The Wine Cellar
by George MacDonald · from The Princess and Curdie
Adapted Version
Curdie and Lina are stuck. They are behind a big, old door. They are hungry. Curdie sees a bolt. It is old and rusty. He cannot move it. Lina whimpers softly. Curdie tries to push it. He cannot. The door stays shut.
Curdie makes a small hole. Lina puts her head in. She grabs the bolt. Lina pulls it with her teeth. The bolt moves loudly. The door opens. They see a big room. It has many drinks inside.
Curdie and Lina go inside. They hear steps. A man comes. It is The Butler. He has a bright light. Curdie and Lina hide fast. The Butler does something bad. He puts things in a big barrel. He drinks from another.
Curdie thinks. "Lina, speak now," he whispers. Lina gives a loud howl. The sound scares The Butler very much. He drops his light. He runs fast to the door. He leaves the door open. He is gone quickly.
Curdie picks up the light. It is still lit. He runs to the door. He takes the key. Curdie goes back inside. He finds the drink barrel. The Butler drank from it. Curdie opens its tap. The drink starts to spill out.
Curdie and Lina hide outside. Many people come. They are The Other Helpers. They find the drinks spilling. They see the light. They say The Butler was silly. They say he made a big mistake. They make much noise.
The Butler comes back. He says he is right. He says the key is gone. But The Other Helpers do not listen. They are happy. The room door is open now. They do not close it. This is good.
The Other Helpers go away. Curdie and Lina go back in. Lina sees the spilled drink. She laps it up fast. Lina was very thirsty. She had no breakfast. Curdie is also hungry. He needs food.
Curdie knows they are in the palace. He needs food. Lina needs food too. He must find it now. He will look for food. Curdie wants to help Lina. They are a team.
Curdie tells Lina to wait. Lina stays on the steps. Curdie looks around a hallway. He sees a big room. There is much food. King's helpers are there. They sit by a warm fire.
Curdie waits for a chance. The room is empty. No one is there. Curdie runs in fast. He grabs a big pie. He runs back to Lina. He is very quick. They have food now. This is good.
Original Story
The Wine Cellar
He lighted his candle and examined it. Decayed and broken as it was, it was strongly secured in its place by hinges on the one side, and either lock or bolt, he could not tell which, on the other. A brief use of his pocket-knife was enough to make room for his hand and arm to get through, and then he found a great iron bolt—but so rusty that he could not move it.
Lina whimpered. He took his knife again, made the hole bigger, and stood back. In she shot her small head and long neck, seized the bolt with her teeth, and dragged it, grating and complaining, back. A push then opened the door. It was at the foot of a short flight of steps. They ascended, and at the top Curdie found himself in a space which, from the echo to his stamp, appeared of some size, though of what sort he could not at first tell, for his hands, feeling about, came upon nothing. Presently, however, they fell on a great thing: it was a wine cask.
He was just setting out to explore the place thoroughly, when he heard steps coming down a stair. He stood still, not knowing whether the door would open an inch from his nose or twenty yards behind his back. It did neither. He heard the key turn in the lock, and a stream of light shot in, ruining the darkness, about fifteen yards away on his right.
A man carrying a candle in one hand and a large silver flagon in the other, entered, and came toward him. The light revealed a row of huge wine casks, that stretched away into the darkness of the other end of the long vault. Curdie retreated into the recess of the stair, and peeping round the corner of it, watched him, thinking what he could do to prevent him from locking them in. He came on and on, until curdie feared he would pass the recess and see them. He was just preparing to rush out, and master him before he should give alarm, not in the least knowing what he should do next, when, to his relief, the man stopped at the third cask from where he stood. He set down his light on the top of it, removed what seemed a large vent-peg, and poured into the cask a quantity of something from the flagon. Then he turned to the next cask, drew some wine, rinsed the flagon, threw the wine away, drew and rinsed and threw away again, then drew and drank, draining to the bottom. Last of all, he filled the flagon from the cask he had first visited, replaced then the vent-peg, took up his candle, and turned toward the door.
'There is something wrong here!' thought Curdie.
'Speak to him, Lina,' he whispered.
