THE PRINCESS EGLANTINE
by Burton Mrs. Harrison · from The Old-Fashioned Fairy Book
Adapted Version
A Queen lived in a big castle. She had two babies. Princess Lily was sweet. Prince Grumpy had a big temper. He often cried loudly. Aunt Luna came to visit. She was a kind magic aunt. She looked at Prince Grumpy's foot. She saw a tiny red mark. This mark meant a bad spell. It was a very bad spell. The spell was strong. It made Grumpy cross.
Aunt Luna and a wise man talked. They knew the bad spell. It made Prince Grumpy mean to Lily. Lily must be safe. She must live in a tall, pretty tower. This tower was very high. It was far away. She would be safe there. No one could hurt her there. The tower was strong. Lily would be alone.
Princess Lily grew up in the tall tower. She was very kind. She was very pretty. She learned many things. She read many books. She sang sweet songs. Her voice was soft. But she was all alone in her tower. She had no friends there. She wanted a friend.
One day, Prince Leo rode by. He was a brave prince. He
Original Story
THE PRINCESS EGLANTINE.
ACERTAIN queen had twin children, a boy and a girl, both as beautiful as the dawn of a summer morning. As the mother was one day hanging over the double cradle, shaped like two silver lilies growing on one stem, an old aunt of hers, who knew a good deal about magic, arrived from the country to see the babies and to spend the day.
The old lady took the Princess Eglantine in her arms, and kissed her, and joggled her, and clucked at her, after the fashion of all good aunties.
"That's a girl to be proud of, my dear!" she said, handing the baby back to her mamma. "And she looks as good as she is pretty, too."
"They are both wonderful children, nurse says," replied the young queen, modestly. "And the doctor thinks them the finest pair he has ever seen. Only the boy is a little high-tempered. He kicks and snaps at his attendants the whole time he is awake; so take care, aunty dear, and don't disturb him for the world. We always let him sleep as long as he will."
"Hoity-toity!" cried aunty, "as if I came out of the woods to be frightened by an owl. I know how to manage all children!" and the boy opening his eyes at that moment, she lifted him from his crib, and laid him on her lap.
Sad to say, he behaved like an infant tiger. Never was there seen such a tempestuous baby. He wriggled, and howled, and fought, and plunged, until the poor mother and nurses turned red with mortification. But the old aunty held on to him bravely, and examined him from top to toe. Nothing could she find, till she came to the sole of the right foot, and there was a tiny red mark like a burning torch. As soon as aunty saw this she sighed, and whispered a word in the baby's ear, when he became as quiet as any lamb.
Aunty sent away the nurses, and told the poor queen there was no doubt about it; her boy was bewitched, and when he grew up he would try to devour his sister. The only thing was to keep them apart, and this the queen told her husband; and he sent for a wise man, who confirmed what aunty had said. The wise man added that all would go well so long as the princess was kept apart from her brother, and as the brother was the heir of the kingdom, there was nothing left but to banish the unfortunate princess. The king built for his daughter, in the remotest corner of his kingdom, an ivory tower. Around the tower was a crystal moat full of gold and silver fish. Around the moat were lovely flower-beds, and around the flower-beds was a thick and thorny hedge. In this tower there was a room lined with tufted blue satin, like the inside of a bonbon box, and all the furniture was made of fine carved ivory. Here the princess was shut up for life, under the care of an old dame, Madame Véloutine by name, who once had kept a boarding-school for duchesses, and was very respectable indeed. Poor Eglantine was gradually forgotten at court, and her cannibal brother grew up without knowing he had ever had a sister.
THE PRINCESS EGLANTINE.
Like all other captive princesses, past, present, and to come, Eglantine was beautiful and accomplished. She could speak in every language, work in silk and crewels, paint china plaques, make mince-pies, sing like a nightingale, and play anything on the piano at sight with her eyes shut! Her skin was milk-white, with a rosy flush on the cheeks, while her glorious golden hair never came out of crimp, but rippled from the roots to her very feet.
