THE CASTLE of THE HAWK

by William Elliot Griffis · from Swiss Fairy Tales

fairy tale origin story solemn Ages 8-14 2041 words 9 min read
Cover: THE CASTLE of THE HAWK

Adapted Version

CEFR A1 Age 5 428 words 2 min Canon 100/100

Long ago, people believed falcons were special. Falcons are strong birds. They fly very fast. Some people believed that people could become birds. They could become a falcon after they died.

There was a man. His name was Mr. Grumpy. He was not kind to people. One day, Mr. Grumpy died. He came back as a big falcon. It was a strong bird.

The falcon flew far away. It flew to the west. It found a big castle. Count Arthur lived there. Mr. Grumpy, the falcon, was very good. He was good at catching food. Count Arthur liked this falcon. It was his best bird.

One day, the falcon flew away. It left the castle. It flew to a tall mountain. The mountain was in a far land. Its name was Wülpelsberg. The falcon was free now.

Count Arthur looked for his bird. He climbed the mountain. He saw the falcon there. He caught the bird again. Then he looked around him. The view was very pretty. He saw a green valley. A river ran through it.

Count Arthur liked the place. He wanted to build a castle. He built a big, pretty castle there. He called it Hapsburg. This means "Castle of the Hawk."

Count Arthur started a big group. This group lived in the castle. They put a special bird on their flag. It was a bird with two heads. This showed they were strong. They wanted to be a strong group.

The group grew very big. They did not fight wars. They married other groups. These were other strong groups. So their group became bigger. They had more land and friends.

A young prince lived in the castle. His name was Prince Leo. He needed a wife. He wanted a wife from a rich group. He found Princess Ella. She was from Belgium. She was very rich.

Prince Leo could not go. He had much work. So, Helper Tom went for him. Helper Tom was a special helper. He stood in for the prince. This was for the wedding.

Princess Ella traveled far. She went to a special house. The house was on a border. She took off her old clothes. She put on new clothes. These clothes were for her new home. She was ready for her new group.

Then Princess Ella went to a church. She met Prince Leo there. They got married. They were very happy. They lived in the big castle. They lived with joy ever after. Castle and group grew from falcon and view. They lived with joy ever after.

Original Story 2041 words · 9 min read

THE CASTLE OF THE HAWK

The hawk is one of the children of Asia, the Mother Continent, in which almost all the fairy tales were first told. From the beginning, this sharp-eyed bird of prey has had the reputation of being very cruel, and of eating up the little birds. It has a curved beak, terribly sharp talons, and very large and strong wings. The young fowls in the barnyard are afraid, even of the hawk’s shadow, and they quickly run to cover. For the hawk, sometimes called a falcon, can fly up very high and then swoop down on the small, or tame birds, kill them at once and carry them off. Little chickens, to be safe, had better run at once under the wings of their mother. Sometimes, the old hen faces the falcon so bravely, that she can save her brood and fight hard, until a man comes with a gun and drives off this pirate of the air. In Switzerland, they call the big hawk the Mountain Condor, or the Robber Bird. It seizes many a lamb, kid, or puppy, and its nest is, most of the time, built in the midst of bones.

In the Far East, before rifles were invented, falcons were kept, fed, trained, and taught to hunt such birds as the crane, pigeons, ducks, geese and barnyard fowls, and the many little feathered fellows, that live in the woods and swamps. Men would go in among the rushes and the bushes, and drive out, from the covert, both the smaller and larger birds. Out in the fields, or on the hills, the falconer would be in waiting to let his trained birds fly at them, with beak and talons.

One man carried around his waist a wide hoop, kept a foot or so out from his body, and held by a strap from his shoulders. On this hoop, were a half dozen or so trained falcons, with their eyes covered by little caps or hoods held down over their heads. As soon as a bird was seen, the hunter would take off the hood and let one of the trained falcons free.

Flying straight up, high in the air, and swiftly descending, swooping down and striking the bird in the neck, with its sharp beak, the falcons brought down the game to their masters, until the hunting bags were full. Women, as well as men, loved this sport, and it was a gay sight, when a cavalcade of ladies and gentlemen, as they issued from the castle, and all on horseback, went out for a hunt, while the gamekeepers with the falcons and bush-beaters, with the dogs, followed. The men on foot carried a spear, in case they should meet a bear, or wild boar. On their return, the hunting party would have a feast in the castle.

