THE TOUCH of IRON

by William Elliot Griffis · from Welsh Fairy Tales

fairy tale transformation melancholic Ages 8-14 2094 words 10 min read
Cover: THE TOUCH of IRON

Adapted Version

CEFR A1 Age 5 398 words 2 min Canon 100/100

Many fairies live near a blue lake. Fairies are small and beautiful. They have tiny wings. But fairies do not like iron. Iron makes them very sad. Fairies do not touch iron.

A kind young man lives near. His name is Gareth. Gareth sees a fairy. Her name is Siwsi. Siwsi is very pretty. Gareth likes Siwsi very much. He wants to know her. Gareth asks Siwsi to his house. Siwsi comes to his house. The house has iron doors. Siwsi feels sad near iron. She does not like iron. It makes her feel small.

One night, Gareth hears voices. The Fairies talk near the lake. They say, "Siwsi! Siwsi!" Gareth hears her name. He knows her name now. Gareth says, "Siwsi!" Siwsi smiles at Gareth. She is happy he knows. She likes Gareth. They are friends now.

Siwsi helps Gareth. She is very kind. The garden grows big flowers. The animals are happy. The cows give good milk. Gareth is very happy with Siwsi. Their home is very nice. All things grow well.

Siwsi and Gareth are good friends. They love each other. They get married. Siwsi says, "Do not touch me with iron. Iron hurts me." Gareth says, "I promise." He holds her hand. He will keep his word.

They have two children. A boy and a girl. They play by the lake. They laugh. They are very happy. Their home is full of love. They love their parents.

One day, a little horse runs away. It is a fast horse. Gareth tries to catch the horse. The horse runs fast! Gareth cannot catch it. He runs and runs.

Gareth picks up an iron rope. He wants to catch the horse. He throws it. Oh no! It touches Siwsi by accident. He did not want to hurt her. He feels very sad.

Siwsi becomes see-through, like light. She fades away. Then she is gone. Gareth is very sad. The children are sad. They miss their mother.

But every night, a little green island comes. It floats on the lake. And Siwsi is there! She talks to her children. She sings to them. She loves them very much. Her love is strong. She is always there for them.

And so, every night, the little island comes. Siwsi always comes back to see her family. Love is very strong. Her love never ends. They are a family forever.

Original Story 2094 words · 10 min read

THE TOUCH OF IRON

Ages ago, before the Cymry rowed in their coracles across the sea, there was a race of men already in the Land of Honey, as Great Britain was then called.

These ancient people, who lived in caves, did not know how to build houses or to plow the ground. They had no idea that they could get their food out of the earth. As for making bread and pies, cookies and goodies, from what grew from the soil, they never heard of such a thing. They were not acquainted with the use of fire for melting copper, nor did they know how to get iron out of the ore, to make knives and spears, arrow heads and swords, and armor and helmets.

All they could do was to mold clay, so as to make things to cook with and hold milk, or water. When they baked this soft stuff in the fire, they found they had pots, pans and dishes as hard as stone, though these were easily broken.

To hunt the deer, or fight the wolves and bears, they fashioned clubs of wood. For javelins and arrows, they took hard stone like flint and chipped it to points and sharpened it with edges. This was the time which men now call the Stone Age. When the men went to war, their weapons were wholly of wood or stone.

They had not yet learned to weave the wool of the sheep into warm clothing, but they wore the skins of animals. Each one of the caves, in which they lived, was a general boarding house, for dogs and pigs, as well as people.

When a young man of one tribe wanted a wife, he sallied out secretly into another neighborhood. There he lay in wait for a girl to come along. He then ran away with her, and back to his own daddy's cave.

By and by, when the Cymry came into the land, they had iron tools and better weapons of war. Then there were many and long battles and the aborigines were beaten many times.

So the cave people hated everything made of iron. Anyone of the cave people, girls or boys, who had picked up iron ornaments, and were found wearing or using iron tools, or buying anything of iron from the cave people's enemies, was looked upon as a rascal, or a villain, or even as a traitor and was driven out of the tribe.

However, some of the daughters of the cave men were so pretty and had such rosy cheeks, and lovely bodies, and beautiful, long hair, that quite often the Cymric youth fell in love with them.

Many of the cave men's daughters were captured and became wives of the Cymry and mothers of children. In course of ages, their descendants helped to make the bright, witty, song-loving Welsh people.

Now the fairies usually like things that are old, and they are very slow to alter the ancient customs, to which they have been used; for, in the fairy world, there is no measure of time, nor any clocks, watches, or bells to strike the hours, and no almanacs or calendars.

The fairies cannot understand why ladies change the fashions so often, and the men their ways of doing things. They wonder why beards are fashionable at one time; then, moustaches long or short, at another; or smooth faces when razors are cheap. Most fairies like to keep on doing the same thing in the old way. They enjoy being like the mountains, which stand; or the sea, that rolls; or the sun, that rises and sets every day and forever. They never get tired of repeating to-morrow what they did yesterday. They are very different from the people that are always wanting something else, and even cry if they cannot have it.

