THE CARAVAN COMES HOME
by Charles E. Carryl · from The Admiral's Caravan
Adapted Version
One day, Dorothy found a strange letter. It was on a flat stone. Big sugar lumps held it down. The letter looked very dirty. It was for Dorothy. The writing was small and messy. Dorothy was curious. She picked up the letter. The sugar lumps were sweet. She wondered who sent it.
Dorothy opened the letter. It had funny, bird-like writing. It said: "We are in a bad fix. The fix is a cage. Bob Scarlet caught us. He is very mad. He says too many pies. He wants to make a funny pie. We are scared. Please help us. We want to go home. A noble rat brings this letter." The letter was from the Caravan. They were her friends.
"That is a silly letter," Dorothy said. "But I must help." She felt brave. "I will go now!" she said. She put the letter in her pocket. She started to run. "They get into so much trouble," she thought. "They need my help."
Then she saw a thing. A lump of sugar was on the ground. Then one more. And one more. "Oh!" said Dorothy. "The noble rat left sugar. It shows me the way!" The sugar was a trail. It led her forward.
She followed the sugar. The path was not straight. It went this way and that way. Dorothy climbed over rocks. She walked through little puddles. Her shoes got very dirty. "This is hard," she said. But she kept going. The sugar was her guide.
The sugar trail stopped at a stone wall. Dorothy looked over it. She saw her friends! The Caravan was in a big cage. It was a huge rat-trap. The cage was made of wire. It looked heavy.
The Caravan was clever. They put their legs through the cage bottom. They walked and held the cage up. They were moving along. The Admiral was the boss. Sir Walter looked shy. The Highlander was big and loud.
Dorothy ran to them. "How did you get in?" she asked the Admiral. "We fell in the top," the Admiral said. He sounded grumpy. "It was easy to get in. It is hard to get out." Sir Walter tried to pull his legs in. The Highlander laughed. "Fun!" he shouted.
"Bob Scarlet was mad about pies," said Admiral. "But he got scared. He did not want in the cage. So we got away from the pie idea." The Caravan was safe now. They were happy to be free.
"We go to the Ferry," said the Admiral. "Big birds show the way." Dorothy saw big birds. They were guiding them. "I will come with you," she said. The birds were pelicans. They flew ahead.
They came to the water. There was a big coach. It had no wheels. It floated on the water! Many animals were on it. They were all dancing. The coach was like a boat. It moved slowly.
"We have tickets," said the Caravan. "Each ticket goes to a new place. We will get to a fun place!" Dorothy climbed on the coach. The Caravan was on top in their cage. They could see everything from there.
The coach started to move. It floated on the water. Dorothy and the Caravan were happy. They were going on a new adventure. The water was blue and calm. The sun was shining.
Friends always help each other. And so, they went on to have more fun adventures. They looked forward to new places. The journey was just beginning.
Original Story
THE CARAVAN COMES HOME
The letter was lying on a flat stone, with several lumps of sugar laid on it like paper-weights to keep it from blowing away. It wasn't at all a nice-looking letter; in fact, it looked as if it had been dragged over the ground for a long distance; and Dorothy, after observing all this, was just turning away when she chanced to look at the address and saw that the letter was intended for her. The address was written in a very cramped little hand, and the writing was crowded up into one corner as if it were trying to get over the edge of the envelope; but the words were "To Dorothy," as plain as possible.
"What a very strange thing!" she said to herself, taking up the letter and turning it over several times rather distrustfully. "I don't think it looks very nice, but it may be something important, and I s'pose I ought to read it"; and saying this, she opened the letter. It was printed in funny little letters something like bird-tracks, and this was what was in it:
We are in a bad fix. The fix is a cage. We have been seezed in a outburst of ungovernerubble fury by Bob Scarlet. He says there's been too many robbin pies. He goes on, and says he is going to have a girl pie. With gravy. We shreeked out that we wasn't girls. Only disgized and tuff as anything. He says with a kurdling laff we'll do. O save us. We wish we was home. There is no male and we send this by a noble rat. He is a female.
The Caravan.
"Now, that's the most ridiculous letter I ever got," said Dorothy, gazing at it in blank astonishment; "and I don't think it's spelled very well either," she added rather doubtfully as she read it again; "but of course I must go and help the poor little creatures. I ought to feel frightened, but I really feel as brave as an ox. I s'pose that's because I'm going to help the unfortunate"; and putting the letter in her pocket, she started off.
