THE TOUCH of CLAY

by William Elliot Griffis · from Welsh Fairy Tales

fairy tale cautionary tale melancholic Ages 8-14 1785 words 8 min read
Cover: THE TOUCH of CLAY

Adapted Version

CEFR A1 Age 5 366 words 2 min Canon 99/100

Once upon a time, a kind farmer lived near a big, beautiful lake. He liked to fish there. One day, he saw a little house. It stood by the water. Then the mist came. The little house went away. It was magic.

The farmer went to the lake again. He saw a pretty lake lady. Her face was in the water. She smiled at him. He liked her very much. She went down. Splash! She came back up. She went down again. She came back up again. It was a fun game.

The farmer came back to the lake. He had a big, red apple. It looked very good. He started to eat it. The pretty lake lady came up. She came from the water. She saw the apple. She said, "Can I have an apple?"

The farmer gave her the red apple. She took the apple in her hand. She smiled a big smile. She came out of the water. They were very happy together.

Then her father came from the lake. He was a kind old man. He had long, white hair. He looked at the farmer. He said, "You can marry my daughter." "But you must never get dirt on her." "She is a lake lady." "Dirt hurts lake people." The farmer said, "I promise."

They got married. They were very happy. They had children. The farmer was very careful. He never got dirt on his wife. He always remembered his promise.

One day, his wife said, "I want apples." "Like the first one you gave me." The farmer said, "I will plant an apple tree." "It will be for you!"

The farmer dug a hole. He dug for the apple tree. He was very busy. He forgot to look behind him. He threw some dirt over his shoulder.

Oh no! The dirt landed on his wife. She was standing behind him. The dirt touched her arm.

The wife looked very sad. She said, "I have to go back." "Back to my lake now." "I love you. Goodbye." She walked into the water. The farmer was very sad. He missed her very much. And the farmer always wished he had been more careful.

Original Story 1785 words · 8 min read

THE TOUCH OF CLAY

Long, long ago before the Cymry came into the beautiful land of Wales, there were dark-skinned people living in caves.

In these early times there were a great many fairies of all sorts, but of very different kinds of behavior, good and bad.

It was in this age of the world that fairies got an idea riveted into their heads which nothing, not even hammers, chisels or crowbars can pry up. Neither horse power, nor hydraulic force nor sixteen-inch bombs, nor cannon balls, nor torpedoes can drive it out.

It is a settled matter of opinion in fairy land that, compared with fairies, human beings are very stupid. The fairies think that mortals are dull witted and awfully slow, when compared to the smarter and more nimble fairies, that are always up to date in doing things.

Perhaps the following story will help explain why this is.

These ancient folks who lived in caves, could not possibly know some things that are like A B C to the fairies of to-day. For the Welsh fairies, King Puck and Queen Mab, know all about what is in the telegraphs, submarine cables and wireless telegraphy of to-day. Puck would laugh if you should say that a telephone was any new thing to him. Long ago, in Shakespeare's time, he boasted that he could "put a girdle round the earth in forty minutes." Men have been trying ever since to catch up with him, but they have not gone ahead of him yet.

If, only three hundred years ago, this were the case, what must have been Puck's fun, when he saw men in the early days, working so hard to make even a clay cup or saucer. These people who slept and ate in cave boarding-houses, knew nothing of metals, or how to make iron or brass tools, wire, or machines, or how to touch a button and light up a whole room, which even a baby can now do.

There is one thing that we, who have traveled in many fairy lands, have often noticed and told our friends, the little folks, and that is this:

All the fairies we ever knew are very slow to change either their opinions, or their ways, or their fashions. Like many mortals, they think a great deal of their own notions. They imagine that the only way to do a thing is in that which they say is the right one.

So it came to pass that even when the Cymric folk gave up wearing the skins of animals, and put on pretty clothes woven on a loom, and ate out of dishes, instead of clam shells, there were still some fairies that kept to the notions and fashions of the cave days. To one of these, came trouble because of this failing.

