THE SPLIT TAILED LION

by William Elliot Griffis · from Belgian Fairy Tales

folk tale origin story humorous Ages 8-14 1483 words 7 min read
Cover: THE SPLIT TAILED LION

Adapted Version

CEFR A1 Age 5 331 words 2 min Canon 100/100

Once, two friends went on a big trip. Hunter Leo and Hunter Max went far away. They wanted to find a big lion. Some helpers joined them.

They heard about a very big lion. It was a scary lion. The friends had a good plan. They would use special colors. This would trick the lion.

Hunter Leo and Hunter Max painted their bodies. They used many bright colors. Red, blue, yellow, and green paint. They looked very strange. It was hard to see them clearly.

The Big Lion came. It was very big. The lion ran fast. It ran to the hunters.

The hunters jumped and danced. Their colors moved fast. The Big Lion got very confused. Its head felt dizzy. The lion fell down. It was very tired.

The hunters touched the lion. It was still dizzy. The helpers came. They put the Big Lion in a cage.

They went on a boat. They went to Belgium. The Big Lion got angry. The hunters showed their colors. This made the lion calm.

Hunter Leo and Hunter Max argued. They were from other places. Leo said he was better. Max said he was better. They argued who caught the lion.

Their fight got bigger. The hunters were still painted. Leo went into the cage. Max went into the cage. They wanted to show who was boss.

The Big Lion saw two bright men. It got very, very confused. Its head felt dizzy again. The lion hid in a corner.

Hunter Leo grabbed the tail. Hunter Max grabbed the tail. They pulled and pulled. The Big Lion's tail split. It split in two parts.

The Big Lion's tail stayed split. It was a long tail. It showed Leo and Max argued. At times, people argue.

The lion's body was still one. It was a strong lion. Friends can argue. But they can still be a team. It is good when people work as one. Friends argue. Still, they can be one team.

Original Story 1483 words · 7 min read

THE SPLIT TAILED LION

The two hunters went to Antwerp and embarked on one of the large ships, such as the crusaders made use of, to get to Jerusalem.

Reaching the mouth of the Nile, they tarried awhile in Cairo and in Khartoum, and then pushed into the interior. They engaged a company of native blacks, to carry their baggage, beat the bush, drive out the lions, and carry the beast, when caught, in a cage; to the return ships. The whole party, strung out in a line, marched into a famous wide valley, where were also veldts, or open spaces. They camped to the windward of a big water hole, to which the lions resorted, for drink and their prey. There, they made a strong “hide-up,” or enclosure, of tall reeds, bushes, and boughs of trees, all interlaced together. This was for them to hide behind. Here they opened the lids of their paintpots, and got ready their brushes to daub themselves all over, with seventeen different tints and hues, in streaks, spots, dabs, lines and figures.

The next day, the negroes brought in a report that, besides several small lions, that were in the bush, there was one big fellow, the king of them all. He was a famous man-eater, and had tasted many a black daddy and mammy, besides not a few pickaninnies. So it is no wonder that the African people, in telling the hunters about this beast, made him out to be so enormous, that it was thought a whole ox could hardly furnish him with one dinner; but this was just the sort about which they wanted to hear, for they were not afraid. They had been practicing camouflage, while on the ship and were now experts. The way they could sling paint on a man’s body, and dress him up in damaged rainbows, made them feel sure they could upset all the lion’s calculations. In fact, they believed they could raise a brain storm, in any beast that tried to look at them, no matter how large, or cunning he might be.

First they had the negroes dig a deep pit, and cover it over with poles, branches, leaves and earth. They caught a fat pig, and in spite of its squeals, they tied it to a stake, in front of the pit, out on the flat ground.

Then, stripping off their clothes, the two men went to the paintpots. They striped each other in wide bands, of several colors, painted round blotches, and curves, back and front, and so daubed, and streaked, and spotted their faces, arms, legs, back and front, that one look might make a man or beast, first cross-eyed, and then blind, and finally stupefied. Even the scabbards of their long knives, their only arms—for they would take no risks—when painted in streaks, looked like a lot of crooked rainbows.

When the signal was given to the black men, to go around and shout, and beat the bush, Piggy began to squeal and ramp around, as if he knew he would soon be inside the lion. At once the big brute seeing the pig, and hoping to get a good meal, advanced toward what he supposed was to be his dinner.

