Riquet with the Tuft

by Charles Perrault · from Tales of Mother Goose

fairy tale transformation whimsical Ages 8-14 2720 words 12 min read
Cover: Riquet with the Tuft
Original Story 2720 words · 12 min read

Riquet with the Tuft

There was, once upon a time, a Queen, who was brought to bed of a son,

so hideously ugly, that it was long disputed, whether he had human

form. A Fairy, who was at his birth, affirmed, he would be very

lovable for all that, since he should be indowed with abundance of

wit. She even added, that it would be in his power, by virtue of a

gift she had just then given him, to bestow on the person he most

loved as much wit as he pleased. All this somewhat comforted the poor

Queen, who was under a grievous affliction for having brought into the

world such an ugly brat. It is true, that this child no sooner began

to prattle, but he said a thousand pretty things, and that in all his

actions there was something so taking, that he charmed every-body. I

forgot to tell you, that he came into the world with a little tuft of

hair upon his head, which made them call him Riquet with the Tuft, for

Riquet was the family name.

Seven or eight years after this, the Queen of a neighbouring kingdom

was delivered of two daughters at a birth. The first-born of these was

beautiful beyond compare, whereat the Queen was so very glad, that

those present were afraid that her excess of joy would do her harm.

The same Fairy, who had assisted at the birth of little Riquet with

the Tuft, was here also; and, to moderate the Queen's gladness, she

declared, that this little Princess should have no wit at all, but be

as stupid as she was pretty. This mortified the Queen extreamly, but

some moments afterwards she had far greater sorrow; for, the second

daughter she was delivered of, was very ugly.

"Do not afflict yourself so much, Madam," said the Fairy; "your

daughter shall have so great a portion of wit, that her want of beauty

will scarcely be perceived."

"God grant it," replied the Queen; "but is there no way to make the

eldest, who is so pretty, have some little wit?"

"I can do nothing for her, Madam, as to wit," answered the Fairy, "but

everything as to beauty; and as there is nothing but what I would do

for your satisfaction, I give her for gift, that she shall have the

power to make handsome the person who shall best please her."

As these Princesses grew up, their perfections grew up with them; all

the public talk was of the beauty of the eldest, and the wit of the

youngest. It is true also that their defects increased considerably

with their age; the youngest visibly grew uglier and uglier, and the

eldest became every day more and more stupid; she either made no

answer at all to what was asked her, or said something very silly; she

was with all this so unhandy, that she could not place four pieces of

china upon the mantlepiece, without breaking one of them, nor drink a

glass of water without spilling half of it upon her cloaths. Tho'

beauty is a very great advantage in young people, yet here the

youngest sister bore away the bell, almost always, in all companies

from the eldest; people would indeed, go first to the Beauty to look

upon, and admire her, but turn aside soon after to the Wit, to hear a

thousand most entertaining and agreeable turns, and it was amazing to

see, in less than a quarter of an hour's time, the eldest with not a

soul with her and the whole company crowding about the youngest. The

eldest, tho' she was unaccountably dull, could not but notice it, and

would have given all her beauty to have half the wit of her sister.

The Queen, prudent as she was, could not help reproaching her several

times, which had like to have made this poor Princess die for grief.

One day, as she retired into the wood to bewail her misfortune, she

saw, coming to her, a little man, very disagreeable, but most

magnificently dressed. This was the young Prince Riquet with the Tuft,

who having fallen in love with her, by seeing her picture, many of

which went all the world over, had left his father's kingdom, to have

the pleasure of seeing and talking with her.

Overjoyed to find her thus all alone, he addressed himself to her with

all imaginable politeness and respect. Having observed, after he had

made her the ordinary compliments, that she was extremely melancholy,

he said to her:

"I cannot comprehend, Madam, how a person so beautiful as you are, can

be so sorrowful as you seem to be; for tho' I can boast of having seen

infinite numbers of ladies exquisitely charming, I can say that I

never beheld any one whose beauty approaches yours."

