THE ASS THAT SAW THE ANGEL

by William Elliot Griffis · from Swiss Fairy Tales

fairy tale transformation solemn Ages 8-14 2319 words 11 min read
Cover: THE ASS THAT SAW THE ANGEL

Adapted Version

CEFR A1 Age 5 506 words 3 min Canon 100/100

Once there was a rich man named Mr. Gruntli. He had a smart donkey named Gulick. Mr. Gruntli liked Gulick very much. He liked to know many things. He did not like magic stories. He only liked what he could see. But he was always kind to Gulick.

Gulick was a strong donkey. It was very smart. Gulick knew when things were not safe. It would stop then. People did not always understand this. They thought Gulick was just stubborn.

One night, The Helper rode Gulick. They went to a village. Gulick did not want to go there. It pulled away from The Helper. Gulick ran a little bit. It was scared. It did not like the village.

The Helper listened to Gulick. They watched from far away. Big rocks fell on the village. Dirt fell too. The village was gone. Gulick saved them. It was a very bad sight.

Mr. Gruntli heard the story. He said Gulick was just lucky. He did not believe Gulick knew danger. He rode Gulick to the village. He saw the broken homes. He saw much sadness.

Gulick stopped. It saw a Shining Person. The person had a bright sword. Mr. Gruntli did not see this. He got very cross. He pushed Gulick to go. He pulled the reins hard. He wanted Gulick to move fast.

The Shining Person was there again. Gulick stopped. Mr. Gruntli was very angry. He shouted at Gulick. He pushed Gulick hard. He wanted Gulick to move. Gulick felt bad. It was scared. It did not want to go.

Gulick felt sad. It lay down on the ground. It looked at Mr. Gruntli. Its eyes were big and sad. Mr. Gruntli was still angry. He wanted Gulick to go away. He did not understand Gulick.

Mr. Gruntli got off Gulick. He walked away a little bit. He still wondered why Gulick stopped. He was still very cross.

He saw the broken village. Many homes were gone. He felt sad for his things. He lost much money.

Mr. Gruntli saw a cow. The cow knelt down. It knelt before it rested. Mr. Gruntli thought, "The cow is kind. I was not kind. I was very angry." He felt sad. He was angry before. He was not good.

Mr. Gruntli felt very sorry. He went back to Gulick. He said sorry to Gulick. He took off his pointy shoes. He threw them far away. He talked softly to Gulick. Gulick was happy. It rubbed its head on Mr. Gruntli. Gulick stood up. It was happy now.

Mr. Gruntli helped the people. He helped them build new homes. He gave them money for food. He was kind to everyone. He was a good man now. He helped many people.

Mr. Gruntli told the village helper. "Gulick saw something special," he said. "It helped me be kind. I listen to my heart now. I am a better man." He was happy. He smiled.

Mr. Gruntli was kind to everyone. He was happy. He always remembered his smart donkey, Gulick.

Original Story 2319 words · 11 min read

THE ASS THAT SAW THE ANGEL

In that part of the Swiss Republic, called the Grisons, there is a sharp mountain, thin and round, like a horn. Because it is red, its name has always been Rothhorn, or Red Peak.

In one of the towns near by, lived a proud man, named Gruntli, who scouted the idea of there being any fairies, or Santa Claus. To his view, there was no intelligence, or virtue, in dumb brutes. He did not believe in anything but what he could see, taste, smell, hear, or handle with his ten fingers. This was what he called “science.”

This old fellow, Gruntli, boasted of being “a man of science.” He considered that everything belonging to religion was superstition. Mule drivers, cow milkers, cheese makers, and such folk, whom he called “the ignorant common people,” might have faith in such things, but not he.

Gruntli was rich. He had a large house, with one room full of books, but not one of these contained any poetry, or stories, or novels, or romances. He sneered at anybody who said they believed in Santa Claus, and he openly insulted people who loved to think that William Tell, their national hero, ever lived. As for the exploits of Joan of Arc, or of Arnold of Winkelried, he used to say that what was told of them was only the same as nursery stories.