"It's perfectly surprising," she said to herself as she ran along, "the mischief they get into! They're really no more fit to be going about alone than so many infants"; and she was so pleased with herself for saying this that she began to feel quite large and bold. "But it was very clever of 'em to think of the rat," she went on, "and of course that accounts for the sugar. No one but a rat would ever have thought of using sugar for paper-weights. If I wasn't afraid of a rat I'd wish it hadn't gone away, though, for I haven't the slightest idea where the Caravan is, or which way I ought to go."
But it presently appeared that the noble rat had arranged the whole matter for her; for as Dorothy ran along she began to find lumps of sugar set up at intervals like little mile-stones, so that she shouldn't miss the road.
"It's precisely like Hop-o'-my-thumb and his little crumbs of bread," she said, laughing to herself when she saw these, "only better, because, you see, the birds can't carry them off."
The rat, however, seemed to have had a very roundabout idea of a road, for the lumps of sugar were scattered zigzag in every direction, and, at one place, led directly through a knot-hole in a fence as if nobody could possibly have any trouble in getting through that; but, as the little mile-stones appeared again on the other side of the fence, Dorothy scrambled over and ran on. Then she found herself climbing over rocks and wading through little puddles of water where the sugar was set up on stones in the most thoughtful way, so that it shouldn't melt; and in another place the lumps were stuck up in a line on the trunk of a large tree, and, after leading the way through a number of branches, suddenly descended on the opposite side of the tree into a little bog, where Dorothy stuck fast for several minutes and got her shoes very much soiled. All this was very provoking, and she was beginning to get a little out of patience, when the lumps of sugar suddenly came to an end at a small stone wall; and, looking over it, she spied the Caravan in their cage.
The cage proved to be an enormous rat-trap, and the Caravan, with remarkable presence of mind, had put their legs through between the wires at the bottom of it, and were walking briskly along, holding up the cage with their hands. The news of this extraordinary performance had evidently been spread abroad, as the Ferryman and a number of serious-looking storks were escorting the Caravan with an air of great interest, and occasionally taking to their heels when the Admiral chanced to look at them through the wires with his spy-glass. There was a door, to be sure, in the side of the trap, quite big enough for the Admiral, and Sir Walter, and the Highlander to come out of, all in a row if they liked, but they evidently hadn't noticed this—"and I'm not going to tell 'em about it, just yet," said Dorothy to herself, "because they deserve to be punished for their capers. But it's really quite clever of 'em to put their little legs through in that way," she went on, "and extremely convenient—that is, you know," she added thoughtfully, "so long as they all want to go the same way"; and, with this wise reflection, she scrambled over the wall and ran after the procession.
The Admiral and Sir Walter seemed greatly mortified when Dorothy appeared, and she saw that Sir Walter was making a desperate attempt to pull up his legs into the cage as if he hadn't anything whatever to do with the affair. The Highlander, however, who always seemed to have peculiar ideas of his own, shouted out "Philopene!" as he caught sight of her, and then laughed uproariously as if this were the finest joke in the world; but Dorothy, very properly, took not the slightest notice of his remark.
"How did you ever get into this scrape?" said she, addressing the Admiral as the head of the family.
"It was easy enough to get into," said the Admiral, peevishly; "we just fell into it through the hole in the top. But there wasn't any scrape about it until we tried to get out again. Then we got scraped like anything."
"Needles was nothing to it," added Sir Walter, solemnly.
"Nor cats," put in the Highlander.
"I'm very sorry," said Dorothy, compassionately; "and are you really going to be made into a pie?"
"Oh, dear, no!" said the Admiral. "We got excused."
"Excused?" exclaimed Dorothy, very much surprised.
"Well, it was something like that," said Sir Walter, confusedly. "You see, Bob Scarlet didn't exactly like to come in here after us—"
"Unconquerabubble awersion to cages," explained the Admiral.
"And so he goes off after hooks to pull us out with," continued Sir Walter—
"And we inwents this way of going about, and comes away!" added the Admiral triumphantly.
"And where are you going now?" said Dorothy; for by this time they were running so fast that she could hardly keep up with them.
"BY THIS TIME THEY WERE RUNNING SO FAST THAT SHE COULD HARDLY KEEP UP WITH THEM."
"We're going to the Ferry," said the Admiral, "and these pelicans are showing us the way"; and as he said this the whole party hurried through a little archway and came out at the waterside.
An old stage-coach without any wheels was floating close up against the river-bank, and quite a little party of the dancing animals was crowding aboard of it, pushing and shoving one another, and all talking in the most excited manner; and as Dorothy found herself next to her old friend the Sheep, in the crowd, she inquired anxiously, "Where are you all going?"
