DSCHEMILE UND DIE DREI FREIER

by Friedrich Giese · from Türkische Märchen

folk tale moral tale solemn Ages 8-14 1069 words 5 min read

Adapted Version

CEFR A1 Age 5 333 words 2 min Canon 100/100

Once, a kind father had a daughter, Dschemile. The father went on a long trip. He was a Wise Father. He said, "Find a man for Dschemile."

The Wise Father met Ned. Ned was a good man. Father said, "Ned, you can marry Dschemile."

The Brother went on a trip. He met Zar. Zar was a good man. Brother said, "Zar, you can marry Dschemile."

The Mother stayed home. She met Naz. Naz was a good man. Mother said, "Naz, marry Dschemile." Dschemile said yes.

Father came home. Brother came home too. Oh no! Dschemile had three men. They all wanted to marry her.

Ned said, "She is mine!" Zar said, "She is mine!" Naz said, "She is mine!" They argued loudly.

Dschemile heard the loud fights. She felt very, very sad. She closed her eyes. She became very still and quiet. She was like sleeping always.

Her folks put her in the ground. Ned, Zar, and Naz were very sad. They missed Dschemile very much.

The three men went to Dschemile's resting place. Ned wanted to see her face. He slowly opened the ground.

Zar was a doctor. He looked at Dschemile. He saw a tiny sign of life. He knew a special way. He could help her wake up.

Naz was brave. He gently tapped Dschemile's arm. It was a special, gentle tap. Dschemile opened her eyes. She was awake!

Ned, Zar, and Naz argued again. Ned said, "She is mine!" Zar said, "She is mine!" Naz said, "She is mine!"

Dschemile was tired of the noise. She said, "Please take me to my mother. Please take me to my father. I want peace."

Her folks saw Dschemile. They were so happy. They thanked God for her.

Dschemile said, "I want a quiet life. I want to help God." She became a special helper for God.

Dschemile found her own happy way. She chose peace for herself. Dschemile lived a calm life. She was happy with her special choice. The end.

Original Story 1069 words · 5 min read

28. DSCHEMILE UND DIE DREI FREIER

Im Lande Chorasan lebte ein Asket, der seine Zeit nur der Askese und seinem Seelenheil widmete. Eines Tages beabsichtigte er die Pilgerfahrt nach Mekka zu unternehmen. Als er sich verabschiedete, sagte er zu seiner Frau und seinem Sohne: „Gott sei Dank, meine Tochter ist herangewachsen und heiratsfähig. Wenn, während ich auf der Pilgerfahrt bin, ein passender Freier kommt, so gebt sie ihm, da ich nicht weiß, ob ich wiederkomme.“

Er machte sich mit den Pilgern auf den Weg. Unterwegs traf er einen jungen Mann mit Namen Nedschib, mit dem er Kameradschaft schloß. Das Benehmen des jungen Mannes gefiel dem Frommen sehr, und er verheiratete ihm seine Tochter. Er ließ ihn nicht von seiner Seite und machte die Pilgerfahrt mit ihm zusammen.

Wir wollen nun die beiden ihre Pilgerfahrt machen lassen und uns den anderen zuwenden! Zunächst der Sohn des Asketen. Dieser war in Geschäftsangelegenheiten in ein anderes Land gegangen und traf dort einen jungen Mann mit Namen Zarif, dessen Benehmen ihm gefiel. Gemäß der Anweisung seines Vaters gab er diesem seine Schwester Dschemile in Abwesenheit zur Ehe. In der Heimat hatte die Frau des Asketen einen für ihre Tochter passenden jungen Mann, mit Namen Nazif, gefunden. Da sie mit ihm einverstanden war, versprach sie sie ihm, nur sollte die Hochzeit bis zur Ankunft ihres Sohnes oder ihres Mannes verschoben bleiben.

