ARISTÆUS the BEE-KEEPER
by Jean Lang · from A Book of Myths
Adapted Version
Long ago, a young man lived. His name was Aristæus. He loved bees very much. He cared for them. His bees made sweet honey. All liked his honey.
Aristæus saw a girl. Her name was Eurydice. He liked her very much. He wanted to be with her. Eurydice ran away from him. She stepped on a snake. The snake bit her. Eurydice was hurt. She went away then.
The gods were sad. They were angry too. Aristæus hurt Eurydice. So, his bees flew away. All his bees left him. They did not come back. His bee houses were empty. Aristæus was very sad.
Aristæus was very, very sad. He called for his mother. Her name was Cyrene. She lived in the water. Her home was deep in the river. She heard his sad voice.
Cyrene let him go down. He went to her. She sat on a big chair. Cyrene told him a plan. 'Find Proteus,' she said. 'He knows about your bees. He can help you get them back.'
Cyrene gave a warning. 'Proteus will not tell you soon. You must hold him tight. He will change his shape. He will become many things. Do not let him go. Then he will tell you his secret.'
Cyrene touched Aristæus. She gave him courage. He felt brave now. She took him to a cave. Proteus lived in this cave. It was by the sea.
Aristæus found Proteus sleeping. He held him very tight. Proteus woke up fast. He changed into many things. He was a big beast. Then he was fire. He was water too. Aristæus held him still. He did not let go.
Proteus was tired. He changed back to himself. 'Your bees left you,' he said. 'This happened because Eurydice was hurt. You made her sad. So your bees went away.'
Proteus told Aristæus what to do. 'You must make special gifts. Take them to a forest. This will make things right. It is for Eurydice. Do this for many days. Then come back here.'
Aristæus listened to Proteus. He did all the things. He made special gifts. He did the act. He worked very hard. He wanted to make things right.
On the last day, Aristæus came back. He went to the forest. He looked at the ground. He saw a new thing. Bees came from the flowers. Many new bees flew. His bees were back!
Aristæus was very happy. He made things right now. His bees were back. They were strong and healthy. He could care for them. He brought sweet honey to all. And so, Aristæus learned a big lesson. He was brave and kind. He made things right. His bees came back. They made sweet honey for all. Always.
Original Story
ARISTÆUS THE BEE-KEEPER
“... Every sound is sweet;
Myriads of rivers hurrying thro’ the lawn,
The moan of doves in immemorial elms,
And murmuring of innumerable bees.”
Tennyson.
In the fragrance of the blossom of the limes the bees are gleaning a luscious harvest. Their busy humming sounds like the surf on a reef heard from very far away, and would almost lull to sleep those who lazily, drowsily spend the sunny summer afternoon in the shadow of the trees. That line of bee-hives by the sweet-pea hedge shows where they store their treasure that men may rob them of it, but out on the uplands where the heather is purple, the wild bees hum in and out of the honey-laden bells and carry home their spoils to their own free fastnesses, from which none can drive them unless there comes a foray against them from the brown men of the moors.
How many of us who watch their ardent labours know the story of Aristæus—he who first brought the art of bee-keeping to perfection in his own dear land of Greece, and whose followers are those men in veils of blue and green, that motley throng who beat fire-irons and create a hideous clamour in order that the queen bee and her excited followers may be checked in their perilous voyagings and beguiled to swarm in the sanctuary of a hive.
Aristæus was a shepherd, the son of Cyrene, a water nymph, and to him there had come one day, as he listened to the wild bees humming amongst the wild thyme, the great thought that he might conquer these busy workers and make their toil his gain. He knew that hollow trees or a hole in a rock were used as the storage houses of their treasure, and so the wily shepherd lad provided for them the homes he knew that they would covet, and near them placed all the food that they most desired. Soon Aristæus became noted as a tamer of bees, and even in Olympus they spoke of his honey as a thing that was food for the gods. All might have gone well with Aristæus had there not come for him the fateful day when he saw the beautiful Eurydice and to her lost his heart. She fled before the fiery protestations of his love, and trod upon the serpent whose bite brought her down to the Shades. The gods were angry with Aristæus, and as punishment they slew his bees. His hives stood empty and silent, and no more did “the murmuring of innumerable bees” drowse the ears of the herds who watched their flocks cropping the red clover and the asphodel of the meadows.
