THE SIREN of THE RHINE
by William Elliot Griffis · from Swiss Fairy Tales
Adapted Version
A big river had a special rock. A pretty fairy sat there. She had long, golden hair. She sang sweet songs. The river was fast near her rock.
Sailors came on their boats. They heard the fairy's sweet song. They looked at her pretty face. The sailors forgot their boats. Their boats hit the rocks. Many boats got lost. The sailors went away.
The fairy was seen at night. The moon shone bright. She put on pretty jewels. Her golden hair was very long. She played her small harp. Her music filled the air. It was a nice sound.
A young boy named Ulric lived there. His dad caught fish. Ulric was very handsome. The fairy liked Ulric much. She met him each night. She told him where to fish. Ulric caught many fish.
Ulric's folk had much food. They had nice new clothes. Ulric's mother was happy. But she told Ulric be safe. "Do not see the fairy much," she said. Ulric just laughed.
One morning, Ulric was not home. His bed was empty. His folk looked for him. They looked by the river. They looked in the woods. But Ulric was not there. He went with the fairy. He stayed with her in the water.
Many boats got lost. People lost their money. So, men sent soldiers. The soldiers were very brave. They came to catch the fairy. They wanted to take her away. She made boats get lost.
The soldiers came in boats. They wore special ear muffs. These ear muffs were thick. They did not want to hear the fairy. They did not want her song. The soldiers landed softly.
The fairy saw the soldiers. She used her magic. The soldiers stood very still. They could not move their hands. They could not move their feet. They just watched the fairy.
The fairy took off her jewels. She took off her pretty robes. She threw them in the river. The water began to rise. It rose very high. The fairy made the water rise.
Two white horses came up. They had long, flowing hair. A green chariot came too. It was made of a green gem. The fairy got in the chariot. The horses went very fast. They went into the river. The fairy went away.
The river went back down. The soldiers could move again. They moved their toes. They moved their hands. The Captain gave a sign. They went back in their boats. They told their strange story.
The fairy was never seen again. She did not like their try. She stayed in her caves. But people still tell her story. They sing songs about the pretty fairy. And the fast river.
Original Story
THE SIREN OF THE RHINE
The Father of the Fairies, who used to live along and under the river Rhine, was not able always to control his daughters, after they had grown up. One of them, named Lorelei, a long time ago, used to appear above the current of the great stream, at the place where the water dashes over the rocks and foams high. It was very hard, in that place, or near it, for the sailors to steer their boats, so as not to have them dashed to pieces. Only with cool heads and strong arms could the boatmen get their vessels through in safety.
But if they should stop, to look at the pretty maidens, or to turn their heads to listen to the lovely music which they made, then, they were sure to lose their heads and have the boat go wrong and run upon the rocks. Then, of course, every one on board was thrown into the boiling waves, and drowned. The rocks are so sharp and jagged that, when the boat was upset, the poor people were thrown violently against these, and, even if spared by the waves, were sure to perish.
The fairy, named Lorelei, paid no attention to their cries, but only laughed at them, as they struggled in the water.
This Lorelei, the chief of the river fairies, was never seen during the day, for during the sunlight she loved to sit among her jeweled caves, and remain far down below in the cool depths of the waters. During daylight hours, if any mortal tried to catch even a glimpse of her, he sought in vain. It thus happened that some people, and even boatmen on their way down to Rotterdam, laughed at the idea of there being a Lorelei, or any other fairy among the rocks.
But when the moon was at its full and shone brightest, and its silvery beams seemed to turn into a fairy-like gauze, woven of mist and moonbeams, the Lorelei was in her happiest mood.
As soon as the sun was down and twilight fell on the earth above, she called for her maidens to dress and adorn her lovely form with jewels. They plaited part of her golden hair, braiding it up over the top of her head and around at the back. This made a pretty, cap-like arrangement, while behind, and down her back, the other tresses fell in ripples, so that, in the faint evening wind, it would float out, and gleam, and rise and fall fitfully, on the breezes, seemingly now silvery, and again golden, in the moon’s rays. A comb of gold, studded with rare gems, added to the glory of her headdress, which, in the dim light from the night skies, would glisten like a cluster of stars.
No ordinary man could resist such a lure, for even apart from the entrancing music he would assuredly have the curiosity to see what this resplendent figure on the high rock could be.