Nobody loved Gruntli, for he was a hard master with his servants. Though he called himself “a man of science,” and sneered at the village folks, when they went to church on Sunday, he did nothing to help the poor people of the valley.

Part of the wealth, of this hard-hearted man, consisted in mules, of which he had twenty or more. These were sumpters, or pack animals, that carried the milk, butter, cheese, and produce of the valley, to be sold in the nearest large city, and to bring back what was needed.

Gruntli’s favorite animal for the saddle was a pure-blooded white ass, which his father had given him, when a boy, so that he and the dumb brute were well acquainted with each other. Large in size and imposing in appearance, this animal was named Julius Cæsar; or, for short, “Gulick,” for that was the way the great Roman conqueror’s name was pronounced in the local dialect.

People used to say that this donkey was the only living creature for which Gruntli cared, or had any affection; or, that he even treated decently. Occasionally, his master would allow this, his favorite beast, to be ridden by his overseer, or chief clerk—a privilege on which this head man set great store. The sure-footed creature carried its rider over the most dangerous passes. It seemed almost a miracle, the way in which, along narrow ledges of rock, the ass moved as if on a well-paved road.

Gulick seemed to measure with its eye, and gauge the width necessary, even making allowance for its load, for the pack saddle, or for the knees of the rider; so that, though a dumb beast, its reputation for safety was great in all the region. Muleteers often used to scold their stubborn animals, by calling them “rabbit-eared fools,” and “not worth one hoof of Gulick,” the paragon among long eared animals.

Nevertheless, there were times, when the donkey, Gulick, showed that it had a mind of its own. Then it could be stubborn, too. But this was what men thought, and not the animal’s own opinion of itself. This usually took place, when it saw that the path ahead, or the ledge of rock, over which it was expected to pass, with a pack load, or a stout lady in the saddle, or a big fat fellow, with both legs far out and taking up the room, between the ass and the rock.

Then, no amount of scolding, yelling, bad temper, hard names, or even beating, could move the creature. The only thing to do was to get off and unload. In fact, the ass had a very poor opinion of some human beings. He even pitied them, because they had only two legs, while donkeys had four.

Not once, in all its long life, did Gulick lose its way, slip, fall down, or have an accident. In fact, its master could go to sleep, while riding home. When, as was often the case, the man was too full of strong wine, to sit up straight, this was a good thing; for a sober donkey has more brains than a drunken man.

Some people, who believed in fairies, even thought that Gulick was really a human being who, for doing something wicked, in another world, had been changed, by a fairy, into this creature with the shaggy hide, ropy tail and ears like a jack rabbit’s.

An event, that seemed to furnish a fresh foundation for the common belief, took place near the village of Plurs. Then, the general idea, that a man had, somehow, got into an ass’s skin, was confirmed.

One night, Gruntli’s overseer was returning from Zurich. He reached the village of Plurs, late at night. There, the wine being good and the stabling cheap, he expected to make his stay, until next morning. So, stepping into the wine room, and calling for the hostler, he sat down before the table, thinking that all was right, according to the usual way of beasts and man, until morning.

But when the stable boy went outdoors, he found the line of mules was some distance up the road, and that Gulick was leading them.

Running after the train, he brought the animals back, to the inn; but when, for a moment, being at the end of the line, he left the beasts, to open the stable door, off trotted Gulick and all the donkeys after their leader.

So the boy had another run and was in very bad temper. He seized the bridle of Gulick, and gave such a jerk, in his anger, that he nearly broke the strap, and pained the animal’s jaw.

Nevertheless, for a third time, the sagacious beast ran away. When the stable boy, out of patience, rushed into the wine room, and told the overseer of the strange behavior of his donkey, Gulick, the man had sense enough to follow the mule train.

Well for him and his master, that he did so, for, when hearing a frightful noise, he looked behind him, from the top of the hill, he saw a landslide, from the mountain flank, wipe out the whole town, leaving the houses, people and cattle buried under one white pall of earth, rock and snow.