"You are pleased to say so," answered the Princess, and here she

stopped.

"Beauty," replied Riquet with the Tuft, "is such a great advantage,

that it ought to take the place of all things; and since you possess

this treasure, I see nothing that can possibly very much afflict you."

"I had far rather," cried the Princess, "be as ugly as you are, and

have wit, than have the beauty I possess, and be so stupid as I am."

"There is nothing, Madam," returned he, "shews more that we have wit,

than to believe we have none; and it is the nature of that excellent

quality, that the more people have of it, the more they believe they

want it."

"I do not know that," said the Princess; "but I know, very well, that

I am very senseless, and thence proceeds the vexation which almost

kills me."

"If that be all, Madam, which troubles you, I can very easily put an

end to your affliction."

"And how will you do that?" cried the Princess.

"I have the power, Madam," replied Riquet with the Tuft, "to give to

that person whom I shall love best, as much wit as can be had; and as

you, Madam, are that very person, it will be your fault only, if you

have not as great a share of it as any one living, provided you will

be pleased to marry me."

The Princess remained quite astonished, and answered not a word.

[Illustration: "THE PRINCE BELIEVED HE HAD GIVEN HER MORE WIT THAN HE

HAD RESERVED FOR HIMSELF"]

"I see," replied Riquet with the Tuft, "that this proposal makes you

very uneasy, and I do not wonder at it, but I will give you a whole

year to consider of it."

The Princess had so little wit, and, at the same time, so great a

longing to have some, that she imagined the end of that year would

never be; therefore she accepted the proposal which was made her. She

had no sooner promised Riquet with the Tuft that she would marry him

on that day twelvemonth, than she found herself quite otherwise than

she was before; she had an incredible facility of speaking whatever

she pleased, after a polite, easy, and natural manner; she began that

moment a very gallant conversation with Riquet with the Tuft, wherein

she tattled at such a rate, that Riquet with the Tuft believed he had

given her more wit than he had reserved for himself.

When she returned to the palace, the whole Court knew not what to

think of such a sudden and extraordinary change; for they heard from

her now as much sensible discourse, and as many infinitely witty

turns, as they had stupid and silly impertinences before. The whole

Court was overjoyed at it beyond imagination; it pleased all but her

younger sister; because having no longer the advantage of her in

respect of wit, she appeared, in comparison of her, a very

disagreeable, homely puss. The King governed himself by her advice,

and would even sometimes hold a council in her apartment. The noise of

this change spreading every where, all the young Princes of the

neighbouring kingdoms strove all they could to gain her favour, and

almost all of them asked her in marriage; but she found not one of

them had wit enough for her, and she gave them all a hearing, but

would not engage herself to any.

However, there came one so powerful, rich, witty and handsome, that

she could not help having a good inclination for him. Her father

perceived it, and told her that she was her own mistress as to the

choice of a husband, and that she might declare her intentions. As the

more wit we have, the greater difficulty we find to make a firm

resolution upon such affairs, this made her desire her father, after

having thanked him, to give her time to consider of it.

She went accidentally to walk in the same wood where she met Riquet

with the Tuft, to think, the more conveniently, what she ought to do.

While she was walking in a profound meditation, she heard a confused

noise under her feet, as it were of a great many people who went

backwards and forwards, and were very busy. Having listened more

attentively, she heard one say:

"Bring me that pot"; another "Give me that kettle"; and a third, "Put

some wood upon the fire."

The ground at the same time opened, and she seemingly saw under her

feet, a great kitchen full of cooks, scullions, and all sorts of

servants necessary for a magnificent entertainment. There came out of

it a company of roasters, to the number of twenty, or thirty, who went

to plant themselves in a fine alley of wood, about a very long table,

with their larding pins in their hands, and skewers in their caps,

who began to work, keeping time, to the tune of a very harmonious

song.

The Princess, all astonished at this sight, asked them who they worked

for.

"For Prince Riquet with the Tuft," said the chief of them, "who is to

be married to-morrow."

