THE JUDGMENT OF
by Oliver Herford · from The Fairy Godmother-in-law
Adapted Version
Tom was a young man. He liked Lily very much. He saw her often. He thought she was lovely. Lily was a pretty girl. She was like a flower. Tom liked her smile. His heart felt warm. Lily was a little shy. She did not talk much. Her eyes were kind. Her voice was soft.
Tom wanted Lily to like him. He tried to talk to her. Lily did not say much. She did not show her feelings. He felt alone. He felt confused. Tom felt sad inside. His heart was not happy. He wanted her to smile at him. He wanted her to speak more. He did not know what to do.
There was a wise man. His name was Bishop Valentine. He helped many people. Bishop Valentine was kind. He listened well to all. Tom went to see him. Tom told Bishop Valentine his problem. Tom felt very worried. Lily also went to see him. She told him her problem too. Lily felt very worried. They both felt sad.
Tom said, "Lily makes me sad." She took his joy. Lily said, "Tom makes me sad." He took her joy. Each one blamed the other. They spoke with anger. They spoke with tears. They were not happy. Their hearts were heavy. Their faces were glum. Bishop Valentine listened well. He heard their sad words.
Bishop Valentine thought, "This is not good." He said, "Stop!" He saw their pain. He saw their hurt. He wanted them to be friends. He wanted them to be happy. He knew a better way. He had a plan. "You must stop this," he said. "You must be kind now. I will help you both."
Bishop Valentine had an idea. It was a very good idea. This idea was clever. It was a smart plan. "I will tie you together," he said. "You will stay together. You will be happy now. You will not fight. You will be a team. You will be friends always." He smiled wide.
Tom looked at Lily. Lily looked at Tom. Their eyes met. A spark flew. They both smiled. They were happy now. Their sadness left. Their joy returned. "Yes!" they said together. "Tie us with one special way. We want to be together. We want to be happy always."
Bishop Valentine laughed. He was very happy. His heart was full. He saw true love. He made Tom and Lily a team. They got married that day. This meant they were together. They held hands. They walked as one. They were together forever. They were a team now. They were very, very happy. It is good when friends can be together!
Original Story
THE JUDGMENT OF
BISHOP VALENTINE
One tyme a Youthe of faire degree
Didde looke upon a Mayde. Ah me,
She was as coye as anye flow’r,
She stole hys harte in thatte sayme how’r.
Alle vainlie he to Love didde calle,
Ye blinde Godde holp hym notte atte alle.
To Bishop Valentine thenne hies
Ye Youthe, ye Damosel likewyse,
Ande each ’gan tell hys tayle of griefe.
Each sayd ye other was ye thiefe.
“Zounds!” cried ye Sainte, “this brawle must cease.
I’ll binde ye bothe to keepe ye peace.”
Whereat ye twain in nowyse loath,
“Pray then wyth one bond binde us bothe.”
Loude laughed ye Sainte, “Perdi! ’Tis done!”
And made ye Youthe and Mayden one.
Lady, anent this suit of mine
In search of precedents, I waded
Through ancient lore, and found this fine
Old Judgment, in a parchment faded.
If you will ponder the last line
And be by wise example aided,
We, too, will make Saint Valentine
Our Judge, and—compromise, as they did.
Story DNA
Moral
Sometimes, the best way to resolve a conflict between two people in love is to unite them.
Plot Summary
A youth is smitten with a coy maiden, but his love is unreturned, causing him distress. Both the youth and the maiden approach Bishop Valentine, each complaining about the other and accusing the other of stealing their heart. Bishop Valentine, exasperated, declares he will bind them to keep the peace. The youth and maiden surprisingly agree, asking to be bound together with one bond, which Bishop Valentine humorously grants by marrying them. The narrator then uses this tale as a precedent for a modern romantic 'suit,' suggesting a similar compromise.
Themes
Emotional Arc
frustration to joy
Writing Style
Narrative Elements
Cultural Context
The poem plays on the traditional association of Saint Valentine with love and marriage, often celebrated on Valentine's Day. The archaic language is a stylistic choice to evoke an older, perhaps medieval, setting.
Plot Beats (9)
- A youth falls deeply in love with a maiden who is very coy.
- Despite his efforts, the youth's love is not returned, causing him distress.
- The youth and the maiden both go to Bishop Valentine to complain about their situation.
- Each accuses the other of being the 'thief' of their heart.
- Bishop Valentine, frustrated by their argument, decides he must make them stop brawling and keep the peace.
- He proposes to bind them both to ensure peace.
- The youth and maiden readily agree, asking to be bound together with a single bond.
- Bishop Valentine laughs and declares it done, uniting them in marriage.
- The narrator then addresses a 'Lady,' presenting this story as a precedent for resolving a similar romantic 'suit' by making Saint Valentine their judge and compromising.