So, when Lorelei was arrayed in her gorgeous apparel, that so heightened her beauty, this fairy would rise out of the current. Then, swimming over to the base of the loftiest rock that rose from near the river’s shore, she always had her harp with her. Perching aloft, on the top of the pinnacle, she would sweep the strings and make the most entrancing music.
Whenever she saw a boatful of mariners, coming up, or going down, the Rhine, she trilled her voice to particular sweetness. Then they could see her, among the moonbeams, with her long golden hair streaming out on the evening breeze, or lightly lifted and rippled, when the zephyrs were soft as a breath. It seemed as if her song music was loveliest, when the night wind was most faintly sighing.
No matter how vehemently even the most stout-hearted sailors might have promised, or even vowed, to pay no attention to anything they heard, while shooting the rapids, they were sure to drop oars and pole, to listen, when the melody floated through the air. Then, the man who steered and had been the loudest, in saying that he would clap his hand over his ears, and be deaf to any strains, however sweet, was always the first to weaken. He would stand still, as if shot through, with an arrow, and forget all about his duties at the rudder. Then, very quickly, the boat would strike against the rocks. In a moment more, the whole crew would be struggling, soon to sink under the waves, while the boat drifted along, bottom upwards. In their last moments, the drowning men heard the fairies laughing, as if they were enjoying good sport.
Now it is said that the only one who ever basked in the favor of the Lorelei, was a young and very good looking fisherman’s son, named Ulric. He was his mother’s darling and his father’s pride, yet none of his brothers were jealous of him.
Whenever he appeared at night, the Lorelei would get down from her rock throne, and walk along the river’s strand to welcome the handsome lad. He never, however he might seek diligently, or call loudly, could find her, or catch a single glimpse of her, by day; but the moment he met her at night he would be in raptures over her beauty.
Sometimes she would sing for him, so that he never knew how fast the hours sped away. It was often midnight, before Ulric reached home, and, once in a while, it was near daybreak in the east.
But, always before parting from him, Lorelei would point out to her lover the place in the river, where, on the next morning, the fish would be found most plentifully.
Ulric would then tell his father, and brothers, where to cast their nets, and then they always drew up a good boat load of fish. These they sold in the market at a high price, and so had nice clothes and plenty to eat. So they never asked Ulric where he had been, so long, the night before, and why he reached home after the household were all in bed, and only their faithful dog Fritz kept watch at the door.
His mother warned her youngest son not to go and see the Lorelei too often, but he only laughed, kissed her, and said he could stop going when he wanted to; which is the way many boys and girls talk, not knowing the power of habit, which binds like a chain.
But one night, the old fisherman’s son did not return, and in the morning, when his mother looked into his room, expecting to call and wake him, she found it empty. The bed was in perfect order, as if no one had slept in it. Putting her hand under the covers, she found no warmth.
At once, she gave the alarm to her husband and sons, who were then at their breakfast. Taking their faithful dog with them, they at once set out to find the lad. All day long, they searched among the reeds, along the river bank, along the rocks, and even in the woods and on the hills; but no sign of son and brother was found. It was believed that the siren Lorelei, madly in love with the handsome boy, and, though in the form of a pretty woman, having no human heart to feel for his mother, had dragged him down into her caves under the river and deep in the earth, to enjoy him as her companion forever.
Bye and bye, so many sailors having been drowned, and so large a number of merchants having lost their precious treasures, in the wrecked boats, it was determined to send a band of brave men to seize the Lorelei, and bind her as a prisoner. If she resisted, she was to be put to death. Thus a danger, to be dreaded more than jagged rocks, or treacherous currents, would be taken away. Then the merchants, in Cologne and Rotterdam, would be made happy, by piling up fortunes to enjoy and leave to their children.
Before starting on the expedition to capture the siren, every man was taken into the cathedral, and, before the altar, made to cross himself on the breast, and swear not to listen to the Lorelei’s song. All of them wore helmets, with thick padded ear muffs, coming down over their ears, and tied tight. All the orders of the captain were to be given by signs without his speaking a word.
But what availed arrows, swords, and spears, helmets and armor, and what were the strong muscles of brave men, against a beautiful fairy? When the company had landed, silently, on the shore, without endangering their boats, by going near the rocks, they suddenly found that they could not move; for the Lorelei had cast a spell over them, so that not one could lift hand or foot. All night long, the captain and his soldiers stood upright and motionless, as if made of wax and in a museum, while the moonbeams were reflected from their helmets, weapons and armor.
Yet during all these night hours, they had the power of eyesight. They saw all that was going on, and this was what they witnessed.