One day a prince, cantering by upon his palfrey, looked up at the tower window, and there saw this lovely creature, surrounded by a flock of pretty white doves. Prince Charming gazed and gazed, and the longer he stood there, the more enraptured he became. When he heard from the country people that no one knew who or what was this mysterious beauty, excepting that once a year, by night, a grand gentleman and lady visited her, and looked at her while asleep, the ardent young prince made a vow to solve the secret without delay. He engaged his old tutor to make love to Eglantine's governess, and this plan succeeded so well that the tutor was, ere long, invited to take a cup of tea at five o'clock, in the ground floor apartment of the tower where Madame Véloutine kept house. Madame Véloutine was very much fluttered by the attentions of the tutor, a gloomy-looking individual with savage dark mustache and deep-sunken eyes. The poor old thing, who had been reading novels without any intermission for eighteen years, was very sentimental, and the idea of a suitor coming to woo at some period of her existence was never wholly absent from her thoughts. She dressed herself in one of the Princess Eglantine's white robes, put a blue sash around her waist, and covering her little red nose with rice powder, sat in a darkened corner with a guitar upon her knees. The tutor flattered her, and soon she grew confidential and told him the story of her charge. When the tutor took his leave, Madame Véloutine sighed deeply, and pitied the poor man who had fallen a victim to her charms. She did not see the fat purse of gold the prince bestowed on him, upon learning the true state of the case about the enchanting captive!
Prince Charming rode, day and night, till he reached the king's palace. "Give me your daughter for my wife," he said. The king turned pale at hearing that the secret was betrayed. "For pity's sake speak lower, young man," said the anxious father. "Only suppose her brother should hear of it." With that he told the whole story to Prince Charming, who forthwith rode to ask a wise man what he should do to set the princess free, with safety to herself.
"Ride as far as you will, and as fast as you will with her, you may not escape the curse," said the wise man.
The prince went off heavy hearted, and visited a witch he knew. She was knitting a stocking, which ravelled every night as fast as it grew by day.
"I have been knitting this stocking for fifty years," said the witch, taking a pinch of snuff out of the soup-tureenful that she always kept beside her. "I could as soon make it whole in one night as keep away the curse from her."
The prince groaned as he rode away. Across his path was a green bough, half covered by a huge cobweb. In this a tiny being, no bigger than a fly, was entangled, and was making desperate struggles to be free. Travelling toward it, with tremendous strides, came an enormous red spider, with white spots and great protruding eyes. The prince, not without a shudder, for, like most of us, he hated the nasty things, killed the spider with a blow, and set free the pretty captive, who proved to be a fairy. She tidied her iridescent frock, and thanked him very nicely.
"You have saved my life, dear prince," she said. "Pray let me do something in return for it."
"Perhaps you can help me," said the prince, eagerly. "If you can't, never mind," he added, politely, when he had finished telling her the sad story of his doomed princess. "I don't expect much of a person of your size, you know; but really it's the greatest relief to talk about the dear darling!"
"A person of my size!" said the little lady, with a shrill sniff. "I'd have you to know, prince, that I'm the fairy Buz-fuz, the discoverer of the celebrated invisibility powder. It is never known to fail, is made from a fern-seed that I alone can pluck, and is not for sale at any druggist's! As to lifting the spell from that poor young creature, the princess, I can't undertake to do it, on any terms; but with the aid of my powder, one pinch of which sprinkled on an object will make it disappear from sight in a moment, I believe you can manage to keep clear of the cannibal brother."
The prince thanked the fairy, took the powder, and galloped off, light-hearted, to his Eglantine. She, poor thing, had thought of nothing but the prince and his beauty, and his kind glances and smiles, since he left her. She wearied of the society of poor old Véloutine, and sighed for change. Véloutine was in despair. To comfort the princess she promised to allow her a single meeting with the prince, should he ever come that way again. "That I am sure he will!" said the princess. "If you had only seen his eyes when he looked at me! They were so kind, so true! Oh! Véloutine! he will come back!"
