FABLE LII

by John Gay · from Fables of John Gay (Somewhat Altered)

fable satire satirical Ages all ages 573 words 3 min read
Cover: FABLE LII

Adapted Version

CEFR A1 Age 5 365 words 2 min Canon 100/100

King Eagle is the king. He is the king of the birds. He lives in a very big tree. The tree is his home. A Vulture comes to the big tree. He sees King Eagle on a branch. The Vulture wants to be a helper. He says, "I want to be a helper." He wants to be in charge. He wants to be the main helper.

King Eagle listens to the Vulture. He thinks for a little bit. King Eagle says, "Okay." The Vulture is the new helper. The Vulture says, "I have friends." "They are good helpers too." King Eagle just says, "Okay."

Many birds live in the big tree. They sing very nice songs. Their songs are happy songs. The Vulture does not like them. He is a very mean helper. "Go away," says the mean Vulture. "I do not like your songs." The nice birds fly away. He brings his new silly friends. His friends just make loud noises.

Other birds also live in the tree. They are very smart birds. They think many smart thoughts. The Vulture does not like them. "Go away," says the mean Vulture. "You think too much. I want you to go." The smart birds fly far away.

The Vulture likes his new friends. They are all very silly birds. They do not think smart thoughts. They just copy the mean Vulture. "He is a good helper," they chirp. "He is the best helper for us." They are happy. The Vulture is happy.

A little Sparrow watches from his home. His home is a small house. He sees the mean Vulture. He sees the new silly birds. He sees the sad birds fly away. He thinks about the big tree. "That big tree is not happy now," he thinks. "The Vulture is not a kind helper."

The Sparrow is happy in his home. His home is small but it is nice. He thinks a happy thought. "It is better to be kind here. It is better to be happy here. My small house is a happy home." So he stays in his small home. The little Sparrow is very happy. His house is a very good home.

Original Story 573 words · 3 min read

FABLE LII.

Vulture, Sparrow, and Birds.

Ere I begin I must premise

Our ministers are good and wise:

Therefore if tongues malicious fly,

Or what care they, or what care I?

If I am free with courts, and skittish,

I ne'er presume to mean the British:

I meddle with no state affairs,

But spare my jest and save my ears;

And our court schemes are too profound

For Machiavel himself to sound.

A captious fool may feel offended;

They are by me uncomprehended.

Your younger brother wants a place—

(That's many a younger brother's case).

You likewise tell me he intends

To try the court and beat up friends.

I trust he may a patriot find,

True to his king and to mankind,

And true to merit—to your brother's—

And then he need not teaze us others.

You praise his probity and wit:

No doubt; I doubt them not a whit.

Ah! may our patriot have them too;

And if both clash, why things may do.

For I have heard (oh, Heaven defend us!

For I'll not hold it might not mend us)

That ministers, high as yon steeple,

Have trodden low law, king, and people,

When virtue from preferment barred

Gets nothing save its own regard.

Courtiers—a set of knaves—attend them,

And arrogance well recommends them;

Who flatter them defame their foes

To lull the ministerial woes:

And if projectors fire a brain,

South Sea or silver mines in Spain,

The broker's ready in a trice

To satisfy e'en avarice.

A courtier's conscience must be pliant;

He must go on, nor be defiant,

Through thick and thin, o'er stock and stone,

Or else, bye, bye, the post is gone.

Since plagues like these as storms may lower,

And favourites fall as falls the flower,

Good principles should not be steady,—

That is, at court, but ever ready

To veer—as veers the vane—each hour

Around the ministry in power:

For they, you know, they must have tools;

And if they can't get knaves, get fools.

Ah! let me shun the public hate,

And flee the guilt of guilty state.

Give me, kind Heaven, a private station,

A mind serene for contemplation;

And if bright honour may be mine,

Profit and title I resign.

Now read my fable, and—in short,

Go, if you will, then—go to court.

In days of yore (for cautious rhymes

Should aye eschew the present times)

A greedy vulture, skilled in preying,

Approached the throne, his wings displaying,

And at the royal eagle's ear

Burthens of state proposed to bear.