Just as the first gleams of the upcoming sun were beginning to streak the midnight blue of the skies, with light, and make rosy the east, but while, at the same time, the moon cast a pale light on the strange scene, they discerned plainly the Lorelei. She was standing on the highest pointed rock that rose out of the Rhine. There, the beautiful creature was, as if in a waiting attitude, before a mirror, and about to retire to her bed for sleep. She took off all her ornaments and jewels. She unbound the bands of her shining hair, and unplaited the braids, until her tresses fell, in one glorious mass, like a cataract of gold. She threw away, one by one, her comb, her girdle, her splendid robes, and each of her pearls and gems, into the foaming waters. Then she chanted a spell, to draw the waters up to the very top of the rock, until the wavelets rolled over her shining feet.
At this moment, two white horses, with long flowing manes, rose up, pawing and snorting, out of the flood. In golden harness, they drew a chariot, made of a single emerald, with sapphire wheels. She mounted within the vehicle and at a word from the siren, the steeds drove away, with the swiftness of a lightning flash, and disappeared.
Gradually the river subsided to its usual low level. Minute by minute passed, and the spell over the soldiers was gradually broken. First, they could move their toes; then, their fingers; and, after a while, their arms and legs. When at last, by a sign, the captain gave the order to march, they faced about, towards the river. Embarking on their boats, they rowed down the Rhine to Basel and Cologne, and told their weird story.
Never again was the Lorelei seen by man. The people, who live around the old place of moonlight music, say that the siren felt insulted at this invasion of her domain. In her view, what were the lives of a few sailors, and the loss of one fisherman’s son, for a lover, compared with such music as she gave so freely?
So, to punish foolish men, she has never again left her shining caves, under the Rhine, to appear on earth. Yet, inspired by her example, the musicians have continued her sweet music, while the poets never weary of telling her story in their rhymes and stanzas.
Story DNA
Moral
Beware of irresistible beauty and charm, for they can lead to destruction and sorrow.
Plot Summary
Lorelei, a beautiful river fairy, sits on a treacherous rock in the Rhine, luring countless sailors to their deaths with her enchanting song and dazzling appearance. She forms a unique, possessive relationship with a young fisherman's son, Ulric, who eventually disappears, believed to have been taken by her. In response to the mounting losses, a band of soldiers attempts to capture Lorelei, but she paralyzes them with a spell. As they watch, she performs a ritual, shedding her adornments, and disappears into the river in an emerald chariot drawn by white horses, never to be seen by humans again. Her legend, however, continues to inspire artists.
Themes
Emotional Arc
innocence to loss
Writing Style
Narrative Elements
Cultural Context
The Lorelei is a famous rock on the Rhine River, associated with a siren-like legend that has inspired numerous German poems, songs, and artworks, particularly during the Romantic era. This story is a retelling of that popular legend.
Plot Beats (13)
- Lorelei, a beautiful fairy, sits on a rock in the dangerous Rhine rapids, luring sailors to their deaths with her beauty and song.
- Sailors, despite their best intentions, are mesmerized by Lorelei, lose control of their boats, and drown.
- Lorelei is only seen at night, when she adorns herself with jewels and her golden hair, playing her harp.
- Ulric, a handsome fisherman's son, is the only mortal Lorelei shows favor to, meeting him nightly and giving him fishing tips.
- Ulric's family prospers from his fishing advice, but his mother warns him about Lorelei's influence.
- One morning, Ulric is gone, and his family searches in vain, believing Lorelei has taken him to her underwater realm.
- Due to the many drownings and lost treasures, merchants decide to send soldiers to capture or kill Lorelei.
- The soldiers, equipped with ear muffs and under strict orders not to speak or listen, land silently near Lorelei's rock.
- Lorelei casts a spell, paralyzing the soldiers, who can only watch as she prepares to depart.
- Lorelei removes her jewels and robes, throwing them into the river, and chants a spell to raise the water.
- An emerald chariot drawn by two white horses emerges from the flood, and Lorelei mounts it, disappearing into the river.
- The river subsides, the spell on the soldiers breaks, and they return, recounting their strange tale.
- Lorelei is never seen again, having retreated to her caves, insulted by the human intrusion, but her legend inspires musicians and poets.
Characters
Lorelei
Of ethereal beauty, with a form that appears human but possesses an otherworldly glow. Her presence is captivating, almost hypnotic, to mortals. She is described as a 'pretty maiden' and a 'resplendent figure'.