So Eglantine settled down to her embroidery. This was a gown of white damask with large white satin flowers outlined with real pearls. She had been at work on it for several years, and a few stitches more would finish it. She now wrought busily, until the last stitch was set, and then, with trembling fingers, put it on. Around her neck and waist she wrapped great chains of pearls, and left her long hair rippling to her knees. When her toilet was complete she went to the window. It was the sunset of a summer's day. Around her tower grew vines heavy with deep-red roses; the shining surface of the moat beneath was streaked with color from the western clouds. Along the path beyond the hedge rode a horseman gayly clad in green and gold, who, smiling, doffed a cap with a single long white plume, and bowed to his saddle-bow. Behind him came a splendid cavalcade of courtiers and knights on horseback, surrounding a golden coach in which sat the father and mother of Eglantine, who had given consent to her marriage with the prince. The poor king and queen were dreadfully frightened at the rashness of this proceeding. They had sent the cannibal brother off on a hunting excursion in a distant part of the country, and had come in fear and trembling, bringing with them the most trustworthy of their people. They could not resist Prince Charming, who, in addition to his other attractions, had just lost his father, the old king, and was now the sole owner and ruler of a neighboring kingdom, and just the match for their lovely daughter. He had sworn to them that their child should be kept so securely guarded that her brother could never reach her.
Eglantine came down from her bower, to be introduced to her father, mother, and lover all at once. The marriage took place without delay, and the new king started with his bride for the sea-shore, where they were to embark for his home.
They set sail in a ship of which the sides were plated with beaten gold. The sails were of pink satin, and the ropes golden threads plaited together. The young king and queen sat upon cushions of velvet on the deck, and talked of their happy future, when suddenly the sky was darkened as by a cloud, and, riding upon a vulture, the cannibal brother came after them. He had been hunting, and a wandering breeze carried to him the story of his sister's escape. Although he had never before heard he possessed a sister, the first whisper of such a thing was sufficient to rouse in him the dreadful cannibal instinct to drink her blood. From where the king and queen sat they could distinctly hear him smacking his lips with joy at the prospect of his horrible meal. Queen Eglantine, fearing she knew not what, shuddered from head to foot, and closing her eyes cast herself upon the king's breast for protection.
The king, bidding her be calm, sprinkled the deck of the ship with one of the fairy's powders, which he carried in a little crystal box. At the moment the huge foul bird of prey hovered above them and gave a fierce swoop downward, the ship and all its contents vanished utterly from sight, while the vulture with his rider plunged into the sea.
The cannibal prince was a good swimmer, and although his vulture was immediately drowned, managed to keep up, until he found a dolphin and got astride its back.
"Now, carry me in pursuit of yonder ship, and mind you swim fast and well," he exclaimed.
"Master, I obey," said the dolphin, who recognized in him a magician. "But, look for yourself—blue sky above, blue water below, and not a sail upon the sea."
The prince looked, and in truth there was no ship to be seen; so, ordering the dolphin to convey him to the nearest landing-place, he soon reached the shores of a beautiful country, where flags were flying, and all the inhabitants were dressed in holiday clothes. Over the wharf was an arch of most lovely flowers, and five hundred little girls were strewing the roads with orange blossoms.
"What is taking place?" asked the cannibal brother of the people around the wharf.
"Where have you been, pray?" said they scornfully, "not to know that our king brings home his bride to-day!"
Then the ship came in sight and the rejoicings began. The cannibal brother had no sooner laid eyes upon his sister than a new longing to drink her blood came over him; and he set about plotting how he could get hold of her, no easy matter, since the palace was guarded night and day by twenty white bull-dogs of the fiercest sort, besides the usual soldiers and attendants. So he took service with a butcher near the town, and made a bag full of little meat-balls, each one containing a drop of deadly poison. One day his master sent him to the palace to carry Queen Eglantine's sweetbreads and mutton-chops. "Now," thought the brother, "I shall get inside;" but he was mistaken, for the sweetbreads and mutton-chops were taken from him at the gate, and passed on through twenty different hands till they reached the cook. As no outsider whatever was allowed to penetrate the inner palace walls, behind which the new queen lived surrounded by every luxury, the cannibal brother had to wait many days for an opportunity to get a sight of her. Meantime his appetite was gaining terribly, and he went to the blacksmith and had all his teeth framed in iron, the better to enjoy his horrid meal.