Now there was once a pretty nymph, who lived in the Red Lake, to which a young and handsome farmer used to come to catch fish. One misty day, when the lad could see only a few feet before him, a wind cleared the air and blew away the fog. Then he saw near him a little old man, standing on a ladder. He was hard at work in putting a thatched roof on a hut which he had built.

A few minutes later, as the mist rose and the breezes blew, the farmer could see no house, but only the ripplings of water on the lake's surface.

Although he went fishing often, he never again saw anything unusual, during the whole summer.

On one hot day in the early autumn, while he stopped to let his horse drink, he looked and saw a very lovely face on the water. Wondering to whom it might belong, there rose up before him the head and shoulders of a most beautiful woman. She was so pretty that he had two tumbles. He fell off his horse and he fell in love with her at one and the same time.

Rushing toward the lovely vision, he put out his arms at that spot where he had seen her, but only to embrace empty air. Then he remembered that love is blind. So he rubbed his eyes, to see if he could discern anything. Yet though he peered down into the water, and up over the hills, he could not see her anywhere.

But he soon found out to his joy that his eyes were all right, for in another place, the face, flower-crowned hair, and her reflection in the water came again. Then his desire to possess the damsel was doubled. But again, she disappeared, to rise again somewhere else.

Five times he was thus tantalized and disappointed. She rose up, and quickly disappeared.

It seemed as though she meant only to tease him. So he rode home sorrowing, and scarcely slept that night.

Early morning, found the lovelorn youth again at the lake side, but for hours he watched in vain. He had left his home too excited to have eaten his usual breakfast, which greatly surprised his housekeeper. Now he pulled out some sweet apples, which a neighbor had given him, and began to munch them, while still keeping watch on the waters.

No sooner had the aroma of the apples fallen on the air, than the pretty lady of the lake bobbed up from beneath the surface, and this time quite near him. She seemed to have lost all fear, for she asked him to throw her one of the apples.

"Please come, pretty maid, and get it yourself," cried the farmer. Then he held up the red apple, turning it round and round before her, to tempt her by showing its glossy surface and rich color.

Apparently not afraid, she came up close to him and took the apple from his left hand. At once, he slipped his strong right arm around her waist, and hugged her tight. At this, she screamed loudly.

Then there appeared in the middle of the lake the old man, he had seen thatching the roof by the lake shore. This time, besides his long snowy beard, he had on his head a crown of water lilies.

"Mortal," said the venerable person. "That is my daughter you are clasping. What do you wish to do with her?"

At once, the farmer broke out in passionate appeal to the old man that she might become his wife. He promised to love her always, treat her well, and never be rough or cruel to her.

The old father listened attentively. He was finally convinced that the farmer would make a good husband for his lovely daughter. Yet he was very sorry to lose her, and he solemnly laid one condition upon his future son-in-law.

He was never under any pretense, or in any way, to strike her with clay, or with anything made or baked from clay. Any blow with that from which men made pots and pans, and jars and dishes, or in fact, with earth of any sort, would mean the instant loss of his wife. Even if children were born in their home, the mother would leave them, and return to fairy land under the lake, and be forever subject to the law of the fairies, as before her marriage.

The farmer was very much in love with his pretty prize, and as promises are easily made, he took oath that no clay should ever touch her.

They were married and lived very happily together. Years passed and the man was still a good husband and lover. He kept up the habit which he had learned from a sailor friend. Every night, when far from home and out on the sea, he and his mates used to drink this toast; "Sweethearts and wives: may every sweetheart become a wife and every wife remain a sweetheart, and every husband continue a lover."

So he proved that though a husband he was still a lover, by always doing what she asked him and more. When the children were born and grew up, their father told them about their mother's likes and dislikes, her tastes and her wishes, and warned them always to be careful. So it was altogether a very happy family.

One day, the wife and mother said to her husband, that she had a great longing for apples. She would like to taste some like those which he long ago gave her. At once, the good man dropped what he was doing and hurried off to his neighbor, who had first presented him with a trayful of these apples.

