THE FAIRY CONGRESS

by William Elliot Griffis · from Welsh Fairy Tales

folk tale humorous | cultural adaptation whimsical Ages 8-14 1648 words 8 min read
Cover: THE FAIRY CONGRESS

Adapted Version

CEFR A1 Age 5 397 words 2 min Canon 98/100

Long ago, in a green land, fairies had a special meeting. It was a secret party. All the fairy folk came. This was a big party. They met in a magical place.

A tiny Fiddler came. He was very small. He had a special job. He played music first. His trousers were moss. His coat was a yellow flower. His shoes were shiny beetle wings.

The Fiddler played his violin. It was a wooden spoon. Fairies came to dance. They danced very softly. Flowers did not bend. Fairies were happy.

The music stopped. Fairies sat down. They sat on grass. A leader spoke. Some friends could not come. Mermaids live in the sea. They cannot leave the water. They were too tired to come.

Queen Mab wore a tall, black hat. It was very big. Water fairies came. They lived in lakes. Small red men came too. They hid under a thimble. Tiny pigmies came from underground. They wore bright clothes.

Some water fairies felt sad. Big machines make loud noise. Humans use these machines. They make water dirty. Fairies do not like this. They do not like bad smells. So, these fairies hide away.

The tiny pigmies had golden balls. They were very shiny. A Clever Fairy came near. She whispered a warning. 'Be careful with your gold!' she said. 'People might take it. They have shops for gold.' Pigmies hid their balls fast.

Fairy guards stood watch. They kept bad things out. They did not let in witches. Witches are not good. They did not let in metal. Fairies do not like metal. It is too hard and cold.

Many fairies talked too much. They talked for a long time. President Puck listened. He did not like it. He wanted them to be quick. He tried to make them quiet.

Fairies talked about grey smoke. It came from human places. Smoke made air dirty. It made water dirty too. Fairies did not like this. They wanted clean air. They wanted clean water. They loved nature.

The sun came up. Fairies left very fast. Their meeting was a secret. No one must know. Only one Old Man knew. He lived in Wales. He spoke only Welsh. He never told the secret in English.

The fairies went home. Their meeting was a secret. Only one old man knew. He never told anyone in English. He just smiled.

Original Story 1648 words · 8 min read

THE FAIRY CONGRESS

One can hardly think of Wales without a harp. The music of this most ancient and honorable instrument, which emits sweet sounds, when heard in a foreign land makes Welsh folks homesick for the old country and the music of the harp. Its strings can wail with woe, ripple with merriment, sound out the notes of war and peace, and lift the soul in heavenly melody.

Usually a player on the harp opened the Eistedfodd, as the Welsh literary congress is called, but this time they had engaged for the fairies a funny little fellow to start the programme with a solo on his violin.

The figure of this musician, at the congress of Welsh fairies, was the most comical of any in the company. The saying that he was popular with all the mountain spirits was shown to be true, the moment he began to scrape his fiddle, for then they all crowded around him.

"Did you ever see such a tiny specimen?" asked Queen Mab of Puck.

The little fiddler came forward and drawing his instrument from under his arm, proceeded to scrape the strings. He had on a pair of moss trousers, and his coat was a yellow gorse flower. His feet were clad in shoes made of beetles' wings, which always kept bright, as if polished with a brush.

When one looked at the fiddle, he could see that it was only a wooden spoon, with strings across the bowl. But the moment he drew the bow from one side to the other, all the elves, from every part of the hills, came tripping along to hear the music, and at once began dancing.

Some of these elves were dressed in pink, some in blue, others in yellow, and many had glow worms in their hands. Their tread was so light that the flower stems never bent, nor was a petal crushed, when they walked over the turf. All, as they came near, bowed or dropped a curtsey. Then the little musician took off his cap to each, and bowed in return.

There was too much business before the meeting for dancing to be kept up very long, but when the violin solo was over, at a sign given by the fiddler, the dancers took seats wherever they could find them, on the grass, or gorse, or heather, or on the stones. After order had been secured, the chairman of the meeting read regrets from those who had been invited but could not be present.

The first note was from the mermaids, who lived near the Green Isles of the Ocean. They asked to be excused from traveling inland and climbing rocks. In the present delicate state of their health this would be too fatiguing. Poor things!

It was unanimously voted that they be excused.

