FORGET-ME-NOT
by Sister Agnes · from Fairy Tales Told in the Bush
Adapted Version
A sunny farm was there. Seven princes lived there. But only one prince was kind. Their father sent them to the farm. They needed to be strong. Six princes were often naughty. Prince Charlie was always kind. He liked the farm pets. He liked Marie very much. Marie was a good friend.
The princes played a game. They threw golden balls. They made much noise. They started to fight. Marie's Mother sent Marie. "Stop the noise, Marie!" she said. Marie asked them to stop. Only Prince Charlie listened. He did not like fights.
An Old Man watched them. He had a big stick. He saw Marie. He saw her kind heart. He saw Prince Charlie. The Old Man smiled softly.
That night, the Old Man came. He changed the six naughty princes. They became tiny. He put them in their balls. Prince Charlie was kind. So the Old Man did not change him. Charlie slept in his bed.
Then Prince Claude came. He wanted to be King. He wanted to be the boss. He looked for the princes.
Prince Claude saw Prince Charlie. He was the only prince. Prince Claude was not kind. He took the Old Man's magic tool. He changed Prince Charlie too. He put Charlie in his ball. Now Prince Claude was King. This was very naughty.
The Old Man was gone. Prince Charlie was gone too. Marie was very sad. She missed Prince Charlie. She looked for him. She asked all. She looked for a long time.
One day, Marie found a man. He was alone. He looked very sad. It was Prince Claude. He was not happy now. He told Marie about Charlie. He said, "I changed Charlie."
Marie went home. She told her father. Prince Claude was not King. He went far away. He was not there.
Marie went to the moon. She was very brave. She found the Old Man. He told her about the princes. They were now bright stars. "Go find the Boatman," he said.
The Boatman took Marie. They went to the stars. Marie saw seven stars. One star shone very bright. "That is Charlie's star!" she said. Charlie was happy there.
The Old Man gave Marie a ball. "Take this ball," he said. "Bury it at home. Your tears will help it. A new thing will grow."
Marie came home. She buried the golden ball. It was under her window. She cried for Charlie. Her tears fell on the ground. A blue flower grew there. It had a golden center.
The Old Man came to visit. He saw the pretty flower. "This is your reward," he said. "It is a Forget-me-not. It is like Charlie's eyes. It is like Charlie's hair."
And so, Marie always thought of Prince Charlie. The blue flower was a happy thought. It showed that kindness makes the world pretty.
Original Story
FORGET-ME-NOT
“THE MAN IN THE MOON.”
For-get-me-not.
“Marie, Marie, go and make those boys cease their quarrelling.” It was the old housekeeper who ruled over “Sunny Farm” whose voice could be heard calling to Marie, her daughter, and the boys who were quarrelling were the seven sons of King Olaf, who, wishing them to be strong sturdy fellows, had sent them to live at a farm in the country, for they had all been ill, and the sweet fresh air and pure milk and the outdoor life would do more to make them strong and healthy than all the medicine in the world. So said the Court physician (who perhaps was tired of having to doctor such troublesome patients).
At first they enjoyed the free country life, but after a short time they tired of it, and longed for the excitement of town and the palace. At least, six out of the seven princes were tired of it, but the seventh, Prince Charlie, wished he might stay there always. His days were always full and happy, for, unless his brothers insisted upon his joining in their rough games, he followed the farmer at the animals’ feeding time, watched the chaff-cutting, and the hundred and one interesting things at the farm, and when he was tired would go indoors and sit in the big cool kitchen, where he was sure to find Marie, gentle, blue-eyed Marie, busily sewing, or, perchance, reading a book. Marie always greeted his entrance with a smile, and willingly read to him, or told him a story while she plied her needle. To-day, however, the princes had insisted that Charlie must join in their game, which consisted of each throwing up a golden ball at the same time to see which could throw his the highest. They all threw their balls at the same time, so, of course, it was quite impossible to say whose went highest, and a great noise and squabbling ensued. Such a noise that it disturbed the farmer’s wife in the kitchen, so she sent her little daughter Marie to make peace amongst them.