After this, one would suppose that the owner of Gulick would fully trust the animal’s wonderful instinct and unerring vision, as well as his sure footedness.

But this man, Gruntli was, as he called himself, “too much of a man of science” to consider such an affair, as that of Gulick and the landslide, as anything but an accident, a coincidence, or, as an example of “the doctrine of averages.”

Wishing, however, to see the ruin wrought by the landslide, he mounted Gulick, clapped his ankles against the animal’s sides, and was off. Gruntli wore spurs, more for show than for use, for Gulick instantly obeyed the pull of his master’s bridle, or the clap of his foot, and never was known to need urging. So there never had been any blood on the points of Gruntli’s spurs.

But this day, the master was in very bad humor, because seven of his houses, which he owned in the village, were now destroyed. Much of his income was thus lost, for he could no longer collect rents from the people who had been his tenants.

Now, as they were jogging along, and approached near the scene of yesterday’s horror, the ass suddenly stopped with a jerk, that threw its master forward, and nearly off the saddle.

There, in front of the animal in the middle of the road, stood an angel holding a naked sword. Of course, Gruntli could not see anything, for his soul had nearly shriveled up, and Gulick had never before met such a being. Yet the ass, even though it was a dumb brute, had enough sense to know that it dare not, and ought not, to rush up against the apparition, whatever it might be. Had it been rock, stone, ice, a mountain path, a chamois, or anything usual, the Swiss donkey would have known what to do. But before such an unusual sight, Gulick stood still.

As for Gruntli, he, being a self-styled “man of science,” without any faith, and very little imagination, could see nothing. So, when Gulick, to get out of the way, turned aside and out of the road, to make its way through the field, Gruntli, getting very angry, beat the animal and in his bad temper, even laid on several blows with his whip handle.

At this unusual action of his master, the ass was so surprised, that he actually stopped. He turned round, gave a rebuking glance at Gruntli, and then tried to go on, but in vain.

Then the man, in a worse temper than ever, not only beat the dumb brute again, but he drove his spurs into the sides of the faithful beast, until little drops of blood dropped on the ground.

At this, even patient Gulick lost his donkey temper, and lifting one of his hind legs tried to kick the man’s heels.

This enraged Gruntli still further, and he cried out:

“You stupid beast! If you want to climb up into the saddle and ride yourself, I’ll jump off.”

Then he clutched his whip more tightly, expecting to get down and thrash the animal with all his strength.

But Gulick moved on, the road narrowing down, between rocks, as many bridle paths in Switzerland do. Yet no sooner had the intelligent beast entered into the shadow, than again a shining angel appeared in the path in front of them, but this time in a threatening manner, and waving his glittering sword.

Startled at the sight, the ass again stopped, hoping its master would treat his own beast more kindly and see what was the matter.

But angry men are nearly always blind, and sometimes half insane, or even wholly so. Gruntli once more drove his already bloody spurs into Gulick’s side.

At this, stung with pain, and fearing to rush against the angel, the beast dashed sideways against the rocky wall.

Maddened, almost to insanity, at this action, and smarting with a crushed ankle, Gruntli beat the ass with repeated and cruel blows.

In spite of such inhuman treatment, and even more awed by the apparition, than by the agony it was suffering, the ass lay down flat under its rider, though without hurting him. It turned its head around and looked at him, as if in stern rebuke, at this treating an old friend, that had ever served faithfully.

Unmoved by the beseeching look in the eyes of what had been his pet, since childhood, Gruntli, in a fresh fury of rage, bellowed out:

“I just wish I had a sword to kill you,” and he rained blow upon blow on his faithful brute.

Then he jumped off the saddle, and, leaving Gulick in the rocky path, walked forward a few rods. All the time he was wondering what had so disturbed and checked the brute.

