TOPKNOTS and CROCKERY HATS

by William Elliot Griffis · from Korean Fairy Tales

folk tale origin story hopeful Ages 8-14 1708 words 8 min read
Cover: TOPKNOTS and CROCKERY HATS

Adapted Version

CEFR A1 Age 5 188 words 1 min Canon 25/100

Long ago, a very wise man lived. His name was Kija. He lived in a far-off land. Kija wanted to help people. He wanted them to learn to be kind. Kija saw that some people were not kind. They did not share. They did not help each other. Kija knew a better way. He wanted to show them this way. He wanted them to be happy. He wanted them to be friends. He had many good ideas. Kija left his home. He went to a new land. Many people went with him. They wanted to help others. These people did not know kindness. Kija wanted to teach them. He wanted them to live well.

Kija and his people walked for many days. They walked toward the rising sun. They walked over green hills. They saw many tall trees. The land was wide and good. They came to a new, pretty land. It was called the Land of Morning Radiance. Kija liked this land. He said, "Build a city here." He helped them build. Kija liked the new place. He helped them plan the city. They worked hard to

Original Story 1708 words · 8 min read

TOPKNOTS AND CROCKERY HATS

Long, long ago in China, even centuries before the great Confucius was born, there lived a wise and learned man named Kija. He was the chief counselor at court, and all honored him for his justice and goodness. He was always kind to boys and girls.

But when a great war broke out and a new line of rulers came into power, Kija declined to serve the king of the country and resolved to emigrate to the far East. There he would teach the savage people manners and refinement.

The new king was sorry to have Kija go, for he respected his character and wisdom. However he allowed five thousand of the best people, most of them Kija’s followers, to accompany their master among the Eastern savages. Many of the common folks wept when they saw the emigrants leave China the flowery country to go into the Eastern wilderness and journey to an unknown region, full of dark swamps and thick forests. Kija was going where there were no roads, farms, or houses, and the woods were full of wild beasts, especially big bears and terrible tigers that liked to feed on human beings. It was even said that there were flying serpents that had wings and leopards that stood up holding lightning in their paws.

Over the great plains of Manchuria, Kija and his army of people, little folks and big ones, marched ever toward the rising sun, until they crossed the Duck Green River, which we call the Yalu. After a few days more, they came to the Great Eastern River (Ta Tong). There the land was very beautiful and Kija resolved to settle and build a city. From the tinted clouds at sunrise, rosy, golden, flushed with every shade of red, and lovely with changing colors the new country had been named Cho-sen, or Land of Morning Radiance. As the sun rose and raced toward the west, where his homeland lay, Kija welcomed the good omen as a double blessing. He saw in the calm of his first day in his adopted country a threefold pledge of continued good-will between the new kingdom and the old empire, Heaven’s favoring sign of his loyalty to the Chinese Emperor, and the surety of good-will from the spirit of the Ever White Mountain.

Having laid out for his colony a city which was to be the capital of his kingdom, Kija began to build a wall. He named the city Ping Yang, which means Northern Castle.

“But now that we have safely arrived as after a voyage, the city shall be shaped like a boat,” said Kija. “Within its walls no wells shall be dug, lest this, like boring holes, should make the boat sink. Then also, on the outside, to the west, shall stand the rock pillar to which the boat city shall be forever moored.”

Kija was ably assisted by his wise men, who were skilled in literature, poetry, music, medicine and philosophy. Together they published eight great laws for the kingdom:

    1. Agriculture for the men.
    1. Weaving for the women.
    1. Punishment of thieves.
    1. Murderers to be beheaded.
    1. All land to be divided into nine squares, the central one to be tilled in common for the benefit of the State.
    1. Simple life for all.
    1. The law of marriage.
    1. Wicked people to be made slaves.

Kija laid out roads, established measures and distances and ordained the rules of politeness. He taught the savage people how to build good houses, each with roofs of thatch or tile and a kang, or warming place, by means of flues running under the floors. There was a fire at one end and a chimney at the other, so that the smoke came out of the ground half-way up the house wall. Twice a day, at morning and sunset, the people fed with fuel the furnaces or cooking place in the kitchen. Then the flames, heat and smoke passed through the flues, warming the rooms. Thus the houses were made cozy and comfortable. Every day one can see the morning and the evening cloud of the kang smoke hanging over the city. It is in these flues and around the cooking pots that Tokgabi, the merry scamp, plays his most mischievous tricks. He is a sooty fellow and loves nothing better than to amuse or plague mortal men.