That is the reason why the fairies did not like iron, or to see men wearing iron hats and clothes, called helmets and armor, when they went to war. They no more wanted to be touched by iron than by filth, or foul disease. They hated knives, stirrups, scythes, swords, pots, pans, kettles, or this metal in any form, whether sheet, barbed wire, lump or pig iron.

Now there was a long, pretty stretch of water, near which lived a handsome lad, who loved nothing better than to go out on moonlight nights and see the fairies dance, or listen to their music. This youth fell in love with one of these fairies, whose beauty was great beyond description. At last, unable to control his passion, he rushed into the midst of the fairy company, seized the beautiful one, and rushed back to his home, with his prize in his arms. This was in true cave-man fashion. When the other fairies hurried to rescue her, they found the man's house shut. They dared not touch the door, for it was covered over with iron studs and bands, and bolted with the metal which they most abhorred.

The young man immediately began to make love to the fairy maid, hoping to win her to be his wife. For a long time she refused, and moped all day and night. While weeping many salt water tears, she declared that she was too homesick to live.

Nevertheless the lover persevered. Finding herself locked in with iron bars, while gratings, bolts and creaking hinges were all about her, and unable to return to her people, the fairy first thought out a plan of possible escape. Then she agreed to become the man's wife. She resolved, at least, that, without touching it, she should oil all the iron work, and stop the noise.

She was a smart fairy, and was sure she could outwit the man, even if he were so strong, and had every sort of iron everywhere in order to keep her as it were in a prison. So, pretending she loved him dearly, she said: "I will not be your wife, but, if you can find out my name, I shall gladly become your servant."

"Easily won," thought the lover to himself. Yet the game was a harder one to play than he supposed. It was like playing Blind Man's Buff, or Hunt the Slipper. Although he made guesses of every name he could think of, he was never "hot" and got no nearer to the thing sought than if his eyes were bandaged. All the time, he was deeper and deeper in love with the lovely fairy maid.

But one night, on returning home, he saw in a turf bog, a group of fairies sitting on a log. At once, he thought, they might be talking about their lost sister. So he crept up quite near them, and soon found that he had guessed right. After a long discussion, finding themselves still at a loss, as to how to recover her, he heard one of them sigh and say, "Oh, Siwsi, my sister, how can you live with a mortal?"

"Enough," said the young man to himself. "I've got it." Then, crawling away noiselessly, he ran back all the way to his house, and unlocked the door. Once inside the room, he called out his servant's name—"Siwsi! Siwsi!"

Astonished at hearing her name, she cried out, "What mortal has betrayed me? For, surely no fairy would tell on me? Alas, my fate, my fate!"

But in her own mind, the struggle and the fear were over. She had bravely striven to keep her fairyhood, and in the battle of wits, had lost.

She would not be wife, but what a wise, superb and faithful servant she made!

Everything prospered under her hand. The house and the farm became models. Not twice, but three times a day, the cows, milked by her, yielded milk unusually rich in cream. In the market, her butter excelled, in quality and price, all others.

Meanwhile, the passion of the lover abated not one jot, or for an instant. His perseverance finally won. She agreed to become his wife; but only on one condition.

"You must never strike me with iron," she said. "If you do, I'll feel free to leave you, and go back to my relatives in the fairy family."

A hearty laugh from the happy lover greeted this remark, made by the lovely creature, once his servant, but now his betrothed. He thought that the condition was very easy to obey.

So they were married, and no couple in all the land seemed to be happier. Once, twice, the cradle was filled. It rocked with new treasures that had life, and were more dear than farm, or home, or wealth in barns or cattle, cheese and butter. A boy and a girl were theirs. Then the mother's care was unremitting, day and night.

Even though the happy father grew richer every year, and bought farm after farm, until he owned five thousand acres, he valued, more than these possessions, his lovely wife and his beautiful children.

Yet this very delight and affection made him less vigilant; yes, even less careful concerning the promise he had once given to his fairy wife, who still held to the ancient ideas of the Fairy Family in regard to iron.

One of his finest mares had given birth to a filly, which, when the day of the great fair came, he determined to sell at a high price.

So with a halter on his arm, he went out to catch her.

But she was a lively creature, so frisky that it was much like his first attempt to win his fairy bride. It almost looked as if she were a cave girl running away from a lover, who had a lasso in his hand. The lively and frolicsome beast scampered here and there, grazing as she stopped, as if she were determined to put off her capture as long as possible.

So, calling to his wife, the two of them together, tried their skill to catch the filly. This time, leaving the halter in the house, the man took bit and bridle, and the two managed to get the pretty creature into a corner; but, when they had almost captured her, away she dashed again.