Underneath the swift-flowing water of a deep river, the nymph who was the mother of Aristæus sat on her throne. Fishes darted round her white feet, and beside her sat her attendants, spinning the fine strong green cords that twine themselves round the throats of those who perish when their arms can no longer fight against the force of the rushing current. A nymph sang as she worked, an old, old song, that told one of the old, old tales of man’s weakness and the power of the creatures of water, but above her song those who listened heard a man’s voice, calling loudly and pitifully.
The voice was that of Aristæus, calling aloud for his mother. Then his mother gave command, and the waters of the river rolled asunder and let Aristæus pass down far below to where the fountains of the great rivers lie. A mighty roar of many waters dinned in his ears as the rivers started on the race that was to bring them all at last to their restless haven, the Ocean. To Cyrene he came at length, and to her told his sorrowful tale:
“To men who live their little lives and work and die as I myself—though son of a nymph and of a god—must do,” he said, “I have brought two great gifts, oh my mother. I have taught them that from the grey olives they can reap a priceless harvest, and from me they have learned that the little brown bees that hum in and out of the flowers may be made slaves that bring to them the sweetest riches of which Nature may be robbed.”
“This do I already know, my son,” said Cyrene, and smiled upon Aristæus.
“Yet dost thou not know,” said Aristæus, “the doom that has overtaken my army of busy workers. No longer does there come from my city of bees the boom of many wings and many busy little feet as they fly, swift and strong, hither and thither, to bring back to the hives their honeyed treasure. The comb is empty. The bees are all dead—or, if not dead, they have forsaken me forever.”
Then spoke Cyrene. “Hast heard, my son,” she said, “of Proteus? It is he who herds the flocks of the boundless sea. On days when the South Wind and the North Wind wrestle together, and when the Wind from the East smites the West Wind in shame before him, thou mayst see him raise his snowy head and long white beard above the grey-green waves of the sea, and lash the white-maned, unbridled, fierce sea-horses into fury before him. Proteus only—none but Proteus—can tell thee by what art thou canst win thy bees back once more.”
Then Aristæus with eagerness questioned his mother how he might find Proteus and gain from him the knowledge that he sought, and Cyrene answered: “No matter how piteously thou dost entreat him, never, save by force, wilt thou gain his secret from Proteus. Only if thou canst chain him by guile as he sleeps and hold fast the chains, undaunted by the shapes into which he has the power to change himself, wilt thou win his knowledge from him.”
Then Cyrene sprinkled her son with the nectar of the deathless gods, and in his heart there was born a noble courage and through him a new life seemed to run.
“Lead me now to Proteus, oh my mother!” he said, and Cyrene left her throne and led him to the cave where Proteus, herdsman of the seas, had his dwelling. Behind the seaweed-covered rocks Aristæus concealed himself, while the nymph used the fleecy clouds for her covering. And when Apollo drove his chariot across the high heavens at noon, and all land and all sea were hot as molten gold, Proteus with his flocks returned to the shade of his great cave by the sobbing sea, and on its sandy floor he stretched himself, and soon lay, his limbs all lax and restful, in the exquisite joy of a dreamless sleep. From behind the rocks Aristæus watched him, and when, at length, he saw that Proteus slept too soundly to wake gently he stepped forward, and on the sleep-drowsed limbs of Proteus fixed the fetters that made him his captive. Then, in joy and pride at having been the undoing of the shepherd of the seas, Aristæus shouted aloud. And Proteus, awaking, swiftly turned himself into a wild boar with white tusks that lusted to thrust themselves into the thighs of Aristæus. But Aristæus, unflinching, kept his firm hold of the chain. Next did he become a tiger, tawny and velvet black, and fierce to devour. And still Aristæus held the chain, and never let his eye fall before the glare of the beast that sought to devour him. A scaly dragon came next, breathing out flames, and yet Aristæus held him. Then came a lion, its yellow pelt scented with the lust of killing, and while Aristæus yet strove against him there came to terrify his listening ears the sound of fire that lapped up and thirstily devoured all things that would stand against it. And ere the crackle of the flames and their great sigh of fierce desire had ceased, there came in his ears the sound of many waters, the booming rush of an angry river in furious flood, the irresistible command of the almighty waves of the sea. Yet still Aristæus held the chains, and at last Proteus took his own shape again, and with a sigh like the sigh of winds and waves on the desolate places where ships become wrecks, and men perish and there is never a human soul to save or to pity them, he spoke to Aristæus.