The sudden howl she gave made Curdie himself start and tremble for a moment. As to the man, he answered Lina's with another horrible howl, forced from him by the convulsive shudder of every muscle of his body, then reeled gasping to and fro, and dropped his candle. But just as Curdie expected to see him fall dead he recovered himself, and flew to the door, through which he darted, leaving it open behind him. The moment he ran, Curdie stepped out, picked up the candle still alight, sped after him to the door, drew out the key, and then returned to the stair and waited. In a few minutes he heard the sound of many feet and voices. Instantly he turned the tap of the cask from which the man had been drinking, set the candle beside it on the floor, went down the steps and out of the little door, followed by Lina, and closed it behind them.
Through the hole in it he could see a little, and hear all. He could see how the light of many candles filled the place, and could hear how some two dozen feet ran hither and thither through the echoing cellar; he could hear the clash of iron, probably spits and pokers, now and then; and at last heard how, finding nothing remarkable except the best wine running to waste, they all turned on the butler and accused him of having fooled them with a drunken dream. He did his best to defend himself, appealing to the evidence of their own senses that he was as sober as they were. They replied that a fright was no less a fright that the cause was imaginary, and a dream no less a dream that the fright had waked him from it.
When he discovered, and triumphantly adduced as corroboration, that the key was gone from the door, they said it merely showed how drunk he had been—either that or how frightened, for he had certainly dropped it. In vain he protested that he had never taken it out of the lock—that he never did when he went in, and certainly had not this time stopped to do so when he came out; they asked him why he had to go to the cellar at such a time of the day, and said it was because he had already drunk all the wine that was left from dinner. He said if he had dropped the key, the key was to be found, and they must help him to find it. They told him they wouldn't move a peg for him. He declared, with much language, he would have them all turned out of the king's service. They said they would swear he was drunk.
And so positive were they about it, that at last the butler himself began to think whether it was possible they could be in the right. For he knew that sometimes when he had been drunk he fancied things had taken place which he found afterward could not have happened. Certain of his fellow servants, however, had all the time a doubt whether the cellar goblin had not appeared to him, or at least roared at him, to protect the wine. In any case nobody wanted to find the key for him; nothing could please them better than that the door of the wine cellar should never more be locked. By degrees the hubbub died away, and they departed, not even pulling to the door, for there was neither handle nor latch to it.
As soon as they were gone, Curdie returned, knowing now that they were in the wine cellar of the palace, as indeed, he had suspected. Finding a pool of wine in a hollow of the floor, Lina lapped it up eagerly: she had had no breakfast, and was now very thirsty as well as hungry. Her master was in a similar plight, for he had but just begun to eat when the magistrate arrived with the soldiers. If only they were all in bed, he thought, that he might find his way to the larder! For he said to himself that, as he was sent there by the young princess's great-great-grandmother to serve her or her father in some way, surely he must have a right to his food in the Palace, without which he could do nothing. He would go at once and reconnoitre.
So he crept up the stair that led from the cellar. At the top was a door, opening on a long passage dimly lighted by a lamp. He told Lina to lie down upon the stair while he went on. At the end of the passage he found a door ajar, and, peering through, saw right into a great stone hall, where a huge fire was blazing, and through which men in the king's livery were constantly coming and going. Some also in the same livery were lounging about the fire. He noted that their colours were the same as those he himself, as king's miner, wore; but from what he had seen and heard of the habits of the place, he could not hope they would treat him the better for that.
The one interesting thing at the moment, however, was the plentiful supper with which the table was spread. It was something at least to stand in sight of food, and he was unwilling to turn his back on the prospect so long as a share in it was not absolutely hopeless. Peeping thus, he soon made UP his mind that if at any moment the hall should be empty, he would at that moment rush in and attempt to carry off a dish. That he might lose no time by indecision, he selected a large pie upon which to pounce instantaneously. But after he had watched for some minutes, it did not seem at all likely the chance would arrive before suppertime, and he was just about to turn away and rejoin Lina, when he saw that there was not a person in the place. Curdie never made up his mind and then hesitated. He darted in, seized the pie, and bore it swiftly and noiselessly to the cellar stair.
Story DNA
Plot Summary
Curdie and his companion Lina find themselves trapped and hungry within a palace. They discover a wine cellar where they witness a butler adulterating wine. Lina's sudden howl frightens the butler, who flees, allowing Curdie to secure the cellar and set a trap. They then observe the other servants accusing the butler of drunkenness. Later, Curdie, seeking food, stealthily navigates the palace and, seizing an opportune moment, snatches a pie from a grand supper table, returning to Lina with their meal.