Out ran Marie to do her mother’s bidding, but at the door she saw an old bent man with a bundle of sticks on his back, and a wallet at his side. He was listening to the great hubbub coming from the field where the princes were quarrelling.
“Hey day! where away so fast?” he asked, as Marie was running past him after having made him a deep curtsey.
“Mother sent me to stop that dreadful noise, but I know it will be hard work. They are growing more and more disagreeable every day.”
She ran on, and, when she reached the princes, they were actually fighting with their fists. The only one who would listen to her pleading was Prince Charlie, who readily left his brothers and went with her back to the house.
When they entered the kitchen, the old bent man was enjoying a cup of tea. He looked up and asked how Marie had managed the quarrel, as the noise seemed as great as ever.
“They would not stop, at least, I mean that six of them would not. Of course Prince Charlie came away. He does not care for fights.”
“Ah, I’ll remember that,” said the Old Man, and that night, when the princes were in bed and asleep, the Old Man (who was no less a personage than the Old Man in the Moon, who had come to the earth for various reasons) went to the bedroom where lay the seven brothers, opened the golden ball of each (with the exception of Prince Charlie’s), then, holding each of the six in turn by the hair with his magic tweezers, he kept them suspended in the air until their size had become so small that they could easily be put in their golden balls, popped them in, closed the balls, and placed the six of them in his wallet.
All this had been done without a word being said to the farmer or his wife. The Old Man came back to the room, and sat down again by the fire, remarking that he would go to bed now, as the moon would be level with the earth at four o’clock, and he must be there punctually to step in and do his work. They had all risen to go to their rooms, when great thundering knocks resounded on the door, and a voice cried—
“Open in the King’s name!”
The farmer hastily unlocked the door, and there entered Prince Claude, the cousin of the seven princes. He was followed by several soldiers.
“Where is the King?” he demanded.
“In the palace, I suppose,” answered the farmer.
“The King is here,” said the Prince; “do you not know that the late King, the father of the seven princes, died yesterday, and I have come to take his eldest son back to the palace to be King in his father’s place?”
The farmer started to go to the room where the seven princes had slept, but he was stopped by the Old Man of the Moon.
“You need not go,” said the Old Man, “it is too late. This evening, after they had gone to bed, I did what your wife has so often asked me to do.”
“What was that?” they cried out together.
“Why, I took means to stop their quarrelling.”
Then he told them how he had done it, showed them the tweezers with which he had worked the magic, showed them also the six golden balls containing the six princes.
“There are only six,” said the farmer’s wife.
“Ah, yes, Prince Charlie ceased quarrelling when told to do so, therefore he is still sleeping in bed.”
“He, then, must be King in his father’s place,” said Prince Claude, but he did not mean what he said, for he had quickly formed the wicked plan of doing to Prince Charlie what the Old Man had done to the other princes.
When every one was in bed, and the house quite still and silent, Prince Claude went to the room where the Old Man slept, quietly took the magic tweezers and the wallet, and in a very few minutes had secured poor Prince Charlie in his own golden ball, and placed it with the other six in the wallet which he then placed by the Old Man’s side again.
At six o’clock, when the farmer roused the household, it was discovered that not only had the Old Man gone, but Prince Charlie had disappeared. Prince Claude pretended he knew nothing about it, and soon gladly set off for the palace, for he was the one who must now be King. Poor little Marie went about her work very sadly, taking long walks when she had time to do so, and asking every one she met if they had seen any one answering to the description of Prince Charlie.
Almost a year had gone by, when, one day, as she wandered about further from home than usual, she heard some one moaning, and going towards the spot from whence the sound came, she saw a man tied to a tree, his face all swollen and looking full of agony.
“Water, water, for the love of heaven, a few drops of water!”