By this time, the man was so vexed that he lost his temper; and he who does that, usually loses the game, while he who controls the wrath within, wins. Mad as a flaming fire, he lost his brains also and threw bit and bridle and the whole harness after the fleet animal.

Alas! alas! the wife had started to run after the filly and the iron bit struck her on the cheek. It did not hurt, but he had broken his vow.

Now came the surprise of his life. It was as if, at one moment, a flash of lightning had made all things bright; and then in another second was inky darkness. He saw this lovely wife, one moment active and fleet as a deer. In another, in the twinkling of an eye, nothing was there. She had vanished. After this, there was a lonely home, empty of its light and cheer.

But by living with human beings, a new idea and form of life had transformed this fairy, and a new spell was laid on her. Mother-love had been awakened in her heart. Henceforth, though the law of the fairy world would not allow her to touch again the realm of earth, she, having once been wife and parent, could not forget the babies born of her body. So, making a sod raft, a floating island, she came up at night, and often, while these three mortals lived, this fairy mother would spend hours tenderly talking to her husband and her two children, who were now big boy and girl, as they stood on the lake shore.

On his part, the father did not think it "an ideal arrangement," as some modern married folks do, to be thus separated, wife and husband, one from the other; but by her coming as near as could be allowed, she showed her undying love. Even to-day, good people sometimes see a little island floating on the lake, and this, they point out as the place where the fairy mother was wont to come and hold converse with her dear ones. When they merrily eat the pink delicacy, called "floating island," moving it about with a spoon on its yellow lake of eggs and cream, they call this "the Fairy Mother's rocking chair."


Story DNA

Moral

Breaking a sacred vow, even unintentionally, can lead to irreversible loss and sorrow.

Plot Summary

A young man from the iron-wielding Cymry abducts a beautiful fairy, Siwsi, who, like all fairies, abhors iron. After he discovers her name, she agrees to be his servant, and her exceptional work brings him prosperity. Eventually, she marries him on the strict condition that he never strikes her with iron. They have two children and live happily until, in a fit of anger, the man accidentally strikes her with an iron horse bit. Siwsi instantly vanishes, fulfilling her vow, but her powerful mother-love allows her to visit her family on a floating island at night, maintaining a bittersweet connection.

Themes

cultural clashlove and lossthe power of vowsadaptation and change

Emotional Arc

passion to joy to profound sorrow and longing

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: historical exposition, mythological explanation

Narrative Elements

Conflict: person vs supernatural
Ending: bittersweet
Magic: fairies, fairy vanishing, magical prosperity, floating island
iron (symbol of change, human progress, and fairy taboo)the floating island (symbol of enduring love and separation)

Cultural Context

Origin: Welsh (Cymry)
Era: timeless fairy tale

The story uses the historical transition from Stone Age to Iron Age in Britain as a backdrop to explain the fairy aversion to iron, linking ancient cultural clashes to mythical beliefs.

Plot Beats (13)

  1. The story introduces the ancient Stone Age people of Britain, their simple life, and their eventual defeat by the iron-wielding Cymry, establishing the cultural aversion to iron.
  2. Fairies are introduced as beings who dislike change and abhor iron, explaining their ancient customs.
  3. A young man falls in love with a beautiful fairy and, in 'cave-man fashion,' abducts her, taking her to his iron-reinforced home.
  4. The trapped fairy, Siwsi, refuses to be his wife but agrees to be his servant if he can guess her name, hoping to outwit him.
  5. The man overhears other fairies discussing their lost sister and learns Siwsi's name, thus binding her to him as a servant.
  6. Siwsi, now his servant, brings immense prosperity to his home and farm, excelling in all tasks.
  7. The man's unwavering love eventually persuades Siwsi to marry him, but only on the strict condition that he never strikes her with iron.
  8. They marry and have a son and a daughter, living a happy and prosperous life, with the man valuing his family above all his growing wealth.
  9. One day, while trying to catch a lively filly for sale, the man becomes frustrated when the horse repeatedly evades him and his wife.
  10. In a fit of anger, the man throws an iron bit and bridle after the filly, accidentally striking Siwsi on the cheek.
  11. Siwsi instantly vanishes, fulfilling the condition of her vow, leaving the man and children heartbroken and the home empty.
  12. Due to her awakened mother-love, Siwsi, though unable to return to the human world, creates a sod raft to visit her husband and children on the lake shore at night.
  13. The story concludes with the enduring legend of the floating island, a symbol of the fairy mother's undying love and the bittersweet separation.

Characters

👤

The Young Man

human young adult male

A handsome, robust young man, likely of the Cymry people, with a strong build suited for farm work and the physical demands of his time. His features would reflect the early Celtic inhabitants of Great Britain.

