THE WELSH FAIRIES HOLD a MEETING
by William Elliot Griffis · from Welsh Fairy Tales
Adapted Version
Do you know about fairies? Wales has green land. Fairies live there. They love to play. They love big parties! These fairies are very small. They have tiny wings. They sparkle like stars. They love to laugh and dance.
People in Wales love big parties. They sing many songs. They tell fun stories. This party is called a big party. Fairies love parties too. They like to sing and play. Fairies watch people. They copy good things. Welsh fairies saw the big party. They wanted their own big party.
At times, things made fairies sad. The air was not clean. Flowers were squashed. Fairies did not like this. They felt a little sad. They wanted to talk about bad things. They wanted to make things better. They wanted to help nature. Queen Mab is a fairy leader. Puck is a funny fairy. They sent out sparkly cards. These were party cards. The cards shone bright. All good fairies got one. The party was on Dina's Seat. It was a special place.
They had one big rule. Only kind fairies could come. Only happy fairies could come. No grumpy fairies came. Many fairies came. They were all excited. They wore bright clothes. They were ready for fun.
Fairies felt happy. They sang very loud. They danced with joy. Fairy Helpers came. "Be a bit quiet," they said. "All need to hear."
All talked of Puck. He is very funny. He plays little tricks. Fairies liked Puck. They waited for him.
Puck came with a smile. He said, "No music now!" "No dance will start." "Promise to come next time!"
Fairies grumbled a bit. All shouted, "Yes!" Puck smiled big. He called the fiddler. Music started for dance.
Fun when friends meet. Keep promises! Fairies danced all night. They were happy. Ready for next party!
Original Story
THE WELSH FAIRIES HOLD A MEETING
In the ancient Cymric gatherings, the Druids, poets, prophets, seers, and singers all had part. The one most honored as the president of the meeting was crowned and garlanded. Then he was led in honor and sat in the chair of state. They called this great occasion an Eistedfodd, or sitting, after the Cymric word, meaning a chair.
All over the world, the Welsh folks, who do so passionately love music, poetry and their own grand language, hold the Eistedfodd at regular intervals. Thus they renew their love for the Fatherland and what they received long ago from their ancestors.
Now it happens that the fairies in every land usually follow the customs of the mortals among whom they live. The Swiss, the Dutch, the Belgian, the Japanese and Korean fairies, as we all know, although they are much alike in many things are as different from each other as the countries in which they live and play. So, when the Welsh fairies all met together, they resolved to have songs and harp music and make the piper play his tunes just as in the Eistedfodd.
The Cymric fairies of our days have had many troubles to complain of. They were disgusted with so much coal smoke, the poisoning of the air by chemical fumes, and the blackening of the landscape from so many factory chimneys. They had other grievances also.
So the Queen Mab, who had a Welsh name, and another fairy, called Pwca, or in English King Puck, sent out invitations into every part of Wales, for a gathering on the hills, near the great rock called Dina's seat. This is a rocky chair formed by nature. They also included in their call those parts of western and south England, such as are still Welsh and spiritually almost a part of Wales. In fact, Cornwall was the old land, in which the Cymry had first landed when coming from over the sea.
The meeting was to be held on a moonlight night, and far away from any houses, lest the merry making, dancing and singing of the fairies should keep the farmers awake. This was something of which the yokels, or men of the plow, often complained. They could not sleep while the fairies were having their parties.
Now among the Welsh fairies of every sort, size, dress, and behavior, some were good, others were bad, but most of them were only full of fun and mischief. Chief of these was the lively little fellow, Puck, who lived in Cwm Pwcca, that is, Puck Valley, in Breconshire.
Now it had been an old custom, which had come down, from the days of the cave men, that when anyone died, the people, friends and relatives sat up all night with the corpse. The custom arose, at first, with the idea of protection against wild beasts and later from insult by enemies. This was called a wake. The watchers wept and wailed at first, and then fell to eating and drinking. Sometimes, they got to be very lively. The young folks even looked on a wake, after the first hour or two, as fine fun. Strong liquor was too plentiful and it often happened that quarrels broke out. When heads were thus fuddled, men saw or thought they saw, many uncanny things, like leather birds, cave eagles, and the like.