"We don't know exactly," said the Sheep, "but we've all taken tickets to different places so as to be sure of getting somewhere"; and with this remark the Sheep disappeared in the crowd, leaving Dorothy very much bewildered.
By this time the Caravan had, by great exertions, climbed up on top of the coach and were sitting there in the cage, as if it had been a sort of cupola for purposes of observation; and, indeed, the Admiral was already quite absorbed in taking in various points of interest with his glass. The storks, meanwhile, had crowded into the coach after the animals, and had their heads out through all the windows as if there were no room for them inside. This gave the coach somewhat the appearance of a large chicken-coop with too many chickens in it; and as Dorothy didn't fancy a crowd, she climbed up on the box. As she did so, Sarah, the Camel, put her head out of the front window and, laying it in Dorothy's lap, murmured, "Good-evening," and went comfortably to sleep. The next moment the fiddles in the air began playing again and the stage-coach sailed away.
Dorothy never knew exactly what happened next, because everything was so confused. She had an idea, however, that they were all singing the Ferry Song, and that they had just got to a new part, beginning—
"It pours into picnics and swishes the dishes,"
when a terrible commotion began on top of the coach, and she saw that Bob Scarlet had suddenly appeared inside the cage without his waistcoat, and that the Caravan were frantically squeezing themselves out between the wires. At the same moment a loud roaring sound arose in the air, and the quadrupeds and the storks began jumping out of the windows in all directions. Then the stage-coach began to rock violently, and she felt that it was about to roll over, and clutched at the neck of the Camel to save herself; but the Camel had slipped away, and she found she had hold of something like a soft cushion—and the next moment the coach went over with a loud crash.
"IT SLOWLY CHANGED TO A BIRD-CAGE WITH A ROBIN SITTING IN IT."
Dorothy gave a little scream as the coach went over, and then held her breath; but instead of sousing into the water as she expected, she came down on top of it with a hard bump, and, very much to her astonishment, found herself sitting up on a carpeted floor. For a moment the rat-trap, with Bob Scarlet inside of it, seemed to be floating around in the air like a wire balloon, and then, as she rubbed her eyes and looked again, it slowly changed into a bird-cage with a fat robin sitting in it on a perch, and peering sharply at her sideways with one of his bright little eyes; and she found she was sitting on the floor of the little parlor of the Blue Admiral Inn, with her little rocking-chair overturned beside her and the cushion firmly clutched in her hand. The coach, and the dancing animals, and the Ferryman and his storks had all disappeared, which was a very fortunate thing, as there wasn't room for them in the parlor; and as for the roaring sound in the air—why, Uncle Porticle was fast asleep in his big arm-chair, with his handkerchief spread over his face, and I think it more than likely that he had something to do with the sound.
Dorothy stared about for a moment, and then, suddenly remembering the Caravan, she jumped up and ran to the window. It was snowing hard, and she saw through the driving snowflakes that the Highlander and Sir Walter Rosettes were standing on their pedestals, complacently watching the people hurrying by with their Christmas parcels; and as for the Admiral, he was standing on his pedestal, with a little pile of snow like a sugar-loaf on top of his hat, and intently gazing across the street through his spy-glass.
THE END.
Transcriber's Note.
Illustrations have been placed as close to the original position as layout allows; where the illustration has had to be moved to a different page the page reference in the List of Illustrations has been updated.
Some illustrations named in the List of Illustrations do not have captions shown in the main text; this is consistent with the original book.
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Story DNA
Plot Summary
Dorothy receives a peculiar, poorly spelled letter from her friends, the Caravan, who claim to be trapped by Bob Scarlet and destined to become 'girl pie'. Feeling brave, Dorothy follows a winding trail of sugar lumps left by a 'noble rat' to find them. She discovers the Caravan cleverly carrying their enormous rat-trap cage by putting their legs through the wires. They explain they were 'excused' from being pies and are now heading to the Ferry. Dorothy joins the Caravan and other whimsical animals aboard a wheel-less stage-coach that floats on the water, embarking on a new, unknown journey.
Themes
Emotional Arc
concern to relief
Writing Style
Narrative Elements
Cultural Context
Charles E. Carryl was an American author known for his whimsical children's stories, often featuring absurd logic and wordplay, similar to Lewis Carroll.
Plot Beats (12)
- Dorothy discovers a strange, dirty letter addressed to her, weighted down by sugar lumps.
- The letter, from 'The Caravan', describes their capture by Bob Scarlet, who plans to make them into 'girl pie' for too many robin pies.