The Princess was more surprised than ever, and recollecting that it

was now that day twelvemonth on which she had promised to marry Riquet

with the Tuft, she was like to sink into the ground.

What made her forget this was that, when she made this promise, she

was very silly, and having obtained that vast stock of wit which the

Prince had bestowed on her, she had intirely forgot her stupidity. She

continued walking, but had not taken thirty steps before Riquet with

the Tuft presented himself to her, bravely and most magnificently

dressed, like a Prince who was going to be married.

"You see, Madam," said he, "I am very exact in keeping my word, and

doubt not, in the least, but you are come hither to perform yours, and

to make me, by giving me your hand, the happiest of men."

"I shall freely own to you," answered the Princess, "that I have not

yet taken any resolution on this affair, and believe I never shall

take such a one as you desire."

"You astonish me, Madam," said Riquet with the Tuft.

"I believe it," said the Princess, "and surely if I had to do with a

clown, or a man of no wit, I should find myself very much at a loss.

'A Princess always observes her word,' would he say to me, 'and you

must marry me, since you promised to do so.' But as he whom I talk to

is the man of the world who is master of the greatest sense and

judgment, I am sure he will hear reason. You know, that when I was but

a fool, I could, notwithstanding, never come to a resolution to marry

you; why will you have me, now I have so much judgment as you gave me,

and which makes me a more difficult person than I was at that time, to

come to such a resolution, which I could not then determine to agree

to? If you sincerely thought to make me your wife, you have been

greatly in the wrong to deprive me of my dull simplicity, and make me

see things much more clearly than I did."

"If a man of no wit and sense," replied Riquet with the Tuft, "would

be entitled, as you say, to reproach you for breach of your word, why

will you not let me, Madam, do likewise in a matter wherein all the

happiness of my life is concerned? Is it reasonable that persons of

wit and sense should be in a worse condition than those who have none?

Can you pretend this; you who have so great a share, and desired so

earnestly to have it? But let us come to fact, if you please. Setting

aside my ugliness and deformity, is there any thing in me which

displeases you? Are you dissatisfied with my birth, my wit, humour, or

manners?"

[Illustration: "RIQUET WITH THE TUFT APPEARED TO HER THE FINEST PRINCE

UPON EARTH"]

"Not at all," answered the Princess; "I love you and respect you in

all that you mention." "If it be so," said Riquet with the Tuft, "I

am like to be happy, since it is in your power to make me the most

lovable of men."

"How can that be?" said the Princess.

"It will come about," said Riquet with the Tuft; "if you love me

enough to wish it to be so; and that you may no ways doubt, Madam, of

what I say, know that the same Fairy, who, on my birth-day, gave me

for gift the power of making the person who should please me extremely

witty and judicious, has, in like manner, given you for gift the power

of making him, whom you love, and would grant that favour to,

extremely handsome."

"If it be so," said the Princess, "I wish, with all my heart, that you

may be the most lovable Prince in the world, and I bestow it on you,

as much as I am able."

The Princess had no sooner pronounced these words, but Riquet with the

Tuft appeared to her the finest Prince upon earth; the handsomest and

most amiable man she ever saw. Some affirm that it was not the

enchantments of the Fairy which worked this change, but that love

alone caused the metamorphosis. They say, that the Princess, having

made due reflection on the perseverance of her lover, his discretion,

and all the good qualities of his mind, his wit and judgment, saw no

longer the deformity of his body, nor the ugliness of his face; that

his hump seemed to her no more than the homely air of one who has a

broad back; and that whereas till then she saw him limp horribly, she

found it nothing more than a certain sidling air, which charmed her.

They say farther, that his eyes, which were very squinting, seemed to

her all the more bright and sparkling; that their irregularity passed

in her judgment for a mark of a violent excess of love; and, in short,

that his great red nose had, in her opinion, somewhat of the martial

and heroic.