But all these fantastic things and creatures, such as foolish people talk about, and with which they frighten children, such as corpse candles, demons and imps, were ruled out and not invited to the fairy meeting. Some other objects, which ignorant folks believed in, were not to be allowed in the company. The door-keeper was notified not to admit the eagles of darkness, that live in a cave which is never lighted up; or the weird, featherless bird of leather, from the Land of Illusion and Phantasy, that brushes its wing against windows, when a funeral is soon to take place; or the greedy dog with silver eyes. None of these would be permitted to show themselves, even if they came and tried to get in. Some other creatures, not recognized in the good society of Fairyland, were also barred out.
To this gathering, only the bright and lively fairies were welcome. Some of the best natured among the big creatures, and especially giants and dragons, might pay a visit, if they wanted to do so; but all the bad ones, such as lake hags, wraiths, sellers of liquids for wakes, who made men drunk, and all who, under the guise of fairies, were only agents for undertakers, were ruled out. The Night Dogs of the Wicked Hunter Annum, the monster Afang, Cadwallader's Goats, and various, cruel goblins and ogres, living in the ponds, and that pulled cattle down to eat them up, and the immodest mermaids, whose bad behavior was so well known, were crossed off the list of invitations.
No ugly brats, such as wicked fairies were in the habit of putting in the cradles of mortal mothers, when they stole away their babies, were allowed to be present, even if they should come with their mothers. This was to be a perfectly respectable company, and no bawling, squealing, crying, or blubbering was to be permitted.
When they had all gathered together, at the evening hour, there was seen, in the moonlight, the funniest lot of creatures, that one could imagine, but all were neatly dressed and well behaved.
Quite a large number of the famous Fair Family, that moved only in the best society of fairyland, fathers, mothers, cousins, uncles and aunts, were on hand. In fact, some of them had thought it was to be a wake, and were ready for whatever might turn up, whether solemn or frivolous. These were dressed in varied costume.
Queen Mab, who above all else, was a Welsh fairy, and whose name, as everybody knows who talks Cymric, suggested her extreme youth and lively disposition, was present in all her glory.
When they saw her, several learned fairies, who had come from a distance, fell at once into conversation on this subject. One remarked: "How would the Queen like to add another syllable to her name? Then we should call her Mab-gath (which means Kitten, or Little Puss)."
"Well not so bad, however; because many mortal daddies, who have a daughter, call her Puss. It is a term of affection with them and the little girls never seem to be offended."
"Oh! Suppose that in talking to each other we call our Queen Mab-gar, what then?" asked another, with a roguish twinkle in the eye.
"It depends on how you use it," said a wise one dryly. This fairy was a stickler for the correct use of every word. "If you meant 'babyish,' or 'childish,' she, or her friends might demur; but, if you use the term 'love of children,' what better name for a fairy queen?"
"None. There could not be any," they shouted, all at once, "but let us ask our old friend the harper."
Now such a thing as inquiring into each other's ages was not common in Fairy Land. Very few ever asked such a question, for it was not thought to be polite. For, though we hear of ugly fairy brats being put into the cradles, in place of pretty children, no one ever heard, either of fairies being born or of dying, or having clocks, or watches, or looking to see what time it was. Nor did doctors, or the census clerks, or directory people ever trouble the fairy ladies, to ask their age.
Occasionally, however, there was one fairy, so wise, so learned, and so able to tell what was going to happen to-morrow, or next year, that the other fairies looked up to such an one with respect and awe.
Yet these honorables would hardly know what you were talking about, if you asked any of them how old they might be, or spoke of "old" or "young." If, by any chance, a fairy did use the world "old" in talking of their number, it would be for honor or dignity, and they would mean it for a compliment.
The fact was, that many of the most lively fairies showed their frivolous disposition at once. These were of the kind, that, like kittens, cubs, or babies, wanted to play all the time, yes, every moment. Already, hundreds of them were tripping from flower to flower, riding on the backs of fireflies, or harnessing night moths, or any winged creatures they could saddle, for flight through the air. Or, they were waltzing with glow worms, or playing "ring around a rosy," or dancing in circles. They could not keep still, one moment.
In fact, when a great crowd of the frolicsome creatures got singing together, they made such a noise, that a squad of fairy policemen, dressed in club moss and armed with pistils, was sent to warn them not to raise their voices too high; lest the farmers, especially those that were kind to the fairies, should be awakened, and feel in bad humor.