“Puny one!” he said, “and puny are thy wishes! Because thou didst by thy foolish wooing send the beautiful Eurydice swiftly down to the Shades and break the heart of Orpheus, whose music is the music of the Immortals, the bees that thou hast treasured have left their hives empty and silent. So little are the bees! so great, O Aristæus, the bliss or woe of Orpheus and Eurydice! Yet, because by guile thou hast won the power to gain from me the knowledge that thou dost seek, hearken to me now, Aristæus! Four bulls must thou find—four cows of equal beauty. Then must thou build in a leafy grove four altars, and to Orpheus and Eurydice pay such funeral honours as may allay their resentment. At the end of nine days, when thou hast fulfilled thy pious task, return and see what the gods have sent thee.”
“This will I do most faithfully, O Proteus,” said Aristæus, and gravely loosened the chains and returned to where his mother awaited him, and thence travelled to his own sunny land of Greece.
Most faithfully, as he had said, did Aristæus perform his vow. And when, on the ninth day, he returned to the grove of sacrifice, a sound greeted him which made his heart stop and then go on beating and throbbing as the heart of a man who has striven valiantly in a great fight and to whom the battle is assured.
For, from the carcase of one of the animals offered for sacrifice, and whose clean white bones now gleamed in the rays of the sun that forced its way through the thick shade of the grove of grey olives, there came the “murmuring of innumerable bees.”
“Out of the eater came forth meat, out of the strong came forth sweetness.”
And Aristæus, a Samson of the old Greek days, rejoiced exceedingly, knowing that his thoughtless sin was pardoned, and that for evermore to him belonged the pride of giving to all men the power of taming bees, the glory of mastering the little brown creatures that pillage from the fragrant, bright-hued flowers their most precious treasure.
Story DNA
Moral
Actions have consequences, and seeking atonement can lead to restoration and new beginnings.
Plot Summary
Aristæus, a skilled bee-keeper, loses all his bees as divine punishment for causing the death of Eurydice. Guided by his mother, the nymph Cyrene, he seeks out the sea-god Proteus, whom he must capture and hold through many terrifying transformations to extract the secret of his bees' return. Proteus reveals that the bees died due to the anger of the gods over Eurydice's death and Orpheus's grief, instructing Aristæus to offer sacrifices to appease them. Aristæus faithfully performs the ritual, and on the ninth day, new swarms of bees miraculously emerge from the carcasses of the sacrificed animals, signifying his pardon and the restoration of his gift.
Themes
Emotional Arc
loss to hope to triumph
Writing Style
Narrative Elements
Cultural Context
This story is a variant of the myth of Aristæus, often linked with the story of Orpheus and Eurydice, explaining the origin of 'bugonia' (the spontaneous generation of bees from carrion).
Plot Beats (13)
- Aristæus, son of Cyrene, invents bee-keeping and becomes famous for his honey.
- He falls in love with Eurydice, who flees from him, steps on a serpent, and dies.
- The gods punish Aristæus for Eurydice's death by killing all his bees.
- Distraught, Aristæus calls out to his mother, Cyrene, who lives in an underwater realm.
- Cyrene allows Aristæus to descend to her throne and tells him he must consult Proteus, the Old Man of the Sea, to learn how to get his bees back.
- Cyrene warns Aristæus that Proteus will only reveal his secrets if captured by force and held through his many transformations.
- Cyrene sprinkles Aristæus with nectar, giving him courage, and leads him to Proteus's cave.
- Aristæus ambushes Proteus while he sleeps and chains him, enduring his transformations into a boar, tiger, dragon, lion, fire, and water.
- Proteus, defeated, returns to his true form and reveals that Aristæus's bees died as punishment for Eurydice's death and Orpheus's heartbreak.
- Proteus instructs Aristæus to sacrifice four bulls and four cows to Orpheus and Eurydice on altars in a leafy grove, and return after nine days.
- Aristæus faithfully performs the sacrifices and funeral honors.
- On the ninth day, Aristæus returns to the grove and finds new swarms of bees emerging from the carcasses of the sacrificed animals.
- Aristæus rejoices, knowing his sin is pardoned and his gift of bee-keeping is restored, now perfected for all men.
Characters
Aristæus ★ protagonist
A young man of athletic build, typical of a shepherd who spends his days outdoors. His skin is likely tanned from the Greek sun, with a lean and capable physique. He possesses a determined and earnest demeanor.
Attire: Simple, practical attire befitting a shepherd in ancient Greece. This would include a chiton (a tunic of linen or wool, likely undyed or in natural earth tones) fastened at the shoulders, possibly with a leather belt. He might wear simple leather sandals. When meeting his mother, he would still be in his humble shepherd's clothing.
Wants: Initially, to master bee-keeping and bring its benefits to mankind. Later, his primary motivation is to regain his lost bees and atone for his sin against Eurydice and Orpheus.
Flaw: Impulsiveness and a fiery, perhaps overly aggressive, pursuit of love, which led to Eurydice's death. He also initially lacks the wisdom to understand the consequences of his actions on others.
He transforms from an ambitious but thoughtless young man whose actions cause tragedy, to a remorseful and courageous individual who seeks atonement and ultimately regains his gift through perseverance and piety, becoming a revered figure.
Innovative, determined, passionate, remorseful, resilient. He is driven by a desire to master nature for human benefit but also prone to impulsive actions driven by love.
Image Prompt & Upload
A young Greek man standing upright, facing forward, full body visible from head to toe. He has a lean, athletic build, tanned skin, a strong jawline, and dark, curly hair that reaches his neck. His eyes are dark and convey determination. He wears a simple, knee-length cream linen chiton, fastened at the shoulders, with a thin leather belt cinched at his waist. His feet are clad in simple brown leather sandals. He holds a plain wooden shepherd's staff in his right hand. His expression is resolute and earnest. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Cyrene ◆ supporting
An ethereal and beautiful water nymph, with skin as pale and smooth as river stones. Her form is graceful and fluid, reflecting her aquatic nature. She is likely of slender build, with an otherworldly elegance.
Attire: Flowing, translucent robes that appear to be made of water or fine, shimmering green and blue silk, perhaps adorned with shells or river stones. Her attire would emphasize her connection to the aquatic realm, moving as if constantly underwater.
Wants: To guide and protect her son, Aristæus, and help him rectify his mistakes and regain his lost fortune.
Flaw: Her deep maternal love for Aristæus, which might lead her to intervene on his behalf.
She remains a constant, wise figure, serving as a guide and source of strength for Aristæus, rather than undergoing a significant personal change.
Wise, maternal, serene, powerful, protective. She offers guidance and aid to her son but also allows him to learn through his own trials.
Image Prompt & Upload
A beautiful, ageless woman with serene features, pale skin, and long, flowing dark green hair that resembles seaweed, adorned with small pearls. Her eyes are the color of deep river water. She wears a flowing, translucent gown of shimmering green and blue fabric that moves as if underwater. She is seated gracefully on a throne made of smooth, grey river stones, with small, silver fish darting around her bare white feet. Her posture is regal and calm. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Proteus ◆ supporting
An ancient sea god with a powerful, weathered physique, reflecting his command over the turbulent seas. His skin would be leathery and possibly greenish-grey, like the sea itself, and his body might be covered in barnacles or seaweed in his natural form.
Attire: No specific clothing, as he is a sea god. His 'attire' would be his own body, perhaps adorned with natural elements like seaweed or barnacles, or simply appearing as if he is part of the ocean itself.
Wants: To guard his secrets and herd his sea-flocks. He is compelled to reveal knowledge only when physically restrained.
Flaw: He can be tricked and held captive while sleeping, and once chained, he is forced to reveal his knowledge.
He serves as an obstacle and a source of divine knowledge for Aristæus. He does not change but rather reveals his nature and wisdom when compelled.
Ancient, wise, reluctant, powerful, shape-shifting. He is unwilling to share his knowledge unless compelled by force.
