Fundevogel (Bird-foundling)

by Brothers Grimm · from Household Tales

fairy tale transformation hopeful Ages 8-14 972 words 5 min read
Original Story 972 words · 5 min read

Fundevogel (Bird-foundling)

A fairy tale by the Brothers Grimm

There was once a forester who went into the forest to hunt, and as he entered it he heard a sound of screaming as if a little child were there. He followed the sound, and at last came to a high tree, and at the top of this a little child was sitting, for the mother had fallen asleep under the tree with the child, and a bird of prey had seen it in her arms, had flown down, snatched it away, and set it on the high tree.

The forester climbed up, brought the child down, and thought to himself, "Thou wilt take him home with thee, and bring him up with thy Lina." He took it home, therefore, and the two children grew up together. The one, however, which he had found on a tree was called Fundevogel, because a bird had carried it away. Fundevogel and Lina loved each other so dearly that when they did not see each other they were sad.

The forester, however, had an old cook, who one evening took two pails and began to fetch water, and did not go once only, but many times, out to the spring. Lina saw this and said, "Hark you, old Sanna, why are you fetching so much water?" - "If thou wilt never repeat it to anyone, I will tell thee why." So Lina said, no, she would never repeat it to anyone, and then the cook said, "Early to-morrow morning, when the forester is out hunting, I will heat the water, and when it is boiling in the kettle, I will throw in Fundevogel, and will boil him in it."

Betimes next morning the forester got up and went out hunting, and when he was gone the children were still in bed. Then Lina said to Fundevogel, "If thou wilt never leave me, I too will never leave thee." Fundevogel said, "Neither now, nor ever will I leave thee." Then said Lina, "Then I will tell thee. Last night, old Sanna carried so many buckets of water into the house that I asked her why she was doing that, and she said that if I would promise not to tell any one she would tell me, and I said I would be sure not to tell any one, and she said that early to-morrow morning when father was out hunting, she would set the kettle full of water, throw thee into it and boil thee; but we will get up quickly, dress ourselves, and go away together."

The two children therefore got up, dressed themselves quickly, and went away. When the water in the kettle was boiling, the cook went into the bed-room to fetch Fundevogel and throw him into it. But when she came in, and went to the beds, both the children were gone. Then she was terribly alarmed, and she said to herself, "What shall I say now when the forester comes home and sees that the children are gone? They must be followed instantly to get them back again."

Then the cook sent three servants after them, who were to run and overtake the children. The children, however, were sitting outside the forest, and when they saw from afar the three servants running, Lina said to Fundevogel, "Never leave me, and I will never leave thee." Fundevogel said, "Neither now, nor ever." Then said Lina, "Do thou become a rose-tree, and I the rose upon it." When the three servants came to the forest, nothing was there but a rose-tree and one rose on it, but the children were nowhere. Then said they, "There is nothing to be done here," and they went home and told the cook that they had seen nothing in the forest but a little rose-bush with one rose on it. Then the old cook scolded and said, "You simpletons, you should have cut the rose-bush in two, and have broken off the rose and brought it home with you; go, and do it once." They had therefore to go out and look for the second time. The children, however, saw them coming from a distance. Then Lina said, "Fundevogel, never leave me, and I will never leave thee." Fundevogel said, "Neither now, nor ever." Said Lina, "Then do thou become a church, and I'll be the chandelier in it." So when the three servants came, nothing was there but a church, with a chandelier in it. They said therefore to each other, "What can we do here, let us go home." When they got home, the cook asked if they had not found them; so they said no, they had found nothing but a church, and that there was a chandelier in it. And the cook scolded them and said, "You fools! why did you not pull the church to pieces, and bring the chandelier home with you?" And now the old cook herself got on her legs, and went with the three servants in pursuit of the children. The children, however, saw from afar that the three servants were coming, and the cook waddling after them. Then said Lina, "Fundevogel, never leave me, and I will never leave thee." Then said Fundevogel, "Neither now, nor ever." Said Lina, "Be a fishpond, and I will be the duck upon it." The cook, however, came up to them, and when she saw the pond she lay down by it, and was about to drink it up. But the duck swam quickly to her, seized her head in its beak and drew her into the water, and there the old witch had to drown. Then the children went home together, and were heartily delighted, and if they are not dead, they are living still.

