TCHÓRZ NA WYBÓRACH
by Adam Mickiewicz · from Bajki
Adapted Version
The folk friends had a very bad day. They lost a big game! All were sad. They all pointed fingers. The folk were very sad. They blamed others. They made a big noise. They did not know what to do.
Pip the small friend was there. He was not in the game. So he felt safe. No one blamed him. Pip wanted to talk. He liked to talk a lot. He liked to tell others. He stood up in the meeting. He felt very brave. He had many words to say.
Pip talked loudly and clearly. He spoke with a strong voice. He looked at all the folk. He felt very sure. "Our leaders are not good!" he said. "We picked them wrong." He shook his head. "This is why we lost." "This is a big problem." All the folk listened.
Pip pointed to the Lion. "He is too old!" Pip said. He pointed to the Bison. "He is too slow!" Pip pointed. "He does not talk." Pip pointed. "He is not smart." The Wolf was not fair. The Fox was too tricky. The Boar was too sleepy. The Donkey was not strong.
All the folk listened to Pip. They thought Pip was smart. They shouted, "Pip for leader!" They made a loud noise.
Pip heard them. His eyes got big. He shook. He was very scared. He did not want to lead. He did not like this.
The folk saw Pip was scared. They were not happy. They shouted, "Go away, Pip!" Their voices were loud.
Pip ran very fast. He found a hole. He jumped in. He hid. He dug to go deeper. He wanted to be alone.
Pip was safe in his hole. He thought, "I could be the leader. But I was too scared!" It is easy to talk big when you do not have to do anything. But when it is your turn, you might get scared too.
Original Story
TCHÓRZ NA WYBÓRACH.
Po owej porażce zwierząt
Wszczął się w ich armii nierząd.
Zwołana wojenna rada,
Z rady zwada;
Każdy każdemu się żali,
Każdy przed każdym się chwali
I każdy winę na każdego wali,
Tchórzowi tylko wszyscy pokój dali.
Obywatel tchórz w rządzie nie zasiadał,
Ani wojskowo nawet nie służył,
Więc w politycznem życiu się nie zużył,
Ufny w niepokalaną swą przeszłość, tak gada
„Obywatele! czas jest przystąpić do kwestji
Czemu przypiszem klęski tej kampanji?
Czy że na wodza brak nam zdolnej bestji?
Nie! Ale my ulegli przesądów tyranji!
Grzesznym przodków obyczajem,
Nie tym buławę oddajem,
Których zasługa i talent wyniosą,
Ale tylko mamy w cenie:
Ci—drapieżne urodzenie,
Tamci—rogato znaczenie,
A owi—socjalne, tłuste położenie.
Otóż dowódzry nasi, przypatrzcie się kto są?
Lew, prezes, istny pańskich ideał nałogów;
Radca żubr, już dziad, ledwie goni resztą rogów;
Niedźwiedź mruk, niech-no stanio przed wojskiem, co powie?
Z lamparta byłoby coś, ale mu pstro wglowie;
Że pułkownik wilk sławny, toć tylko z rabunków
I z procesu, co zrobił owemu jagniątku;
A o kwatermistrzu lisie
Lepiej przemilczeć zda mi się,
Niźli zazierać do jego rachunków,
Sam się nie tai, że skory do wziątku.
Pominiemy odyńca, pan ten tylko pragnie
Skarbić żołędzie i spoczywać w bagnie.
Przywyklejszy doń, niż do marsowego kurzu:
Co się zaś tyczy osła, ten był i jest błaznem.”
Gdy tchórz tak gadał. Rada wrąc entuzyazmem,
Gotowa za krasomówstwo
Dać mu naczelne wodzostwo,
Odezwała się nagle w jeden głos: „Żyj tchórzu!”
On, stropion krzykiem tym pośród perory,
Zmieszał się, owszem, dał czuć najwyraźniej,
Że był w gwałtownej bojaźni.
Dopiero rozruch. „Precz z nim! pfe! tchórz! a do nory!”
Szczęściem, tuż była. Wśród sarkań i śmiechu
Wpadł w nią i rył bez oddechu,
Aż gdy na sążeń czuł się pod podwórzem,
Rzekł do siebie z ironją czystego sumienia:
„Ot proszę, co też to jest przesad urodzenia!