One look, as he turned away to the brow of the mountain, revealed to him a scene of frightful desolation. Rocks, gravel, ice, snow, and general débris, covered what had been his seven houses, and tenants and their cattle. Looking up, he noticed that the face of the mountain, whence the mass of earth had slipped down, was greatly changed in form.

Nevertheless, the landslide, for so it was, had opened a view, impossible before, of a rich pasture, where many kine were grazing. Looking intently at a cow that, having filled its stomach with grass, was about to lie down, Gruntli noticed that, before doing so, the dumb animal fell, first, on its front knees.

“Now I see that I am a fool,” he cried, as he beat upon his breast. “That cow has more religion than I, for it kneels before it lies down; while, before tumbling into bed, my knee has been unbent, this many a year.”

Then going back, he patted the neck of his faithful Gulick, washed off the blood stains, threw his spurs away, and spoke so kindly to the ass, that it rose up, and actually began frisking around. Then it sidled up close to Gruntli, and seemed to invite him to get on its back again.

This the man did, and, riding to where the village had been, organized a corps of relief to help the wounded and hungry, who were left alive, and he paid for medicines out of his own purse. Then he built new and better houses for his tenants, the survivors, and for those who came from other parts of the Swiss country.

And when later, a devout worshipper in church and helper of his fellow men, Gruntli cared for and fed his ass Gulick, in a comfortable stable, until at last the beast died at a good old age.

The pastor of the rebuilt village came one day, and asked Gruntli to tell the story of his great change and the reason of it. Then the man made answer as follows:

“When it came to pass that an ass could see an angel before I, a man of science, could discern, or hear him, I thought it time to believe. So I at once exchanged science, so called, for faith, as a little child, and, my pride of knowledge for help to my fellow men.”

THE END.


Story DNA

Moral

True wisdom and compassion come from opening oneself to faith and empathy, rather than relying solely on narrow scientific reason.

Plot Summary

Gruntli, a wealthy, proud man of science, scoffs at faith and imagination, caring only for his intelligent ass, Gulick. When Gulick repeatedly saves a mule train from a landslide, Gruntli dismisses it as coincidence. Later, riding Gulick to survey the damage, Gruntli brutally beats the ass for stopping, unaware Gulick sees an angel blocking their path. Only after dismounting and observing a cow kneeling does Gruntli realize his spiritual blindness and cruelty. He repents, reconciles with Gulick, and transforms into a compassionate man, attributing his change to the ass that saw the angel.

Themes

faith vs. reasonhumilitycompassionperception

Emotional Arc

pride to humility

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: direct address to reader

Narrative Elements

Conflict: person vs self
Ending: moral justice
Magic: talking animals (implied, through Gulick's understanding and communication), angels
Gulick (the ass): intuition, faith, humble wisdomThe Angel: divine intervention, unseen truthRothhorn (Red Peak): a natural, unchanging backdropSpurs: cruelty, Gruntli's pride and stubbornness

Cultural Context

Origin: Swiss (Grisons region)
Era: pre-industrial

The story reflects a common tension between emerging scientific rationalism and traditional religious faith, often personified in a character's journey from skepticism to belief. The mention of specific Swiss heroes grounds the tale in its cultural origin.

Plot Beats (14)