At last King Charming was summoned to meet a neighboring monarch about a right of way for his armies across a certain peninsula; and, with many injunctions to the queen not to admit any stranger during his absence, he reluctantly set out. No sooner was he out of sight than the pretended butcher's boy hastened to assume his own princely clothing, and, ringing boldly at the castle gate, told the servants to announce to the queen that her brother had arrived, bearing messages from her father and mother. He sent in a golden locket containing likenesses of both the king and queen, his parents, which convinced Queen Eglantine that his tale was true. So, joyfully, she ran forth to meet him, and would have cast herself upon his neck, but that the trained bull-dogs rushed between, growling most horribly.
"Come here, pretty fellow, nice fellow," said the cannibal brother, coaxingly; but the dogs only opened their jaws wider than before and growled defiance.
"Give them these little dainties, sister," said the wily prince, producing his poisoned meat-balls. "They are some that I always carry for my own pets."
The innocent queen called the dogs one after another to her side, and fed them with the fatal balls, which they ate, licking her white hand gratefully. At once, as the poison began to work, they all lay down in a row, and became as quiet as they had been before ferocious. The queen led her brother into an inner room, and bade him sit upon her silken couch. The prince laughed to himself, for now, thought he, the hour has come for my coveted meal. But he was seized with the notion to go into another room in order to file his teeth, which were becoming rather dull.
"Will you not play for me upon the piano, sister?" he asked lovingly.
The amiable queen, who never waited to be asked twice, sat down to play, while her brother hid within a closet and began to file his teeth. Up jumped the queen's cat, in great excitement, and sat on her mistress' lap.
"Mistress dear," said the affectionate creature, "fly, fly, as fast as your feet will carry you. Your brother is at this moment getting ready to make a meal of you, and as he is a magician no one in the castle is strong enough to defend you from him. In the stable you will find the king's gray steed. Jump upon his back, and be off, while I play the piano in your stead."
The terrified queen took to her royal heels, weeping as she stumbled over the dead bodies of her faithful dogs, and the clever cat sat playing beautifully so many runs and trills that the prince, admiring his sister's brilliant execution, made no haste to leave his task until it was finished to his entire satisfaction.
And now, mounted upon the good gray steed, away flew Queen Eglantine in search of her beloved spouse. Pretty soon she heard footsteps, and there, swifter than any horse, swifter than wind, on flew the cannibal brother after her.
"What shall I do, dear steed?" said the alarmed queen.
"Drop your cloak into the road," said the gray horse, who was the cat's own cousin.
The queen obeyed, and the cloak became a broad lake, across which the cannibal brother took a long time to swim. The gray horse got a good start, but presently the prince came nearly up with him.
"What shall I do now, dear steed?" said the queen, almost ready to fall fainting from his back.
"Drop the veil from your head," said the horse.
This was done, and the veil became a thick fog, causing the cannibal brother to lose his way and stumble dreadfully. But he got out of it at last, and came nearly up with them.
"What shall I do next, dear steed?" said the queen, trembling in every limb.
"Take your scissors and cut a long lock from your hair, and throw that behind you."
The queen lifted the scissors that hung at her girdle, and in a moment, snip! they went into her beautiful golden hair. The hair became a jungle of tall reeds, and through it the cannibal brother had work indeed to travel. While he was puffing and blowing and struggling in the reeds, oh, joy! the queen saw her king riding swiftly to meet her.
Just as the cannibal brother, by a desperate effort of magic strength had freed himself from the jungle, and emerged in swift pursuit, he had the mortification of seeing the queen rush into her husband's arms. His dreadful hunger was now increased until it drove him to desperation. With a roar of baffled rage he darted toward the royal couple, swearing that both of them should be his victims; and this no doubt would have been the case—since the monster was endowed with the strength of fifty men—but that the king, bidding his queen have no fear, quickly sprinkled them both, and their steeds, with a pinch of the fairy fern-seed. Immediately they disappeared from sight, and the cannibal brother, coming with full force upon the spot where they had been, beheld only empty space. This disappointment, combined with his now really appalling appetite, made the miserable wretch fall in a fit upon the ground.