Howsoever it was, the Princess promised immediately to marry him, on

condition he obtained her father's consent. The King being acquainted

that his daughter had abundance of esteem for Riquet with the Tuft,

whom he knew otherwise for a most sage and judicious Prince, received

him for his son-in-law with pleasure; and the next morning their

nuptials were celebrated, as Riquet with the Tuft had foreseen, and

according to the orders he had a long time before given.

[Illustration]

The Moral

_What in this little Tale we find,

Is less a fable than real truth.

In those we love appear rare gifts of mind,

And body too: wit, judgment, beauty, youth._

Another

_A countenance whereon, by natures hand,

Beauty is trac'd, also the lively stain

Of such complexion art can ne'er attain,

With all these gifts hath not so much command

On hearts, as hath one secret charm alone.

Love finds that out, to all besides unknown._

Little Thumb

[Illustration]

[Illustration: "LITTLE THUMB WAS AS GOOD AS HIS WORD, AND RETURNED

THAT SAME NIGHT WITH THE NEWS" (page 123)]


Story DNA fairy tale · whimsical

Moral

Love can transform perception, making the beloved appear beautiful regardless of physical flaws; true beauty lies in character and wit.

Plot Summary

Riquet with the Tuft, an ugly but witty prince, is born with the magical ability to bestow wit upon his beloved. In a neighboring kingdom, a beautiful but stupid princess is born, along with an ugly but witty sister. The beautiful princess, despairing of her dullness, encounters Riquet, who offers her wit in exchange for a promise of marriage in a year. She accepts, gaining immense intelligence and becoming highly admired. A year later, she struggles with her promise, having grown discerning and being courted by handsome princes. Riquet reminds her of her promise and reveals that she, too, has a magical gift: to make him handsome through her love. Her love transforms his appearance in her eyes, and they marry.

Themes

inner beauty vs. outer beautythe power of loveperception vs. realityintelligence and wit

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: rule of three (two princesses, two gifts), direct address to reader (e.g., "I forgot to tell you"), moralizing epilogue

Narrative Elements

Conflict: person vs. self (princess's internal struggle with her promise and perception)
Ending: happy
Magic: fairies, magical gifts (bestowing wit, bestowing beauty), magical transformation (of appearance)
Riquet's tuft (mark of his identity and unique gift)the woods (place of reflection and encounter)portraits (spreading fame and inciting love)

Cultural Context

Origin: French
Era: timeless fairy tale

Charles Perrault's tales often reflected 17th-century French courtly values, where wit and social intelligence were highly prized, sometimes even over physical beauty, especially for women.

Plot Beats (14)

  1. A queen gives birth to an ugly but witty prince, Riquet with the Tuft, who receives a fairy's gift to bestow wit on his beloved.
  2. Seven years later, a neighboring queen gives birth to two princesses: one beautiful but stupid, the other ugly but witty.
  3. The same fairy gives the beautiful princess the power to make her beloved handsome.
  4. As they grow, the beautiful princess's stupidity and the ugly princess's wit become more pronounced, with the witty sister overshadowing the beautiful one.
  5. The beautiful princess, distressed by her dullness, retreats to the woods.
  6. Riquet with the Tuft, having seen her portrait, finds her in the woods and declares his love, offering to give her wit if she agrees to marry him in a year.
  7. The princess accepts, immediately gaining immense wit and becoming admired by all, but she forgets her promise due to her previous stupidity.
  8. A year passes, and the princess, now intelligent, finds herself courted by many princes but none witty enough for her, and she is inclined towards a handsome prince.
  9. She returns to the woods to ponder her decision and overhears preparations for Riquet's wedding, realizing it is the day she promised to marry him.
  10. Riquet appears, expecting her to fulfill her promise.
  11. The princess, now intelligent, argues that her newfound wit makes her unable to marry him, as she can now see his ugliness clearly.
  12. Riquet reminds her of her promise and reveals that the same fairy gave her the power to make him handsome through love.
  13. The princess, realizing her love for his character, wishes with all her heart for him to be handsome, and he appears so to her (or truly transforms).
  14. They marry with her father's blessing, celebrating a magnificent wedding.