Nachdem der fromme Mann die Pilgerfahrt vollzogen hatte, kehrte er nach seiner Heimat Chorasan zurück, und an demselben Tage, an dem er ankam, traf auch sein Sohn von der Geschäftsreise ein. So waren nun drei Schwiegersöhne in seinem Hause. Der Vater, die Mutter und der Sohn waren in größter Verlegenheit, und da niemand dem andern etwas vorwerfen konnte, so wußten sie nicht aus noch ein. Nedschib sagte: „Da der Vater mir das Mädchen versprochen hat, so komme ich in erster Linie in Betracht.“ Zarif sagte: „Mir hat sie ihr Bruder an Stelle und mit Erlaubnis des Vaters gegeben, deswegen habe ich ein größeres Anrecht als ihr auf sie.“ Nazif sagte: „Mir hat die Mutter sie gegeben, und das Mädchen war damit einverstanden, und das geschah mit Einwilligung des Vaters und Sohnes. Also ist mein Recht stärker als das eurige.“ So entstand ein großer Streit zwischen den drei Schwiegersöhnen. Der fromme Mann war in Verlegenheit und wußte nicht, wem er das Mädchen geben sollte, und konnte den Rechtsfall nicht entscheiden. Die Geschichte wurde in der Stadt bekannt und wurde von Gesellschaft zu Gesellschaft getragen. Als das Mädchen Dschemile die Sache hörte, kam sie vor Kummer und Traurigkeit an den Rand des Todes. Sie wurde schließlich vor Gram krank, lag einige Tage zu Bett, leerte eines Nachts den Todeskelch und zog aus dieser Welt der Vergänglichkeit in die Stadt der Ewigkeit. Ihr Vater und ihre Mutter jammerten und wehklagten; jedoch, da die Sache nun einmal so lag, sorgten sie für Leichentuch und Waschung, und begruben sie.

Mehr als alle klagten die drei Liebhaber. Als es Abend wurde, besuchten sie gemeinsam das Grab des Mädchens. Während sie am Grabe standen, sagte Nedschib: „Brüder, ich war in die Schönheit des Mädchens verliebt. Nun ist sie gestorben, ohne daß es mir vergönnt war, ihr Gesicht zu sehen. Statt bis zur Auferstehung zu warten, möchte ich wenigstens einmal das Gesicht der Toten sehen, denn ich kann es nicht mehr aushalten und kann meine Sehnsucht nicht bis zum Jüngsten Tage hinhalten.“ Zarif und Nazif sagten: „Bruder, wenn du sie sehen willst, tue es jetzt! Denn wer sollte sie dir am Tage der Auferstehung geben, und welches Anrecht hättest du auf sie?“

Nedschib, obwohl schwach, machte sich sogleich daran, das Grab zu öffnen und den Leichnam herauszuholen. Während er voll Sehnsucht auf ihr Gesicht blickte, sah Zarif auch hin. Nun war Zarif ein sehr geschickter Arzt, und, während er hinschaute, sah er, daß noch Zeichen von Leben an ihr waren. Er sagte daher: „Freunde, es kommt mir so vor, als ob dieses Mädchen noch lebt, nur sind infolge des Blutandranges die Glieder gelockert, und ihre Körperkräfte sind dem Einfluß der Kälte ausgesetzt gewesen. Das Mittel dagegen ist nun, daß sie zur Ader gelassen wird und ihre Glieder geschlagen werden, damit das schlechte Blut aus ihren Adern herauskommt und infolge des heftigen Schlagens das Leben wieder in den Körper kommt und die angeborene Wärme die Kälte vertreibe. Aber wer vermöchte diesen zarten, rosengleichen Leib zu schlagen?“ Da sagte Nazif: „Ich kann es, denn schlagen ist nicht schlimmer als sterben. Sollte es mir etwas ausmachen, sie zu schlagen, da ihr geduldig ausharren wollt?“ Dann faßte er einen Stock und schlug die Dschemile derart, daß ihr zarter Körper rot wie eine Rose wurde und schließlich sich zu bewegen anfing. Dann ließ man sie an den Stellen, wo es nötig war, zur Ader, und nach Gottes Willen kam wirklich die Seele von neuem in ihren Körper, und sie wurde zu neuem Leben erweckt.