Themes
Emotional Arc
peril to temporary relief
Writing Style
Narrative Elements
Cultural Context
George MacDonald was a Victorian author, and his fairy tales often blend Christian allegory with traditional fantasy elements, though this excerpt is more focused on adventure and resourcefulness.
Plot Beats (11)
- Curdie and Lina are trapped behind a door with a rusty bolt.
- Lina helps Curdie open the door, revealing a large wine cellar.
- They hide as a butler enters, secretly adulterating one wine cask and drinking from another.
- Curdie whispers to Lina to speak, and her sudden howl terrifies the butler, who drops his candle and flees, leaving the door open.
- Curdie picks up the candle, secures the key, and sets a trap by opening the tap of the wine cask the butler drank from.
- He and Lina hide outside the cellar door as many servants arrive, finding the wine running and accusing the butler of being drunk and imagining things.
- The butler tries to defend himself, noting the missing key, but the other servants dismiss his claims, happy the cellar door will remain unlocked.
- After the servants leave, Curdie and Lina re-enter the cellar, and Lina drinks the spilled wine.
- Curdie, realizing they are in the palace, decides to find food for himself and Lina.
- He leaves Lina at the cellar stair and scouts a passage, finding a great hall with a supper spread and king's livery men.
- Curdie waits for an opportunity, and when the hall is momentarily empty, he rushes in, grabs a large pie, and returns to the cellar stair with it.
Characters
Curdie ★ protagonist
Lean and agile, likely of average height for his age, with a build that suggests a life of physical activity, perhaps from his background as a miner. His movements are quick and decisive.
Attire: The story mentions he wears the 'king's miner's' livery, which would be a practical, durable uniform suitable for working in mines. This would likely consist of sturdy trousers, a tunic or jacket, and possibly a cap, in colors associated with the royal household, perhaps dark blues, greens, or browns, made of wool or coarse linen.
Wants: To serve the princess or her father, as instructed by the princess's great-great-grandmother, and to secure food for himself and Lina.
Flaw: Can be impulsive, sometimes acting without a full plan (e.g., preparing to rush the butler without knowing what to do next).
The story shows him adapting to a new environment and successfully navigating a dangerous situation, proving his resourcefulness and capability.
Resourceful, brave, quick-thinking, observant, and determined. He acts decisively and takes initiative.
Image Prompt & Upload
A young boy, perhaps 10-12 years old, with a lean build and average height. He has fair skin, a determined expression, and short, practical brown hair. He wears a sturdy, dark blue linen tunic with a simple leather belt, dark trousers, and practical leather boots, indicative of a miner's uniform. He holds a lit candle in one hand and a small, closed pocket-knife in the other. He stands alert and ready. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Lina ◆ supporting
A small dog, likely a terrier or similar breed, known for her long neck and strong teeth. She is agile and quick.
Attire: None, as she is a dog.
Wants: To assist Curdie and to satisfy her own hunger and thirst.
Flaw: Her animal instincts, such as hunger and thirst, can be strong motivators.
She demonstrates her value as a companion and helper, proving instrumental in overcoming obstacles.
Loyal, brave, intelligent, and protective. She is a keen observer and acts on Curdie's commands.
Image Prompt & Upload
A small, agile terrier-like dog with a long neck and alert, intelligent dark eyes. Her fur is a mix of brown and black, short and wiry. She stands on all fours, facing forward, with her head slightly cocked, ears perked. Her tail is held high. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Butler ⚔ antagonist
Unspecified, but likely a man of some authority within the palace, perhaps of a slightly portly build from a life of comfort, though his actions suggest a certain level of physical capability when startled.
Attire: Formal livery of a royal butler, likely made of fine wool or silk, in the king's colors (same as Curdie's miner's livery, but of higher quality and more elaborate design). This would include a tailored coat, waistcoat, breeches, stockings, and polished shoes, perhaps with silver buttons or trim.
Wants: To maintain his routine of 'doctoring' the wine and enjoying a drink, and later, to defend his reputation and sobriety.
Flaw: His secret habit of altering the wine, his susceptibility to fright, and his inability to convince others of his sobriety when panicked.