So the knot of learned fairies had a quiet time to talk, and, when able to hear their own words, the harper, who was very learned, answered their questions about Queen Mab as follows:
"Well, you know the famous children's story book, in which mortals read about us, and which they say they enjoy so much, is named Mabinogion, that is, The Young Folks' Treasury of Cymric Stories."
"It is well named," said another fairy savant, "since Queen Mab is the only fairy that waits on men. She inspires their dreams, when these are born in their brains."
The talk now turned on Puck, who was to be the president of the meeting. They were expected to show much dignity in his presence, but some feared he would, as usual, play his pranks. Before he arrived in his chariot, which was drawn by dragon flies, some of his neighbors that lived in the valley near by chatted about him, until the gossip became quite personal. Just for the fun of it, and the amusement of the crowd, they wanted Puck to give an exhibition, off-hand, of all his very varied accomplishments for he could beat all rivals in his special variety, or as musicians say, his repertoire.
"No. 'Twould be too much like a Merry Andrew's or a Buffoon's sideshow, where the freaks of all sorts are gathered, such as they have at those county fairs, which the mortals get up, to which are gathered great crowds. The charge of admission is a sixpence. I vote 'no.'"
"Well, for the very reason that Puck can beat the rest of us at spells and transformations, I should like to see him do for us as many stunts as he can. I've heard from a mortal, named Shakespeare, that, in one performance, Puck could be a horse, a hound, a hog, a bear without any head, and even kindle himself into a fire; while his vocal powers, as we know, are endless. He can neigh, bark, grunt, roar, and even burn up things. Now, I should like to see the fairy that could beat him at tricks. It was Puck himself, who told the world that he was in the habit of doing all these things, and I want to see whether he was boasting."
"Tut, tut, don't talk that way, about our king," said a fourth fairy.
All this was only chaff and fun, for all the fairies were in good humor. They were only talking, to fill up the interval until the music began.
Now the canny Welsh fairies had learned the trick of catching farthings, pennies and sixpences from the folks who have more curiosity in them than even fairies do. These human beings, cunning fellows that they are, let the curtain fall on a show, just at the most interesting part. Then they tell you to come next day and find out what is to happen. Or, as they say in a story paper, "to be continued in our next."
Or, worse than all, the story teller stops, at some very exciting episode, and then passes the hat or collection-box around, to get the copper or silver of his listeners, before he will go on.
This time, however, it was Puck himself who came forward and declared that, unless everyone of the fairies would promise to attend the next meeting, there should be no music. Now a meeting of the Welshery, whether fairies or human, without music was a thing not to be thought of. So, although at first some fairies grumbled and held back, and were quite sulky about it, even muttering other grumpy words, they at last all agreed, and Puck sent for the fiddler to make music for the dance.
Story DNA
Plot Summary
The Welsh fairies, mirroring human traditions, decide to hold their own Eisteddfod to air grievances about industrial pollution and celebrate their culture. Queen Mab and King Puck invite all bright and lively fairies, strictly excluding any malevolent creatures. As the diverse fairy crowd gathers, some mistake it for a human wake, while others, unable to contain their energy, begin to play and sing loudly. After discussions about fairy lore and Puck's reputation, Puck arrives and, in a final act of mischief, demands a promise of attendance at the next meeting before allowing the music to begin, to which all fairies eventually agree.
Themes
Emotional Arc
anticipation to joy
Writing Style
Narrative Elements
Cultural Context
The story references industrial pollution, suggesting a setting influenced by the industrial revolution's impact on the Welsh landscape. It also touches on ancient customs like wakes and the enduring love for Welsh language and culture.
Plot Beats (12)
- The story introduces the Welsh Eisteddfod, a human tradition of cultural gathering for music and poetry.
- It explains that fairies often mimic human customs and that Welsh fairies decide to hold their own Eisteddfod.
- The Welsh fairies have grievances about industrial pollution and other issues.
- Queen Mab and Pwca (King Puck) send out invitations for a moonlight meeting on Dina's Seat, including parts of England with Welsh heritage.
- Specific rules are set for attendance, barring all evil creatures, changelings, and those associated with death or mischief.
- The fairies gather, a diverse and well-behaved group, some dressed for a wake, reflecting human customs.
- Learned fairies discuss Queen Mab's name and the timeless nature of fairies, who do not age or die.