The farmer not only got the fruit, but he also determined that he would plant a tree and thus have apples for his wife, whenever she wanted them. So he bought a fine young sapling, to set in his orchard, for the children to play under and to keep his pantry full of the fine red-cheeked fruit. At this his wife was delighted.

So happy enough—in fact, too merry to think of anything else, they, both husband and wife, proceeded to set the sapling in the ground. She held the tree, while he dug down to make the hole deep enough to make sure of its growing.

But farmers are sometimes very superstitious. They even believe in luck, though not in Puck. Some of them have faith in what the almanac, and the patent medicine may say, and in planting potatoes according to the moon, but they scout the idea of there being any fairies.

With the farmer, this had become a fixed state of mind and now it brought him to grief, as we shall see. For though he remembered what his wife liked and disliked, and recalled what her father had told him, he had forgotten that she was a fairy.

With this farmer and other Welsh mortals, it had become a habit, when planting a young tree, to throw the last shovelful of earth over the left shoulder. This was for good luck. The farmer was afraid to break such a good custom, as he thought it to be.

So merrily he went to work, forgetting everything in his adherence to habit. He became so absorbed in his job, that he did not look where his spadeful went, and it struck his dear wife full in the breast.

At that moment, she cried out bitterly, not in pain, but in sorrow. Then she started to run towards the lake. At the shore, she called out, "Good-by, dear, dear husband." Then, leaping into the water, she was never seen again and all his tears and those of the children never brought her back.


Story DNA

Moral

Even deeply ingrained habits can have devastating consequences if they lead to breaking a sacred promise.

Plot Summary

In ancient Wales, a young farmer falls deeply in love with a beautiful lake nymph. Her fairy father permits their marriage on the strict condition that the farmer never strikes her with clay or earth. They live happily for years, raising children, with the farmer always mindful of his vow. However, while planting an apple tree, the farmer, out of an old superstitious habit, throws a shovelful of earth over his shoulder for luck, accidentally striking his wife. Heartbroken, she cries out in sorrow, bids him farewell, and returns to the lake, never to be seen again, leaving her family in despair.

Themes

consequences of broken promisesthe clash of worldsthe power of habitlove and loss

Emotional Arc

joy to sorrow

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: direct address to reader, explanatory asides

Narrative Elements

Conflict: person vs supernatural
Ending: tragic
Magic: fairies, lake nymph, disappearing/reappearing hut, fairy father with water lily crown, instant disappearance upon breaking a magical vow
the apple (lure, desire, fertility)clay/earth (humanity, mortality, the forbidden element)the lake (boundary between worlds, fairy realm)

Cultural Context

Origin: Welsh
Era: timeless fairy tale

The story contrasts ancient 'cave days' with more modern (19th-century) technology like telegraphs and telephones, suggesting a narrative perspective from a later era looking back at 'long, long ago'.

Plot Beats (12)

  1. The narrator establishes the ancient belief among fairies that humans are stupid, citing their advanced knowledge compared to early cave-dwelling humans.
  2. The narrator notes that fairies are slow to change their opinions and ways, even when human society progresses.
  3. A young farmer sees an old man thatching a hut by a lake, which then disappears with the mist.
  4. The farmer later sees a beautiful woman's face in the lake, falls in love, and is repeatedly teased by her disappearing and reappearing.
  5. The farmer returns the next morning, and when he eats an apple, the lady of the lake appears and asks for one.
  6. The farmer lures her closer with an apple, then embraces her, causing her to scream.
  7. The old man from the lake, revealed as her father, appears and agrees to their marriage on the condition that the farmer never strikes her with clay or earth.
  8. The farmer promises, they marry, and live happily for years, raising children, with the farmer always remembering his promise and his wife's nature.
  9. The wife expresses a longing for apples like the one he first gave her, prompting the farmer to get more and decide to plant an apple tree.
  10. While planting the tree, the farmer, absorbed in his work and adhering to a superstitious habit for good luck, throws a shovelful of earth over his shoulder.
  11. The earth accidentally strikes his wife in the breast, fulfilling the forbidden condition.
  12. The wife cries out in sorrow, bids her husband farewell, and returns to the lake, disappearing forever.