Characters
Bishop Valentine ◆ supporting
A man of advanced age, likely with a sturdy but somewhat stooped build from years of study and service. His presence suggests authority and wisdom, perhaps with a kindly but firm demeanor.
Attire: Traditional ecclesiastical vestments of a bishop from a medieval European context. This would include a flowing alb (white tunic), a dalmatic (outer tunic), a chasuble (outermost liturgical vestment, possibly in a rich color like purple or red, embroidered with religious symbols), a mitre (tall, pointed hat) on his head, and a crozier (shepherd's crook) in hand. The fabrics would be rich, possibly silk or brocade.
Wants: To bring peace and resolution to those who seek his counsel, and perhaps to subtly encourage love and union.
Flaw: None explicitly shown, but perhaps a slight impatience with trivial disputes.
He serves as a catalyst for the resolution of the Youth and Mayde's 'brawle,' demonstrating his wisdom and wit without undergoing personal change.
Wise, authoritative, humorous, decisive, and pragmatic. He quickly grasps the true nature of the 'dispute' and resolves it with wit.
Image Prompt & Upload
An elderly male bishop standing upright, facing forward, full body visible from head to toe. He has a long, flowing white beard and matching white hair, with a wise, kindly expression. He wears a richly embroidered purple chasuble over a white alb, a tall, pointed gold and white mitre on his head, and holds an ornate wooden crozier in his right hand. His posture is authoritative yet gentle. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Youthe ★ protagonist
A young man of 'faire degree,' implying a noble or well-to-do background. He would be of average height with a youthful, perhaps slightly slender build, reflecting his age and romantic disposition.
Attire: Fine, fashionable clothing of a medieval European gentleman. This would include a fitted tunic (doublet) in a rich color like forest green or deep blue, possibly made of wool or velvet, worn over a white linen shirt. He would wear hose (tights) and soft leather shoes or boots. A short cloak might be draped over one shoulder.
Wants: To win the affection of the Mayde and resolve the 'grief' caused by his love.
Flaw: Overly dramatic about his romantic plight, perhaps a bit naive.
He begins in a state of lovesick despair and ends happily united with the Mayde, achieving his romantic goal.
Lovesick, earnest, a bit dramatic, and ultimately compliant. He is driven by his affection for the Mayde.
Image Prompt & Upload
A young man standing upright, facing forward, full body visible from head to toe. He has a handsome, earnest face with light brown, shoulder-length wavy hair and fair skin. He wears a fitted forest green wool doublet over a white linen shirt, dark brown hose, and soft brown leather shoes. His expression is one of hopeful longing. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Mayde ★ protagonist
A young woman described as 'coye as anye flow’r,' suggesting delicacy and beauty. She would be of slender build, graceful, and perhaps slightly reserved in her demeanor.
Attire: Elegant but modest attire suitable for a young woman of 'faire degree' in medieval Europe. This would include a long gown (kirtle) in a soft color like pale blue or rose, made of fine wool or linen, possibly with long, fitted sleeves. She might wear a simple wimple or veil over her hair, or a circlet of flowers. Her shoes would be soft leather slippers.
Wants: To be with the Youthe, despite her initial 'coyness' and the pretense of a dispute.
Flaw: Her initial coyness might be seen as a barrier, though it ultimately serves to draw the Youthe in.
She begins as the object of the Youthe's affection and ends happily united with him, achieving her romantic goal.
Coy, beautiful, perhaps a little playful in her 'theft' of the Youthe's heart, and ultimately agreeable. She is also driven by her affection for the Youthe.
Image Prompt & Upload
A young woman standing upright, facing forward, full body visible from head to toe. She has a delicate, pretty face with long, wavy light brown hair, possibly adorned with a simple circlet of small white flowers, and fair skin with rosy cheeks. She wears a long, pale blue linen gown with fitted sleeves and a modest neckline. Her expression is gentle and slightly coy. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Bishop Valentine's Chamber
A private chamber within a medieval European bishop's residence, likely adorned with religious artifacts and heavy, dark wood furniture. The air would be still and formal, suitable for receiving petitioners.
Mood: Formal, solemn, yet with an underlying warmth of wisdom and potential for humor.
The Youth and the Damsel present their grievances to Bishop Valentine, who then pronounces his 'judgment' to unite them.
Image Prompt & Upload
A dimly lit, high-ceilinged medieval European bishop's chamber. Heavy, dark oak furniture, including a large, carved table and two high-backed chairs, sits on a worn stone floor. Tapestries depicting religious scenes hang on the rough-hewn stone walls, and a single leaded glass window allows a soft, diffused light to enter from the side. A few rolled parchment scrolls are visible on the table. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.