  1. Gruntli, a rich, proud 'man of science', disdains faith and imagination, believing only in what he can perceive, and is unkind to all but his favorite white ass, Gulick.
  2. Gulick, known for its sure-footedness and intelligence, occasionally shows stubbornness when sensing danger, which men misinterpret.
  3. One night, Gruntli's overseer is prevented by Gulick from stabling his mule train in Plurs, as the ass repeatedly runs away from the village.
  4. The overseer follows Gulick's lead, and from a distance, witnesses a massive landslide destroy Plurs, burying the entire village.
  5. Gruntli dismisses Gulick's role in saving the overseer as mere coincidence and rides Gulick to inspect the devastation.
  6. Gulick suddenly stops, seeing an angel with a naked sword in the road, but Gruntli, unable to see the angel, becomes enraged and beats the ass.
  7. The angel appears a second time in a narrow path, and Gruntli, further infuriated by Gulick's refusal to move, brutally spurs and whips the animal, drawing blood.
  8. Gulick, in pain and awe of the angel, lies down in submission, looking at Gruntli with rebuke, but Gruntli, still blind, wishes to kill it.
  9. Gruntli dismounts, leaving Gulick, and walks ahead, still confused by the animal's behavior.
  10. He sees the full extent of the landslide's destruction, confirming his financial loss.
  11. Gruntli then observes a cow kneeling before lying down, which sparks a profound realization of his own lack of faith and humility.
  12. Overcome with remorse, Gruntli returns to Gulick, apologizes, cleans its wounds, throws away his spurs, and speaks kindly to the ass, which responds with affection.
  13. Gruntli dedicates himself to helping the landslide survivors, rebuilding their homes, and becomes a devout, compassionate member of the community.
  14. He explains his transformation to the village pastor, stating that the ass's ability to see the angel before him led him to exchange 'science' for faith and pride for service.

Characters

👤

Gruntli

human adult male

A man of average height and build, likely with a stern and unyielding demeanor reflecting his personality. His features would be sharp, indicative of his critical and cynical nature. He is well-dressed, reflecting his wealth.

Attire: Wealthy Swiss attire of the period, possibly a dark wool coat, a waistcoat, and trousers, made of fine, durable fabrics. He wears riding boots and spurs, though the spurs are more for show than use, until his fit of rage. His clothing would be practical for mountain travel but also signify his status.

Wants: Initially, to maintain his wealth and intellectual superiority, dismissing anything he couldn't empirically prove. Later, his motivation shifts to seeking redemption and helping his fellow man.

Flaw: His extreme pride, intellectual arrogance, and lack of faith, which blind him to spiritual truths and human compassion.

Transforms from a cynical, hard-hearted, proud man who scoffs at faith and compassion into a devout, charitable, and humble individual who uses his wealth to help others, all due to the miraculous intervention of an angel and his ass's perception.

His initially stern, unyielding expression contrasted with his later humbled, compassionate gaze, often seen with his white ass, Gulick.

Proud, cynical, hard-hearted, arrogant, intellectual (self-proclaimed 'man of science'), stubborn, eventually repentant, charitable.

✦

Gulick (Julius Cæsar)

ass (donkey) adult non-human

A large, pure-blooded white ass, imposing in appearance, with a shaggy hide and a ropy tail. Its ears are long, like a jack rabbit's. It is sure-footed and strong, capable of carrying heavy loads over dangerous mountain passes.

Attire: A sturdy pack saddle, occasionally with a rider's saddle. No specific clothing, but the saddle would be made of durable leather and canvas, appropriate for a pack animal in the Swiss mountains.

Wants: To safely transport its rider or load, to avoid danger, and to be treated with kindness. Ultimately, to guide Gruntli towards a spiritual awakening.

Flaw: Its inability to speak, which makes it difficult to communicate the dangers it perceives to its human master.

Remains consistently loyal and perceptive. Its actions directly lead to Gruntli's transformation, serving as the catalyst for his change from a skeptic to a man of faith. It lives out its days in comfort.

Its pure white, shaggy coat and long, expressive ears, often seen with a pack saddle or a rider.

Intelligent, patient, loyal, sure-footed, discerning (able to see the angel), stubborn (when sensing danger or injustice), forgiving.

👤

Gruntli's Overseer

human adult male

A man of the Swiss Grisons region, likely sturdy and accustomed to mountain travel. No specific details are given, but he would be dressed practically for his work.

Attire: Practical, durable clothing suitable for a chief clerk or overseer in the Swiss mountains, likely made of wool and linen, in earthy tones. He would wear sturdy boots.

Wants: To carry out his duties for Gruntli and to ensure the safety of the mule train.

Flaw: None explicitly stated, but his initial desire to stay at the inn could have led to his demise without Gulick's intervention.