Characters 6 characters

Riquet with the Tuft ★ protagonist

human young adult male

Hideously ugly, with a little tuft of hair upon his head. Later, after the Princess's wish, he appears as the finest, handsomest, and most amiable Prince on Earth. Before the transformation, his hump seemed like a broad back, his limp a charming sidling air, his squinting eyes bright and sparkling, and his great red nose martial and heroic.

Attire: Magnificently dressed, like a Prince who was going to be married.

A little tuft of hair on his head, contrasting with his initial ugliness.

Witty, intelligent, charming, persistent, judicious, lovable.

Image Prompt & Upload
A young adult man with a kind, intelligent face and a slightly crooked nose. He has a distinctive, prominent tuft of dark, curly hair atop his head, while the rest is neatly combed. He wears a fine but slightly worn doublet of deep blue velvet, breeches, and polished leather boots. He stands with a confident, upright posture, one hand resting on his hip, a subtle, knowing smile on his lips. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Eldest Princess ★ protagonist

human young adult female

Beautiful beyond compare, but became more and more stupid as she grew up. Later, after Riquet's gift, she gains immense wit.

Attire: Implied to wear royal attire, though not explicitly described. Spills water on her clothes.

Her unparalleled beauty, initially marred by her stupidity.

Stupid, dull, unhandy, sorrowful due to her lack of wit. Later, witty and judicious.

Image Prompt & Upload
A young woman in her early twenties with long flowing chestnut hair and bright determined green eyes, wearing an elegant deep blue velvet gown with gold embroidered trim and a silver circlet atop her head. She stands tall with a confident posture, one hand resting on a leather-bound book at her hip, her expression showing quiet strength and compassion. Her gown features fitted sleeves and a flowing skirt with subtle floral patterns woven into the fabric. She wears delicate silver earrings and a small pendant necklace. Her fair skin has a warm glow, and her features are refined yet approachable, with high cheekbones and a gentle but resolute jawline. She appears poised and ready for adventure while maintaining her regal bearing. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature

The Fairy ◆ supporting

magical creature ageless female

Not described, but possesses magical powers.

Attire: Unknown

Her presence at the birth of royal children, bestowing magical gifts.

Benevolent, powerful, wise, grants gifts with foresight.

Image Prompt & Upload
A young woman with a delicate, ageless appearance, appearing around twenty years old. She has large, luminous green eyes and an expression of gentle curiosity. Her hair is long, wavy, and the color of spun gold, adorned with tiny white flowers and woven with strands of ivy. She wears a layered, flowing gown that shifts from pale green at the bodice to soft lavender at the hem, made of what looks like petals and spider silk. Gossamer, iridescent dragonfly wings extend from her back, catching the light. She stands gracefully on one bare foot, the other leg slightly bent, holding a slender wand topped with a glowing crystal in her right hand, poised as if about to cast a spell. Her posture is light and poised, full of quiet magic. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Youngest Princess ○ minor

human young adult female

Very ugly, but possessed a great portion of wit. Grew uglier and uglier as she aged.

Attire: Implied royal attire.

Her ugliness contrasted with her immense wit.

Witty, entertaining, agreeable, intelligent.

Image Prompt & Upload
A young princess around ten years old with large curious blue eyes and a gentle smile. She has long, wavy golden blonde hair adorned with a small silver tiara nestled among delicate white flowers. She wears a simple yet elegant dress of soft sky-blue silk with puffed sleeves and a satin ribbon sash. Her posture is poised yet playful, one hand lightly touching a strand of her hair. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Queen (Riquet's Mother) ○ minor

human adult female

Not described.

Attire: Royal attire.

A Queen in distress over her child's appearance.

Afflicted by her son's ugliness, comforted by the Fairy's prophecy.