“Poor man,” said tender-hearted Marie, and she soon brought him some water in her hat from the stream near by.
“You do not know me,” moaned the man, “but I know you, you are Marie of ‘Sunny Farm.’”
“MARIE FINDING THE MAN.”
Of course Marie asked her usual question, and this time she got an answer. The man told her that he was Prince Claude. This she could not believe at first, for he was dressed in rags. He told her what he had done to Prince Charlie, how he had also gone to the palace, and had been crowned King, but that his conscience had troubled him so much that he had done many wicked and foolish things to try and forget his sin. He told her, too, how his subjects had rebelled against him, and had driven him away from the palace, and that robbers had set upon him, robbed and beaten him, taken away his good clothes, and put those rags upon him, and had then tied him to a tree, where, all through the hot day, he had been in sight of the water, and could not get a drop.
“You have been very wicked,” said Marie, “but at least you have told me where to look for dear Prince Charlie. I cannot cut the leather which binds you to the tree, so, before I set out to find Prince Charlie, I shall run back to the farm, and get my father to come and set you free.”
The farmer came, but long before he arrived Prince Claude was dead, and all that could be done for the wretched man was to bury him.
“MARIE GOING TO THE MOON.”
Not another instant did Marie lose. At once she set off on her long journey to the point where the moon touches the earth. For days and days she walked, begging food at houses by the way, and at last she reached the desired point; but, alas! when she saw the Old Man and asked him to give her back Prince Charlie’s ball, he told her that the balls were not in his keeping, and the only one to help her was the boatman who ferried a boat across daily from the moon to the stars, for the seven balls had been placed in the sky as seven stars. They waited until the queer boat came alongside the moon, and the Old Man helped Marie into the boat.
When the boatman heard Marie’s story and her request, he at once steered towards a point where shone seven stars in this fashion.
The one in the centre shone brightly, but those around it were dim and gave but little light. “That is Prince Charlie’s, I am sure,” said Marie, “the one in the middle;” and when she looked closely at it, she found a little mark that Prince Charlie had made upon it one day. How she thanked the boatman! But the boatman smiled at her sadly, for he knew that any one once touched by the magic tweezers and enclosed in the golden ball, could never be brought to life again.
The boatman rowed her back to the moon, and the Old Man helped her out gently and lovingly. “Kind little girl,” he said, “you can never see bonnie Prince Charlie again in this world, but take the ball to the earth, bury it in your garden, weep tears of loving sorrow over the tiny grave, and you will be rewarded.”
Marie clasped the ball lovingly. When she reached the earth again, she set off at once for home, hardly stopping to rest or eat by the way, for she wished to see what would happen when she buried the golden ball.
“Oh, my dear! my dear!” cried her mother, when Marie returned, “how I have missed you!”
“Little one, you must never go away again; we cannot spare you,” said her father.
“I shall never leave you again, dear mother and father; for all I love is here now.”
She buried the golden ball in her garden just under her bedroom window, and indeed she did water the little grave with the tears of love, as the Old Man had told her to do, and the next time he came to visit the farm, she led him to the little grave, and, lo, it was covered with a pretty blue flower which had a tiny golden centre.
“Ah!” said the Old Man, “did I not tell you you would be rewarded?”
“The blue eyes and the golden hair of Prince Charlie will never be forgotten now; they seem to say to me, ‘Forget-me-not, forget-me-not,’” answered Marie.
And ever since that time the tiny flower has been called “Forget-me-not.”
Story DNA
Moral
Kindness and gentle nature are rewarded, while cruelty and selfishness lead to ruin.
Plot Summary
Seven quarrelsome princes are sent to a farm, where only kind Prince Charlie befriends gentle Marie. The Old Man in the Moon transforms six princes into golden balls due to their bad behavior, but Prince Claude, their wicked cousin, then transforms Charlie to usurp the throne. Marie embarks on a quest to find Charlie, eventually learning from a dying Prince Claude of his fate and traveling to the moon. She discovers Charlie is now a star and cannot be revived, but the Old Man instructs her to bury his golden ball. Marie's tears nourish the spot, and a 'Forget-me-not' flower grows, forever symbolizing Charlie's memory and Marie's enduring love.