Now this king of the lions had often seen human beings, but these were always of a dark color, with tints, ranging from chocolate brown to ebony black. He had eaten men and children for breakfast, dinner and supper, with an occasional extra lunch in the form of a baby. The lion’s idea was, that all human beings were black, for he had never traveled to Europe, with a circus company, or to Rome to fight and claw gladiators. So, when driven out by the shouting of the bush-beaters, the big beast plunged out into the veldt, and charged toward the pork. He was the father of lions, in size, with a face as big as a wash tub, and on which there was enough long hair to stuff a mattress with.

Yet in the way things turned out, there was no need, either of pig, or pit; for the paintpots did the business. The two brave hunters were not afraid of the monstrous beast. They rushed out of their hide-up, and stood in his path, moving about zig-zag and crosswise, from right to left. This bothered the lion most awfully. He could not tell who was who, or which was which, or what was what. Relatively speaking, he forgot whether he was himself, or his wife, or his cubs, or something else.

Now the lion is an intellectual beast, at least he has that reputation; but what creature lives, that can take in, and hold, two ideas at one time? But, to have seventeen colors, hues, tints, and shades, moving before him, fairly scrambled the contents of the lion’s brain pan.

As the two hunters leaped, danced, capered, gyrated and turned somersaults before him, the beast lost all power to think or move. His brain became as an omelet. He fell down helpless, whining piteously.

The two camouflaged hunters then went up to his very nose and tweaked it. They pulled his ears, they jerked his tail, and they dragged his carcass around; yet he cared nothing about all this, for he was wondering whether he was a lion; or if not, what?

Before he could unscramble his senses and recover his eyesight, the hunters, with help of a score or more of the sturdy negroes, had boxed him up. The cage was slung on the shoulders of a dozen bearers, and borne in triumph to the ship.

On the voyage back to Belgium if, at any time, the king of beasts was surly, or misbehaved himself, or wanted fresh meat in the form of a sailor, instead of salt pork, all that was necessary to make him a good lion again, was for one of the hunters to camouflage himself, in all colors, and then make believe to enter his den to chastise him. But no spear, or red hot iron, or bottle of hartshorne was necessary.

The lion, on seeing the frightful figure, stopped his roaring at once, got down off his hind legs, ceased his rampage, and settled down as quiet as a guinea pig. Sometimes he would even lie down and roll over on his back and flop his paws up and down, as if to say, “Please don’t! I’ll be a good lion, if you won’t tire my poor brain, and give me a headache, with your old camouflage.” But occasionally, he gave a low growl as if swearing at such an impish invention; for, the story-teller is grieved to say that the lion learned some bad language while aboard the ship.

Nevertheless, it was not the beast but the men, that broke the peace; for one was a Fleming and the other a Walloon, and they quarrelled as to which part of Belgium was the oldest and most honorable from the time of Cæsar. Each stood up stoutly for his language, and his district, claiming that it was his ancestors that had made Belgium great.

For this time of their quarrel was long before the Belgian people were a true nation, with one flag, one king and a glorious national unity.

One day, the two men got into a dispute as to which of the two, the Walloon, or the Fleming, deserved the greater credit, for confusing and capturing the lion. The contention waxed so hot, that they almost came to blows. Then each one camouflaged himself and tried to get possession of the lion, both entering the cage, but from opposite sides.

But at such a sight, the king of beasts again lost his wits, and had two brain storms at one time, from opposite lobes of the brain. He retreated into a corner, stuck his nose through the bars, and curled up his legs and toes, so that neither of the hunters could get hold of anything but his tail, and hardly more than the tuft of that. Each man grabbed hold of his caudal hair and pulled so hard, that, in spite of the roars of pain, from the poor beast, they split the creature’s tail, half way up, and it never healed, or came together again.

So with a split tail, double for half its length, but, fortunately with a bit of tuft on each tip, the Belgian lion flourishes today. One half of its divided tail is Walloon and the other half Flemish; yet now, with pure patriotism, and loyal to a hero king and a noble queen, and with all the people united in devotion to their homeland, only the Belgian lion’s tail recalls the history of the past; while its body and limbs represent the majesty, the courage, and the devotion of the brave Belgian people.


Story DNA

Moral

National unity is stronger than internal divisions, even if past conflicts leave lasting marks.