Behold him minister of state;

Behold his feathered throng await;

Behold them granting posts and places

Concordant with their worth and races.

The nightingales were all turned out,

And daws put in. "These birds, no doubt,"

The vulture said, "are the most fit

Both for capacity and wit,

And very docile: they will do

My business, as I wish them to.

And hawk—the hawk is a good fellow—

And chanticleer, with cockscomb yellow;

But all the ravens—they must go—

Pry in futurities, you know.

That will not do; to baffle all

With truth, for the apocryphal.

No; jays and pies will do far better,—

They talk by rote, nor know a letter."

A sparrow, on the housetop, heard—

The sparrow is a knowing bird:

"If rogues unto preferments rise,

I ask nor place nor seignories.

To the thatched cottage, I, to find,

From courts afar, my peace of mind."


Story DNA fable · satirical

Moral

True peace of mind and integrity are found away from the corrupting influence of power and courtly ambition.

Plot Summary

A poet introduces a fable with an ironic disclaimer about the purity of courts and ministers, then advises a friend about the moral compromises of seeking courtly favor. The fable tells of a greedy Vulture who becomes a minister to the royal Eagle. The Vulture systematically replaces talented and truth-telling birds (nightingales, ravens) with docile, less capable sycophants (daws, jays, pies) to ensure his control. Observing this corruption, a wise Sparrow decides to shun the court and find peace in a simple, private life, far from such morally compromising ambition.

Themes

corruption of powerintegrity vs. ambitionpolitical opportunismthe price of success

Emotional Arc

cynicism to resignation

Writing Style

Voice: first person
Pacing: moderate
Descriptive: moderate
Techniques: direct address to reader, rhyme, allegory, sarcasm

Narrative Elements

Conflict: person vs society
Ending: moral justice
Magic: talking animals
Vulture (greedy, corrupt politician)Eagle (monarch, head of state)Nightingales (talent, virtue)Daws, Jays, Pies (sycophants, mediocrity)Ravens (truth-tellers, prophets)Sparrow (wise, independent observer)

Cultural Context

Origin: English
Era: 18th century

John Gay's fables, particularly this one, are known for their satirical commentary on the political corruption and patronage prevalent in early 18th-century British court and government, often aimed at figures like Robert Walpole.

Plot Beats (10)

  1. The narrator begins with a long, ironic preamble, claiming ministers are wise and courts are pure, while subtly suggesting the opposite.
  2. He advises a friend whose younger brother seeks a court position, warning about the moral compromises required.
  3. The narrator expresses a desire for a private station, free from the guilt and hate of state affairs, valuing honor over profit and title.
  4. The fable proper begins: a greedy Vulture approaches the royal Eagle and offers to serve as a minister of state.
  5. The Vulture is appointed and immediately begins to fill court positions with his own 'feathered throng'.
  6. He expels nightingales (representing talent) and replaces them with daws (representing dullness).
  7. He praises the hawk and chanticleer, but insists that ravens (who 'pry in futurities' or speak truth) 'must go'.
  8. The Vulture prefers jays and pies, who 'talk by rote, nor know a letter', as they are more easily controlled.
  9. A knowing Sparrow, observing these events from a housetop, concludes that if rogues rise to power, he wants no part of it.
  10. The Sparrow resolves to find peace of mind in a thatched cottage, far away from the corrupting influence of courts.

Characters 3 characters

The Vulture ⚔ antagonist

bird (vulture) adult non-human

A large, imposing bird of prey with broad, powerful wings and a hooked beak. Its body is covered in dark, coarse feathers, likely dark brown or black, with a bare, wrinkled neck and head, typical of a vulture, suggesting a somewhat sinister or aged appearance.

Attire: None, as it is a bird. Its natural plumage serves as its 'attire'.

Wants: To gain power and influence within the court, to secure positions for those loyal to him, and to remove any who might challenge his authority or reveal inconvenient truths.

Flaw: His greed and desire for absolute control make him blind to true merit and wisdom, leading him to surround himself with sycophants and fools.

Remains unchanged, embodying the corrupting influence of power.

Its bare, wrinkled neck and head, contrasting with its dark, powerful feathered body, and its large, outstretched wings.