Themes
Emotional Arc
innocence to sorrow to bittersweet acceptance
Writing Style
Narrative Elements
Cultural Context
Reflects common fairy tale tropes of royalty, magic, and moral lessons, typical of children's literature in the late 19th/early 20th century.
Plot Beats (14)
- Seven quarrelsome princes are sent to Sunny Farm for their health; only Prince Charlie is kind and enjoys farm life, befriending Marie.
- The princes quarrel over throwing golden balls; Marie is sent to stop them, but only Charlie listens.
- An old bent man (the Old Man in the Moon) observes the scene and Marie's kindness.
- That night, the Old Man transforms the six quarrelsome princes into tiny beings inside their golden balls, leaving Charlie untouched.
- Prince Claude arrives, announcing the King's death and intending to take the eldest prince to be King.
- Upon learning Charlie is the only prince left, Prince Claude secretly steals the Old Man's magic tweezers and transforms Charlie, taking his place as King.
- Marie is devastated by Charlie's disappearance and searches for him for nearly a year.
- Marie finds a dying, ragged man tied to a tree, who reveals himself as Prince Claude, confessing his wickedness and Charlie's fate.
- Marie returns to the farm for help, but Prince Claude dies before her father can free him.
- Marie journeys to the moon to find the Old Man, who tells her the princes are now seven stars and she must seek the boatman.
- The boatman takes Marie to the stars, where she identifies Charlie's bright star, but learns he cannot be brought back to life.
- The Old Man instructs Marie to take Charlie's golden ball back to Earth, bury it, and water it with tears for a reward.
- Marie returns home, buries the ball under her window, and her tears cause a blue flower with a golden center to grow.
- The Old Man visits and confirms the flower, a 'Forget-me-not,' is Marie's reward, symbolizing Charlie's blue eyes and golden hair.
Characters
Marie ★ protagonist
A small, tender-hearted girl with a gentle demeanor. Her build is likely slender, consistent with her age and active farm life.
Attire: Simple, practical country attire suitable for a farm girl in a European setting, likely a plain linen or cotton dress, possibly with an apron, and sturdy shoes. She uses her hat to carry water, suggesting a simple fabric or straw hat.
Wants: To help others, maintain peace, and ultimately to find and restore Prince Charlie.
Flaw: Her tender heart makes her vulnerable to sadness and loss.
Transforms from a simple farm girl into a heroic figure who undertakes a perilous journey motivated by love, ultimately finding a unique way to immortalize her beloved Prince Charlie.
Gentle, kind, tender-hearted, determined, empathetic, and obedient.
Image Prompt & Upload
A young peasant girl standing upright, facing forward, full body visible from head to toe. She has blue eyes, a gentle expression, and a fair complexion. Her hair is styled simply, perhaps in braids or tied back. She wears a plain, light-colored linen dress, possibly with a simple apron, and sturdy, practical shoes. Her posture is earnest and slightly determined. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Prince Charlie ◆ supporting
A young boy, one of seven princes. He is described as having 'golden hair' and 'blue eyes'.
Attire: Though a prince, he is living on a farm, so his attire would be simpler than palace wear, but still of good quality. Perhaps a tunic and breeches made of fine wool or linen, suitable for outdoor activities.
Wants: To learn, enjoy peaceful activities, and avoid conflict.
Flaw: His gentle nature makes him susceptible to being overshadowed or manipulated by his more boisterous brothers or malicious relatives.
Starts as a gentle prince, is transformed into a star, and ultimately becomes the symbolic 'Forget-me-not' flower, representing enduring love and memory.
Gentle, peace-loving, studious, kind, and appreciative of simple country life.