Queen Mab was dressed, as befitted the occasion, like a Welsh lady, not wearing a crown, but a high peaked hat, pointed at the top and about half a yard high. It was black and was held on by fastenings of scalloped lace, that came down around her neck.

The lake fairies, or Elfin Maids, were out in full force. These lived at the bottom of the many ponds and pools in Wales. Many stories are told of the wonderful things they did with boats and cattle.

Nowadays, when they milk cows by electric machinery and use steam launches on the water, most of the water sprites of all kinds have been driven away, for they do not like the smell of kerosene or gasoline. It is for these reasons that, in our day, they are not often seen. In fact, cows from the creameries can wade out into the water and even stand in it, while lashing their tails to keep off the flies, without any danger, as in old times, of being pulled down by the Elfin Maids.

The little Red Men, that could hide under a thimble, and have plenty of room to spare, were all out. The elves, and nixies and sprites, of all colors and many forms were on hand.

The pigmies, who guard the palace of the king of the world underground, came in their gay dresses. There were three of them, and they brought in their hands balls of gold, with which to play tenpins, but they were not allowed to have any games while the meeting was going on.

In fact, just when these little fellows from down under the earth were showing off their gay clothes and their treasures from the caves, one mischievous fairy maid sidled up to their chief and whispered in his ear:

"Better put away your gold, for this is in modern Wales, where they have pawn shops. Three golden balls, two above the one below, which you often see nowadays, mean that two to one you will never get it again. These hang out as the sign of a pawnbroker's shop, and what you put in does not, as a rule, come out. I am afraid that some of the Cymric fairies from Cornwall, or Montgomery, or Cheshire, might think you were after business, and you understand that no advertising is allowed here."

In a moment, each of the three leaders thrust his ball into his bosom. It made his coat bulge out, and at this, some of the fairies wondered, but all they thought of was that this spoiled a handsome fellow's figure. Or was it some new idea? To tell the truth, they were vexed at not keeping up with the new fashions, for they knew nothing of this latest fad among such fine young gallants.

Much of the chat and gossip, before and after the meeting, was between the fairies who live in the air, or on mountains, and those down in the earth, or deep in the sea. They swapped news, gossip and scandal at a great rate.

There were a dozen or two fine-looking creatures who had high brows, who said they were Co-eds. This did not mean that these fairies had ever been through college. "Certainly the college never went through them," said one very homely fairy, who was spiteful and jealous. The simple fact was that the one they called Betty, the Co-ed, and others from that Welsh village, called Bryn Mawr, and another from Flint, and another from Yale, and still others from Brimbo and from Co-ed Poeth, had come from places so named and down on the map of Wales, though they were no real Co-ed girls there, that could talk French, or English, or read Latin. In fact, Co-ed simply meant that they were from the woods and lived among the trees; for Co-ed in Welsh means a forest.

The fairy police were further instructed not to admit, and, if such were found, to put out the following bad characters, for this was a perfectly respectable meeting. These naughty folks were:

The Old Hag of the Mist.

The Invisible Hag that moans dolefully in the night.

The Tolaeth, a creature never seen, but that groans, sings, saws, or stamps noisily.

The Dogs of the Sky.

All witches, of every sort and kind.

All peddlers of horseshoes, crosses, charms, or amulets.

All mortals with brains fuddled by liquor.

All who had on shoes which water would not run under.

All fairies that were accustomed to turn mortals into cheese.

Every one of these, who might want to get in, were to be refused admittance.

Another circle of rather exclusive fairies, who always kept away from the blacksmiths, hardware stores, smelting furnaces and mines, had formed an anti-iron society. These were a kind of a Welsh "Four Hundred," or élite, who would have nothing to do with anyone who had an iron tool, or weapon, or ornament in his hand, or on his dress, or who used iron in any form, or for any use. They frowned upon the idea of Cymric Land becoming rich by mining, and smelting, and selling iron. They did not even approve of the idea that any imps and dwarfs of the iron mines should be admitted to the meeting.

One clique of fairies, that looked like elves were in bad humor, almost to moping. When one of these got up to speak, it seemed as if he would never sit down. He tired all the lively fairies by long-winded reminiscences, of druids, and mistletoes, and by telling every one how much better the old times were than the present.

President Puck, who always liked things short, and was himself as lively as quicksilver, many times called these long-winded fellows to order; but they kept meandering on, until daybreak, when it was time to adjourn, lest the sunshine should spoil them all, and change them into slate or stone.