Attire: Practical, durable clothing made of wool or linen, typical of a farmer or landowner in ancient Britain. Perhaps a tunic, trousers, and a cloak, in earthy tones like brown, green, or undyed fabric. His clothing would be well-maintained, reflecting his prosperity.

Wants: To win the love and companionship of the beautiful fairy, and to build a happy, prosperous family life.

Flaw: Impulsiveness and a quick temper, leading him to break his sacred vow to his wife.

He transforms from an impulsive captor to a loving husband and father, building a prosperous life. His arc culminates in a tragic mistake that separates him from his wife, forcing him to live with the consequences of his broken vow, yet he maintains a loving connection with his family.

His determined expression, perhaps with a hint of longing, as he stands by the lake shore, conversing with his family on the floating island.

Passionate, determined, persistent, somewhat impulsive, and eventually prosperous. He is deeply in love and driven to achieve his desires.

✦

Siwsi (The Fairy Maid)

magical creature (fairy) ageless (appears young adult) female

Of great beauty, beyond description, with rosy cheeks and a lovely, graceful body. Her movements are fleet and deer-like. She possesses an ethereal quality that distinguishes her from humans.

Attire: Ethereal, flowing garments made of natural elements or shimmering, translucent fabrics, in colors that blend with nature—perhaps greens, blues, or whites, adorned with flowers or leaves. She would not wear human clothing initially, and even when she does, it would retain a delicate, almost magical quality.

Wants: Initially, to escape her human captor and return to her fairy family. Later, to protect her children and maintain her connection with them, despite the separation.

Flaw: Her vulnerability to iron, which is anathema to her kind, and her inability to fully abandon her fairy nature.

She is forcibly taken from her home, adapts to human life, becomes a devoted wife and mother, and then is tragically separated from her family due to a broken vow. Her arc culminates in her transformation into a loving, spectral presence, forever connected to her children through mother-love.

Her ethereal form, with long, beautiful hair, as she appears on a floating island on the lake, tenderly conversing with her children and husband.

Resilient, clever, homesick, adaptable, loving, and deeply loyal to her fairy heritage. She is initially resistant but eventually embraces her new life.

✦

The Fairy Family

magical creature (fairies) ageless non-human

Fairies are generally depicted as beautiful, ethereal beings, often small or human-sized, with delicate features and a connection to nature. They are described as having ancient customs.

Attire: Ethereal, flowing garments made of natural elements or shimmering fabrics, in colors that blend with nature—greens, blues, whites, adorned with flowers or leaves.

Wants: To maintain their ancient customs and protect their kin. They want to recover Siwsi.

Flaw: Their extreme aversion to iron, which prevents them from rescuing Siwsi from the human's iron-protected home.

They remain largely unchanged, serving as a foil to human adaptability and a representation of ancient, unchanging ways.

A group of ethereal figures sitting on a log in a turf bog, their forms shimmering faintly in the moonlight.

Traditional, resistant to change, abhorrent of iron, loyal to their own kind, and concerned for their lost sister.

Locations

Cave Dwelling

indoor Implied to be a shelter from various weather, but no specific conditions mentioned.

A primitive, natural cave serving as a communal living space for ancient people, dogs, and pigs. It is devoid of modern comforts or advanced tools.

Mood: Primitive, communal, basic survival.

The initial setting for the Stone Age people, where the young man brings his captured fairy bride.

rough cave walls dirt floor animal skins for clothing clay pots and pans wooden clubs flint tools

Lakeside Meadow

outdoor moonlight nights Clear nights, likely mild given the dancing and gatherings.

A 'long, pretty stretch of water' (lake) with a surrounding meadow or turf bog where fairies gather. It is a place of natural beauty and magic.

Mood: Magical, ethereal, serene, secret.

The young man observes fairies dancing and later overhears them discussing Siwsi's name.

calm lake surface grassy shore turf bog fallen log moonlight dancing fairies

Farmhouse with Iron

indoor Implied to be a functional home across seasons, with a focus on farm activities.

A human dwelling, likely a sturdy, traditional Welsh farmhouse, characterized by its extensive use of iron for security and utility, which is abhorrent to fairies. It later becomes a prosperous farm.

Mood: Initially a prison, then a prosperous, loving home, eventually becoming lonely.

The fairy Siwsi is held captive here, later becomes a wife and mother, and eventually vanishes from this home.

iron-studded door iron bands iron bolts iron bars iron gratings creaking iron hinges cradle farm equipment (bit and bridle)

Lake Shore (Reunion Point)

transitional night Unspecified, but implies calm nights for conversation.

The edge of the lake where the fairy mother, on her sod raft, meets her human family. It is a liminal space between the human and fairy worlds.

Mood: Melancholy, tender, enduring love, magical.

The fairy mother, transformed by mother-love, secretly visits her family after her departure.

lake water sod raft/floating island shoreline human family (husband, children) moonlight