- Dorothy, feeling brave, decides to rescue her friends, despite not knowing their location.
- She realizes the sugar lumps are a trail left by the 'noble rat' who delivered the letter.
- Dorothy follows the erratic sugar trail, which leads her through a knot-hole, over rocks, through puddles, and up a tree, getting her shoes soiled.
- The trail ends at a stone wall, where Dorothy spots the Caravan in an enormous rat-trap.
- The Caravan (Admiral, Sir Walter, Highlander) are cleverly walking along, holding the cage up with their legs through the wires.
- Dorothy confronts them, and they explain they were 'excused' from being pies because Bob Scarlet was afraid to enter the cage.
- They reveal they are now going to the Ferry, guided by pelicans.
- Dorothy joins the Caravan and other dancing animals on a wheel-less stage-coach that floats on the water.
- The animals have bought tickets to different, unknown places, ensuring they will 'get somewhere'.
- The Caravan sits atop the coach in their cage, using it as an observation post, as the journey continues.
Characters
Dorothy ★ protagonist
A young girl, likely of average height and build for her age. Her movements are active and determined as she runs and scrambles over obstacles.
Attire: Practical, durable clothing suitable for running and scrambling outdoors. Perhaps a simple cotton or linen dress, possibly with an apron, and sturdy shoes that get soiled in the bog.
Wants: To rescue the Caravan from their predicament, driven by a sense of responsibility and compassion.
Flaw: A touch of naivete and self-importance, as she is pleased with her own cleverness and initially considers punishing the Caravan.
She begins with a mix of astonishment and self-satisfaction, but her determination to help the Caravan solidifies as she follows the rat's trail.
Brave, determined, resourceful, a little self-important, and compassionate. She feels a strong sense of duty to help others.
Image Prompt & Upload
A young girl standing upright, facing forward, full body visible from head to toe. She has a determined expression. She wears a simple, practical cotton dress in a muted color like blue or green, with sturdy brown leather shoes that are slightly muddy. She holds a crumpled, poorly-spelled letter in one hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Noble Rat ◆ supporting
A clever and resourceful rat, likely of average size for its species, with keen senses and agile movements.
Attire: None, as it is an animal.
Wants: To guide Dorothy to the Caravan's location and facilitate their rescue.
Flaw: None explicitly shown, but as a rat, she is small and vulnerable.
Serves as a crucial guide, demonstrating her intelligence throughout the journey.
Intelligent, resourceful, thoughtful, and dedicated. She demonstrates remarkable foresight in guiding Dorothy.
Image Prompt & Upload
A small, sleek grey rat, facing forward, full body visible from head to toe. It has bright black eyes and long, sensitive whiskers. It is carefully placing a small white lump of sugar on the ground with its front paws. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Bob Scarlet ⚔ antagonist
Implied to be a formidable and somewhat menacing figure, given his 'kurdling laff' and 'ungovernerubble fury'. Likely a robust build.
Attire: Not described, but given his name and implied role, perhaps rustic or rough clothing, possibly with a red element.
Wants: Revenge for 'too many robbin pies' and a desire to make a 'girl pie'.
Flaw: His 'ungovernerubble fury' makes him irrational and potentially predictable.
His role is to set the conflict; he does not appear to change within the excerpt.
Angry, cruel, vengeful, and possibly a bit unhinged (due to the 'girl pie' threat).
Image Prompt & Upload
A burly adult man, facing forward, full body visible from head to toe. He has a scowling, angry expression with a wide, cruel laugh. He wears rough, dark brown peasant clothing with a faded red scarf around his neck. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Caravan ◆ supporting
A group of small, unnamed creatures or figures, described as 'little creatures' by Dorothy. They are small enough to fit into a rat-trap and put their legs through the wires.
Attire: They are 'disgized' but no specific details are given. Their disguise implies they are not naturally 'girls'.
Wants: To escape from Bob Scarlet and return home.
Flaw: Their small size and tendency to get into trouble, making them vulnerable.
They are in distress and actively trying to escape, demonstrating their resourcefulness.
Ingenious, resourceful, prone to getting into mischief, and easily frightened. They show 'remarkable presence of mind' in their escape attempt.
Image Prompt & Upload
A group of three small, indistinct humanoid figures, facing forward, full body visible from head to toe. They are wearing simple, mismatched clothing that looks like a disguise. They are holding up a large, wire rat-trap with their hands, their legs sticking out through the bottom wires, walking briskly. They have expressions of determination mixed with slight fear. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Admiral ◆ supporting
A member of the Caravan, implied to be the 'head of the family'. Small enough to fit in a rat-trap. He uses a spy-glass.