Now it was the belief, in Asia, that a good person, after his death, was born again in another world, and became a still holier being or even an angel. But a bad person, after his death, if he had been a tale-bearer or deceitful, or told lies, would be changed into a snake. If he had been stupid, he might become a sheep or donkey, or a mule. Or, if he or she had been too proud, each was reborn as a peacock; if cruel, into a tiger or a hawk.

There were many girls in Japan, named Taka, which means a hawk, because of their bad temper, or their cruelty to puppies or kittens. Sometimes, however, the name was a compliment, because they were quick and smart, like falcons.

Now, according to these ideas, there was a very hard-hearted man, named Chicksha, who beat his children. When angry, he threw dishes at his wife and cursed his servants. One day, when in a fit of bad temper, he fell dead. No one was sorry, and some were even glad.

After this event, whenever people saw a falcon, with terrible shining eyes, and beak as sharp as two razors, and with claws and talons, like a steel meat hook, they said, “It must be Chicksha, come to life again.” Then they all ran out of their houses to see a thing so wonderful.

After they had become used to the sight, they noticed, one day, that the terrible creature had unfolded its wings, spread them out wide, and flown westward. After awhile, this falcon had soared so high and so far, that, in the distance, it became nothing more than a speck on the blue horizon. Then it disappeared behind the mountains. At this, everybody clapped their hands with delight. In fact, some of the more pious went to the village shrine and gave thanks to Great Buddha, for ridding the neighborhood of such a pest.

On wings, which seemed to be tireless, this bird of evil flew on and on, farther and farther away, until in a strange land, it perched, tired and hungry, on a very high rock, beneath which was a lordly castle.

In this stronghold lived a count and countess, in whose castle-yard was a skillful gamekeeper, whose ring of falcons was the most noted in all the land. Flying down among the falcons, the soul of Chicksha, now a hunting bird, at once felt at home among these winged creatures, that fed on the blood of their fellows.

THEN THE FAIRY QUEEN HELD OUT A LOVELY CUCKOO CLOCK

When taken out on hawking expeditions, few, even of the strongest falcons, equaled, and none excelled, Chicksha, in striking down, what the good Saint Francis called, “our little brothers of the air.” So Chicksha became the favorite of his owner, the Count.

But one day, tired of being hooded and kept inactive in the cages, in the castle yard, or, when taken out on the hoop and often, when hooded, kept from having the chance to kill and cause suffering, Chicksha, the falcon, leaped up from its keeper, when its cap dropped off, and flew away. Proud of its freedom, the bird never stopped, until it perched upon a mountain named the Wülpelsberg, in Switzerland.

On this lofty pinnacle, far above the river torrent, in the Aare valley, there stands today a lonely ruin, which is all that is left of what was once a spacious and magnificent castle.

Meanwhile, the Count, who was loath to lose his best bird, went off to hunt for his lost favorite. Hoping, at every climb, to find his prize, he went up higher and higher into the forest. Emerging from the woods, he caught sight of the hawk resting on the jagged rock. Approaching stealthily, he put out his hand, captured the bird and quickly slipped the hood on its head.

On turning his eyes, to survey the scene, the count had before him a splendid view of the grandest scenery upon which he had ever looked. It was the valley of the Aare, with its wonderful glacier and ice-cold river, and its romantic wild and rocky gorge, where now are villages and hotels, while its healing sulphur baths are among the most famous in Switzerland.

The nobleman at once felt that here was the spot on which to build his castle. Returning home, he summoned an architect, made his plans, and set about the enterprise. When he had finished it, he named the lordly structure, Hapsburg; which means the Castle of the Hawk. Here, one of the most renowned princely families of rulers, including kings and emperors, that wore crowns on their heads, was founded. They took for their emblem a double-headed bird of prey, as if they would seize double the amount of land, and oppress twice the number of people, commonly ruled over by monarchs. It is astonishing how rulers, in the past, have chosen birds and beasts of prey as symbols of their government—all so different from the Good Shepherd.

In course of the centuries, this house of Hawk Castle gained a greater amount of power and spread their sceptre over more countries than any other. Yet this was done, more by marrying their daughters, princesses, to kings and princes, than by victories in war. So this dynasty of rulers became famous for its matchmaking, in which the mothers and aunts had much to say.

Now, when the time came, that the young prince of the Hawk Castle House must seek a bride, he went into the country now called Belgium, and sought in marriage the hand of a lovely princess, named Eleanor. Then, the usual medieval custom was followed, in regard to royal ladies who left their own land to marry the prince of another country, and to live among strangers.