Characters

👤

The Farmer

human young adult male

A young, strong, and handsome man, likely of a sturdy build from working the land. His hands would be calloused from farm work. He is agile enough to fall off his horse and still rush towards a vision.

Attire: Simple, practical clothing suitable for a farmer in ancient Wales. Likely homespun linen tunic, wool trousers, and sturdy leather boots. Colors would be natural earth tones or undyed fabrics.

Wants: To find love and companionship, to build a happy family, and to provide for his wife and children.

Flaw: His ingrained superstitions and habits, which lead him to forget the crucial warning about clay. His absorption in tasks can make him momentarily oblivious.

He starts as a lovelorn youth, becomes a devoted husband and father, but ultimately suffers a tragic loss due to his own ingrained habits and forgetfulness, learning the painful consequences of not fully respecting the supernatural world.

His strong, calloused hands, either holding an apple or a spade.

Passionate, devoted, hardworking, somewhat superstitious, and occasionally forgetful. He is deeply in love and strives to be a good husband and father.

✦

The Lake Nymph

fairy/nymph young adult female

Exquisitely beautiful, with a graceful and ethereal quality. Her movements are fluid, like water. She appears to be of human form but possesses an otherworldly charm.

Attire: When she appears from the water, she is adorned with flowers. When married, she would wear simple, elegant clothing woven from fine linen or wool, perhaps in shades of blue or green, reflecting her origin, but adapted to human fashion. Not explicitly described, but would be period-appropriate Welsh attire, perhaps a long tunic dress.

Wants: Initially, perhaps curiosity or playfulness. Later, to experience love and a family life with the farmer. She desires apples from her past.

Flaw: Bound by the strict, unchangeable laws of the fairies, particularly the taboo against being struck by clay or earth.

She transitions from a mysterious, teasing lake spirit to a loving wife and mother. Her arc is tragic, as she is forced to return to her original state due to a broken taboo, losing her human family.

Her flower-crowned hair and her appearance emerging from or disappearing into the water.

Playful (initially teasing the farmer), loving, gentle, and deeply connected to her fairy nature. She is also vulnerable to the fairy laws.

✦

The Old Man of the Lake

fairy/magical creature elderly male

A little old man, with a long snowy beard. He appears to be a wise and venerable figure, connected to the lake and its magic.

Attire: When first seen, he is working on a hut. When confronting the farmer, he wears a crown of water lilies, suggesting his connection to the lake. His clothing would be simple, perhaps made of natural fibers or moss, blending with his environment.

Wants: To protect his daughter and ensure her well-being, even if it means allowing her to marry a mortal, provided the fairy laws are respected.

Flaw: Bound by the ancient, unchangeable laws of the fairy world, which he must enforce.

He remains a consistent figure, representing the immutable laws of the fairy world. He facilitates his daughter's marriage but also enforces the consequences of the broken taboo.

His long snowy beard and a crown of water lilies.

Venerable, wise, protective (of his daughter), and a strict upholder of fairy law. He is attentive and discerning.

Locations

Red Lake

outdoor Misty days, clear days, hot early autumn days

A large, natural body of water in the Welsh countryside, often shrouded in mist. Its surface ripples, reflecting the sky and surrounding hills. The water is deep enough to conceal a fairy realm beneath.

Mood: Mysterious, enchanting, later sorrowful

The farmer first encounters the nymph, falls in love, and later loses her here.

Lake surface Mist Rippling water Hills in the background Lake shore

Farmer's Orchard/Farmyard

outdoor day Sunny, early autumn

A working farmyard with an orchard, likely featuring a traditional Welsh farmhouse in the background. The ground is earth, suitable for planting trees. It's a place of domesticity and daily life.

Mood: Content, domestic, later tragic

The farmer and his fairy wife plant an apple tree, leading to her accidental departure.

Young apple sapling Dug earth/soil Spade Farmhouse (implied) Orchard trees