Nun entstand wieder zwischen den Dreien Streit und Zank. Nedschib sagte: „Mir kommt sie zu, denn ich habe das Grab geöffnet. Wie hättet ihr sie sonst sehen können?“ Zarif sagte: „Wenn ich ihr nicht als Arzt ins Gesicht geblickt, ihre Krankheit erkannt und Spuren des Lebens festgestellt hätte, wie hätte sie dann zum Leben zurückkehren können? Natürlich gehört sie mir.“ Nazif sagte: „Ihr hattet nicht den Mut, sie zu schlagen. Ich habe den Stock genommen und sie geschlagen. Hätte ich das nicht getan, so wäre sie nie geheilt worden. Mir kommt sie zu.“

Ihr Streit artete in Tätlichkeiten aus. Das Mädchen sagte in ihrer Verlegenheit: „Ihr Muslime, während meines Lebens bin ich durch euch ohne mein Zutun in das Gerede der Leute und in Verruf gekommen, im Tode werde ich euch auch nicht los und bin wieder der Gegenstand eures Streites. Seid doch so gut und führt mich zu meinen Eltern! Dann wollen wir sehen, was sich machen läßt.“

Sie taten, wie das Mädchen gesagt hatte. Als der Asket seine Tochter wieder am Leben sah, dankte er Gott, und die Mutter und der Bruder priesen Gott, den Höchsten, und freuten sich sehr.

Darauf sagte das Mädchen: „Gottes Güte und Gnade hat mir von neuem das Leben gegeben, aus Dankbarkeit dafür will ich ganz dieser Welt des Streites entsagen und den Rest meines Lebens dem Dienste Gottes weihen.“ Mit diesen Worten scherte sie ihr Haupt, legte den Derwischmantel an und gab sich in dem Kloster ihres Vaters gottesdienstlichen Übungen hin und entsagte den vergänglichen Genüssen. Möge Gott ihr die ewige Seligkeit schenken!


Story DNA

Moral

Sometimes, the best solution to an intractable dispute is for the object of contention to choose a path that transcends the conflict entirely.

Plot Summary

An ascetic father, his son, and his wife each promise their daughter, Dschemile, to a different suitor during the father's pilgrimage. Upon their return, the three suitors — Nedschib, Zarif, and Nazif — fiercely dispute who has the rightful claim to Dschemile. Overwhelmed by the conflict, Dschemile falls ill and dies. At her grave, Nedschib opens it, Zarif, a physician, discovers signs of life, and Nazif performs a painful procedure to revive her. Once alive, Dschemile, weary of the renewed dispute, renounces the world and dedicates her life to God, becoming a dervish.

Themes

fate vs. free willdivine interventionrenunciationdispute resolution

Emotional Arc

distress to peace

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: rule of three

Narrative Elements

Conflict: person vs person
Ending: moral justice
Magic: resurrection (implied divine intervention)
the grave (symbol of finality and rebirth)the dervish mantle (symbol of renunciation)

Cultural Context

Origin: Persian (via German translation)
Era: timeless fairy tale

The story reflects Islamic cultural practices and beliefs, particularly the importance of pilgrimage and the concept of spiritual renunciation. The legal dilemma regarding marriage contracts made by different family members is a central theme.

Plot Beats (15)

  1. An ascetic father prepares for a pilgrimage and instructs his family to find a husband for his daughter, Dschemile.
  2. During his pilgrimage, the father meets Nedschib and marries Dschemile to him in absentia.
  3. Simultaneously, Dschemile's brother, on a business trip, promises her to Zarif.
  4. At home, Dschemile's mother promises her to Nazif, with Dschemile's consent, pending her husband's or son's return.
  5. The father and son return on the same day, revealing Dschemile is now promised to three different men.
  6. The three suitors argue over who has the strongest claim to Dschemile.
  7. Dschemile, distressed by the public dispute, falls ill and dies.
  8. The family buries Dschemile, and the three suitors mourn her deeply.
  9. The suitors visit Dschemile's grave; Nedschib, unable to bear his longing, opens the grave to see her face.
  10. Zarif, a physician, observes Dschemile's body and detects signs of life, proposing a harsh medical treatment.
  11. Nazif, despite the difficulty, performs the treatment by striking Dschemile's body, which revives her.
  12. The three suitors immediately resume their argument over who now has the right to Dschemile.
  13. Dschemile, exasperated, asks to be taken to her parents, expressing her desire to escape the conflict.
  14. Upon seeing Dschemile alive, her family rejoices and thanks God.
  15. Dschemile declares her intention to renounce the world and dedicate her life to God, becoming a dervish.

Characters

👤

Dschemile

human young adult female

A young woman of delicate build, described as 'zarter, rosengleicher Leib' (tender, rose-like body), suggesting a graceful and somewhat fragile physique. Her skin is fair, capable of turning 'rot wie eine Rose' (red like a rose) when struck, indicating a sensitive complexion.

