The Princess's King-Papa
by George MacDonald · from The Princess and the Goblin
Adapted Version
Princess Irene loves to play outside. The sun is warm. She runs and laughs. The weather is very good. Lootie is her nurse. Lootie is often scared. She worries about naughty creatures. Lootie brings Irene home early. Irene wants to play more. Lootie fears the dark.
One day, Irene played in the garden. She heard a loud horn sound. It was her King-Papa. He came to see her. Irene felt very happy. She watched for him. She saw many men. They rode horses. Their clothes shone.
King-Papa came closer. He rode a big White Horse. Irene ran to him. She put up her arms. King-Papa stopped his horse. He took Irene up. She sat on the horse. She hugged her King-Papa. He held her close. They went to the house.
They ate food. King-Papa asked Irene a question. "What next?" Irene had an idea. "See my kind old lady." King-Papa looked. "She lives in a tower." "She has silver hair."
King-Papa looked serious. "No one lives there." Irene surprised. "Oh," she said. "It was a dream." She thought. "Yes, it was a dream." She knew it.
A white bird flew in. It landed on Irene's head. Irene laughed. "Dear bird, do not peck." The bird flew away. King-Papa looked at Irene's face. He smiled a little. He looked soft. He sighed a small sigh.
King-Papa said, "Walk in the garden." Irene asked, "See my old lady?" King-Papa said, "Not this time, dear." He was very gentle. "She did not ask me." They walked together.
King-Papa asked Irene a question. "You were out late." Irene said, "Yes, my fault." King-Papa spoke to Lootie. He talked to her alone. Lootie looked sad. She felt bad. King-Papa cared for Irene. He wanted her safe.
King-Papa rode away. He left some men behind. These men were helpers. They watched the house at night. They kept Irene safe. King-Papa loved Irene very much. He wanted her to be safe. Irene felt happy and safe in her home.
Original Story
The Princess's King-Papa
The weather continued fine for weeks, and the little princess went out every day. So long a period of fine weather had indeed never been known upon that mountain. The only uncomfortable thing was that her nurse was so nervous and particular about being in before the sun was down that often she would take to her heels when nothing worse than a fleecy cloud crossing the sun threw a shadow on the hillside; and many an evening they were home a full hour before the sunlight had left the weather-cock on the stables. If it had not been for such odd behaviour Irene would by this time have almost forgotten the goblins. She never forgot Curdie, but him she remembered for his own sake, and indeed would have remembered him if only because a princess never forgets her debts until they are paid.
One splendid sunshiny day, about an hour after noon, Irene, who was playing on a lawn in the garden, heard the distant blast of a bugle. She jumped up with a cry of joy, for she knew by that particular blast that her father was on his way to see her. This part of the garden lay on the slope of the hill and allowed a full view of the country below. So she shaded her eyes with her hand and looked far away to catch the first glimpse of shining armour. In a few moments a little troop came glittering round the shoulder of a hill. Spears and helmets were sparkling and gleaming, banners were flying, horses prancing, and again came the bugle-blast which was to her like the voice of her father calling across the distance: 'Irene, I'm coming.'
On and on they came until she could clearly distinguish the king. He rode a white horse and was taller than any of the men with him. He wore a narrow circle of gold set with jewels around his helmet, and as he came still nearer Irene could discern the flashing of the stones in the sun. It was a long time since he had been to see her, and her little heart beat faster and faster as the shining troop approached, for she loved her king-papa very dearly and was nowhere so happy as in his arms. When they reached a certain point, after which she could see them no more from the garden, she ran to the gate, and there stood till up they came, clanging and stamping, with one more bright bugle-blast which said: 'Irene, I am come.'
By this time the people of the house were all gathered at the gate, but Irene stood alone in front of them. When the horsemen pulled up she ran to the side of the white horse and held up her arms. The king stopped and took her hands. In an instant she was on the saddle and clasped in his great strong arms.