Plot Summary

Two hunters travel to Africa to capture a fearsome man-eating lion. They use an elaborate, multi-colored camouflage to confuse the beast, causing it to suffer a 'brain storm' and become easily captured. On the voyage back to Belgium, the hunters, a Fleming and a Walloon, begin to quarrel over who deserves more credit for the capture. Their dispute escalates, leading them to both enter the lion's cage, where they pull its tail so hard they split it in two. The split tail becomes a lasting symbol of Belgium's historical internal divisions, while the rest of the lion represents the nation's eventual unity.

Themes

unityingenuitynational identityconflict

Emotional Arc

adventure to conflict to resolution

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: exaggeration, direct address to reader

Narrative Elements

Conflict: person vs nature (initially), person vs person (later)
Ending: moral justice
Magic: The extreme, almost supernatural, effect of camouflage on the lion's mind
The split tail of the lion (symbolizing Belgian division)The lion's body (symbolizing Belgian unity)

Cultural Context

Origin: American (author William Elliot Griffis, though the story has a European focus)
Era: pre-industrial

The story directly references the historical linguistic and cultural divide between the Flemings (Dutch-speaking) and Walloons (French-speaking) in Belgium, which was a significant political issue before modern Belgian national identity solidified.

Plot Beats (13)

  1. Two hunters travel from Antwerp to Africa to hunt a lion, hiring native porters and preparing a hide-up near a watering hole.
  2. They learn of a huge, man-eating 'king of lions' and plan to use camouflage and a pit trap.
  3. The hunters strip and paint themselves in elaborate, multi-colored patterns, making them appear utterly disorienting.
  4. They bait a pit with a pig, and the enormous lion charges towards it.
  5. The camouflaged hunters leap out and dance before the lion, whose brain is overwhelmed by the visual chaos, causing it to collapse in a daze.
  6. The hunters tweak the lion's nose, pull its ears and tail, and then, with the help of the negroes, cage it.
  7. During the voyage back to Belgium, the hunters use their camouflage to subdue the lion whenever it misbehaves.
  8. The two hunters, one Fleming and one Walloon, begin to quarrel over which part of Belgium is more honorable and which deserved more credit for capturing the lion.
  9. Their dispute escalates, and each hunter, camouflaged, enters the lion's cage from opposite sides to claim possession.
  10. The lion, seeing two camouflaged figures, suffers a double 'brain storm' and retreats into a corner.
  11. Each hunter grabs one side of the lion's tail and pulls so hard that they split it halfway up.
  12. The lion's split tail remains a permanent mark, symbolizing the historical divisions between the Walloons and Flemings.
  13. The story concludes by stating that while the tail recalls the past, the rest of the Belgian lion now represents the united and patriotic Belgian people.

Characters

👤

The Fleming Hunter

human adult male

A sturdy, robust man, likely of average height and build, with a strong physical presence, capable of enduring long journeys and physical exertion. His skin tone would be typical of a European from Belgium, perhaps fair with a tendency to tan.

Attire: Initially wears practical traveling clothes suitable for a journey to Africa, likely durable linen or wool. For the hunt, he strips off his clothes and covers his body entirely in wide bands of several colors, round blotches, and curves, front and back, as a form of camouflage. His only other attire is a scabbard for his long knife, also painted in streaks.

Wants: To successfully hunt and capture the 'king of lions', to prove his skill and bravery, and to assert the superiority of his Flemish heritage.

Flaw: His competitive nature and pride in his Flemish identity, which leads to quarrels and ultimately the splitting of the lion's tail.

He successfully captures the lion through cleverness but his pride and rivalry with the Walloon hunter lead to a physical altercation that permanently alters the captured beast.

His body covered in a chaotic, multi-colored camouflage pattern, holding a painted long knife.

Brave, cunning, competitive, and somewhat argumentative. He is fearless in the face of danger but prone to disputes, especially regarding his heritage and accomplishments.

👤

The Walloon Hunter

human adult male

A sturdy, robust man, likely of average height and build, with a strong physical presence, capable of enduring long journeys and physical exertion. His skin tone would be typical of a European from Belgium, perhaps fair with a tendency to tan.