It was hard to tell just how much business was disposed of, at this session, or whether one ever came to the point, although there was a great deal of oratory and music. Much of what was said was in poetry, or in verses, or rhymes, of three lines each. What they talked about was mainly in protest against the smoke of factories and collieries, and because there was so much soot, and so little soap, in the land.

But what did they do at the fairy congress?

The truth is, that nobody to-day knows what was done in this session of the fairies, for the proceedings were kept secret. The only one who knows was an old Welshman whom the story-teller used to meet once in a while. He is the one mortal who knows anything about this meeting, and he won't tell; or at least he won't talk in anything but Welsh. So we have to find out the gist of the matter, by noticing, in the stories which we have just read what the fairies did.


Story DNA

Plot Summary

In Wales, a whimsical Fairy Congress (Eisteddfod) opens with a tiny, comical fiddler whose music enchants all the diverse fairy folk. Various groups, from mermaids to pigmies, attend, revealing their unique traits and concerns about the human world's encroaching modernity, such as pawn shops and industrial pollution. The congress, presided over by President Puck, is filled with long-winded speeches and poetic protests against the changing world, with strict rules about who can attend. Ultimately, little concrete business is concluded, and the secret proceedings adjourn at daybreak, known only to an old Welshman who refuses to share details in English, leaving the reader to infer the fairies' enduring struggle to preserve their ancient way of life.

Themes

tradition vs. modernitypreservation of naturecommunity and social ordercultural identity

Emotional Arc

curiosity to amusement

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: direct address to reader, cultural explanation

Narrative Elements

Conflict: person vs society (fairies vs. modern industrial society)
Ending: ambiguous
Magic: talking animals (implied, as fairies interact with nature), elves, pixies, sprites, mermaids, pigmies, Red Men, magical music (wooden spoon violin), glow worms as lights, fairies turning into slate or stone in sunlight
the harp (Welsh tradition)the wooden spoon violin (humble magic)three golden balls (modern commerce/pawn shops)smoke and soot (industrial pollution)

Cultural Context

Origin: Welsh
Era: timeless fairy tale, with references to early industrialization

The story subtly contrasts traditional Welsh folklore and natural settings with the encroaching industrialization (factories, collieries, steam launches, electricity) of the late 19th/early 20th century, reflecting a concern for the vanishing magic in a modernizing world.

Plot Beats (14)

  1. The story begins by associating Wales with the harp and introduces the idea of a Fairy Congress (Eisteddfod).
  2. A tiny, comically dressed fiddler, popular with mountain spirits, is chosen to open the congress instead of a harpist.
  3. The fiddler plays his wooden spoon violin, enchanting all the elves, who dance lightly without disturbing nature.
  4. After the solo, the fairies take their seats, and the chairman reads apologies, including one from mermaids who cannot travel inland.
  5. Queen Mab is described in traditional Welsh attire, and various fairy types are introduced: lake fairies (Elfin Maids), little Red Men, and pigmies.
  6. The narrator explains why water sprites are less common now due to modern machinery and pollution.
  7. Pigmies from underground arrive with golden balls, but a mischievous fairy warns them about modern pawn shops and the risk of losing their treasures.
  8. Fairies from different realms (air, mountains, earth, sea) exchange gossip and news.
  9. A group of 'Co-eds' fairies are introduced, with the term humorously explained as referring to those from the woods (coed in Welsh), not college students.
  10. The fairy police are given strict instructions to exclude undesirable characters like hags, witches, and those associated with iron or human vices.
  11. An 'anti-iron society' of elite fairies expresses disdain for mining and iron, reflecting a resistance to industrialization.
  12. Some long-winded fairies reminisce about old times, boring others, and President Puck struggles to maintain order.
  13. The congress is filled with oratory, poetry, and protests against factory smoke and pollution, but little concrete business is accomplished.
  14. The meeting adjourns at daybreak to avoid the sun, with the proceedings remaining secret, known only to an old Welshman who speaks only Welsh.

Characters

✦

The Little Fiddler

fairy ageless male

Tiny specimen, comically small, with a slight build.

Attire: Moss trousers, a coat made from a yellow gorse flower, and shoes crafted from beetles' wings that always appear brightly polished.

Wants: To entertain and bring joy through his music, to fulfill his role in the Eistedfodd.

Flaw: None explicitly stated, but his small size might imply vulnerability.