He serves as a witness to Gulick's unusual behavior and is saved from the landslide, reinforcing the idea of Gulick's special nature.

A practical Swiss working man, riding a mule, looking back at the destroyed village.

Responsible, observant, sensible (he follows Gulick's lead), perhaps a bit fond of wine.

✦

The Angel

angel ageless non-human

A shining, ethereal being. It appears twice, once holding a naked sword, and a second time in a threatening manner, waving a glittering sword. It is visible only to Gulick initially, then later to Gruntli.

Attire: Undescribed, but implied to be shining and ethereal, not earthly garments.

Wants: To prevent Gruntli from continuing on his path of spiritual blindness and to facilitate his transformation.

Flaw: None.

Appears twice to block Gruntli's path, serving as the direct catalyst for Gruntli's realization and change.

A shining, ethereal figure holding a glittering, naked sword.

Divine, purposeful, a messenger of God's will, capable of inspiring awe and fear.

Locations

Rothhorn (Red Peak)

outdoor Implied alpine conditions, potentially with snow and ice given the mention of debris.

A sharp mountain, thin and round, like a horn, with a distinctive red color. It is located in the Grisons region of the Swiss Republic.

Mood: Majestic, imposing, but also a source of potential danger (landslides).

Establishes the geographical setting of the story.

red mountain peak sharp, horn-like silhouette alpine terrain

Gruntli's Large House

indoor Implied to be comfortable and warm indoors, contrasting with the potentially harsh alpine weather outside.

A large, well-appointed house, typical of a wealthy Swiss landowner, featuring a room specifically dedicated to books. The architecture would be consistent with traditional Swiss chalets, likely built of timber and stone, with a sturdy, gabled roof.

Mood: Wealthy, intellectual (though narrowly focused), somewhat cold due to Gruntli's personality.

Serves as Gruntli's residence, showcasing his wealth and his 'scientific', anti-superstition worldview.

large timber and stone Swiss chalet gabled roof room full of books (no poetry or stories) sturdy wooden furniture

Village of Plurs (before landslide)

outdoor night Clear night, conducive to travel, but with underlying geological instability.

A small Swiss village, likely nestled in a valley or on a mountainside, with an inn offering good wine and cheap stabling. The village would consist of traditional timber and stone houses, possibly with thatched or shingled roofs, and narrow, winding streets.

Mood: Initially peaceful and welcoming, then abruptly catastrophic.

The overseer stops here, and the village is subsequently destroyed by a landslide, highlighting Gulick's foresight.

traditional Swiss inn stables narrow village streets timber and stone houses mountain flank nearby

Mountain Path to Plurs (scene of angel apparitions)

transitional morning/afternoon Clear day, but the recent landslide implies unstable conditions.

A narrow, winding bridle path carved into the side of a mountain, with sheer rock walls on one side and a drop-off on the other. The path is uneven, made of natural rock and earth, and at points, it narrows significantly. The area is rugged, with sparse alpine vegetation clinging to crevices.

Mood: Initially tense and frustrating, then becomes awe-inspiring and spiritually charged.

Gulick encounters the angel twice here, leading to Gruntli's transformation.

narrow rocky bridle path sheer rock walls mountain shadows sparse alpine vegetation view of the devastated village below

Landslide Site / New Pasture

outdoor morning/afternoon Clear day following a catastrophic event; the air might be dusty or still, with the coldness of exposed rock and snow.

The site where the village of Plurs once stood, now covered in a frightful desolation of rocks, gravel, ice, snow, and general debris from a massive landslide. Beyond this devastation, the landslide has unexpectedly opened up a view to a rich, previously hidden pasture where cattle graze.

Mood: Devastated and desolate, yet surprisingly revealing of new life and opportunity.

Gruntli witnesses the aftermath of the landslide and the cow kneeling, leading to his spiritual awakening.

debris field (rocks, gravel, ice, snow) destroyed village remnants changed mountain face newly revealed rich green pasture grazing cattle