Attire: Initially wears practical traveling clothes suitable for a journey to Africa, likely durable linen or wool. For the hunt, he strips off his clothes and covers his body entirely in wide bands of several colors, round blotches, and curves, front and back, as a form of camouflage. His only other attire is a scabbard for his long knife, also painted in streaks.

Wants: To successfully hunt and capture the 'king of lions', to prove his skill and bravery, and to assert the superiority of his Walloon heritage.

Flaw: His competitive nature and pride in his Walloon identity, which leads to quarrels and ultimately the splitting of the lion's tail.

He successfully captures the lion through cleverness but his pride and rivalry with the Flemish hunter lead to a physical altercation that permanently alters the captured beast.

His body covered in a chaotic, multi-colored camouflage pattern, holding a painted long knife.

Brave, cunning, competitive, and somewhat argumentative. He is fearless in the face of danger but prone to disputes, especially regarding his heritage and accomplishments.

🐾

The Split-Tailed Lion

animal adult male

An enormous, powerful male lion, described as the 'father of lions' in size. His face is as big as a wash tub, and he has enough long hair in his mane to stuff a mattress. After the encounter, his tail is split halfway up its length, with a tuft of hair on each tip.

Attire: None, as an animal.

Wants: To hunt and eat, to maintain his dominance as the king of the veldt. Later, to escape the confusing hunters and avoid brain-scrambling experiences.

Flaw: His intellect is easily overwhelmed by extreme visual stimuli, leading to a 'brain storm' and paralysis. His pride and surliness in captivity also make him vulnerable to the hunters' tricks.

Transforms from a fearsome, dominant predator into a confused, submissive captive due to the hunters' camouflage. His tail is permanently split as a result of the hunters' quarrel, becoming a symbol of Belgian national history.

A massive, golden-maned lion with a tail that is distinctly split halfway up its length, with two tufts at the end.

Initially fierce, cunning, and a notorious man-eater. He is intelligent but easily overwhelmed by sensory overload. In captivity, he becomes somewhat surly and stubborn, but also prone to fear and submission when faced with the hunters' camouflage. He learns 'bad language' on the ship, implying a degree of sentience and frustration.

🐾

The Pig

animal adult unknown

A fat pig, likely pinkish-grey with sparse coarse hair, typical of a domestic pig. Its size is sufficient to attract a large lion.

Attire: None.

Wants: To survive.

Flaw: Its vulnerability as bait.

Serves its purpose as bait, though ultimately not needed for the capture.

A fat pig tied to a stake.

Fearful and vocal when in danger.

👤

Native Black Company

human adult male

A company of sturdy black men, likely of various builds but all capable of carrying heavy loads and enduring physical labor. Their skin tones range from chocolate brown to ebony black, consistent with people from the interior of Africa (Khartoum/Nile region).

Attire: Practical, light clothing suitable for the African climate and their work, such as simple loincloths or wraps made of natural fibers. No specific colors or patterns are mentioned, but they would be functional and culturally appropriate for the region.

Wants: To fulfill their duties as guides and porters for the hunters.

Flaw: None explicitly stated, but they are subservient to the hunters.

They assist in the hunt and capture of the lion, remaining consistent in their role.

A group of strong African men carrying a large cage.

Diligent, observant (reporting on the lion), and helpful to the hunters.

Locations

Wide African Valley with Veldts

outdoor Implied dry season, warm/hot climate typical of the African interior.

A famous wide valley in the African interior, featuring open veldts (grasslands) and a large water hole. The ground is likely dry earth or short grasses, with scattered bushes and tall reeds near the water source.

Mood: Wild, untamed, dangerous, expectant, tense.

The hunters set up their hide-up, prepare their camouflage, and lure the lion to the pit. This is where the main confrontation with the lion occurs.

large water hole tall reeds bushes veldts (open grasslands) dug pit covered with poles and branches fat pig tied to a stake

Crusader Ship Deck

transitional Oceanic weather, potentially calm or stormy, depending on the voyage.

The deck of a large sailing ship, similar to those used by crusaders, with wooden planks, ropes, and possibly a cage containing the captured lion. The sea is visible around the ship.

Mood: Confined, maritime, tense (due to the lion), later quarrelsome.

The hunters transport the captured lion back to Belgium. Later, the two hunters quarrel inside the lion's cage, leading to the splitting of its tail.

wooden ship deck lion's cage (wooden bars, metal hinges) sails and rigging ocean waves ship's railings