Introduces the congress with his performance, then takes a seat, serving as an initial catalyst for the gathering.

His tiny figure, clad in moss and gorse, playing a violin made from a wooden spoon.

Popular, musical, polite, a showman.

✦

Queen Mab

fairy ageless female

Not explicitly described beyond her attire, but implied to be of regal bearing.

Attire: Dressed like a Welsh lady, wearing a high peaked hat, pointed at the top and about half a yard high. The hat is black and secured by fastenings of scalloped lace that come down around her neck. No crown.

Wants: To preside over the fairy congress and maintain order.

Flaw: None explicitly stated.

Acts as an observer and participant in the congress, representing fairy royalty.

Her distinctive, tall, black Welsh lady's peaked hat with scalloped lace fastenings.

Observant, curious, regal.

✦

Puck

fairy ageless male

Lively as quicksilver, suggesting a nimble and energetic build.

Attire: Not explicitly described, but implied to be simple and practical to allow for his lively nature.

Wants: To keep the congress moving efficiently and avoid unnecessary delays.

Flaw: Impatience with long-windedness.

Acts as the moderator of the congress, trying to keep the proceedings brief and focused.

His energetic, quicksilver-like demeanor, constantly trying to move things along.

Lively, impatient with long speeches, prefers brevity, mischievous.

✦

Mischievous Fairy Maid

fairy ageless female

Not explicitly described, but her actions suggest a slight, agile build.

Attire: Not explicitly described, but implied to be typical fairy attire, perhaps in bright colors.

Wants: To tease or warn the Pigmies, perhaps to enforce the rules of the congress against advertising.

Flaw: Her mischievous nature might sometimes lead to trouble.

Briefly appears to deliver a warning/tease to the Pigmies, highlighting the contrast between fairy and mortal worlds.

Her sly, whispering gesture to the Pigmy chief.

Mischievous, cunning, observant of mortal customs.

👤

The Old Welshman

human elderly male

An old man, not further detailed.

Attire: Not explicitly described, but likely traditional Welsh attire for an elderly man.

Wants: To keep the secrets of the fairy congress, or perhaps he is bound by an oath.

Flaw: His refusal to share information in English.

Serves as a narrative device, the keeper of untold secrets.

His refusal to speak about the fairy congress in anything but Welsh.

Secretive, knowledgeable about fairy lore, perhaps a bit stubborn.

Locations

Fairy Congress Clearing

outdoor night Mild, clear night, possibly late spring or summer, as flowers like gorse are in bloom.

A natural clearing in the Welsh landscape, likely a gentle slope or flat area, covered with turf, gorse, and heather. Scattered stones provide additional seating. The air is clear, and the setting is natural and untouched by human industry.

Mood: Magical, lively, formal yet festive, with an underlying sense of ancient tradition and community.

The main setting for the Fairy Congress, where the fiddler performs, and various fairy factions gather to discuss matters.

Turf ground Gorse bushes Heather patches Scattered stones for seating Glow worms carried by elves Tiny fiddler on a wooden spoon violin Fairies in colorful attire (pink, blue, yellow) Queen Mab in a high peaked Welsh hat

The Green Isles of the Ocean (Mermaid's Home)

outdoor Oceanic climate, likely temperate, with conditions suitable for mermaids.

A watery realm near verdant islands, characterized by ocean depths and rocky shores. It is a place where mermaids reside, implying clear, clean waters and a natural, unspoiled marine environment.

Mood: Serene, aquatic, somewhat remote and inaccessible to land-dwelling creatures.

The home of the mermaids, who send their regrets to the congress due to the difficulty of traveling inland and climbing rocks.

Ocean waters Green Isles (verdant islands) Rocks and cliffs Mermaids

Welsh Ponds and Pools (Elfin Maids' Home)

outdoor Temperate Welsh climate, with varying weather conditions affecting the surface of the water.

Numerous natural ponds and pools scattered across the Welsh landscape, serving as the dwelling places for the Elfin Maids. These waters are traditionally clean and undisturbed, contrasting with modern, industrialized waterways.

Mood: Mysterious, ancient, now somewhat threatened by human activity.

The habitat of the Elfin Maids, whose numbers have dwindled due to the pollution from modern machinery like electric milkers and steam launches.

Ponds and pools of water Surrounding natural vegetation (grass, reeds) Elfin Maids (lake fairies)