The king would have killed him where he lay, but the queen pleaded for her brother's life, so the attendants bore him, insensible, back to the palace. There, the queen's clever cat advised that he should be left to her to deal with. She shut herself up with the patient in a tower bedroom, and during sixty days and nights not a morsel of food passed the sufferer's lips, except the cat's magic castor-oil—a cupful every ten minutes—each tasting more nauseous than the one before! In the morning he was lifted from bed, and put into an ice-cold bath, and then whipped soundly until his circulation was restored. At the end of the second month the cat stopped his bath, whipping, and medicines, offering him instead a handful of parched peas and a dry crust. This diet seemed to him so delicious that never again could he be tempted to vary it. Until he reached a green and virtuous old age this prince was never known to look upon so much as a rare beefsteak without shuddering! His father, mother, sister, and brother-in-law united their tears of joy at this happy reform, and who should the clever cat turn out to be, but aunty, who had taken this means of watching over her favorite Eglantine! The gray steed was aunty's first cousin upon the mother's side; but when peace was restored he preferred to go back to his own country to live, although the grateful King Charming offered him every inducement to remain, in the way of marble stalls and silver mangers, rose-water to quench his thirst, and golden oats to eat. Aunty, too, retired to her own distant castle, and the reformed cannibal lived quiet and happy until the time came to reign in his good father's stead.
As for Eglantine and King Charming, they never again found use for the fern-seed powder. Even the faults of one were invisible to the other.
Nothing occurred to disturb the serenity of their entire reign but a suit for breach-of-promise of marriage, brought against the king's former tutor by the queen's former governess, Madame Véloutine; and this was settled speedily by the tutor announcing that, rather than make any fuss about the matter, he would marry the old lady and be done with it, although he really could not imagine what there had been in his past conduct to put such an idea into her venerable head. So at last Véloutine got a husband, and nobody could be surprised at anything after that.
Story DNA
Moral
Even the most monstrous evil can be overcome and reformed through persistent, unconventional methods and the power of love.
Plot Summary
Princess Eglantine is banished to an ivory tower after a magical aunt discovers her twin brother is cursed to devour her. Years later, Prince Charming finds and falls in love with Eglantine, learning of the curse. With the help of a fairy's invisibility powder, they marry, but the now-king brother seeks to fulfill his curse. Eglantine escapes with the aid of her magical cat (her aunt in disguise) and a gray steed, leading to a magical chase. Reunited with King Charming, they use the invisibility powder to evade the brother, who is then magically cured of his curse by the cat, leading to a happy ending for all.
Themes
Emotional Arc
suffering to triumph
Writing Style
Narrative Elements
Cultural Context
Reflects common fairy tale tropes of the 19th century, with a blend of traditional magic and a slightly more modern, humorous tone.
Plot Beats (15)
- A queen has twins, Eglantine and a high-tempered boy; an old magical aunt discovers a red mark on the boy's foot, indicating a curse.
- The aunt and a wise man confirm the boy is bewitched and will try to devour his sister, leading to Eglantine's banishment to an ivory tower.
- Princess Eglantine grows up beautiful and accomplished, isolated from the world.
- Prince Charming discovers Eglantine in her tower, falls in love, and learns her secret from her governess, Madame Véloutine, through his tutor's deception.
- Prince Charming seeks the king's permission to marry Eglantine, learning the full extent of the curse, and then consults a wise man and a witch, who offer no solution.
- Prince Charming rescues a fairy, Buz-fuz, who gives him invisibility powder to protect Eglantine from her brother.
- Eglantine and Charming marry, but the cannibal brother, now king, learns of his sister and plots to eat her.
- The brother disguises himself as a butcher's boy and infiltrates the palace, eventually gaining access to Eglantine by pretending to be her brother.
- Eglantine's loyal bulldogs are poisoned by the brother, but her cat, who is the magical aunt in disguise, warns her of the danger.
- Eglantine escapes on the king's gray steed (the cat's cousin) while the cat plays the piano to distract the brother.
- A magical chase ensues, with Eglantine dropping her cloak, veil, and a lock of hair, which transform into a lake, a fog, and a jungle to impede her brother.
- Eglantine is reunited with King Charming, who uses the invisibility powder to make them disappear just as the cannibal brother catches up.