- Many lively fairies cannot sit still and begin to play, dance, and sing loudly, requiring a warning from fairy police.
- The learned fairies continue their discussion, and the harper explains the origin of Queen Mab's name and her role in inspiring dreams.
- The conversation shifts to Puck, the anticipated president, and his reputation for pranks and transformations, with some fairies wanting a demonstration.
- Puck arrives and, in a mischievous move, declares no music will play unless everyone promises to attend the next meeting.
- After some initial grumbling, all the fairies agree to Puck's condition, and he sends for the fiddler to start the music and dancing.
Characters
Queen Mab
Small, ethereal, and radiant, embodying youthful vivacity. Her form is delicate and graceful, with an inherent glow that suggests her magical nature.
Attire: Elegant, flowing gown made of shimmering, iridescent fabric, possibly in shades of green, silver, or blue, adorned with natural elements like dewdrop-like beads or delicate flower petals. Her attire would be light and allow for easy movement, suitable for dancing and flying.
Wants: To maintain the traditions and well-being of the Welsh fairies, ensuring their happiness and addressing their grievances against the mortal world's pollution.
Flaw: Her youthful disposition, which some might perceive as a lack of gravitas, though it is also her strength.
She initiates the Eistedfodd to address fairy grievances and uphold traditions, demonstrating her leadership and commitment to her people.
Lively, youthful, dignified, inspiring, and somewhat mischievous. She embodies the spirit of fun and magic, yet commands respect as a queen.
Pwca
A lively, small, and agile fairy, embodying mischief and boundless energy. His form is compact and quick, suggesting a trickster nature.
Attire: Simple, rustic attire made of natural materials like moss, leaves, or rough spun linen, in earthy tones of green and brown. He might have a small cap or hood, and his clothing would be practical for his pranks and quick movements.
Wants: To have fun, play pranks, and ensure the fairies enjoy themselves, while also upholding the traditions of the Eistedfodd.
Flaw: His love for pranks and showing off can sometimes overshadow his duties or lead to minor disruptions.
He co-organizes the Eistedfodd and, despite his mischievous nature, successfully ensures the fairies' participation by withholding music until they agree to attend the next meeting.
Mischievous, fun-loving, unpredictable, boastful, and ultimately persuasive. He is the embodiment of playful chaos but also a respected leader.
The Harper
A wise and learned fairy, likely with a calm and composed demeanor. His form would suggest a deep connection to music and ancient knowledge.
Attire: Flowing robes of deep forest green or earthy brown, made of fine, soft fabric, possibly embroidered with subtle musical notes or Celtic knot patterns. His attire would be dignified and traditional.
Wants: To share his wisdom and knowledge, particularly regarding fairy lore and history, and to provide music for the Eistedfodd.
Flaw: Perhaps a tendency to be overly serious or verbose in his explanations.
He provides crucial information about Queen Mab's name and the Mabinogion, demonstrating his role as a sage and cultural guardian.
Wise, learned, patient, respectful, and a keeper of ancient knowledge and traditions.
Fairy Policemen
Small, uniformed fairies, appearing disciplined and orderly. Their forms are compact and efficient, suitable for maintaining order.
Attire: Uniforms made of club moss, in shades of deep green, possibly with small, natural embellishments. Their attire would be practical and distinctive.
Wants: To ensure the fairy gathering remains orderly and does not disturb the mortal farmers.
Flaw: Their strict adherence to rules might make them seem humorless.
They are dispatched to warn the singing fairies to lower their voices, successfully restoring some quiet.
Disciplined, dutiful, responsible, and concerned with maintaining peace and quiet.
Locations
Hills near Dina's Seat
Rolling hills of Wales, illuminated by moonlight, with a prominent natural rock formation known as Dina's Seat, which resembles a rocky chair. The landscape is far from human dwellings.
Mood: Magical, lively, communal, slightly mischievous, with an underlying sense of ancient tradition.
The main gathering place for the Welsh fairies' Eistedfodd, where they discuss grievances, celebrate, and hold their meeting.
Cwm Pwcca (Puck Valley)
A specific valley in Breconshire, Wales, known as Puck Valley, where the mischievous fairy Puck resides.
Mood: Playful, mischievous, natural, and a source of local fairy gossip.
The home of Puck, the lively and mischievous fairy who is to preside over the Eistedfodd. His neighbors from this valley chat about him before his arrival.