I wish I could describe the king so that you could see him in your mind. He had gentle, blue eyes, but a nose that made him look like an eagle. A long dark beard, streaked with silvery lines, flowed from his mouth almost to his waist, and as Irene sat on the saddle and hid her glad face upon his bosom it mingled with the golden hair which her mother had given her, and the two together were like a cloud with streaks of the sun woven through it. After he had held her to his heart for a minute he spoke to his white horse, and the great beautiful creature, which had been prancing so proudly a little while before, walked as gently as a lady—for he knew he had a little lady on his back—through the gate and up to the door of the house. Then the king set her on the ground and, dismounting, took her hand and walked with her into the great hall, which was hardly ever entered except when he came to see his little princess. There he sat down, with two of his counsellors who had accompanied him, to have some refreshment, and Irene sat on his right hand and drank her milk out of a wooden bowl curiously carved.
After the king had eaten and drunk he turned to the princess and said, stroking her hair:
'Now, my child, what shall we do next?'
This was the question he almost always put to her first after their meal together; and Irene had been waiting for it with some impatience, for now, she thought, she should be able to settle a question which constantly perplexed her.
'I should like you to take me to see my great old grandmother.'
The king looked grave And said:
'What does my little daughter mean?'
'I mean the Queen Irene that lives up in the tower—the very old lady, you know, with the long hair of silver.'
The king only gazed at his little princess with a look which she could not understand.
'She's got her crown in her bedroom,' she went on; 'but I've not been in there yet. You know she's there, don't you?'
'No,' said the king, very quietly.
'Then it must all be a dream,' said Irene. 'I half thought it was; but I couldn't be sure. Now I am sure of it. Besides, I couldn't find her the next time I went up.'
At that moment a snow-white pigeon flew in at an open window and settled upon Irene's head. She broke into a merry laugh, cowered a little, and put up her hands to her head, saying:
'Dear dovey, don't peck me. You'll pull out my hair with your long claws if you don't mind.'
The king stretched out his hand to take the pigeon, but it spread its wings and flew again through the open window, when its Whiteness made one flash in the sun and vanished. The king laid his hand on his princess's head, held it back a little, gazed in her face, smiled half a smile, and sighed half a sigh.
'Come, my child; we'll have a walk in the garden together,' he said.
'You won't come up and see my huge, great, beautiful grandmother, then, king-papa?' said the princess.
'Not this time,' said the king very gently. 'She has not invited me, you know, and great old ladies like her do not choose to be visited without leave asked and given.'
The garden was a very lovely place. Being upon a Mountainside there were parts in it where the rocks came through in great masses, and all immediately about them remained quite wild. Tufts of heather grew upon them, and other hardy mountain plants and flowers, while near them would be lovely roses and lilies and all pleasant garden flowers. This mingling of the wild mountain with the civilized garden was very quaint, and it was impossible for any number of gardeners to make such a garden look formal and stiff.
Against one of these rocks was a garden seat, shadowed from the afternoon sun by the overhanging of the rock itself. There was a little winding path up to the top of the rock, and on top another seat; but they sat on the seat at its foot because the sun was hot; and there they talked together of many things. At length the king said:
'You were out late one evening, Irene.'
'Yes, papa. It was my fault; and Lootie was very sorry.'
'I must talk to Lootie about it,' said the king.
'Don't speak loud to her, please, papa,' said Irene. 'She's been so afraid of being late ever since! Indeed she has not been naughty. It was only a mistake for once.'
'Once might be too often,' murmured the king to himself, as he stroked his child's head.
I can't tell you how he had come to know. I am sure Curdie had not told him. Someone about the palace must have seen them, after all.
He sat for a good while thinking. There was no sound to be heard except that of a little stream which ran merrily out of an opening in the rock by where they sat, and sped away down the hill through the garden. Then he rose and, leaving Irene where she was, went into the house and sent for Lootie, with whom he had a talk that made her cry.
When in the evening he rode away upon his great white horse, he left six of his attendants behind him, with orders that three of them should watch outside the house every night, walking round and round it from sunset to sunrise. It was clear he was not quite comfortable about the princess.