He experiences a terrifying encounter, is publicly humiliated and accused of drunkenness, and loses the key to the wine cellar, effectively losing control over his secret habit.
Habitual, somewhat secretive (regarding his wine-doctoring), easily startled, and prone to panic. He is also defensive and somewhat arrogant when accused.
Image Prompt & Upload
An adult man in his 40s, of average height and a slightly rounded build. He has a clean-shaven face, a slightly flushed complexion, and neatly combed dark hair. He wears a formal, tailored dark green wool coat with brass buttons, a cream-colored waistcoat, white linen shirt, dark breeches, and polished black leather shoes. He holds a large, ornate silver flagon in one hand and a lit candle in the other, his eyes wide with a mixture of terror and confusion. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Fellow Servants ○ minor
A group of men, likely of varying builds and heights, dressed in the king's livery. Some are described as 'lounging about the fire,' suggesting a relaxed but ready posture.
Attire: The king's livery, similar to Curdie's but perhaps of slightly better quality than a miner's, though less formal than the butler's. Practical tunics, trousers, and possibly jerkins or vests in the royal colors (dark blues, greens, or browns), made of sturdy wool or linen.
Wants: To investigate the butler's alarm, to ridicule him, and to benefit from the unlocked wine cellar.
Flaw: Their collective skepticism and unwillingness to believe the butler, leading them to miss the true cause of the disturbance.
They serve as a collective obstacle and source of conflict for the butler, ultimately leaving the wine cellar accessible.
Skeptical, accusatory, somewhat lazy (not wanting to help find the key), and prone to gossip or taking advantage of a situation (leaving the cellar unlocked).
Image Prompt & Upload
A group of three adult men, each with a sturdy build and practical appearance. They wear matching dark blue linen tunics with the king's emblem embroidered on the chest, sturdy brown leather belts, and dark trousers. One man has short, dark hair and a skeptical expression, holding a lit candle. Another has a slightly longer, unkempt beard and a smirk, holding an iron poker. The third has a stern face and is empty-handed. They are standing in various poses, some looking around, others at each other. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
The Wine Cellar
A long, echoing underground vault, dimly lit by candles, lined with rows of huge, dark wooden wine casks. The air is cool and smells of aged wine. The floor is stone, with a hollow that collects spilled wine.
Mood: Mysterious, tense, later chaotic and echoing.
Curdie and Lina discover the cellar, witness the butler's suspicious activity, cause a fright, and later Curdie steals a pie from the palace kitchen.
Image Prompt & Upload
A vast, subterranean wine cellar, with a high, arched stone ceiling and rough-hewn stone walls. Numerous enormous, dark oak wine casks are stacked in long rows, receding into deep shadow. A single flickering candle casts long, dancing shadows across the damp stone floor, revealing a small pool of spilled red wine. The air is thick with the scent of fermenting grapes and old wood. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Palace Passage
A long, narrow passage within a medieval European palace, dimly lit by a single, wall-mounted lamp. The walls are likely stone or plastered, and the floor is solid.
Mood: Quiet, watchful, leading to activity.
Curdie leaves Lina to scout for food, leading him to the great stone hall.
Image Prompt & Upload
A narrow, dimly lit stone passage within a medieval European palace. The rough-hewn stone walls are cool and grey, with a single iron sconce holding a flickering oil lamp casting pools of weak, yellow light. The flagstone floor is worn smooth in places. The passage recedes into shadow, with a heavy wooden door slightly ajar at the far end, revealing a sliver of brighter light. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Great Stone Hall
A large, imposing stone hall within a medieval European palace, dominated by a huge, roaring fireplace. Men in the king's livery move about or lounge by the fire. A table is laden with a plentiful supper.
Mood: Busy, warm, inviting (for food), but potentially dangerous.
Curdie observes the palace servants and plans to steal food, successfully snatching a large pie.
Image Prompt & Upload
A vast, high-ceilinged medieval European palace hall, constructed of massive, rough-hewn grey stone blocks. A colossal stone fireplace dominates one wall, a roaring fire casting a warm, orange glow across the room. Heavy timber beams support the ceiling. In the center, a long, sturdy wooden table is laden with an abundant supper, including roasted meats and a large, golden-crusted pie. Several figures in simple, practical livery move about or stand near the fire. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.