In this case, also, the Prince having been summoned to Rome, on business that could not be put off, had first to be married by proxy; that is, one of his officers must make the journey to Belgium and take his place at the ceremony.

For, while she, the promised bride, was perhaps the most beautiful of the princely daughters in all Europe, as she certainly was the richest heiress, he, the betrothed groom, was one of the poorest of titled rulers. There were beggar princes, then, as well as wealthy ones, and the needy bridegroom wanted to use some of the money of her dowry at once, for he was hard pressed to pay his debts. So he sent one of his high officers into Belgium.

The ceremony was one of great magnificence, like a pageant. It was held in the largest hall of the palace, which was brightly lighted by hundreds of candles and the walls were hung with tapestry in brilliant colors. A train of bridesmaids brought in the princess, arrayed in her fairest robes, and decked with jewels.

Then the prince’s officer, who, in his splendid garments, was in uniform, with decorations for the occasion, like his master, and looked like him, came in the hall. He had on his head a crown, and at his side a sword, spurs on his boots, and jewels on his breast. He took his place on the right, for the bride must always be near the husband’s heart. In each corner of the room, was a sentinel in armor, and with his sword drawn. Then a notary appeared. He was in his scarlet robes of office, with the legal documents in his hand to secure the signatures. The witnesses were ranged around the hall and the nuptial service was read. The wedding was made legal by the loyal officer making answer for his august master, and the notary writing a record, attested by witnesses.

The next day, attended by her ladies in waiting, her maids, cooks and serving women, the princess travelled in state to the frontier at the Rhine. In a great house, standing on the boundary line, half in Belgium and half in France, the preparations were made, by which the princely daughter ceased forever to be a Belgian maiden. After this ceremony of disrobing, she was ever afterwards to be an Austrian wife, for this was the time, when the Hapsburgs ruled over Switzerland in which epoch also the story is told of Gessler and William Tell.

In one room, she left behind her all the wardrobe and whatever was Belgian. She then stepped into the next room, which was all Austrian in its furniture and treasures. It was full of dainty clothes, fluffy and gauzy for summer wear, the time of flowers; but there was also more, in plenty, of garments that were fur-lined, for winter warmth. With garments for wear next to the skin, that were white as an edelweiss, and thicker wraps for her body, that were crimson and purple, like the Alpine rose, she was met by the Swiss chaperone and the maidens awaiting her, who completed her costume. Then she stood forth as a bride, ready for the other ceremony of wedding, which took place in the cathedral, where, with bell and book, in the holy bonds of matrimony, they were to be joined by the bishop. There, the prince met his lovely princess and the two were married, and they and their children lived happily ever afterwards.


Story DNA

Moral

Cruelty and ambition, even when transformed, can lay the foundation for a powerful but potentially oppressive legacy.

Plot Summary

A cruel man named Chicksha dies and is reborn as a fearsome falcon, embodying his past wickedness. After flying westward, he becomes the prized hunting bird of a Count, but eventually escapes to a Swiss mountain. The Count recaptures him there and, inspired by the magnificent view, builds Hapsburg Castle, named after the hawk. This castle becomes the seat of the powerful Hapsburg dynasty, which adopts a double-headed bird of prey as its emblem and expands its influence primarily through strategic royal marriages. The story culminates with a detailed account of a Hapsburg prince's proxy marriage to the wealthy Princess Eleanor, symbolizing the dynasty's unique path to power and their eventual happy union.

Themes

transformationlegacycruelty and consequencepower and ambition

Emotional Arc

condemnation to historical explanation

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: didactic explanation, historical digression, cultural exposition

Narrative Elements

Conflict: person vs self (Chicksha's internal cruelty manifesting externally) and person vs society (Hapsburg ambition)
Ending: moral justice (for Chicksha) and happy (for the prince and princess, despite the dynasty's origins)
Magic: reincarnation of a human soul into an animal
the hawk/falcon (cruelty, ambition, power)the double-headed bird of prey (Hapsburg emblem, double ambition)the castle (power, legacy)

Cultural Context

Origin: Japanese (reincarnation belief) and European (Hapsburg history)
Era: timeless fairy tale, with historical references to medieval Europe and the Hapsburg dynasty

The story blends a Japanese folk belief about reincarnation with the historical origin of the Hapsburg dynasty and their expansionist marriage policies. References to Switzerland, the Aare valley, and William Tell place it within a specific European historical context.