Story DNA
Plot Summary
Princess Irene joyfully reunites with her King-Papa, who visits her at her mountain home. During their time together, Irene speaks of her mysterious 'great old grandmother' who lives in the tower, a figure the King denies exists, leading Irene to question if her experiences were a dream. The King, aware of Irene's past encounter with goblins, gently questions her and then, concerned for her safety, leaves guards to watch the house nightly, demonstrating his deep love and protective nature.
Themes
Emotional Arc
joy to wonder to gentle concern
Writing Style
Narrative Elements
Cultural Context
George MacDonald was a Victorian author known for his Christian allegories and fantastical works, often exploring themes of good vs. evil, reality vs. illusion, and spiritual growth. This excerpt is from 'The Princess and the Goblin'.
Plot Beats (9)
- Princess Irene enjoys fine weather but is often brought home early by her nervous nurse, Lootie, who fears the dark due to a past goblin incident.
- Irene hears a bugle and joyfully anticipates her King-Papa's arrival, watching his troop approach from the garden.
- The King arrives, and Irene rushes to him, embracing him on his white horse before they dismount and enter the house.
- After a meal, the King asks Irene what she wants to do, and she requests to visit her 'great old grandmother' in the tower.
- The King looks grave and denies the existence of this grandmother, leaving Irene to conclude it must have been a dream.
- A snow-white pigeon flies in, lands on Irene's head, and then flies away, prompting a thoughtful, half-sad reaction from the King.
- The King takes Irene for a walk in the garden, gently declining to visit the grandmother.
- The King questions Irene about being out late one evening, confirming he knows about her past encounter, and then speaks privately with Lootie, making her cry.
- As the King departs, he leaves six guards to watch the house every night, demonstrating his concern for Irene's safety.
Characters
Irene ★ protagonist
A small, delicate child, likely fair-skinned given the setting. Her build is typical of a young girl, not yet developed.
Attire: A simple, comfortable dress suitable for playing in a garden, likely made of linen or cotton in light colors, appropriate for a princess living in a mountain retreat, but not overly formal.
Wants: To understand the world around her, especially the mystery of her 'great old grandmother', and to spend time with her beloved father.
Flaw: Her innocence and youth make her vulnerable to the dangers of the mountain and susceptible to believing her own dreams as reality.
She learns to distinguish between dreams and reality regarding her grandmother and becomes more aware of the concerns her father has for her safety.
Loving, curious, imaginative, innocent, and considerate. She deeply loves her father and is quick to defend her nurse.
Image Prompt & Upload
A small, fair-skinned young girl, around eight years old, with long, wavy golden hair flowing down her back. She has wide, curious blue eyes and a gentle, innocent expression. She wears a simple, light-colored linen dress with short sleeves and a modest neckline, suitable for playing outdoors. Her posture is upright and slightly eager. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
King-Papa ◆ supporting
A tall, imposing man with a strong build, befitting a king and warrior. He is taller than any of his men.
Attire: Royal armor, likely polished steel, adorned with a narrow circle of gold set with jewels around his helmet. When dismounted, he would wear fine, but practical, royal garments underneath his armor, perhaps a tunic and breeches of rich fabric, suitable for a medieval European monarch.
Wants: To ensure the safety and well-being of his daughter, Irene, and to maintain order and protection for his kingdom.
Flaw: His deep love for Irene makes him anxious about her safety, leading him to overthink and worry.
His concern for Irene's safety is reinforced, leading him to take more stringent protective measures around her mountain home.
Loving, protective, wise, observant, and gentle with his daughter, yet firm and responsible in his duties as a king and father.
Image Prompt & Upload
A tall, powerfully built adult man, around fifty years old, with an aquiline nose and gentle blue eyes. He has a long, dark beard streaked with silver that reaches almost to his waist. He wears polished steel armor with a narrow gold band set with jewels around his helmet. His posture is regal and commanding, yet his expression is kind. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Lootie ◆ supporting
Not explicitly described, but implied to be a woman of average build, perhaps a bit flustered or anxious in her demeanor.
