TURK, TURBAN, TULIP and DRAGON

by William Elliot Griffis · from Belgian Fairy Tales

fairy tale origin story whimsical Ages 8-14 2610 words 12 min read
Cover: TURK, TURBAN, TULIP and DRAGON

Adapted Version

CEFR A1 Age 5 194 words 1 min Canon 35/100

A special dragon lived long ago. His name was Buccoleon. He was a big dragon. He lived near water. He lived in a wide river. The river was near a small town. Buccoleon was very kind. He liked peace. He did not like fighting. He was friends with cloud fairies. The fairies were small and bright. They helped make rain. They flew high in the sky. They brought water to the dry land. Buccoleon liked his fairy friends very much.

Buccoleon was a sad dragon. He felt a deep sorrow. Brave knights came from far away lands. They fought in big battles. Many knights fell down. They never went home again. Buccoleon cried for them. His big heart felt very heavy. His tears were very big. Each tear was like a bucket of water. He cried over the dry ground below. The tears made the ground soft and wet. The ground became dark and rich. Buccoleon wiped his big, gentle eyes. He felt so much sorrow. He wished for peace for all.

Then a magic thing happened. It was a true wonder. Where the big tears fell, pretty flowers grew. They were new flowers.

Original Story 2610 words · 12 min read

TURK, TURBAN, TULIP AND DRAGON

There used to be a great many kinds of dragons in the world. Anybody who looks at the old pictures, images, and decorations, or reads the stories of long ago, can see this.

There were bad dragons and good dragons. Some, like those that lived in China and Japan, had no wings; but very long tails. The Wyvern, or Scotch dragon, had two tails, like the Belgian lion, but the dragons in Turkey made up in wings what they lack in tail.

A long time ago, there was a Belgian crusader, a Fleming, who got acquainted with a dragon of most respectable character, that lived near Aleppo, which was one of the famous cities of the Saracens. This was a water-dragon, named Buccoleon (buc-có-le-on), that lived in the river near by, though sometimes, when it wanted to go on a picnic, or enjoy the company of the hill dragons, it flew into the mountains.

The Turkish water dragons were great friends of those fairies that lived in the clouds, and had much to do with the showers and heavy rains, that make the flowers grow.

A great many caravans passed through Aleppo. These brought the tea, ivory, silk, and spices from the countries in the Far East, where the sun rises. These, they sent from Aleppo, by sea, to Antwerp, one of the greatest seaports in the world. The camels did not, of course, require much rain water, for they only took a drink about once a week. When they did, however, they made up for it, with their long necks, by tasting the water all the way down; that is, for about two yards. On the other hand, when they had a cough, it was awfully troublesome, to have six feet of sore throat. So the good dragons pitied the camels, and were always kind to them.

It was necessary for the river dragons to keep on good terms with the hill dragons and cloud fairies; for, without rain, the river would dry up. Then the dragon, that lived in the water, would have no place to board, or to lodge, or even to wash in, for the river was its bath tub.

This river dragon was a peaceful creature and did not like war. In fact, among its fellow creatures, it was known as the Weeping Dragon, because it cried so much. Whenever there was a battle between the Belgian crusaders and the Saracens, this dragon wept great tears. Each tear, in volume and amount, was equal to a bucket of water. Why should men, the dragon thought, chop and hack each other to death, because one carried a crescent on his banner, and the other sewed a red cross on his coat, over his armor? After every bloody fight, this river dragon used to go over the fields where the men from Belgium were buried, and drop a tear over each grave. Then it mopped its eyes, with a great bandana handkerchief, because the Flemings had died so far from home.

Now a bucket full of tear-water, falling on each burial spot, changed the sandy soil into fertile ground, and thereupon up sprang a new flower.

This novelty in the plant world looked like a cup, held by its stem. It rose up, in the air and sunlight, and was very rich and varied in color. All the hues and tints, of the other buds and blossoms, seen in the gardens that lined the river banks, seemed to unite in this one flower, as if everything good in the dead man had come to life again in bright colors. On some days, when, in the early morning, the sunlight struck the dew drops that lay on these flowers, each one looked like a crown set with costly jewels.

Now a certain Belgian soldier, a Fleming, whose home town was Ghent, and who was a florist, by profession, noticed this splendid new flower. His name was Theophilus; but they called him Taff, for short. From the first, his hope and ambition, in going to the East, had been—if he were not killed while fighting the battles of the cross, or if he did not die of fever, or from the terrible ulcer, they called the “Aleppo button”—to take home a floral souvenir from the Turk’s country. He knew that all the little boys would be expecting to see him come home loaded with trophies, captured from the Saracens; but the strange flower would also show where he had been, and through what adventures he had passed.

The Pilgrims to Jerusalem always carried home a scallop shell; but he intended to surprise the Ghenters with something prettier.

What better than the spirit-flower, or memorial blossom, which sprang up, where the weeping dragon had shown its grief? In fact, Taff thought of naming it “the Dragon’s Tear.”

But when he thought of the bad reputation of dragons in his country, he feared that all the Ghent folk would laugh at him and say that a dragon’s tears were no better than a crocodile’s. Besides, the idea of weeping was not a cheerful one, nor did it tell of the victories of the cross and the crusaders. What then should be a proper name for the flower?

While pondering this question, Taff looked out and saw two big Turks quarreling. They called each other all sorts of bad names. Finally one cursed his enemy, saying:

“May you wear a hat in the next world!”

And the other retorted: “May your turban fall into a pig-sty!”

Now these, with the Turks, were the same as horrible oaths. It was against the law for Saracens, as it is for Turks, to wear a hat. All faithful followers of the prophet cover their heads with a turban, and any one, who does not thus protect his head, is looked on as a vile sinner. To let one’s turban fall among the pigs, is the greatest misfortune.

Whether it be a fez, that is, a round, red cap, with tassel on the top; or seventeen yards, of white muslin, or red damask, or green silk wound round one’s head, every disciple of the prophet must wear a turban. If it be not neatly wrapped, a man is apt to be called a Bashi Bazouk, or “rotten head.” All sorts of honors, and offices are denoted by the folds, colors, or methods of folding or wrapping the turban. Or, in the case of cleanliness and smartness on the one hand or dust or slovenliness, on the other, words of praise or nicknames, and low and vulgar terms, may be applied.

The tassel on the top is the handle, by which the good believer is lifted, by the angels, into Paradise!

When Taff noticed the variety of rich colors, and the beauty of the fashion of the Saracen headdress, he decided to name the new flower the Turk’s turban.

Now the word for this is tulipan, or tulip, for short. Thereupon Taff collected the seeds of this turban flower and when the war was over, he brought them to Flanders and planted them in his garden. Soon he had a tulip farm, and then orders came in, from all parts of Europe, for this wonderful flower.

The women did not care very much for the tulip, because it is not as well fitted, as are violets, or roses, or sweet peas, or honey suckles, for corsage bouquets, or to put in their hair. Moreover, in the language of flowers, it had neither poetry, nor message, nor meaning, like the pansy, for instance.

On the contrary, as the young ladies say, the men “adored” the tulip because of its bright colors. Every man, who had been a crusader, planted it in his garden, to remind him of the Saracens, whose heads he had cut off in battle; or, to tell, his sons and neighbors about the terrible warriors he had met and fought with.

This was necessary, for all the small boys were disappointed, whose fathers did not bring back a scimeter, a spear, a shield, a javelin, a real turban, a pair of turkish slippers, a harem shawl, or some other trophy, to show that they had really been to the wars. In fact, some of them expected their daddies to return with a string of Turks’ heads at the saddle.

So the tulip was called a man’s flower, and Taff got rich, by selling the bulbs. Then he cultivated many varieties, with new shapes and colors. It got to be the fashion to buy these, for every one wanted to show off the new hues and tints, the streaks and spots, and the flaming colors, and hoped to beat his neighbor with the most astonishingly big blooms.

At one time, it seemed as if the whole world had gone crazy over tulips. Thousands of dollars were paid for a single bulb, or even for a tulip in flower, which would lose its petals in a few hours. Every day the Bourse, or money market, was crowded with merchants and brokers; who were buying bulbs and plants, without ever seeing one of them. Prices were announced from distant markets, by means of signals given on the windmills. Some men had tulips on the brain. They sold all they had, chairs, tables, beds, dishes and even clothes, to buy tulips, red, yellow, blue, or black.

But wise men called all this madness, and even talked of “wind trade.” Soon the excitement died down, and the market fell as flat as a ship’s sails on the mast, when there is not enough breeze to flap them.

There was another Fleming, a returned crusader, whose first name was Isaac; but they called him Nyken for short. This man was a potter by trade. He was so pestered by the small boys who wondered why he hadn’t brought back two or three Turks’ heads, that he was at his wit’s end to explain and answer their questions. So Nyken hid himself away, resolving to get rich from what he had learned about turbans. Not having any garden, he could not raise flowers, so he made up his mind he would make tulips out of clay, and get rich, even faster than his neighbor Taff, who was an old bachelor; while Nyken had a wife, and three daughters, all highly accomplished.

So Nyken mixed his clay, got his potter’s wheel ready, loaded his palette with paints, and then set to work, with his “vrouw en kinderen”; that is, his wife Bab (or Barbara) and his daughters three, Beck, Beff, and Jin (that is Rebecca, Elizabeth, and Joanna). These fine girls had all been well educated in the public schools, which were, even then, the glory of the Netherlands. They kept everything secret until the market day.

Then, to the surprise of the whole town of Ghent, Nyken’s stall and shelves blossomed out like a bed of tulips. There was his fat wife, whom he called Bulb, for a pet name, and his three blooming daughters, whom he called his Tulip blossoms.

First in demand, was the turban-dish, or “Turk’s Head,” for baking apples, and pot pies, and cakes, and macaroni. This was made of earthenware.

Then there was hard, shining glazed ware, in many forms and for many uses, cups, saucers, vases and flower-holders. These were made into the form of the flowers themselves, or were decorated with tulips of many tints; besides those which were black, yellow, and red, the colors of the Duke of Brabant and of the Belgian flag.

What pleased the young folks, more than all else, was the bust of a Saracen. This was a copy of a real Turk, with a turban on his head. His hair was black, and his face swarthy. His mouth was wide open, as if ready for some one to throw a pill down his throat, which he should swallow, without chewing it.

This was called “The Gaper,” and was instantly popular with the apothecaries, who made the pills and sold them in boxes at a high price.

On the very first day, Nyken and Bulb had sold out their whole stock, and the three girls, Beck, Beff and Jin had already, in their minds, selected the new dresses and lace collars, which they intended to buy. Soon, all through the Netherlands, there was a “gaper” over every druggist’s shop. New medicines, and strange-looking bottles and boxes were seen on the counters.

There were “Saracen Sure Cure for Corns,” “Buccoleon Liniment,” “Dragons’ Elixir of Life,” “Palestinian Pills,” “Tulip Cure-Alls,” “Thousand-Years-of-Life Syrup,” “Crusaders’ Balm,” “Dragon-Scale Plasters,” “Oriental Ointment,” and a hundred other remedies.

Meanwhile, what had become of the Aleppo dragon?

It turned out, just as the fairies and hill dragons had predicted; that, as soon as the war was over, and peace came, this dragon’s eyes would dry up. Then, the energy, that was so long wasted, as they thought, on tears, would excite this dragon to travel, and then, also, the dry ground would turn no more into flowers. Instead, the stream of tears would strike inward, and all of a sudden, the dragon’s scales would become gold.

It happened just so, and soon Buccoleon’s skin was a mass of golden scales.

Hearing that the Flemings had done such wonders, with the turban flower, and the turban pottery, the dragon was filled with admiration and envy. He wanted to fly at once to Flanders, and see things. He had learned, rather to like Crusaders, but when further, a traveler told the dragon about the Turk’s Head, made of earthenware, for cooking, and the Gaper, for the medicine shops, Buccoleon laughed so loudly, that people in Aleppo thought it thundered.

But alas for men’s treachery!

There was always so much envy and jealousy among the guilds in Ghent, that riots sometimes broke out. Then the bells called out the people to put down the rioters, and do justice to all.

Just at this time, as Buccoleon, the Aleppo dragon, was flying toward Flanders, the goldsmiths of Ghent were almost savagely envious of both Taff, the florist, and Nyken, the potter. When they heard of the coming flight of Buccoleon, they posted archers on the high towers, and these shot to death the good water dragon of Aleppo.

The greedy goldsmiths expected, with hammers and chisels, to pry off its scales and sell them! They wanted to get rich quickly, like Taff and Nyken.

These bad men were awfully disappointed. For when the people heard of what they had done, they rushed into the belfry of the tower. Some of them climbed up the three hundred and seventy-six steps, and rang the great bell, making a terrific clangor.

Forthwith, all the citizens assembled, in the great square, to hear Taff and Nyken tell what this good dragon had done, and how its tears, over the dead Crusaders, had been turned into tulips.

It was voted unanimously that the highest honors should be paid to Buccoleon, the dragon. So, with ropes and pullies, and a strong scaffold, they raised a mighty tackle on the tower, while the blacksmiths made the iron weather vane. On its pivot, they set the Aleppo dragon, which was ten feet long. Now, when it came to dragons, Ghent could glory over Brussels, and the Boringue.

Flashing golden in the sun, high in air, near the clouds, while far below, in the rich fields and gardens, the tulip spreads beauty on earth and wealth to the Netherlands, Buccoleon, the dragon, on top of the great belfry, turns to all the winds that blow.


Story DNA

Moral

Good deeds and sorrow can lead to unexpected beauty and prosperity, but human greed can tragically cut short even the most benevolent forces.

Plot Summary

A peaceful water-dragon, Buccoleon, weeps over fallen crusaders near Aleppo, and its tears give rise to the first tulips. A Flemish crusader, Taff, discovers the flower, names it 'Turk's Turban,' and brings it to Flanders, becoming rich. Another Fleming, Nyken, creates tulip-inspired pottery and 'Gaper' apothecary figures, also finding wealth. As peace returns, Buccoleon's scales turn to gold, and it flies to Flanders to witness the wonders inspired by its tears. However, greedy goldsmiths, envious of Taff and Nyken, kill the golden dragon. The outraged citizens of Ghent honor Buccoleon by placing a golden dragon weather vane atop their belfry, ensuring its legacy alongside the enduring beauty of the tulip.

Themes

transformationcultural exchangelegacygreed vs. appreciation

Emotional Arc

sorrow to wonder to prosperity to tragic loss and enduring legacy

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: explanatory asides, historical context integration

Narrative Elements

Conflict: person vs person | person vs society
Ending: bittersweet
Magic: talking dragons, cloud fairies, dragon tears transforming soil into flowers, dragon scales turning to gold
the tulip (symbol of beauty, memory, wealth)the dragon (symbol of sorrow, transformation, benevolence, and ultimately, a weather vane of legacy)the turban (cultural symbol, inspiration for the tulip's name)

Cultural Context

Origin: Flemish (Belgian) / Dutch
Era: medieval | pre-industrial (Crusades era, followed by 17th-century 'Tulip Mania')

The story blends elements of the Crusades with the historical 'Tulip Mania' of the 17th century in the Netherlands, providing a fantastical origin for the tulip and the 'Gaper' apothecary figures, while also reflecting on human nature like greed and admiration.

Plot Beats (12)

  1. Introduction of various dragons, including the peaceful, weeping water-dragon Buccoleon near Aleppo.
  2. Buccoleon weeps over the graves of fallen Belgian crusaders, and its tears transform the soil.
  3. A new, beautiful, cup-shaped flower, rich in color, springs from the tear-soaked ground.
  4. The Belgian crusader and florist, Taff, discovers the flower and considers naming it 'Dragon's Tear' but renames it 'Turk's Turban' (tulip) due to cultural perceptions.
  5. Taff brings the tulip seeds to Flanders, cultivates them, and becomes wealthy as the flower becomes popular, especially among men as a war trophy reminder.
  6. The 'Tulip Mania' sweeps Europe, with single bulbs selling for exorbitant prices, before the market eventually crashes.
  7. Another crusader, Nyken the potter, creates tulip-shaped pottery and 'Gapers' (Saracen head figures for apothecaries), also achieving great wealth and fame.
  8. With peace, Buccoleon's tears dry, and its scales turn to gold, making it a golden dragon.
  9. Buccoleon, hearing of the Flemings' success with the tulip and related pottery, decides to fly to Flanders out of admiration and curiosity.
  10. Envious goldsmiths in Ghent, seeking quick wealth, shoot and kill the golden dragon upon its arrival.
  11. The citizens of Ghent are outraged by the goldsmiths' treachery and gather to honor Buccoleon.
  12. The city unanimously decides to commemorate Buccoleon by placing a ten-foot golden dragon weather vane atop the great belfry, symbolizing its enduring legacy.

Characters

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Buccoleon

water-dragon ageless non-human

A large, serpentine water-dragon, capable of flight. Initially, its scales are not explicitly described in color, but after the war, its skin becomes a mass of golden scales. It is ten feet long when transformed into a weather vane.

Attire: None, as a dragon.

Wants: To maintain peace, to express grief over human conflict, and later, to travel and see the world, especially Flanders, out of admiration and envy for human ingenuity.

Flaw: Its empathy and sorrow for human suffering, which initially caused it to weep constantly. Later, its curiosity and admiration for human achievements lead it into danger.

Initially a sorrowful, weeping creature whose tears bring forth new life. After the war, its eyes dry up, its scales turn to gold, and it develops a desire for travel and admiration for human ingenuity. Its physical form is ultimately transformed into a golden weather vane, becoming a symbol of Ghent.

A magnificent golden-scaled dragon, weeping tears the size of buckets, or later, as a golden weather vane atop a belfry.

Peaceful, empathetic, sorrowful, kind, admiring, curious.

👤

Theophilus (Taff)

human young adult male

A Belgian soldier, a Fleming from Ghent. No specific height or build mentioned, but implied to be a capable crusader.

Attire: Crusader attire, including armor with a red cross sewn on his coat. Later, implied to be civilian clothes as a florist.

Wants: To survive the crusades, to bring back a unique floral souvenir from the East, and to surprise the people of Ghent with something beautiful and meaningful.

Flaw: Concerned about public perception and the 'bad reputation' of dragons, which makes him hesitate to name his flower 'Dragon's Tear'.

Begins as a crusader with a practical ambition for a souvenir. Discovers the tulip, names it, and becomes instrumental in its introduction and popularity in the Netherlands, becoming a successful florist.

A Flemish crusader, holding a newly discovered, vibrant tulip.

Observant, ambitious, thoughtful, practical, innovative, a bit cautious (regarding the dragon's reputation).

👤

Isaac (Nyken)

human adult male

A Belgian crusader, a Fleming, and a potter by trade. No specific height or build mentioned.

Attire: Crusader attire initially, later implied to be a potter's working clothes.

Wants: To get rich quickly from his observations in the East, particularly about turbans, and to provide for his family.