- The frustrated brother falls into a fit, and Eglantine pleads for his life; the cat (Aunty) undertakes to cure him.
- The cat subjects the brother to a rigorous regimen of magic castor oil, ice baths, and whipping, followed by a diet of parched peas and dry crusts, curing him of his cannibalistic urges.
- The brother becomes a virtuous ruler, Aunty and the gray steed return to their homes, and Eglantine and Charming live happily ever after, their love making even their faults invisible.
Characters
Princess Eglantine ★ protagonist
Of average height and slender build, with a delicate, graceful presence. Her skin is described as milk-white with a rosy flush on her cheeks, indicative of a fair complexion typical of European royalty. She is consistently beautiful.
Attire: Initially, she wears white robes, possibly of fine linen or silk, with a blue sash around her waist, as seen when Madame Véloutine imitates her style. Later, as a queen, her attire would be regal, likely made of rich fabrics like silk or velvet, in vibrant colors, though specific details are not provided. She wears a girdle from which scissors hang.
Wants: To live a peaceful life, free from the curse, and to be reunited with her beloved husband.
Flaw: Her vulnerability to her bewitched brother's curse and her initial helplessness in escaping him.
She transforms from a captive princess to a resourceful queen who escapes a deadly threat and ultimately helps reform her brother, securing a happy and serene reign with her husband.
Amiable, accomplished, gentle, and loving. She is skilled in many arts and is quick to obey requests, such as playing the piano. She is also compassionate, pleading for her brother's life despite his attempts to harm her.
Image Prompt & Upload
A young adult woman standing upright, facing forward, full body visible from head to toe. She has immensely long, wavy golden hair that cascades to her feet, fair milk-white skin with rosy cheeks, and a delicate, pretty face. She wears a simple, flowing white linen dress with a sky-blue sash tied at her waist. Small, sharp sewing scissors hang from a cord at her waist. Her expression is gentle and slightly anxious. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Cannibal Brother ⚔ antagonist
As an infant, he was tempestuous and strong. As an adult prince, he is described as having the strength of fifty men, suggesting a powerful and imposing physique. He has a tiny red mark like a burning torch on the sole of his right foot, indicating his bewitched nature.
Attire: As a prince and later king, he would wear royal attire, likely rich fabrics and possibly armor, but no specific details are given beyond general princely clothing.
Wants: Initially, driven by an insatiable, bewitched hunger to devour his sister. Later, after his reform, his motivation shifts to living a quiet, virtuous life and eventually reigning justly.
Flaw: His bewitched hunger, which makes him a monster, and his susceptibility to magic (like the fern-seed and the cat's castor-oil).
He begins as a cursed, cannibalistic antagonist driven by a magical hunger. Through the intervention of his sister and Aunty (the Cat), he is forcibly reformed through a harsh regimen, becoming a virtuous prince who eventually reigns justly and peacefully.
High-tempered, tempestuous, savage, determined, and initially cannibalistic due to a curse. He is cunning, as shown by his attempt to file his teeth before devouring his sister, and possesses a fierce, baffled rage when thwarted. After his reform, he becomes quiet and virtuous.
Image Prompt & Upload
A young adult man standing upright, facing forward, full body visible from head to toe. He has a powerful, muscular build and an intense, determined expression. His face is strong, with deep-set eyes and a firm jaw. He wears a rich, dark blue velvet tunic with silver embroidery, a wide leather belt, and dark breeches. His posture is confident and slightly aggressive. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Aunty (The Clever Cat / Witch) ◆ supporting
As a human, she is an old lady, likely with the typical features of an elderly woman. As a cat, she is a 'clever cat,' implying a sleek, intelligent-looking feline, possibly with distinctive markings or an air of wisdom. She is described as the gray steed's cousin, suggesting a shared magical lineage.
Attire: As a human, she would wear country attire appropriate for an old lady, possibly simple, practical dresses. As a cat, she has no wardrobe.
Wants: To protect Princess Eglantine and ultimately to cure her bewitched nephew, restoring peace and happiness to the royal family.
Flaw: Her long-term magical projects (like the knitting) can be tedious, but she has no significant personal weaknesses shown.