Plot Beats (12)

  1. The story introduces hawks as cruel birds of prey and explains the Asian belief in reincarnation, where cruel people are reborn as hawks.
  2. A cruel man named Chicksha dies and is reborn as a falcon with terrible features, terrifying his former community.
  3. Chicksha the falcon flies westward, eventually landing near a castle where he becomes the favorite hunting bird of a Count due to his exceptional cruelty in hunting.
  4. Chicksha escapes his captivity, flying to a mountain called Wülpelsberg in Switzerland.
  5. The Count pursues and recaptures Chicksha on the mountain, where he is struck by the breathtaking view of the Aare valley.
  6. Inspired by the location, the Count decides to build a magnificent castle there, naming it Hapsburg, or 'Castle of the Hawk'.
  7. The Hapsburg dynasty is founded at this castle, adopting a double-headed bird of prey as their emblem, symbolizing their ambition for power.
  8. The Hapsburgs become renowned for expanding their empire more through strategic marriages than through warfare.
  9. A Hapsburg prince, needing funds, seeks to marry Princess Eleanor of Belgium, the richest heiress in Europe.
  10. Due to the prince's absence, a proxy marriage ceremony is held in Belgium, where an officer stands in for the prince.
  11. Princess Eleanor travels to the Rhine frontier for a ceremonial 'disrobing' of her Belgian identity and 'dressing' into her new Austrian identity.
  12. The princess, now an 'Austrian wife', proceeds to a cathedral where she finally meets and marries the Hapsburg prince, and they live happily ever after.

Characters

✦

Chicksha

human (reincarnated as falcon) adult male

As a human, his physical description is not provided, but he is characterized by his cruel actions. As a falcon, he is described as having terrible shining eyes, a beak as sharp as two razors, and claws and talons like a steel meat hook. He has large, strong wings.

Attire: Not applicable as a human or falcon.

Wants: As a human, to exert dominance and control over his family and servants. As a falcon, to hunt and kill, driven by an innate predatory instinct and a desire for freedom.

Flaw: His uncontrollable rage and cruelty, which ultimately lead to his death and reincarnation.

Dies as a cruel human and is reincarnated as a powerful, equally cruel falcon. He becomes the Count's favorite hunting bird but eventually escapes to live freely, inadvertently leading the Count to found the Hapsburg dynasty.

A large, powerful falcon with terrible shining eyes and razor-sharp beak and talons.

Cruel, hard-hearted, ill-tempered, abusive, proud, aggressive.

👤

The Count

human adult male

A nobleman, likely of robust build from hunting, but no specific details are given. He is a skilled falconer.

Attire: Implied to be noble attire suitable for hunting and residing in a castle. Likely European medieval or early modern style, possibly with practical elements for outdoor activity.

Wants: To enjoy the sport of falconry, to find his lost favorite bird, and to build a magnificent castle in a beautiful location.

Flaw: His attachment to his prize falcon, leading him on a long search.

Initially a falconer, he discovers the beautiful Aare valley while searching for his lost falcon and decides to build a castle there, founding the Hapsburg dynasty.

A European nobleman in hunting attire, holding a hooded falcon on his gloved hand.

Determined, appreciative of skill (in falcons), observant, ambitious (regarding building a castle).

👤

The Countess

human adult female

Not described, but as a countess, she would be expected to have a refined appearance.

Attire: Implied to be noble attire suitable for residing in a castle, likely European medieval or early modern style.

Wants: To maintain her noble status and household.

Flaw: Not applicable.

No specific arc, remains a background figure in the story.

A European noblewoman in elegant castle attire.

Not explicitly shown, but implied to be part of the noble household.

👤

The Gamekeeper

human adult male

Described as skillful, implying competence and experience, but no specific physical traits are given.

Attire: Practical attire suitable for caring for and training falcons, likely sturdy European medieval or early modern clothing.

Wants: To maintain the Count's ring of falcons and assist in hunting.

Flaw: Not applicable.

No specific arc, remains a background figure.

A man in practical outdoor clothing, surrounded by hooded falcons on a hoop.

Skillful, dedicated to his craft.

👤

The Young Prince of Hawk Castle House

human young adult male

Described as one of the poorest of titled rulers, but no specific physical traits are given. He is a prince of the Hapsburg dynasty.

Attire: Implied to be noble attire, though he is poor. For his proxy wedding, his officer wears a crown, sword, spurs, and jewels, suggesting the Prince's own expected regalia.