Attire: Implied to be part of the 'disguise' of the Caravan, but his title suggests a naval-themed costume, perhaps a miniature blue coat with brass buttons.
Wants: To escape the trap and maintain his dignity.
Flaw: His peevishness and lack of observation (not seeing the door).
Remains largely unchanged, focused on his predicament.
Peevish, authoritative (as head of the family), and somewhat oblivious (not noticing the trap door).
Image Prompt & Upload
A small, humanoid figure, facing forward, full body visible from head to toe. He wears a miniature, slightly rumpled dark blue naval jacket with small brass buttons, white trousers, and a tiny bicorne hat. He has a peevish expression. He holds a small brass spy-glass to his eye. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Sir Walter ◆ supporting
A member of the Caravan, small enough to fit in a rat-trap. He attempts to pull his legs into the cage when Dorothy appears.
Attire: Implied to be part of the 'disguise' of the Caravan. His name suggests a knightly or noble costume, perhaps a miniature tunic and hose.
Wants: To escape the trap and avoid looking foolish.
Flaw: His concern for appearances and embarrassment.
Remains largely unchanged, focused on his predicament and embarrassment.
Embarrassed, easily mortified, and perhaps a bit vain or concerned with appearances.
Image Prompt & Upload
A small, humanoid figure, facing forward, full body visible from head to toe. He wears a miniature, slightly disheveled grey tunic with a small, stylized lion emblem, dark hose, and tiny pointed shoes. He has a mortified, embarrassed expression, and is attempting to pull his legs up as if to hide them. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Highlander ◆ supporting
A member of the Caravan, small enough to fit in a rat-trap. He has 'peculiar ideas of his own'.
Attire: Implied to be part of the 'disguise' of the Caravan. His name suggests a miniature Scottish Highland costume, perhaps a kilt and sporran.
Wants: To escape the trap, but also to express his peculiar sense of humor.
Flaw: His eccentric humor can be inappropriate or misunderstood.
Remains largely unchanged, focused on his predicament and humor.
Jovial, eccentric, and prone to finding humor in odd situations.
Image Prompt & Upload
A small, humanoid figure, facing forward, full body visible from head to toe. He wears a miniature red and green tartan kilt, a small sporran, and a simple white shirt. He has a wide, uproarious laugh on his face. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Dorothy's Starting Point
A nondescript outdoor area, likely a field or meadow, where a flat stone serves as a makeshift table. The ground is implied to be somewhat rough, given the letter's condition.
Mood: Ordinary, slightly mysterious due to the unusual letter.
Dorothy discovers the peculiar letter from The Caravan, initiating her adventure.
Image Prompt & Upload
A weathered, flat grey stone sits on a bed of short, slightly wild green grass. Several irregular, white sugar cubes are scattered on the stone, holding down a crumpled, discolored piece of paper. The background shows a soft focus of more green field under a bright, clear morning sky. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Zigzag Path
A varied landscape marked by lumps of sugar, leading through a knot-hole in a wooden fence, over rocks, through small puddles, and up the trunk and branches of a large tree, eventually descending into a bog.
Mood: Adventurous, slightly frustrating, whimsical.
Dorothy follows the rat's sugar trail, navigating various obstacles and getting her shoes soiled.
Image Prompt & Upload
A winding, uneven dirt path meanders through a patch of wild grass and small, smooth grey rocks. Scattered along the path are small, white sugar cubes. In the midground, a rustic, weathered wooden fence with a prominent knot-hole is visible, beyond which the path continues towards a large, gnarled oak tree with mossy bark. The ground near the tree is damp and slightly muddy. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Stone Wall and Rat-Trap
A small stone wall, beyond which lies an enormous, old-fashioned rat-trap, acting as a cage for The Caravan. The surrounding area is open, with a procession of storks and a Ferryman nearby.
Mood: Curious, slightly absurd, with an air of public spectacle.
Dorothy finds The Caravan, comically trapped but ingeniously moving their cage, observed by an audience.
Image Prompt & Upload
A low, dry-stacked stone wall, made of irregular grey and brown fieldstones, stretches across the foreground. Beyond it, on a patch of short, sparse grass, sits an enormous, old-fashioned wire rat-trap, its metal glinting faintly. In the background, several tall, elegant storks with long legs stand observing, and a figure resembling a Ferryman watches with interest under a bright, open sky. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.