loyal, obedient, protective, powerful.
Image Prompt & Upload
A large, powerful, shaggy-coated dog-like creature, standing on its hind legs, facing forward, full body visible from head to toe. Its fur is dark brown and thick, with a mane around its head. Its eyes glow with an intense, fiery orange light. It has strong limbs and a powerful build, with a long, thick tail. Its expression is fierce and protective. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Ballbody ○ minor
A creature capable of rolling and bounding like a cannon shot, suggesting a spherical or very compact, dense form. It might have a hard, perhaps metallic or stony exterior.
Attire: None, as it is a creature.
Wants: To obey Curdie's commands and prevent escape.
Flaw: Its actions are entirely directed by Curdie.
Serves its purpose in blocking an escape route and harassing the culprits.
Playful yet effective in its task, relentless.
Image Prompt & Upload
A large, spherical creature, facing forward, full body visible from head to toe. Its body is covered in a hard, dark grey, stony texture. It has a wide, toothy grin on its front, with glowing yellow eyes. It appears to be mid-roll, with a sense of momentum. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Scorpion ○ minor
As big as a huge crab, with large pincers. It would have a segmented body, a stinger tail, and multiple legs, typical of a scorpion but greatly enlarged.
Attire: None, as it is a creature.
Wants: To obey Curdie's commands and harass the culprits.
Flaw: Its actions are entirely directed by Curdie.
Serves its purpose in blocking an escape route and harassing the culprits.
Aggressive, relentless, obedient.
Image Prompt & Upload
A gigantic scorpion, as large as a crab, facing forward, full body visible from head to toe. Its segmented body is a dark, chitinous black. It has eight legs, a long, arched tail with a stinger, and two massive, powerful pincers. Its small, beady eyes are red. It is poised to strike. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Tapir ○ minor
A large, hoofed mammal with a distinctive short, fleshy snout. Its body is robust and powerful.
Attire: None, as it is an animal.
Wants: To obey Curdie's commands and inflict a specific, non-lethal punishment.
Flaw: Its actions are entirely directed by Curdie.
Demonstrates its unique method of 'vengeance' by twisting the footman's nose and removing his finger.
Patient, observant, precise, effective.
Image Prompt & Upload
A large, robust tapir, facing forward, full body visible from head to toe. Its body is covered in short, dense fur, with a black front half and a white rear half. It has a distinctive, flexible, short trunk-like snout and small, dark eyes. Its legs are sturdy, ending in hooves. Its expression is calm but focused. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Centipede ○ minor
Three feet long, with numerous segmented body parts and many legs. It would be elongated and capable of 'screwing up' bodies.
Attire: None, as it is a creature.
Wants: To obey Curdie's commands and inflict discomfort.
Flaw: Its actions are entirely directed by Curdie.
Contributes to the general harassment and terror of the culprits in the kitchen.
Persistent, irritating, effective in harassment.
Image Prompt & Upload
A three-foot-long centipede, facing forward, full body visible from head to toe. Its segmented body is a reddish-brown, with countless pairs of legs extending from its sides. It has small antennae and a mouth with visible mandibles. Its body is shown in a coiling, undulating motion. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Servants' Hall
A large, bustling hall within a grand palace, likely with a long table where servants are seated for supper. The atmosphere is initially boisterous and then becomes tense and hostile. It is a functional, well-used space, but currently chaotic.
Mood: Tense, hostile, chaotic, later filled with terror and confusion.
The confrontation between the girl, the page, Curdie, and the palace servants, escalating into a chaotic chase and the initial 'vengeance'.
Image Prompt & Upload
A large, high-ceilinged servants' hall in a medieval European palace, with rough-hewn timber beams supporting the ceiling and stone walls. A long, heavy wooden table dominates the center, laden with simple supper dishes. Servants in period attire are scattered, some standing, some seated, their faces contorted in anger and fear. Warm, flickering firelight from a large stone hearth casts long shadows across the room, illuminating the chaos. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Palace Kitchen
A large, industrial kitchen within the palace, filled with cooking implements and the remnants of food preparation. It is a place of work, now turned into a scene of terror as the creatures pursue the servants.
Mood: Terrified, chaotic, messy, filled with the sounds of struggle.
The second phase of the 'vengeance', where the creatures continue to torment the fleeing servants, tearing clothes and inflicting minor injuries.
Image Prompt & Upload
A vast, bustling medieval palace kitchen with a high, vaulted stone ceiling and rough-hewn stone walls. Large iron cauldrons hang over roaring hearths, casting a warm, smoky glow. Wooden workbenches are cluttered with cooking tools, vegetables, and spilled food. Terrified servants in torn clothing are being pursued by grotesque, fantastical creatures, creating a scene of utter pandemonium. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Palace Sculleries
The back-of-house areas for washing and dirty work, likely damp and grimy. This is where the servants are subjected to the most humiliating and disgusting torments.
Mood: Humiliating, disgusting, desperate, filled with sensory assault.
The climax of the indoor torment, where the servants are subjected to extreme humiliation and physical discomfort before being driven out.
Image Prompt & Upload
A cramped, grimy scullery in a medieval palace, with low, damp stone walls and a rough flagstone floor. Wooden washing troughs are filled with murky, stinking water, and shelves are cluttered with dirty dishes and cooking waste. Dim, flickering light from a distant lamp barely illuminates the scene as terrified servants are smeared with filth and pursued by grotesque creatures. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Palace Back Yard / City Streets
An exterior area behind the palace, leading directly out into the city streets. It is exposed to a severe storm, with howling wind and torrential rain. The streets are also affected by waterspouts and whirlwinds.
Mood: Desperate, exposed, chaotic, unforgiving, cold.
The final expulsion of the servants from the palace and into the harsh elements of the storm-ridden city, signifying their complete downfall.
Image Prompt & Upload
A desolate, rain-swept back yard of a medieval European palace, with rough-hewn stone walls slick with water. A heavy, iron-bound wooden door stands closed and bolted. Beyond, the narrow cobblestone streets of a city are being lashed by a furious storm, with sheets of rain driven by howling winds and visible waterspouts in the distance. The night sky is dark and turbulent. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.