Wants: To secure a wealthy bride to pay off his debts and continue the Hapsburg lineage.

Flaw: His poverty and indebtedness.

Marries Princess Eleanor by proxy, securing wealth and continuing his family's power.

A young European prince, perhaps with a slightly worn but still regal appearance, indicating his poverty.

Pragmatic (sending a proxy for marriage), financially strained.

👤

Princess Eleanor

human young adult female

Described as perhaps the most beautiful of the princely daughters in all Europe. No specific features are given, but she is a Belgian princess.

Attire: For her proxy wedding, she wears her 'fairest robes' and is 'decked with jewels'. For her transition ceremony, she sheds her Belgian wardrobe and dons 'dainty clothes, fluffy and gauzy for summer wear' and 'fur-lined' garments for winter, with undergarments 'white as an edelweiss' and wraps 'crimson and purple, like the Alpine rose'. This suggests a rich, varied, and culturally specific European noble wardrobe.

Wants: To fulfill her duty by marrying the Prince of Hawk Castle House and securing a powerful alliance.

Flaw: Her lack of agency in her marriage arrangements, being a pawn in political alliances.

Marries the Prince of Hawk Castle House by proxy, undergoes a symbolic transformation from a Belgian maiden to an Austrian wife, and eventually meets and marries her husband in person, living happily ever after.

A European princess in a magnificent, jewel-decked gown, transitioning between two distinct national wardrobes.

Compliant with royal customs, beautiful, wealthy.

👤

The Prince's Officer

human adult male

Described as looking like his master, the Prince, and wearing splendid garments with decorations. No specific features are given.

Attire: A splendid uniform with decorations, a crown, a sword at his side, spurs on his boots, and jewels on his breast, mimicking the Prince's expected regalia for the proxy wedding.

Wants: To faithfully represent the Prince at the proxy wedding.

Flaw: Not applicable.

Serves as a proxy for the Prince's wedding, fulfilling his duty.

A European officer in full ceremonial regalia, including a crown, impersonating a prince.

Loyal, dutiful, capable of impersonating his master.

Locations

Wülpelsberg Mountain Peak

outdoor Implied cold, possibly alpine conditions due to glacier and ice-cold river

A lofty, jagged rock pinnacle far above the Aare river torrent in the Aare valley, where a lonely ruin of a once spacious and magnificent castle stands today. The surrounding landscape features a wonderful glacier and an ice-cold river, with a romantic, wild, and rocky gorge.

Mood: Desolate, wild, majestic, historical, with a sense of freedom and discovery.

Chicksha the falcon perches here after escaping, and the Count discovers the location, deciding to build his castle here.

jagged rock pinnacle ruined castle walls Aare river torrent glacier ice-cold river rocky gorge

Hapsburg Castle (Castle of the Hawk)

indoor Varies, but likely cold winters given the Swiss Alps location.

A lordly, spacious, and magnificent castle built on the Wülpelsberg mountain, serving as the ancestral home of a renowned princely family. It features castle-yards for falcons and grand halls for feasts and ceremonies.

Mood: Grand, powerful, aristocratic, historical, with an underlying sense of ambition and strategic alliances.

The Count builds this castle, it becomes the seat of the Hapsburg dynasty, and later hosts feasts and preparations for royal marriages.

castle-yard with falcon cages grand halls stone walls princely living quarters

Belgian Palace Grand Hall

indoor night Implied temperate, indoor setting.

The largest hall of a Belgian palace, brightly lit by hundreds of candles. Its walls are hung with tapestries in brilliant colors, creating a magnificent setting for a royal proxy wedding ceremony.

Mood: Magnificent, ceremonial, formal, opulent, with a sense of anticipation and historical grandeur.

The proxy wedding ceremony of Princess Eleanor and the Hapsburg Prince takes place here.

hundreds of candles brilliant tapestry-hung walls large hall sentinels in armor notary in scarlet robes

Rhine Frontier House

transitional day Varies, likely temperate European climate.

A great house standing precisely on the boundary line, half in Belgium and half in France. It contains two distinct rooms: one furnished with Belgian items where the princess disrobes, and an adjacent room furnished with Austrian items where she is re-costumed.

Mood: Formal, symbolic, transitional, with a sense of cultural shift and personal transformation.

Princess Eleanor undergoes a symbolic transformation from a Belgian maiden to an Austrian wife.

house on a boundary line Belgian-furnished room Austrian-furnished room wardrobe and treasures