Attire: Practical, modest attire suitable for a nurse or governess in a mountain household, likely a simple, sturdy dress made of wool or linen, perhaps with an apron, in muted colors.
Wants: To protect Princess Irene and fulfill her duties as a nurse, though her fear often overrides sound judgment.
Flaw: Her extreme nervousness and fear, which cause her to act irrationally and sometimes put Irene in situations of perceived danger.
She is reprimanded by the King for her negligence, which makes her cry, suggesting she will be more diligent and less prone to mistakes in the future.
Nervous, particular, easily frightened, and somewhat overprotective, but ultimately caring towards Irene. She is also easily made to cry when reprimanded.
Image Prompt & Upload
A middle-aged woman with a slightly worried expression, her eyebrows often furrowed. She has practical, dark hair pulled back neatly from her face. She wears a simple, long-sleeved grey linen dress with a white apron tied at the waist, and sturdy leather shoes. Her posture is a little hunched, conveying a sense of anxiety. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
White Horse ○ minor
A great, beautiful creature, larger than average, with a powerful and proud build.
Attire: A royal bridle and saddle, likely adorned with fine leather and possibly some metallic or jeweled embellishments, befitting a king's mount.
Wants: To serve its master, the King, and carry its precious cargo safely.
Flaw: None apparent in the story.
None, remains consistent.
Proud, intelligent, gentle, and responsive to its rider's commands and the presence of a child.
Image Prompt & Upload
A magnificent, large, pure white horse standing proudly, facing forward. Its mane and tail are long and flowing, matching its pristine coat. It wears an ornate leather bridle with silver buckles and a finely crafted saddle. Its eyes are intelligent and calm. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Mountain Garden Lawn
A lawn area within a garden situated on a mountainside slope, offering a full, expansive view of the country below. It is bright and open, receiving direct sunlight.
Mood: Joyful, expectant, open, with a sense of anticipation.
Princess Irene spots her King-Papa's approaching troop and runs to greet him.
Image Prompt & Upload
A wide, sun-drenched lawn gently slopes down a mountainside, offering an expansive vista of a verdant valley and distant hills under a clear blue sky. The grass is short and bright green, with scattered wildflowers. A simple wooden garden gate stands at the edge of the lawn, leading to a path. Golden afternoon light bathes the scene, casting soft, long shadows. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Great Hall of the Mountain House
A large, seldom-used hall within the princess's mountain house, likely built with sturdy, local materials. It is a formal space, but currently used for refreshment.
Mood: Formal, respectful, yet intimate and familial.
The King and Princess Irene share a meal and discuss her 'great old grandmother'. A white pigeon flies in.
Image Prompt & Upload
A grand, high-ceilinged hall with robust, rough-hewn timber beams supporting the roof and thick, mortared stone walls. A large, heavy wooden table dominates the center, with several sturdy chairs. Sunlight streams through a tall, arched window, illuminating dust motes in the air and casting bright patches on the flagstone floor. A curiously carved wooden bowl sits on the table. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Mountain Garden with Rock Outcrops
A unique garden on a mountainside where cultivated flowers mingle with wild rock formations, heather, and hardy mountain plants. A natural spring emerges from a rock.
Mood: Serene, natural, contemplative, with a blend of wildness and cultivation.
The King and Princess Irene sit and talk, and the King reflects on her late outing.
Image Prompt & Upload
A picturesque mountain garden where massive, grey rock outcrops emerge from the earth, covered in patches of purple heather and resilient mountain flora. Around the base of these rocks, vibrant cultivated roses and lilies bloom in neat beds, contrasting with the wildness. A rustic wooden garden seat is nestled against the shaded side of a large rock. A clear, sparkling stream burbles merrily from a fissure in the rock, winding its way down through the garden. Golden afternoon sunlight filters through sparse trees, dappling the scene. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.