She begins as a wise, magical relative who identifies the curse. She then secretly watches over Eglantine, eventually transforming into the Clever Cat to directly intervene and save Eglantine, and finally orchestrates the reform of the Cannibal Brother, revealing her true identity at the end.
Wise, magical, brave, determined, affectionate (towards Eglantine), and resourceful. She is not easily frightened and takes charge when necessary. She is also persistent, as shown by her fifty-year knitting project.
Image Prompt & Upload
An elderly woman with a kind, knowing face, deep-set eyes, and silver-gray hair pulled back in a neat bun. She wears a simple, dark blue wool dress with a white lace collar and a practical apron. She holds knitting needles and a half-finished, unraveling stocking in her hands. Her expression is wise and slightly amused. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Prince Charming (King Charming) ◆ supporting
A handsome prince, though no specific details are given beyond 'ardent young prince.' He is capable of riding day and night, suggesting a robust physique.
Attire: As a prince, he would wear fine, regal attire suitable for riding and court, likely rich fabrics and possibly a cape. As a king, his attire would be even more elaborate.
Wants: To marry Princess Eglantine and free her from her captivity and curse.
Flaw: Initially unaware of the full extent of the curse, requiring guidance from wise figures.
He begins as a prince seeking a mysterious beauty. He learns of Eglantine's curse, bravely rescues her, and eventually becomes a king who reigns happily with her, never again needing magic to maintain their peace.
Ardent, determined, resourceful, brave, and loving. He is persistent in solving the mystery of Eglantine and courageous in confronting her brother. He is also grateful, offering the gray steed inducements to stay.
Image Prompt & Upload
A young adult man standing upright, facing forward, full body visible from head to toe. He has a noble and handsome face, with dark, intelligent eyes and a confident smile. His build is athletic and strong. He wears a rich crimson velvet tunic with gold embroidery, a dark leather belt, and matching breeches. A short, flowing dark blue cape is draped over his shoulders. His posture is regal and determined. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Madame Véloutine ○ minor
An old dame with a 'little red nose.' She attempts to cover her nose with rice powder, suggesting a desire to appear more youthful or attractive.
Attire: She dresses in one of Princess Eglantine's white robes with a blue sash, attempting to mimic youthful beauty. This suggests a preference for elegant, if borrowed, attire.
Wants: To find a suitor and experience romance, fulfilling her long-held romantic fantasies.
Flaw: Her sentimentality and vanity make her easily manipulated.
She begins as Eglantine's respectable but lonely governess. She is manipulated by the tutor, leading to her betrayal of Eglantine's secret. She eventually marries the tutor, achieving her romantic dream, albeit under less-than-ideal circumstances.
Respectable, sentimental, romantic (from reading novels), easily flattered, and somewhat vain. She is prone to misinterpreting intentions and believes herself to be charming.
Image Prompt & Upload
An elderly woman with a slightly plump figure, a small, prominent red nose, and a sentimental expression. Her gray hair is neatly styled. She wears a white linen robe with a blue sash, clearly too large for her, and holds a wooden guitar on her lap. Her posture is demure, seated in a darkened corner. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Tutor ○ minor
A gloomy-looking individual with a savage dark mustache and deep-sunken eyes. This suggests a somewhat severe or intense appearance.
Attire: Not explicitly described, but as a tutor to a prince, he would wear respectable, scholarly attire, likely dark and conservative.
Wants: To gain information about Princess Eglantine for Prince Charming, and later to avoid a breach-of-promise suit.
Flaw: His lack of genuine affection for Madame Véloutine, which leads to the lawsuit.
He begins as a loyal servant of Prince Charming, successfully extracting information. He ends up marrying Madame Véloutine to avoid legal trouble, settling into a pragmatic, if unromantic, union.
Cunning, manipulative, and pragmatic. He is willing to 'make love' to Madame Véloutine for information and later marries her out of convenience rather than affection.
Image Prompt & Upload
An adult man with a lean build and a gloomy expression. He has deep-set dark eyes and a prominent, dark, 'savage' mustache. He wears a dark, plain wool coat over a simple white shirt, with a high collar. His posture is somewhat rigid and serious. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Gray Steed ◆ supporting
A 'good gray steed,' implying a strong, swift, and reliable horse with a gray coat. As Aunty's cousin, it possesses magical abilities.