Image Prompt & Upload
A middle-aged queen with kind eyes and a gentle, dignified expression, her auburn hair styled in an elegant updo beneath a delicate gold crown. She wears a regal gown of deep blue velvet with long, flowing sleeves and intricate gold embroidery along the bodice and hem. A single strand of pearls adorns her neck. She stands with a straight, poised posture, one hand lightly resting on the fabric of her skirt. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Queen (Princesses' Mother) ○ minor

human adult female

Not described.

Attire: Royal attire.

A Queen experiencing extreme joy and sorrow over her daughters' attributes.

Overjoyed by her first daughter's beauty, mortified by her lack of wit and her second daughter's ugliness. Prudent.

Image Prompt & Upload
A mature woman in her late 40s with a poised, dignified posture, standing tall with her hands gently clasped before her. She has elegant, graying auburn hair swept into a sophisticated updo, adorned with a small, delicate silver tiara. Her expression is calm and regal, with a faint, knowing smile. She wears a gown of deep emerald green velvet with long, fitted sleeves, a high neckline, and a modest train. The bodice is subtly embroidered with gold thread in a vine pattern. She stands within a stone archway of a castle corridor, one hand lightly resting on the cool stone. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
No image yet

The Wood

outdoor day not specified, likely pleasant as she is walking

A secluded forest where the beautiful but witless Princess retreats to lament her misfortune.

Mood: melancholy, private, transformative

The Princess first encounters Riquet with the Tuft and is offered wit in exchange for marriage.

trees secluded path
Image Prompt & Upload
Late afternoon sunlight filters through the canopy of an ancient, secluded forest. Twisted oak and birch trees, draped in moss and ivy, form a dense, shadowed archway. A narrow, overgrown path winds through ferns and fallen leaves. In a small, mossy clearing, a gnarled log sits beside a still, dark pool of water reflecting the golden sky. The air is heavy with the scent of damp earth and decaying leaves. Soft beams of light illuminate floating dust motes and the delicate wings of a few lingering fireflies. The color palette is muted: deep forest greens, rich browns, and soft, hazy golds. A single, forgotten wildflower blooms near the water's edge. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Riquet's Castle Kitchen

indoor day not specified

A bustling kitchen filled with cooks and scullions, all wearing caps with tufts, working to the tune of a harmonious song.

Mood: lively, industrious, surprising, magical

The Princess discovers preparations for Riquet's wedding, reminding her of her promise.

cooks scullions caps with tufts cooking implements harmonious song
Image Prompt & Upload
Evening in a grand castle kitchen, warm firelight from a massive hearth illuminates rough-hewn stone walls and wooden beams. Copper pots and iron pans hang from racks, gleaming with reflections of flames. Sacks of flour, bundles of herbs, and stacked ceramic bowls line sturdy wooden tables. Steam rises from bubbling cauldrons, catching the golden light. The air is thick with warmth and the scent of baking bread. Deep shadows gather in the vaulted corners, contrasting with the bright, busy center. Rich, warm tones of amber, brown, and copper dominate the scene. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Riquet's Castle Grounds

outdoor day not specified

The area outside Riquet's castle, where the Princess continues her walk after visiting the kitchen, and where Riquet appears.

Mood: anticipatory, confrontational, romantic

Riquet with the Tuft, magnificently dressed, confronts the Princess about her promise, leading to her transformation of him.

castle exterior path/grounds
Image Prompt & Upload
Late afternoon golden light bathes Riquet's castle grounds, casting long shadows from ancient oak trees. The weathered stone castle looms in the background, its towers and spires draped in ivy, with warm light glowing from tall arched windows. A gravel path meanders through meticulously kept gardens, flanked by blooming rose bushes in deep crimson and soft pink. Moss-covered stone benches sit beneath flowering cherry trees, their petals drifting on a gentle breeze. A small ornamental pond reflects the sky, surrounded by lavender and wild thyme. The air feels still and magical, with dust motes floating in sunbeams. The color palette features warm golds, mossy greens, stone grays, and floral accents. The atmosphere is serene yet enchanted, with a sense of quiet anticipation. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration