THE MAGIC PEACH

by William Elliot Griffis · from Korean Fairy Tales

fairy tale romance whimsical Ages 8-14 3065 words 14 min read
Cover: THE MAGIC PEACH

Adapted Version

CEFR A1 Age 5 194 words 1 min Canon 25/100

A kind Queen lived on a special island. She had special peaches. These peaches gave a very long life. The Queen Mother lived there. Her island was full of wonder. She sent good gifts to people. Blue birds carried her messages. She helped people feel joy. Her palace shone brightly. Many helpers served her. The Queen was very good.

People on Earth wished for many things. They hoped for good lives. They hoped for nice clothes. They hoped for joy. They looked at the sky. They waited for the blue birds. The Queen Mother helped them. She made dreams come true. People loved the Queen.

One day, the Queen Mother sent a message. She called a good young man. His name was Prince Leo. Prince Leo was kind. He was very brave. The Queen sent Maiden Lily to him. Maiden Lily was very pretty. She rode in a special car. Dragons pulled this golden car. It flew high in the sky. Prince Leo would visit the island. He felt excited.

Prince Leo's Mom told him, "Be safe." She said, "Do not look long." She wanted him to be fine. The Queen Mother told Maiden

Original Story 3065 words · 14 min read

THE MAGIC PEACH

Out on the ocean, so far away that no ship ever sailed there, is an island on which stood the seven storied palace of the royal lady, Su Wang Moo. In our language, this title means Western Queen Mother. She is always ready to help good mortals with her gifts and favors.

On this island thousands of genii wait to obey the commands of the Queen Mother. She has also chariots of silver and gold drawn by dragons, by which she sends her messages everywhere.

The genii and most of the shining maidens stay at home to fulfill the Queen’s commands. In addition to these servants, she has hundreds of azure pigeons, which she often despatches to far-off places. In their bills, or under their wings, they carry some gift or promise to make people happy.

In the mind of many a Korean maiden there rises the dream, or there wells up the hope, that some day the Western Queen Mother will send to her pretty clothes of silk, with necklaces of jewels, a handsome youth to wed her, and a silver ring for the marriage ceremony.

Then she pictures to herself how splendidly she will be arrayed and how fine she will look in the costume of a bride; how her long black hair will be done up very high, with flowers and rosettes over the crown of her head, and ermine-edged slippers will be put on her feet. She wonders how she will feel when she drinks the cups of sacramental wine that make her a wife, after which she will go with her husband and bow to the memorial tablets of his ancestors.

She goes all over in her mind the happy times she will have in her husband’s home. What she hopes for most, after all these things, is to have a kind mother-in-law. Then she will be a queen in her own little kingdom, with plenty of rice and kimchi, and cakes and goodies.

So it is that many Korean maidens go out under the blue sky to look up at the stars, or on moonlight nights scan the heavens to see if the birds are coming. Hoping to greet the azure pigeons, they put on their best clothes and watch. Many are their dreams.

Oh! how many lads also dream of the genii and of the riding on the dragon’s back, to cross the mountain ranges and the great oceans, and to visit strange, far-off countries; or, they think of the pink coat which they will wear. The pink coat shows that the lad is engaged to be married and will, when grown up, be a husband to the little girl who may be in her cradle days; for in Korea children and even babies in arms are engaged to be married to other children.

Then the boy pictures the day when the long braid of hair, which he now has to wear down his back, shall be tucked up into a topknot, like a man’s. No matter how old a bachelor may be, he must wear this boy’s braid of hair. He must not speak, or talk with his elders, without first asking permission. He must be “seen and not heard” in company, and every one treats him as a child. So the boy also waits for the azure pigeons to come, for to be engaged to be married even when quite young, or to have a wife when older, means a great deal.

Then the young husband will wear a wide brimmed hat after school and go up to the city, with his fellow villagers, to try at the literary examinations. They will all march together, under a banner tufted at the top with pheasant feathers. If he passes successfully, he will be welcomed home with a parade and band of music. By and by, he will become a magistrate and have a string of amber beads over his ear, and wear on his breast a square of gold-embroidered velvet. Servants will carry him in a palanquin and his men will carry wooden paddles to punish folks who break the laws. Then he can strut about, in starched white flowing clothes, with the common people all afraid of him. No wonder that the boy waits for the coming of the blue pigeon!

Now in the gardens of the Queen’s Palace, on the Island of Gems, there grow wonderful fruits of a rich, ripe color, brilliant with light and sheen. These, when served at the banquets and eaten, have the power of making the guest live very long, even for thousands of years.

Especially powerful is the celestial peach of longevity, which is served on little golden tables, its juice makes an old person’s body new, so that one who eats the peach will live hundreds of years.

Sometimes the Queen sends one of these fruits to her favorites on the earth. Yet no one can ever get any of these peaches, unless the Queen herself gives them, and the peach trees are always jealously guarded by genii and dragons. None, even of the Queen’s servants, or her waiting maids, or any of the genii, or dragons, can bestow the peach of longevity on mortals.


Now it happened that the Queen, hearing of the virtues of a certain king’s son, despatched one of her lovely maidens, in one of her ten thousand dragon chariots, inviting him to visit Her Majesty, in the Island of Gems. She sent a message also to the prince’s parents, telling them that their son would return before the end of the moon, which was then in its first quarter.

His anxious mother, who had a bride already picked out for her son to wed, warned him against looking too long at the lovely princesses, or pretty maids in the Queen’s Palace of Gems. In truth she had her lurking suspicions. She feared for her darling son, that, beneath their rosy faces and moon-like eyes, they were really sirens, possibly even sea monsters in female form, and might eat him up.

She also urged him to be very careful as to etiquette. He must be especially decorous, because the code of behavior and manners might not be the same as those among polite people upon the earth. Moreover, he must notice and hear everything and, when he came back home, tell her all about it.

On the other hand, the Queen of the Island of Gems warned the lovely maiden, a princess whom she sent, to beware lest the prince might fall in love with her, either on the way, or when at the island. If he tried to persuade her to marry him and to stay on the earth and not come back to the Island of Gems, and to her duties to the Queen, the palace maid would be disgraced and die early.

Although the Queen laughed when she said it, and quoted the proverb, “Don’t trust a pigeon to carry grain,” she was really very serious, and the maiden knew that it would not do to thwart the royal wishes.

So this discreet princess made a firm resolve to be very careful. She decided that when she met the prince she would be very cold in her bearing. When delivering the Queen’s invitation, she would appear to think it only a matter of business, though very important. She would not stay more than an hour in the prince’s mansion.

When the dragon chariot was returning homeward she would be silent. She would hold no conversation, nor speak a word, nor let the prince sit beside her, but she would keep in the front seat nearest the dragon, while he should ride on the great creature’s back.

So it was a very quiet journey which the prince made, while the chariot sped over the clouds, with the earth and oceans lying far beneath. Part of the time he sat on the dragon’s back, as if in a saddle, but after a while he climbed back into the chariot again, and all the time he was so thrilled with the speed and the grandeur of it all that, to tell the truth, he forgot all about the lovely princess who had brought the Queen’s message, until he found himself at the Queen’s Palace of Gems and was invited to step out of the chariot.

Soon he was seated with others, similarly honored, at the table which was loaded down with dishes of gold and silver which were heaped with the choicest viands. The guests, all in fine clothes like the prince, were waited on by shining maidens of exquisite beauty and robed in golden garments gemmed with glittering jewels of the most precious workmanship.

Upon one of these lovely creatures, a maiden who seemed to be about sixteen, not far away from where he sat, the prince cast his eyes. She was kneeling on the floor ready to do his bidding. He was so filled with admiration at her loveliness that he could hardly pay any attention to the talk at the table. Despite his mother’s warning, he made several mistakes in propriety.

Yet his appetite was very good after his long journey and he ate heartily of the delicious fare. Towards the end of the feast, feeling in a jolly mood, he picked up one of the peaches. Then he pared and sliced it, greatly enjoying its juicy nectar. Every morsel of the pulp, as he put it in his mouth, made him feel as if he were gaining a century of vigor. He knew he was lengthening his life and increasing his power to enjoy the pleasures of which he had always been very fond.

Indeed the prince was far less of a scholar and student than he ought to have been. Often at home when his teachers were all present and ready to begin the tasks of the day, the lad was still out at play. His older sister used to say laughingly of her brother, “He never let his studies interfere with his education.”

Yet every moment this maiden kneeling near him seemed to grow more charming in both face and form, dress and adornment, ease and grace of motion. Indeed she seemed the very embodiment of all loveliness, and the prince could not keep his eyes off her. He did not know that this was the effect of eating the peach of longevity, for the maiden was really no prettier at the end of the banquet than she had been at the beginning. The change was in him, not in her.

So intoxicated was the prince, that he so far forgot himself and what his mother had told him not to do, that he picked out one of the finest-looking of the peaches from its golden basket on the table and tossed it over to the pretty maiden.

On her part the maid of honor had herself been so wrapped up in admiration of the young and princely guest, that when he motioned that he was about to toss a peach to her she broke the rule of the Palace of Gems. She threw out her hands and caught the peach deftly, as if playing ball.

The palace ladies were all horrified. They had been taught that, except to perform the duties of waiting and serving, they were to pay no attention to anything the guests might say or do. When heated with wine the guests might be only making sport of the attendants. They were to decline any personal attentions and continue in their duty of serving. But instead of averting her gaze, or bowing low with her face to the ground, or having her eyes downcast, the maid, actually threw out her hands, caught the peach and, to the horror of all who saw her, bit into it and swallowed the morsel.

What it was that happened the very next moment even the fairies could not tell or exactly remember; for a golden mist seemed to fall in the banquet hall, enveloping everything.


It happens that just here in the story a great gap occurs. At such a pause the Korean story-teller, who sits in his booth in one of the back streets of Seoul, would stop and send his boy to take up a collection from the crowd. Nor would he go on, until all had been invited to give and the coins rattled in the gourd shell.

When he began again some said it was the same story continued. Others were sure it was a new story, but that the palace maid and the prince were the same who had been in the banquet hall of the Western Queen Mother, in the Island of Gems and that the peach had never lost, since it never could lose its virtues, because given by the Queen. But such as it was, this is the way the story ran on:


More than a thousand years afterwards it was known that in the high mountains of the Ever White range lived a holy man, a hermit, who was honored, almost worshiped by the people in that region. In the summer time hundreds of pilgrims visited his hut to hear wise words about how to live and do good, and then to receive the hermit’s blessing. Even the wild beasts appeared to be tame in his presence. At any rate, they never tried to bite or devour one another, or hurt the old man or to destroy his humble shelter. The tigers, the leopards and the bears seemed to forget they had claws, or teeth; while their little cubs played peacefully with each other.

The dress of this hermit was of the ancient style of a thousand years before, of the time of the ancient dynasty of Ko.

One day while out on one of his walks this old, white-bearded hermit met a woman of fair countenance, who seemed to be quite young, for her face was unwrinkled and rosy. It appeared that she had travelled far, yet she walked with the springing step of a maiden who was still in her teens. Her dress betokened that of ages gone, for it was of the sort and fashion which are revealed in the cave pictures painted on the walls of the dolmens, or the colossal stone chambers, in which kings and mighty men were buried, ten or fifteen centuries ago, which are very many in Korea.

The hermit and maid met in the path under the tall pine tree and exchanged greetings, the lady bowing very low. Then, as she looked up in his eyes, her face became radiant with joy as if she recognized a dear friend.

The sage inquired who she was, and whether she were the wandering lady, of whom rumor spoke of having been seen during centuries, over all the nine provinces of Korea, by people who were great grandfathers, as well as by the children of that day.

Then she told her story.

She was the same palace maid, who, in the Western Queen Mother’s palace on the Island of Gems had waited upon him, once a gay prince and now the holy hermit. Then again she bowed low.

For catching and eating the peach which the princely guest had tossed to her, and thus breaking the rules of the palace, the Queen had ordered her banishment for a thousand years.

But during all this time she had been seeking the prince who tossed her the peach of longevity; for she knew that neither she nor he could die, till the thousand years had passed. Yet none of the men she met, however handsome, learned or wealthy, reached her ideal of the youth she had seen so long ago. Not finding him, she went back to the Island of Gems, traveling on a dragon’s back, and humbly begged the Queen to extend her term of life, until she should meet the one she loved so dearly, even if she found him only after hundreds of years more of wandering and of hope deferred.

The Mother Queen listened to her petition and was gracious and extended the maiden’s life. So on the earth she kept up her wanderings. Now, having met the holy hermit she was happy, for she felt sure that she had found the same prince, venerable in appearance though he was, for she could see his soul.

The hermit listened with delight to the lady’s story of her life in the palace and of her wanderings, during a thousand years in search of one she loved; and, especially, that she had been willing to have the Mother Queen order her future.

As for the hermit, his long white beard which swept his breast fell off, his bald head was in a moment covered with luxuriant black hair, and he became young again in her presence, with springing step and bright eyes. He could not be more rosy in countenance, for the pure life he had led had kept his skin pink. They spent many hours together, in talking long and joyfully over their experiences in the Island of Gems.

Then both agreed that now, since they had met again, they would bow gladly to the Queen’s decision concerning them both, and do whatever Her Majesty ordered.

But already by a flying dragon that was famous for gathering up news from all parts of the universe, the Queen had been told of the meeting of the lovers in the mountain path, and of their pious resolve to commit their future to Her Majesty in the Island of Gems.

Suddenly the pair of lovers heard near the mountain top a sound of sweet music, as of some fairy playing on a lute, and at every second the sounds seemed to come lower and nearer. Soon a great white cloud of sweet smelling odors, like incense, enveloped them. What was their surprise to see a golden chariot drawn by two dragons, whose eyes were like emeralds, come up close to where they stood. Both of them, prince-hermit and maid were then taken up into the chariot and borne swiftly over cloud, and mountain and sea, to the Island of Gems. There the Queen ordered them to be married, and, after a splendid wedding, they lived happily ever after.


Story DNA

Moral

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Plot Summary

The Western Queen Mother, guardian of celestial peaches that grant longevity, invites a virtuous prince to her magical island. At a grand banquet, the prince, after eating a peach, becomes enchanted by a serving maiden and tosses her a peach, which she eats, breaking palace rules. This act leads to a thousand-year separation. The prince becomes a revered hermit, while the maiden, still young due to the peach, wanders for centuries searching for him. They eventually reunite, and upon her recognition, the hermit regains his youth. The Queen, aware of their fated love, brings them back to her island, where they are married and live happily ever after.

Themes

longevitydestinyforbidden loveperseverance

Emotional Arc

separation to reunion

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: lush
Techniques: rule of three, direct address to reader, cultural exposition

Narrative Elements

Conflict: person vs society
Ending: happy
Magic: Island of Gems, Western Queen Mother (Su Wang Moo), genii, dragon chariots, azure pigeons, celestial peach of longevity (grants immortality/youth), golden mist, transformation (hermit to youth), flying dragon for news
the magic peachazure pigeonsdragon chariots

Cultural Context

Origin: Korean
Era: timeless fairy tale

The story incorporates elements of traditional Korean folklore and social structures, particularly regarding marriage, social status, and reverence for elders and deities, reflecting a pre-modern Korean worldview.

Plot Beats (14)

  1. The Western Queen Mother, Su Wang Moo, lives on a magical island, possessing celestial peaches of longevity and sending gifts to mortals via azure pigeons.
  2. Korean maidens and lads dream of the Queen's gifts, hoping for marriage, wealth, and status, with specific cultural details like pink coats for engaged boys and topknots for married men.
  3. The Queen invites a virtuous prince to her island, sending a beautiful maiden in a dragon chariot.
  4. Both the prince's mother and the Queen issue warnings: the mother against the palace maids, and the Queen against the maiden falling for the prince.
  5. The maiden maintains a cold demeanor during the journey, and the prince is too engrossed in the ride to notice her.
  6. At the Queen's banquet, the prince eats a peach of longevity, which intensifies his perception of beauty, making the serving maiden appear irresistibly charming.
  7. Intoxicated by the peach's effects, the prince tosses a peach to the maiden, who, breaking palace rules, catches and eats it.
  8. A golden mist envelops the hall, marking a thousand-year gap in the narrative.
  9. A thousand years later, the prince is a revered, white-bearded hermit in the Ever White mountains, known for his wisdom and ability to tame wild beasts.
  10. The maiden, still youthful and fair, encounters the hermit, recognizing him as the prince from the banquet.
  11. She reveals her story: banished for a thousand years for eating the peach, she has been searching for him, and the Queen extended her life to continue the quest.
  12. Upon her recognition, the hermit's beard falls off, his hair turns black, and he regains his youth.
  13. The Queen, informed by a flying dragon, sends a golden chariot to retrieve the reunited lovers.
  14. The prince and maiden are taken to the Island of Gems, where the Queen orders their marriage, and they live happily ever after.

Characters

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Su Wang Moo

deity/magical being ageless female

Her exact physical appearance is not described, but she is a 'royal lady' and 'Western Queen Mother,' implying a majestic and powerful presence. She is associated with an island of gems and celestial fruits, suggesting an ethereal and radiant aura.

Attire: Implied to be regal and magnificent, befitting a 'Queen Mother' who resides in a 'seven storied palace' and commands genii and dragons. Likely adorned with silk, jewels, and gold, in the style of ancient Korean royalty.

Wants: To maintain order, reward virtue, and perhaps to observe and guide the destinies of mortals.

Flaw: Her strict adherence to rules, which can lead to harsh punishments, even if ultimately for a greater purpose.

She remains largely unchanged, serving as a catalyst and ultimate arbiter of the story's events, demonstrating her consistent power and wisdom.

Her majestic presence within her seven-storied palace on the Island of Gems, surrounded by celestial fruits and dragon chariots.

Benevolent, powerful, just, observant, gracious, wise. She is 'always ready to help good mortals with her gifts and favors' but also enforces rules strictly, as seen in the maid's banishment.

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The Prince (later The Hermit)

human young adult (initially), elderly (as hermit), young adult (rejuvenated) male

Initially a virtuous young king's son, implying a noble and handsome appearance. As a hermit, he is an old man with a long white beard and a bald head. After rejuvenation, he becomes young again with a 'springing step' and 'rosy countenance,' indicating a healthy, youthful glow.

Attire: Initially, implied to be fine clothes befitting a prince. As a hermit, he wears simple, ancient-style robes from the Ko dynasty era, likely made of coarse, natural fabrics. Rejuvenated, his clothes are not explicitly described but would likely revert to a more princely or refined style.

Wants: Initially, to visit the Queen and perhaps gain favor. Later, as a hermit, to live a holy life and impart wisdom. Ultimately, to reunite with the Palace Maid and fulfill their destiny.

Flaw: Perhaps a slight impulsiveness in tossing the peach, though it leads to his destiny. His initial youthfulness might have been a weakness before his transformation into a sage.

Transforms from a young prince to a wise, elderly hermit over a thousand years, then is physically rejuvenated to reunite with his love, ultimately marrying her and living happily ever after.

The transformation from an old, white-bearded hermit with a bald head to a youthful man with luxuriant black hair and a rosy countenance.

Virtuous, curious, observant, patient, wise (as hermit), pious, loving. He is initially invited for his virtues. He endures a thousand years of separation and becomes a holy man, demonstrating deep wisdom and spiritual strength.

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The Palace Maid

human young adult (initially), ageless (during banishment), young adult (reunited) female

Described as a 'lovely maiden' with a 'fair countenance,' 'unwrinkled and rosy face,' and the 'springing step of a maiden who was still in her teens,' even after a thousand years. This implies a perpetually youthful and beautiful appearance.

Attire: Initially, implied to be a maiden's attire in the Queen's palace. During her thousand-year wandering, her dress is of an 'ancient style' from 'ages gone,' like those seen in dolmen cave paintings, suggesting a very old Korean fashion, possibly a simple, flowing hanbok of natural fibers, perhaps with archaic patterns.

Wants: Initially, to serve the Queen. After eating the peach, her primary motivation becomes finding the Prince who tossed it to her and reuniting with her love.

Flaw: Impulsiveness, as shown by her catching and eating the peach, which leads to her banishment.

Transforms from a palace servant to an ageless wanderer, enduring a thousand years of searching for her love, and finally reunites with him, leading to marriage and happiness.

Her perpetually youthful appearance despite wearing ancient, almost prehistoric Korean clothing, signifying her ageless wandering.

Loyal (to the Queen, despite banishment), determined, loving, impulsive (initially), persistent, hopeful. Her thousand-year search for the Prince demonstrates immense dedication.

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The Prince's Anxious Mother

human adult female

Not explicitly described, but as a mother of a prince, she would likely be a woman of noble bearing, possibly with features reflecting her age and status.

Attire: Implied to be the attire of a Korean queen or noblewoman, likely fine silks and brocades, but not as celestial as Su Wang Moo.

Wants: To protect her son from perceived dangers and ensure his proper marriage and adherence to societal norms.

Flaw: Her anxiety and suspicion, which lead her to warn her son against potential dangers that may not exist.

She does not undergo a significant arc within the story, serving primarily to establish the initial context and her son's character.

A noble Korean woman with a perpetually worried expression, perhaps clutching her hands together.

Anxious, protective, suspicious, traditional, observant. She is deeply concerned for her son's well-being and adherence to etiquette.

Locations

Island of Gems (Su Wang Moo's Palace)

indoor Implied perpetual pleasantness, celestial atmosphere.

A seven-storied palace of the royal lady, Su Wang Moo (Western Queen Mother), located on a distant island. Its gardens contain wonderful, brilliantly colored fruits, especially the celestial peach of longevity. The palace features a grand banquet hall where golden mist can fall, enveloping everything. The architecture is implied to be grand and celestial, fitting for a divine queen.

Mood: Magical, opulent, powerful, awe-inspiring, with an underlying sense of strict etiquette and divine authority.

The Queen resides here, sends gifts and messages. The prince visits, and the palace maid eats the magic peach, leading to her banishment. Later, the reunited lovers are brought back here for their wedding.

seven-storied palace gardens with celestial peach trees golden tables dragon chariots azure pigeons banquet hall golden mist

High Mountains of the Ever White Range

outdoor daylight Implied summer due to pilgrims visiting, but 'Ever White' suggests snow-capped peaks or a generally cool climate.

A high mountain range where a holy man, a hermit, lives in a humble hut. The environment is wild but peaceful, with tall pine trees and a path where the hermit and the wandering lady meet. Wild beasts like tigers, leopards, and bears are present but appear tame.

Mood: Serene, spiritual, ancient, wild yet harmonious, secluded.

The prince, now a hermit, lives here. He meets the banished palace maid after a thousand years, and they recognize each other. Their reunion and transformation back to youth occur here.

hermit's hut tall pine trees mountain path wild beasts (tamed) rocky terrain pilgrims