Attire: Standard horse tack, though it is the 'king's gray steed,' suggesting fine, well-maintained bridle and saddle.
Wants: To protect Princess Eglantine and help her escape her brother, driven by its familial connection to Aunty.
Flaw: Can be eventually overtaken by the Cannibal Brother's magical speed, requiring Eglantine's magical items.
It serves as Eglantine's escape vehicle and magical guide. After peace is restored, it chooses to return to its own country, preferring its freedom over royal inducements.
Loyal, wise, and resourceful. It provides crucial advice and assistance to Eglantine during her escape.
Image Prompt & Upload
A majestic gray horse standing upright, facing forward, full body visible from head to toe. Its coat is a dappled gray, with a flowing mane and tail of the same color. Its eyes are intelligent and alert. It wears a simple, well-maintained leather bridle and saddle. Its posture is noble and ready for action. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Royal Nursery
A room within the royal palace, featuring a double cradle shaped like two silver lilies growing on one stem. It is a place of early childhood for the royal twins.
Mood: Initially serene and joyful, then tense and alarming due to the baby prince's tantrum and the aunt's magical discovery.
The magical aunt visits the newborn twins, discovers the prince's bewitchment, and whispers a word that calms him, revealing the curse.
Image Prompt & Upload
An opulent royal nursery in a European palace, perhaps with Rococo or Baroque influences. Soft morning light streams through tall, arched windows, illuminating a lavish double cradle crafted from polished silver, shaped like two lilies on a stem. Rich tapestries adorn the walls, and a plush rug covers the floor. A regal queen and an elderly, wise-looking aunt are present, with a baby in the aunt's arms. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Princess Eglantine's Ivory Tower
A remote, tall ivory tower with a room lined in tufted blue satin and carved ivory furniture. It is surrounded by a crystal moat filled with gold and silver fish, then flower-beds, and finally a thick, thorny hedge.
Mood: Isolated, beautiful, yet melancholic and confining. Later, a place of secret romance and intrigue.
Princess Eglantine is imprisoned here for life. Prince Charming discovers her and later, through his tutor, learns her story, initiating her rescue.
Image Prompt & Upload
A tall, slender ivory tower rises majestically in a remote, verdant landscape, its smooth, pale surface gleaming under a bright sky. A shimmering crystal moat, teeming with visible gold and silver fish, encircles the tower. Beyond the moat, vibrant flower-beds burst with color, and these are in turn protected by a dense, impenetrable thorny hedge. A single window near the top shows a glimpse of blue satin within. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Royal Palace (Eglantine's Reign)
The grand royal palace where Eglantine reigns as queen. It contains an inner room with a silken couch and a closet, and later, a tower bedroom used for the prince's rehabilitation.
Mood: Initially tense and dangerous due to the prince's return, then becomes a place of healing, reform, and eventual peace and joy.
Eglantine's brother returns, attempting to devour her. She escapes with the help of her cat. Later, the prince is brought back here for his magical rehabilitation by the cat/aunty.
Image Prompt & Upload
An opulent European royal palace interior, possibly with Neoclassical or Empire influences, bathed in soft, filtered light from tall windows. A richly upholstered silken couch dominates an inner room, with a grand piano nearby. Polished wooden floors reflect the light, and a discreet closet door is visible. Later, a stark tower bedroom with an ice-cold bath and simple furnishings. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Escape Route / Open Road
A varied landscape encountered during Eglantine's escape, transforming from an open road into a broad lake, then a thick fog, and finally a jungle of tall reeds.
Mood: Desperate, frantic, and magical, filled with the tension of pursuit and miraculous escapes.
Queen Eglantine flees her cannibal brother on the gray steed, using magical items (cloak, veil, hair) to create obstacles that delay him.
Image Prompt & Upload
A dynamic landscape depicting a winding dirt road transitioning into a vast, shimmering lake under a clear sky. Further along, the scene shifts to a dense, swirling fog obscuring a path, then transforms into an impenetrable jungle of towering, emerald-green reeds. The ground is varied, from dusty earth to water to marshy terrain. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.