Obranoby mię wodzem, gdybym nie był tchórzem.”
Story DNA
Moral
Those who criticize others' flaws often possess the very same or worse shortcomings, and true character is revealed under pressure.
Plot Summary
After a military defeat, the animal army's council is in chaos, with everyone blaming each other. The Coward, who has no official role, seizes the opportunity to deliver a passionate speech, criticizing all the current leaders for their flaws and the outdated system of selection. Impressed by his eloquence, the council enthusiastically proposes him as their new leader. However, the prospect of responsibility immediately exposes his true nature: he is overcome with fear and flees into a hole, reflecting ironically on how his cowardice prevented him from becoming a leader.
Themes
Emotional Arc
criticism to self-exposure
Writing Style
Narrative Elements
Cultural Context
Adam Mickiewicz was a leading figure of Polish Romanticism, and his fables often carried political or social commentary, reflecting the struggles and critiques of his time, particularly concerning leadership and national character during periods of foreign occupation or internal strife.
Plot Beats (9)
- Following a military defeat, the animal army is in chaos, with everyone blaming each other.
- The Coward, who holds no position, is exempt from blame and decides to speak at the war council.
- He delivers an eloquent speech, attributing their losses to the flawed, traditional selection of leaders.
- The Coward meticulously criticizes each of the current leaders, highlighting their individual shortcomings and vices.
- The council, swayed by his rhetoric, becomes enthusiastic and proposes him as their new leader.
- Startled and terrified by the sudden shout of approval and the responsibility, the Coward's true nature is exposed.
- The council, now disgusted, shouts at him to leave.
- The Coward quickly retreats into a nearby hole, digging deep to escape.
- Safe underground, he ironically muses that he would have been chosen as leader if not for his inherent cowardice.
Characters
The Polecat
A small, slender mammal, typically 30-45 cm long with a bushy tail. His fur is dark brown to black, with lighter, yellowish underparts and a distinctive dark mask across his eyes. He is agile and quick, though not physically imposing.
Attire: None, as he is an animal. His natural fur coat serves as his attire.
Wants: To avoid danger and maintain a position of perceived moral superiority without taking any risks or responsibilities.
Flaw: His overwhelming cowardice, which prevents him from acting on his own words or taking any leadership role.
He attempts to leverage his 'clean' past and rhetorical skills to gain influence by criticizing others, but his true nature is exposed when he is unexpectedly offered leadership, causing him to flee in terror. He learns nothing, instead reinforcing his self-serving worldview.
Cowardly, opportunistic, eloquent (when safe), hypocritical, self-serving.
The Lion
A large, powerful lion, the traditional king of the beasts. He possesses a muscular build, golden-brown fur, and a majestic, if somewhat jaded, presence. He is likely past his prime, showing signs of weariness from leadership.
Attire: None, as he is an animal. His natural fur and mane serve as his attire.
Wants: To maintain order and his position, though perhaps without the vigor of his youth.
Flaw: His adherence to old customs and potential complacency, making him an easy target for criticism.
Remains static, serving as an example of the 'old guard' that the Polecat criticizes.
Authoritative, traditional, possibly complacent, prone to 'princely vices' as implied by the Polecat.
The Bison
An immense, shaggy bison, clearly advanced in age. His massive head is topped with thick, curved horns, some of which may be broken or worn down from age. His fur is dark and dense, particularly around his head and shoulders, giving him a formidable but slow appearance.
Attire: None, as he is an animal. His natural fur serves as his attire.
Wants: To maintain his position based on past status, despite his diminishing physical capabilities.
Flaw: His advanced age and slowness, making him ineffective in a dynamic leadership role.
Remains static, serving as an example of the 'old guard' that the Polecat criticizes.
Old, slow, traditional, perhaps stubborn.
The Bear
A large, powerful bear with thick, dark fur. He is robust and imposing, but his demeanor suggests a sullen or taciturn nature. He might appear somewhat disheveled or unkempt.
Attire: None, as he is an animal. His natural fur serves as his attire.