Image Prompt & Upload
A young boy standing upright, facing forward, full body visible from head to toe. He has golden, slightly wavy hair, blue eyes, and a fair complexion. He wears a simple, well-made tunic of blue linen and light brown breeches, with sturdy leather shoes. His expression is gentle and thoughtful. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Old Man in the Moon ◆ supporting
An old, bent man with a bundle of sticks on his back. He appears to be a humble traveler but possesses immense magical power.
Attire: Simple, worn peasant clothing: a rough tunic, trousers, and possibly a cloak, all in muted, earthy tones. He carries a bundle of sticks and a wallet.
Wants: To maintain order and peace, and to fulfill requests (like stopping quarrels) through his unique magical means.
Flaw: None explicitly stated, but his magic has limitations (cannot reverse the transformation into a star).
Remains largely unchanged, acting as a catalyst and guide for Marie, but shows a gentle side in his interactions with her.
Wise, observant, just (in his own magical way), somewhat detached, and ultimately benevolent.
Image Prompt & Upload
An elderly, bent man standing upright, facing forward, full body visible from head to toe. He has a wrinkled face, a long white beard, and kind, observant eyes. He wears a simple, patched brown tunic, dark trousers, and a worn grey cloak. A large bundle of sticks is strapped to his back, and a leather wallet hangs at his side. He holds a pair of small, intricate silver tweezers in one hand. His expression is wise and slightly enigmatic. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Prince Claude ⚔ antagonist
Initially appears as a royal prince, likely well-dressed and imposing. Later, he is described as 'tied to a tree, his face all swollen and looking full of agony,' and 'dressed in rags.'
Attire: Initially, he would wear fine royal attire, perhaps a velvet tunic, embroidered hose, and a cloak, befitting a prince and soon-to-be king. Later, he is in 'rags,' suggesting torn, dirty, and ill-fitting clothes.
Wants: To become King and gain power, then to forget his sins.
Flaw: His greed for power and his troubled conscience, which ultimately leads to his downfall and death.
Starts as an ambitious and wicked prince, becomes a tormented king, and ends as a miserable, abandoned, and repentant man who dies alone.
Ambitious, cunning, wicked, deceitful, and later, tormented by guilt.
Image Prompt & Upload
A young adult man, tied to a tree, facing forward, full body visible from head to toe. His face is swollen and shows agony, with disheveled dark hair. He wears torn, dirty, and ill-fitting rags, revealing a gaunt physique. His posture is slumped and desperate. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Housekeeper (Marie's Mother) ○ minor
An old housekeeper, implying an older woman, likely with a sturdy build from years of farm work.
Attire: Practical, simple, and clean country attire, such as a sturdy linen dress, an apron, and comfortable shoes.
Wants: To maintain order in her household and ensure her daughter's well-being.
Flaw: Her inability to control the princes' quarreling.
Remains a steadfast figure, deeply missing Marie during her absence.
Authoritative, caring, practical, and concerned for her daughter.
Image Prompt & Upload
An adult woman, appearing middle-aged, standing upright, facing forward, full body visible from head to toe. She has a kind but firm expression, with a few wrinkles around her eyes. Her hair is neatly tied back, possibly in a bun, and is a practical, muted color. She wears a clean, sturdy, long-sleeved linen dress in a muted color like brown or grey, with a white apron tied over it. Her posture is upright and capable. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Farmer (Marie's Father) ○ minor
A sturdy man, accustomed to farm labor, likely with a weathered appearance.
Attire: Practical, durable farm clothing: a rough linen shirt, sturdy trousers, and work boots, in earthy tones.
Wants: To run his farm and protect his family.
Flaw: None explicitly stated, but he is somewhat overwhelmed by the princes' behavior.
Remains a steadfast figure, deeply missing Marie during her absence.
Hardworking, practical, and caring for his family.