The people of the land were very rough and savage in these early times and being constantly given to hard fighting, murder was common. So Kija found that he must devise some way to make them peaceable. At first he tried gentle methods. He saw that the rude fellows wore their hair long, letting their locks stream out over their backs and that they were often unkempt and slovenly to the last degree. Besides they hated combs and did not like to get washed.

So Kija republished the law of Dan Kun, the spirit of the mountain, who had two topknots. He ordered that every married man should bind up his hair into a knot, or chignon, on top of his head. Thus the Korean topknot was established by law. As for the younger fellows they must plait their hair and wear it in a braid down their backs. Until a man got a wife, he was only a boy, and must hold his tongue in presence of his elders. If caught wearing a topknot before he had a wife, he was punished severely.

Nevertheless the rough people mistook the good purposes of Kija. They used the topknot as a handle to catch hold of when fighting in the streets. The big, burly fellows pulled the smaller men around most cruelly. Furthermore, they were accustomed to crack each other’s skulls with clubs, so that many dead men were found in the streets. To stop these quarrels and murders, Kija invented a hat that would keep brawlers at least a yard apart.

“I’ll settle their quarrels for them, once and forever,” said Kija. “I’ll make their fun cost each man a pretty rope of cash. Every time two bullies fight, they shall have a lot of crockery to pay for.”

So Kija caused big heavy hats to be moulded of clay. These measured four feet across and were two feet high, weighing many pounds. These he had baked in ovens until they were hard as stone. They looked like big porridge bowls turned upside down.

Every fellow who had a bad temper, or was known to quarrel was compelled to wear a hat of this heavy earthenware. Whenever a crowd of men-folks got together they looked like a field of moving mushrooms.

They cracked their crockery.

When men fought they only cracked their crockery. In this way Kija easily found out who broke the law so that he could punish them. Then they had to go to the potter’s and buy new hats. This made it quite an expensive affair, for a good half year’s wages was required to pay for a hat.

Kija’s wisdom was justified. The earthenware hats proved to be a good protection to the sacred topknots and the men liked them. Quarrelsome fellows stopped pulling hair and smashing heads. It got to be the custom, instead of punching a man’s face or cracking his skull, to let off one’s bad temper in scolding and calling names, glaring frightfully, or rolling one’s eyes,—all of which of course made no blood flow. The bumpkin who could make the most frightful faces, grind his teeth most savagely, and look more like a devil than the other fellow, was reckoned the bravest and the victor.

Before many months, a street quarrel got to be a perfectly silent battle of ugly faces and terrible gestures. What at first promised to be a bloody murder usually became a noiseless duel, or a quarrel between deaf and dumb folks. This furnished violent exercise for eyes and teeth only, but it passed off like steam out of a kettle. In time a gentleness like a great calm settled over the land.

The crockery hats became all the fashion. They were very popular. Even the women wanted to wear them, because they were so useful. When turned over, they served as wash-bowls and many a good housewife borrowed her husband’s second-best hat to do the family washing in. They were useful also for feed troughs and drinking basins for the horses and cattle and for donkeys to eat their beans.

The women, though not permitted to wear crockery bonnets, were pleased with the way Kija treated them. He took the clubs of the rough men, which they no longer needed, and handed them over to the wives and daughters to use in pounding the clothes on wash days and for ironing. In this way, the Korean women learned the wonderful art of putting a fine gloss on the starched clothes of the male members of the family, especially on the long white coat of the house father. Thus by changing sticks that had been used as skull-crackers into starch polishers, Kija changed also ruffians into gentlemen. Ever since, Koreans have been famous for their politeness.

Happily also, the men grew more refined in their manners and were kind to their wives and daughters, because they saw such shining clothes. When hot weather came and the gentlemen complained of the heat, and fearing that perspiration might spoil their fine clothes, Kija allowed them to make inside suits of bamboo sticks, as fine as thread or wire. Thus the Korean gentleman wore his outer clothes on a frame hung from his shoulders like a hooped skirt. It seemed like taking off one’s flesh and sitting in his bones thus to wear bamboo underclothes.

By and by, as manners improved, finding garments thus made from the cane-brake so comfortable, the men gave up their heavy crockery hats. In place of these they wore “bird cages” made of horsehair over their topknots, and out-of-doors put on “roofs” of straw, reed, basket-ware, or shining black lacquered paper, according to their rank in society. Thus it came to pass that Korea is the land of hats.


Story DNA

Moral

Wise leadership and creative solutions can transform a savage society into a refined one.