Wants: Unclear, but likely to maintain his position without much effort or interaction.
Flaw: His inability or unwillingness to communicate effectively, making him unsuitable for leadership that requires public speaking.
Remains static, serving as an example of the 'old guard' that the Polecat criticizes.
Taciturn, sullen, possibly ill-tempered or uncommunicative ('mruk' means grumbler/sullen person).
The Leopard
A sleek, agile leopard with a distinctive coat of black rosettes on a golden-yellow background. He is physically capable and visually striking, but his demeanor suggests impulsiveness or a lack of focus.
Attire: None, as he is an animal. His natural fur serves as his attire.
Wants: Unclear, but his potential is hindered by his lack of focus.
Flaw: His impulsiveness and inability to concentrate, preventing him from effective leadership.
Remains static, serving as an example of a character with potential but a significant flaw, criticized by the Polecat.
Impulsive, easily distracted, 'scatterbrained' (pstro w głowie).
The Wolf
A lean, powerful wolf with a reputation for cunning and predatory behavior. His fur is likely gray or grizzled, and his build suggests strength and endurance, but also a certain gauntness.
Attire: None, as he is an animal. His natural fur serves as his attire.
Wants: Self-interest, acquisition of resources through any means.
Flaw: His notorious reputation for injustice and thievery, which undermines any claim to honorable leadership.
Remains static, serving as an example of corrupt leadership, criticized by the Polecat.
Cunning, predatory, ruthless, known for thievery and injustice.
The Fox
A sleek, reddish-brown fox, known for his intelligence and trickery. He is agile and quick, with a bushy tail. His appearance might suggest a certain slyness or untrustworthiness.
Attire: None, as he is an animal. His natural fur serves as his attire.
Wants: Personal gain and enrichment, regardless of ethics.
Flaw: His blatant dishonesty and corruption, which are an open secret.
Remains static, serving as an example of corrupt leadership, criticized by the Polecat.
Cunning, dishonest, opportunistic, prone to embezzlement ('skory do wziątku' - quick to take/bribe).
The Boar
A large, bristly wild boar with prominent tusks. He is stout and powerful, but his appearance suggests a preference for comfort and indulgence over duty.
Attire: None, as he is an animal. His natural bristly coat serves as his attire.
Wants: To accumulate food (acorns) and rest in comfort (wallowing in mud).
Flaw: His extreme laziness and preference for personal comfort over any sense of duty or ambition.
Remains static, serving as an example of self-indulgent leadership, criticized by the Polecat.
Lazy, gluttonous, comfort-seeking, indifferent to military duties.
The Donkey
A sturdy donkey with gray fur and long ears. His appearance is unassuming, but his role is that of a fool or jester, suggesting a lack of intelligence or seriousness.
Attire: None, as he is an animal. His natural fur serves as his attire.
Wants: Unclear, but likely to simply exist and follow, without any grand ambitions.
Flaw: His inherent foolishness and lack of intelligence, making him unsuitable for any serious role.
Remains static, serving as an example of incompetence, criticized by the Polecat.
Foolish, simple-minded, a 'blaznem' (jester/clown).
Locations
The Council Clearing
A natural clearing in a temperate forest, likely in a region like Poland, where animals gather for a war council. The ground would be covered with fallen leaves and some undergrowth. The air is tense with arguments.
Mood: Tense, chaotic, argumentative, with underlying frustration and a hint of desperation.
The animals hold a war council after a defeat, arguing and blaming each other. The Polecat delivers a speech criticizing the current leadership.
The Polecat's Burrow Entrance
A small, unassuming hole in the ground, likely at the base of a tree or under a thick bush, leading into an underground burrow. The entrance is just large enough for a polecat to quickly disappear into.
Mood: Suddenly frantic, then safe and confined.
The Polecat, startled by the crowd's sudden cheer, panics and flees into its burrow to escape the perceived danger.
The Polecat's Underground Burrow
A narrow, dark tunnel dug deep into the earth, providing a sense of security and isolation. The air would be damp and earthy.
Mood: Confined, safe, reflective, ironic.
The Polecat retreats deep into its burrow, feeling safe, and reflects ironically on its nature.