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Story DNA

Moral

Loyalty and quick thinking can overcome even the most determined evil.

Plot Summary

A forester finds an abandoned child, Fundevogel, and raises him with his daughter, Lina. An evil cook plots to boil Fundevogel, but Lina overhears and they flee. Using magical transformations, they evade the cook's servants twice. Finally, when the cook herself pursues them, Lina transforms Fundevogel into a fishpond and herself into a duck, drowning the cook when she attempts to drink the pond dry. The children return home safely and live happily ever after.

Themes

loyaltyperseveranceinnocence vs. evilescape

Emotional Arc

fear to triumph

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: repetition, rule of three

Narrative Elements

Conflict: person vs person
Ending: moral justice
Magic: magical transformation (human to plant, human to building, human to animal)
the rosebush/rose (fragility, beauty, temporary disguise)the church/chandelier (sanctuary, light, temporary disguise)the fishpond/duck (life, nature, ultimate defense)

Cultural Context

Origin: German
Era: timeless fairy tale

Grimm's fairy tales often reflect the harsh realities and moral lessons prevalent in 19th-century German society, though this tale is more focused on magical escape than social commentary.

Plot Beats (13)

  1. A forester finds a baby, Fundevogel, in a tree and brings him home to raise with his daughter, Lina.
  2. Fundevogel and Lina grow up with a deep, loving bond.
  3. The forester's old cook, Sanna, plans to boil Fundevogel and reveals her plan to Lina under a promise of secrecy.
  4. Lina, despite her promise, tells Fundevogel about the cook's murderous plan.
  5. Fundevogel and Lina quickly dress and flee the house before the cook can act.
  6. The cook discovers the children are gone and sends three servants to pursue them.
  7. Seeing the servants approaching, Lina transforms Fundevogel into a rosebush and herself into a rose, fooling the servants.
  8. The servants return to the cook, who scolds them for not destroying the rosebush and sends them back.
  9. Seeing the servants again, Lina transforms Fundevogel into a church and herself into a chandelier, again fooling the servants.
  10. The servants return, and the cook, enraged by their failure, decides to pursue the children herself.
  11. Seeing the cook and servants approaching, Lina transforms Fundevogel into a fishpond and herself into a duck.
  12. The cook, attempting to drink the pond dry, is pulled into the water and drowned by the duck.
  13. Fundevogel and Lina return home, safe and happy.

Characters

👤

Fundevogel

human child male

No specific details given

Attire: Simple child's clothing appropriate for a forester's household

A single rose

Loyal, dependent

👤

Lina

human child female

No specific details given

Attire: Simple child's clothing appropriate for a forester's household, perhaps a simple dress

A lit chandelier

Resourceful, protective

👤

Sanna

human elderly female

No specific details given, but implied to be physically capable of carrying water

Attire: Traditional cook's attire: long, dark dress, apron, perhaps a headscarf

Carrying two heavy pails of water

Malicious, cruel

👤

Forester

human adult male

Implied to be strong and capable

Attire: Traditional forester's clothing: leather jerkin, sturdy boots, hunting horn

Carrying a hunting horn

Kind, paternal

Locations

Forester's Cottage

indoor evening, morning

A cozy home where Fundevogel and Lina grow up together, but also a place of danger due to the cook's evil plan.

Mood: Initially warm and familial, later tense and threatening

The cook plots to boil Fundevogel; Lina overhears and warns him.

bed-room kettle water pails beds

Deep Forest

outdoor morning

A dense woodland where the forester hunts and Fundevogel is initially found. Later, a place of escape and transformation.

Mood: Wild, mysterious, and potentially dangerous, but also offering refuge.

Fundevogel is discovered in a treetop; the children flee into the forest to escape the cook.

high tree dense trees undergrowth

Rose-Tree and Rose

transitional

A magical transformation point outside the forest, where Lina and Fundevogel temporarily evade capture.

Mood: Ethereal, fleeting, and protective

The children transform into a rose-tree and a rose to avoid the pursuing servants.

rose-tree single rose forest edge

Fishpond

outdoor

A tranquil pond where Lina and Fundevogel make their final stand against the cook.

Mood: Deceptive calm, leading to a dramatic and decisive confrontation.

The cook attempts to drink the pond; the duck pulls her in, leading to her demise.

pond duck water muddy bank