Plot Summary

Kija, a wise Chinese counselor, emigrates with 5,000 followers to the Eastern lands to civilize the 'savage' inhabitants. He establishes a new kingdom, enacts laws, and introduces customs like the topknot. When the topknots inadvertently facilitate fighting, Kija invents large, fragile crockery hats that make physical brawls too costly. This ingenious solution transforms the violent people into a polite society, leading to the development of unique Korean hat culture and a lasting legacy of refinement.

Themes

civilizationsocial orderinnovationtransformation

Emotional Arc

savagery to refinement

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: explanatory asides, historical context integration

Narrative Elements

Conflict: person vs society
Ending: happy
Magic: Tokgabi (mischievous spirit), Flying serpents and leopards with lightning (mentioned as wilderness dangers)
the topknotthe crockery hatthe 'land of hats'

Cultural Context

Origin: Korean (as retold by American author from Korean sources)
Era: centuries before Confucius (ancient China/Korea)

This story is a foundational myth in Korean history, attributing the establishment of early Korean civilization (Gojoseon) to Kija, a legendary figure from China. While historically debated, it reflects a long-standing cultural narrative about the origins of Korean customs and social order.

Plot Beats (12)

  1. Kija, a wise Chinese counselor, leaves China with 5,000 followers to civilize the 'savage' people of the East.
  2. They journey to the 'Land of Morning Radiance' (Cho-sen, later Korea) and Kija establishes the capital city, Ping Yang, with a unique boat-like design.
  3. Kija enacts eight laws, including agriculture for men, weaving for women, and punishments for crimes, and introduces the 'kang' heating system.
  4. To civilize the unkempt people, Kija mandates that married men wear topknots and younger men wear braids.
  5. The topknots, however, become handles for fighting, and skull-cracking with clubs remains common.
  6. Kija invents large, heavy, fragile crockery hats (four feet across, two feet high) that cost a fortune to replace if broken.
  7. Men compelled to wear these hats find fighting impractical, as it only results in broken hats and financial penalties.
  8. Street quarrels transform from physical violence to silent battles of ugly faces and gestures, leading to a general calm.
  9. The crockery hats become fashionable and are even repurposed by women as wash-bowls and by farmers as feed troughs.
  10. Kija re-purposes the clubs, once used for fighting, for women to use in laundry, leading to the art of starch polishing and further refinement.
  11. As manners improve, Kija allows men to wear comfortable bamboo under-suits.
  12. Eventually, men replace the heavy crockery hats with lighter 'bird cages' and 'roofs' made of horsehair or straw, solidifying Korea's reputation as the 'land of hats' and politeness.

Characters

👤

Kija

human adult male

A man of dignified bearing, likely of average height and a lean build, reflecting a life of study and leadership rather than manual labor. His movements are deliberate and thoughtful.

Attire: Initially, he would wear the formal, layered silk robes of a high-ranking Chinese court counselor, likely in deep, rich colors with subtle embroidery. After settling in Cho-sen, his attire would adapt to the new environment, possibly simpler but still refined, perhaps a long, flowing white or light-colored hanbok-like garment, signifying his wisdom and leadership, made of fine linen or silk.

Wants: To establish a civilized society based on justice, refinement, and peace, and to teach these values to the 'savage people' of the East.

Flaw: Perhaps an initial underestimation of the deeply ingrained 'savage' behaviors of the local people, requiring him to adapt his methods.

Transforms from a court counselor into the founding king and lawgiver of a new civilization, successfully taming a 'savage' populace through ingenious social reforms.

His calm, wise expression combined with the innovative, oversized crockery hat he devised, symbolizing his unique approach to governance.

Wise, just, benevolent, innovative, determined, patient.

✦

Tokgabi

magical creature (goblin/trickster spirit) ageless non-human

A sooty, impish figure, small and agile, often found near the flues and cooking pots. He is likely dark-skinned or covered in soot, with quick, darting movements.

Attire: No specific wardrobe, as he is a spirit. He is described as a 'sooty fellow,' implying his appearance is naturally dark or covered in ash from his habitat.

Wants: To cause harmless trouble and entertain himself by playing tricks on humans.

Flaw: Not explicitly stated, but perhaps his love for mischief could lead him into trouble.

Remains consistent as a trickster spirit throughout the story, providing a touch of local folklore.

A small, sooty figure with bright, mischievous eyes, often peeking out from behind a cooking pot or flue.

Mischievous, playful, scampish, enjoys amusing and plaguing mortals.

👤

The Savage People (Men)

human adult male

Burly, strong, and unkempt, reflecting a life of constant fighting and physical labor. They are described as 'rough' and 'slovenly.' Their height and build would vary, but many are 'big, burly fellows.'