Image Prompt & Upload
An adult man, appearing middle-aged, standing upright, facing forward, full body visible from head to toe. He has a weathered face, a short beard, and kind, tired eyes. He wears a simple, rough linen shirt in a natural off-white color, sturdy brown trousers, and practical leather work boots. His posture is strong and grounded, indicative of manual labor. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Boatman ○ minor
No specific physical description, but he is a magical being who ferries a boat from the moon to the stars.
Attire: No specific details, but likely simple, ethereal clothing suitable for a celestial ferryman.
Wants: To perform his duty of ferrying between celestial bodies and to help those in need when possible.
Flaw: He cannot reverse the magic of the golden balls.
Remains a static, helpful figure.
Compassionate, knowledgeable, and somewhat melancholic.
Image Prompt & Upload
A man of indeterminate age, standing upright, facing forward, full body visible from head to toe. He has a calm expression with a hint of sadness in his eyes. His features are gentle. He wears a flowing, simple robe of deep blue, shimmering slightly as if made of starlight. He holds a long, slender oar. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Sunny Farm
A bustling country farm where King Olaf's seven sons were sent to live. It features fields where the princes play, and a general atmosphere of outdoor life with animals and farm activities.
Mood: Initially lively and free, later becoming a setting for childish squabbles and eventual mystery.
The initial setting where the princes live, quarrel, and where the Old Man in the Moon first appears and performs his magic.
Image Prompt & Upload
A vibrant, sun-drenched farmyard in the countryside, with traditional German half-timbered Fachwerk farmhouses in the background. The foreground is a grassy field with patches of burdock leaves and a deep, clear river winding through it. Sunlight streams across the scene, highlighting the textures of the hay bales and the weathered wood of a nearby fence. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Farm Kitchen
A large, cool kitchen within the farmhouse, serving as a central gathering place. It's where Marie often sews or reads, and where the Old Man in the Moon enjoys tea by the fire.
Mood: Initially peaceful and comforting, becoming a place of revelation and shock after the princes disappear.
Marie and Prince Charlie often spend quiet time here. The Old Man in the Moon reveals his magic and the fate of the six princes to the farmer and his wife here.
Image Prompt & Upload
A spacious, cool German farmhouse kitchen, with rough-hewn timber beams across the ceiling and whitewashed plaster walls. A large stone hearth with a crackling fire glows warmly in one corner, casting dancing shadows. A sturdy wooden table stands in the center, with simple wooden chairs. Sunlight filters through a small window, illuminating dust motes in the air. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Moon' s Edge
A mystical point where the moon 'touches the earth', serving as a departure point for a boat that ferries between the moon and the stars.
Mood: Magical, ethereal, and a little melancholic, as it's a place of both hope and ultimate sorrow.
Marie travels here to seek the Old Man in the Moon and retrieve Prince Charlie's golden ball, only to learn of his permanent transformation.
Image Prompt & Upload
A surreal, ethereal landscape where a giant, luminous full moon appears to gently rest upon a desolate, rocky terrestrial surface. A small, ancient wooden boat with a single oar floats on an invisible, shimmering path leading from the moon's edge into a star-dusted, deep indigo sky. The ground is barren, with faint craters and dust, illuminated by the soft, silvery glow of the moon. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Marie's Garden
A small, personal garden located directly under Marie's bedroom window at Sunny Farm. It becomes the final resting place for Prince Charlie's golden ball.
Mood: Initially sorrowful and private, transforming into a place of gentle remembrance and enduring love.
Marie buries Prince Charlie's golden ball here, waters it with her tears, and a new flower, the 'Forget-me-not', blooms from the spot.
Image Prompt & Upload
A small, intimate cottage garden directly beneath a quaint German farmhouse window with wooden shutters. The soil is dark and rich, with a small, freshly turned mound of earth. Delicate, vibrant blue forget-me-not flowers with tiny golden centers are beginning to bloom profusely around the mound. Soft morning sunlight illuminates the dew-kissed petals and the rough texture of the stone foundation of the house. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.