Greedy, cunning, self-serving, manipulative, power-hungry.

Image Prompt & Upload
A large, dark-feathered vulture standing upright, facing forward, full body visible from head to toe. It has a bare, reddish-grey, wrinkled head and neck, with sharp, dark, predatory eyes and a strong, hooked beak. Its powerful, broad wings are slightly spread, conveying an air of authority. Its dark brown and black feathers are coarse and imposing. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Sparrow ◆ supporting

bird (sparrow) adult non-human

A small, agile bird with modest, earthy-toned plumage, likely shades of brown, grey, and white. Its build is compact and quick, typical of a common sparrow.

Attire: None, as it is a bird. Its natural plumage serves as its 'attire'.

Wants: To maintain peace of mind and avoid the corruption and moral compromises of court life, preferring a simple, honest existence.

Flaw: His detachment from the court means he has no direct influence on its affairs, only the ability to observe and comment.

Remains unchanged, serving as a moral compass and a voice of reason, choosing personal integrity over worldly gain.

A small, brown and grey sparrow perched attentively on a thatched housetop, observing the scene below.

Knowing, observant, wise, content, principled, humble.

Image Prompt & Upload
A small, plump sparrow standing upright, facing forward, full body visible from head to toe. It has mottled brown and grey feathers, a light grey breast, and a small, dark beak. Its eyes are bright and observant. Its posture is alert and slightly tilted, as if listening intently. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Royal Eagle ○ minor

bird (eagle) adult non-human

A majestic and powerful eagle, likely large with impressive wingspan, sharp talons, and a regal bearing, befitting a monarch.

Attire: None, as it is a bird. Its natural plumage serves as its 'attire'.

Wants: To govern his state, though he seems to delegate heavily to his minister.

Flaw: His susceptibility to the Vulture's influence and his apparent lack of discernment in choosing advisors.

Remains unchanged, serving as the figurehead for the Vulture's machinations.

A regal eagle seated on a throne, with a crown or symbol of royalty, listening to the Vulture.

Trusting (or perhaps naive), as he allows the Vulture to become his minister and dictate appointments.

Image Prompt & Upload
A majestic golden eagle standing upright, facing forward, full body visible from head to toe. It has rich brown body feathers, a golden-brown head and neck, and sharp, golden eyes. Its powerful talons are visible. It carries itself with a regal and dignified posture. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 2 locations
No image yet

The Royal Eagle's Throne Room

indoor implied temperate, indoor setting

An opulent, grand chamber befitting a royal eagle, likely featuring high ceilings and a central throne. The atmosphere is one of power and political maneuvering.

Mood: Formal, political, tense, ambitious

The greedy Vulture approaches the royal eagle's ear to propose bearing burdens of state, effectively becoming a minister. This is where the political machinations begin, and where posts are granted or denied to other birds.

Royal throne Perches or stands for various birds Ornate decorations suitable for a bird monarch
Image Prompt & Upload
A vast, high-ceilinged throne room within a majestic, ancient tree-city, carved from colossal, intertwining branches and smooth, polished wood. Sunlight filters through natural skylights formed by the canopy, casting dappled light on a grand, natural throne made of gnarled, moss-covered roots and polished amber-like sap. Various perches and platforms of smooth, dark wood are arranged for avian courtiers. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Thatched Cottage Rooftop

outdoor implied temperate, open air

The roof of a simple, rustic cottage, covered with thatch. It is a humble, peaceful setting, far removed from the grandeur and corruption of the court.

Mood: Peaceful, humble, observant, safe

A knowing sparrow overhears the political dealings from this vantage point and decides to seek peace of mind in a simple, private station, away from the corrupt court.

Thatch roof Eaves or edges of the roof Distant view of other structures or nature
Image Prompt & Upload
A close-up view of a weathered, golden-brown thatched roof on a small, rustic cottage, with individual straw bundles clearly visible and slightly disheveled. Small clusters of green moss and tiny wildflowers grow in the crevices of the thatch. The background shows a soft-focus, verdant English countryside with rolling hills and distant hedgerows under a clear, bright sky. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.