Attire: Simple, crude clothing made from natural fibers, likely undyed and practical for a wild environment. Before Kija, their attire would be very basic, perhaps animal skins or rough woven cloth. After Kija's reforms, they would wear more structured, but still simple, garments, eventually including the long white coat of the house father.

Wants: Initially driven by primal instincts, a desire to fight and assert dominance. Later, they seek to avoid punishment and embrace the benefits of a more civilized life.

Flaw: Their hot tempers and tendency towards violence.

Transform from violent, unkempt brawlers into polite, refined gentlemen through Kija's laws and inventions, particularly the topknot and crockery hats.

A burly man with a topknot, wearing an enormous, heavy, upside-down porridge bowl-shaped crockery hat.

Initially aggressive, quarrelsome, violent, unkempt, resistant to change. Later, they become more polite, refined, and peaceable, though they retain a theatrical way of expressing anger.

👤

The Women of Cho-sen

human adult female

Likely strong and capable, accustomed to hard work. Their appearance would initially be as unkempt as the men, but they would quickly embrace Kija's reforms, becoming more refined.

Attire: Simple, practical garments made for weaving and household tasks. Initially, rough woven cloth. After Kija's reforms, they would wear more refined, clean clothes, and eventually become skilled in polishing the men's starched white coats.

Wants: To maintain their households, care for their families, and later, to embrace the benefits of a more peaceful and refined society.

Flaw: Not explicitly stated, but perhaps their initial lack of refinement.

Benefit from Kija's reforms, gaining new tools (clubs for laundry) and seeing their male counterparts become more refined, leading to a better quality of life.

A woman skillfully using a repurposed club to pound clothes, demonstrating her industriousness and the transformation of society.

Initially practical and resilient. Later, they become industrious, skilled, and appreciative of Kija's reforms, especially regarding the men's improved behavior.

Locations

The Eastern Wilderness (Manchuria and Northern Korea)

outdoor Implied harsh conditions due to wilderness; 'tinted clouds at sunrise, rosy, golden, flushed with every shade of red' upon arrival at Cho-sen.

A vast, untamed region characterized by dark swamps, thick forests, and great plains. It is a land without roads, farms, or houses, teeming with wild beasts like bears, tigers, flying serpents, and leopards. The journey crosses the Duck Green River (Yalu) and eventually reaches the Great Eastern River (Ta Tong).

Mood: Initially wild, dangerous, and unknown; transforms into a place of hope and new beginnings upon Kija's settlement.

Kija and his followers emigrate from China, journeying through this perilous wilderness to find a new land to settle.

dark swamps thick forests great plains Duck Green River (Yalu) Great Eastern River (Ta Tong) wild beasts (bears, tigers, flying serpents, leopards) tinted sunrise clouds

The City of Ping Yang (Northern Castle)

transitional morning | evening (due to kang smoke) Varies, but the kang system implies a need for warmth, suggesting cooler seasons or general comfort.

A newly founded city, designed by Kija to be shaped like a boat, with a surrounding wall. It features houses with thatched or tiled roofs and a unique 'kang' warming system, where smoke from cooking fires exits through flues halfway up the house walls, creating a visible 'morning and evening cloud of kang smoke' over the city. A rock pillar stands to the west, mooring the 'boat city'.

Mood: Orderly, industrious, and evolving from a wild settlement into a civilized community, with a touch of domestic warmth from the kang smoke.

Kija establishes his capital, implements laws, and introduces architectural and social innovations like the kang heating system and the crockery hats to civilize the populace.

city wall thatched roofs tiled roofs kang smoke plumes rock pillar (mooring) earthenware crockery hats (initially)

The Streets of Ping Yang

outdoor Varies, but 'hot weather' is mentioned when bamboo undergarments are introduced.

The public thoroughfares of the newly established city, where men initially engaged in violent quarrels, pulling topknots and cracking skulls with clubs. Later, these streets become the stage for silent 'battles' of ugly faces and gestures, with men wearing large, heavy, four-foot-wide earthenware 'crockery hats'. Eventually, these are replaced by lighter 'bird cages' of horsehair and 'roofs' of straw or lacquered paper.

Mood: Initially chaotic and violent, transitioning to absurd and comical with the crockery hats, and finally becoming polite and refined.

This is where Kija's social experiments, like the topknot and the crockery hats, are put into practice, transforming the violent populace into polite citizens.

cobblestone or dirt streets men with topknots men wearing large, round, inverted bowl-shaped earthenware hats men wearing 'bird cage' horsehair hats men wearing straw or lacquered paper 'roof' hats women with clubs (for washing)