Flaw: Initially annoyed by children's questions, leading him to hide away.

Starts as a returned crusader, annoyed by questions. Transforms into a successful entrepreneur by creating pottery inspired by Turkish turbans and the tulip craze, becoming wealthy.

A Flemish potter, surrounded by clay tulips and 'Turk's Head' dishes.

Resourceful, entrepreneurial, family-oriented, clever, initially exasperated by children's questions.

👤

Bab (Barbara)

human adult female

Nyken's wife, described as 'fat' and affectionately called 'Bulb' by her husband.

Attire: Implied to be a Flemish housewife's attire, likely a linen dress and apron, suitable for working in a pottery shop.

Wants: To support her husband's business and contribute to the family's prosperity.

Flaw: Not explicitly shown.

Remains a supportive and active partner in her husband's successful pottery business.

A plump Flemish woman, cheerfully working with clay tulips.

Supportive, industrious, family-oriented, involved in her husband's business.

👤

Beck, Beff, and Jin (Rebecca, Elizabeth, and Joanna)

human young adult female

Nyken's three daughters, described as 'blooming' and affectionately called 'Tulip blossoms'.

Attire: Implied to be well-dressed, as they anticipate buying new dresses and lace collars. Likely wore contemporary Flemish dresses.

Wants: To assist their father in his business and enjoy the fruits of their labor (new dresses).

Flaw: Not explicitly shown.

They assist their father in his pottery business and look forward to the rewards of their success.

Three young Flemish women, each holding a different colored clay tulip.

Well-educated, industrious, anticipatory, eager for new clothes.

Locations

River near Aleppo

outdoor early morning | varies Varies, but implies conditions suitable for plant growth and occasional rain.

A river flowing near the ancient Saracen city of Aleppo, with sandy banks that become fertile ground after the dragon's tears. Gardens line the river banks, filled with various buds and blossoms.

Mood: Initially a place of sorrow and battle, transforming into a place of unexpected beauty and new life.

The Weeping Dragon, Buccoleon, lives here and sheds tears over fallen crusaders, causing the first tulips to grow. Taff discovers these unique flowers here.

River Sandy soil Fertile ground Gardens New flowers (tulips) Dew drops

Battlefields near Aleppo

outdoor Varies, but likely warm and dry given the region.

Fields where battles between Belgian crusaders and Saracens took place, resulting in many graves. The soil is sandy.

Mood: Somber, mournful, a place of death and remembrance.

After every bloody fight, the river dragon visits these fields to drop a tear over each grave, which transforms the sandy soil into fertile ground.

Sandy fields Graves Fallen soldiers

Ghent Marketplace

outdoor daytime Varies, but implies fair weather for market activities.

A bustling public square in the town of Ghent, Flanders, where stalls and shelves are set up for market day. It is a place of commerce and community gathering.

Mood: Lively, bustling, initially surprised, then celebratory and eventually tense due to guild rivalries.

Nyken the potter and his family unveil their tulip-themed pottery and 'The Gaper' busts, achieving immediate success and popularity. Later, citizens gather here to hear about the dragon and honor it.

Stalls Shelves Earthenware pottery Glazed ware Busts (The Gaper) Crowds of people

Belfry of Ghent

transitional daytime Varies, often windy at the top.

A tall, imposing stone tower in Ghent, with three hundred and seventy-six steps leading to its belfry. It houses a great bell and eventually features a ten-foot-long golden dragon weather vane at its pinnacle.

Mood: Imposing, symbolic of civic power and justice, later becoming a place of honor and remembrance.

Goldsmiths post archers here to kill Buccoleon. Later, citizens rush to the belfry to ring the great bell, assemble, and ultimately install the golden dragon as a weather vane, honoring its legacy.

Stone tower Belfry Great bell Three hundred seventy-six steps Scaffold Ropes and pulleys Iron weather vane Golden dragon (Buccoleon)