Image Prompt & Upload
An ancient, powerful elderly man with a robust, weathered physique, emerging from the sea. He has a snowy white head of hair and an exceptionally long, thick, flowing white beard, tangled with green seaweed. His skin is leathery and appears greenish-grey, like the ocean. His face is deeply lined, with ancient, piercing dark eyes. He is bare-chested, with barnacles subtly clinging to his shoulders and chest. His expression is one of ancient wisdom and reluctant resignation. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Eurydice ○ minor
Described as 'beautiful,' implying grace and delicate features. Her beauty is captivating enough to make Aristæus lose his heart.
Attire: Implied to be wearing light, flowing garments suitable for a maiden in ancient Greece, perhaps a peplos or chiton, in soft, natural colors.
Wants: To escape Aristæus's fiery protestations of love.
Flaw: Vulnerability to the dangers of the natural world (serpent bite).
Her role is primarily as a catalyst for Aristæus's punishment and subsequent quest. She remains a tragic figure.
Beautiful, fearful (in response to Aristæus's advances), tragic.
Image Prompt & Upload
A beautiful young Greek woman, mid-stride as if fleeing, facing forward but looking slightly over her left shoulder with a fearful expression. She has delicate features, long, dark, wavy hair, and wide, expressive eyes. She wears a flowing, pale blue peplos, draped elegantly over her slender form. Her bare feet are visible, one poised to step on a coiled serpent. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Aristæus's Greek Uplands and Meadows
Sunny summer uplands with purple heather and wild thyme, contrasting with meadows where red clover and asphodel grow. The air is filled with the fragrance of lime blossoms and the distant hum of bees.
Mood: Peaceful, industrious, later desolate
Aristæus first conceives the idea of bee-keeping; later, his bees die as punishment.
Image Prompt & Upload
A sun-drenched Greek upland landscape, with rolling hills covered in vibrant purple heather and patches of wild thyme. In the foreground, a few ancient, gnarled olive trees cast dappled shadows, and a line of simple, traditional Greek bee-hives made of woven reeds and clay sit near a hedge of sweet peas. Beyond, meadows stretch out with scattered red clover and white asphodel, under a clear, bright summer sky. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Cyrene's Underwater Throne Room
Deep beneath a swift-flowing river, a serene and ethereal realm. Cyrene sits on a throne, surrounded by darting fish and her attendants. The space is lit by an otherworldly glow, with fine green cords being spun.
Mood: Mystical, calm, ancient, slightly eerie
Aristæus seeks his mother's counsel after losing his bees; she directs him to Proteus.
Image Prompt & Upload
An ethereal underwater grotto, deep beneath a swift-flowing river, with light filtering down in shimmering shafts. A majestic throne, carved from smooth, pearlescent rock, stands on a sandy floor. Schools of small, iridescent fish dart around the base of the throne. Water nymphs with flowing hair and translucent skin sit nearby, spinning luminous green cords from glowing fibers. The background shows the faint, powerful currents of the river's source, with a soft, blue-green glow emanating from unseen depths. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Proteus's Sea Cave
A great cave by the 'sobbing sea', with seaweed-covered rocks at its entrance and a sandy floor within. It is a place where the sun's heat can reach at noon, but also offers shade.
Mood: Wild, ancient, powerful, tense
Aristæus confronts Proteus, wrestling with his shapeshifting forms to gain knowledge.
Image Prompt & Upload
A rugged, ancient sea cave carved into a cliff face, its entrance framed by massive, dark, seaweed-covered rocks. The interior has a smooth, damp sandy floor, gently sloping towards the 'sobbing sea' just beyond the opening. Harsh, golden noon sunlight streams into the cave, creating stark shadows and illuminating the spray from the grey-green waves crashing just outside. The air is thick with the scent of salt and damp rock. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Leafy Grove of Grey Olives (Sacrifice Site)
A secluded, leafy grove dominated by ancient grey olive trees, providing thick shade. It is a sacred space for altars and sacrifice.
Mood: Solemn, hopeful, sacred
Aristæus performs the sacrifices to appease Orpheus and Eurydice, and his bees are reborn.
Image Prompt & Upload
A serene, ancient Greek grove, densely populated with gnarled, silver-leafed olive trees that cast deep, dappled shade onto the earth. Four simple, rough-hewn stone altars are arranged in a clearing, with the clean white bones of sacrificed animals gleaming in the shafts of sunlight that penetrate the thick canopy. The ground is dry and dusty, with sparse, sun-baked grass. The air is still and carries a faint, earthy scent. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.