Attire: When appearing above the Rhine, she is adorned in 'gorgeous apparel' and jewels. She wears a golden comb studded with rare gems in her hair. Her robes are splendid, and she wears a girdle, pearls, and other gems, all of which she dramatically discards into the river. The specific style of her robes is not detailed but would be flowing and elegant, suitable for a mythical river spirit.
Wants: To lure sailors to their doom for her amusement, to enjoy her music and beauty, and to find companionship (as with Ulric). She is driven by her own desires and a sense of superiority.
Flaw: Her pride and vanity, which lead her to feel insulted by the attempt to capture her, causing her to retreat permanently.
She begins as a regular, albeit dangerous, presence on the Rhine. She develops a unique relationship with Ulric, showing a softer, more possessive side. After being targeted by humans, she feels insulted and retreats permanently into her underwater caves, becoming a legend rather than an active threat.
Cruel, mischievous, alluring, proud, indifferent to human suffering, possessive (of Ulric), easily insulted. She laughs at drowning men and feels no remorse.
Ulric
A young, very good-looking fisherman's son. His physique is likely lean and strong from his work as a fisherman.
Attire: Implied to wear simple, practical clothes befitting a fisherman's son, though his family's increased wealth allows them 'nice clothes'. Likely linen or wool tunics and trousers, possibly with a cap.
Wants: Drawn by Lorelei's beauty and music, and perhaps by the promise of abundant fish for his family. He seeks her company at night.
Flaw: His susceptibility to Lorelei's enchantment and his overconfidence in his ability to resist her power.
Begins as a cherished son and successful fisherman. He becomes increasingly entangled with Lorelei, eventually succumbing to her power and being taken into her underwater realm, disappearing from the human world.
Charming, naive, somewhat reckless, beloved by his family, easily enchanted, trusting.
The Captain of the Soldiers
A brave and stout-hearted man, implied to be physically capable and commanding, as he leads an expedition to capture Lorelei.
Attire: Wears a helmet with thick padded ear muffs, armor, and carries weapons (implied to be swords, spears, arrows). His attire is functional and protective, typical of a soldier of the era, likely German or Central European.
Wants: To capture Lorelei and eliminate the danger she poses to Rhine shipping, ensuring safety for merchants and sailors.
Flaw: His and his men's vulnerability to Lorelei's powerful magic, despite their precautions.
Leads an expedition to capture Lorelei, but fails due to her magic. He and his men are spared and return to tell their story, contributing to Lorelei's legend.
Determined, brave, cautious (in planning the expedition), disciplined, but ultimately vulnerable to magic.
Father of the Fairies
Not explicitly described, but as the 'Father of the Fairies' and living 'along and under the river Rhine', he would likely embody ancient, riverine wisdom and power. Perhaps with features that blend with the natural elements of the Rhine.
Attire: No details provided, but would likely be natural and flowing, perhaps made of water, mist, or river elements.
Wants: To maintain order among his fairy daughters, though he struggles with this.
Flaw: Inability to control his grown daughters, specifically Lorelei.
Remains a static background figure, representing the ancient, often wild, nature of the Rhine's magic.
Powerful, ancient, somewhat ineffectual in controlling his offspring.
Locations
Lorelei Rock and Rhine Rapids
A specific, treacherous section of the Rhine river where the water dashes over sharp, jagged rocks and foams high. A lofty, pointed rock pinnacle rises from near the river's shore, serving as Lorelei's perch. The river itself is wide and powerful, with strong currents.
Mood: Eerie, dangerous, enchanting, mysterious, with an underlying sense of dread.
Lorelei appears here to lure sailors to their doom with her song, and later, the soldiers attempt to capture her here. It's also where she last appears before vanishing.
Lorelei's Jeweled Caves Under the Rhine
Submerged caves deep beneath the Rhine river, described as 'jeweled' and 'shining'. These are Lorelei's private domain, cool and hidden from mortal eyes during the day.
Mood: Secretive, opulent, serene, hidden, magical.
Lorelei retreats here during daylight hours and eventually, after being insulted, she permanently resides here, never to be seen by man again.
Fisherman's Riverside Home
A humble, cozy home likely a half-timbered Fachwerk house with a thatched or tiled roof, typical of a German riverside village, where Ulric lives with his family. Implied to have a simple interior with a breakfast table and a bed in Ulric's room.
Mood: Warm, familial, safe, but with an underlying tension due to Ulric's nightly disappearances.
This is Ulric's home base, where his family notices his late returns and eventually his disappearance, leading to their search.