Attire: Initially, she would wear traditional garments of Chorasan, likely a modest dress or tunic with trousers, possibly made of cotton or silk, perhaps with some embroidery. After her resurrection, she dons a 'Derwischmantel' (dervish cloak), a simple, coarse, and unadorned garment, likely in a muted color like brown or grey, signifying her renunciation of worldly possessions.

Wants: Initially, to live a normal life and marry. After her resurrection, her primary motivation shifts to seeking spiritual salvation and escaping worldly strife.

Flaw: Overly sensitive to external conflict and societal judgment, leading to her near-death experience. Her passivity makes her a pawn in others' disputes.

She begins as a beautiful, passive young woman whose fate is decided by others. She 'dies' from grief due to the suitors' dispute, is miraculously revived, and then undergoes a profound spiritual transformation, renouncing the world to become a dervish. She moves from being an object of desire to an agent of her own spiritual destiny.

Her shaved head and simple dervish cloak, signifying her spiritual renunciation.

Passive, beautiful, sensitive, pious, decisive (in her renunciation). She is deeply affected by the conflict around her, leading to her initial 'death'.

👤

The Ascetic

human elderly male

An older man, likely thin and somewhat frail from a life of asceticism. His appearance would reflect a lack of worldly indulgence, perhaps with a weathered face and hands.

Attire: Simple, unadorned robes, likely made of plain cotton or wool in muted colors, reflecting his ascetic lifestyle. No jewelry or elaborate adornments.

Wants: To fulfill his religious obligations (pilgrimage) and ensure his daughter's well-being, though he delegates this responsibility.

Flaw: His trust in others and his inability to resolve complex worldly disputes, leading to chaos for his family.

He begins by delegating his daughter's marriage, inadvertently causing the central conflict. He returns to find chaos and is unable to resolve it. He ends by accepting his daughter's spiritual path with gratitude.

His long, white beard and simple, unadorned robes.

Pious, trusting, somewhat naive, indecisive (in legal matters). He prioritizes spiritual duties and trusts others easily.

👤

Nedschib

human young adult male

A young man, likely of average build, with an appearance that impressed the pious Ascetic. He is strong enough to open a grave.

Attire: Traveler's attire, perhaps a practical tunic and trousers suitable for a pilgrimage, made of durable fabrics like linen or wool, possibly with a cloak. His clothing would be of good quality, reflecting his respectable standing.

Wants: To marry Dschemile, based on the father's promise, and to see her face.

Flaw: His possessiveness and impulsiveness, leading to conflict.

He starts as the first suitor, then becomes one of three claimants. He is instrumental in opening the grave but ultimately loses Dschemile to her spiritual calling.

His determined expression as he opens the grave.

Passionate, determined, somewhat impulsive, possessive. He is driven by his initial love and sense of entitlement.

👤

Zarif

human young adult male

A young man, described as a 'sehr geschickter Arzt' (very skilled doctor), suggesting an intelligent and observant demeanor. His build might be more scholarly than physically imposing.

Attire: Refined but practical clothing, befitting a skilled professional. Perhaps a tunic of fine cotton or silk, possibly with a subtle pattern, and well-tailored trousers. His attire would suggest a comfortable, educated background.

Wants: To marry Dschemile, based on the brother's promise, and to use his medical skills to save her.

Flaw: His reliance on logic and his argumentative nature, which contributes to the ongoing dispute.

He enters as the second suitor, then becomes one of three claimants. His medical skill is vital for Dschemile's revival, but he ultimately loses her to her spiritual calling.

His discerning gaze as he examines Dschemile's seemingly lifeless body.

Intelligent, observant, rational, skilled (as a physician), argumentative. He relies on his intellect and expertise.

👤

Nazif

human young adult male

A young man, described as having the courage and physical capability to strike Dschemile's body to revive her. This suggests a robust and perhaps less delicate build than the others.

Attire: Practical and sturdy clothing, perhaps a simple tunic and trousers in earthy tones, reflecting a grounded and action-oriented personality. His attire would be respectable but not overly ornate.

Wants: To marry Dschemile, based on the mother's promise and Dschemile's consent, and to revive her through physical means.

Flaw: His willingness to use force, which, while effective in this case, could be seen as harsh.

He enters as the third suitor, then becomes one of three claimants. His decisive action revives Dschemile, but he ultimately loses her to her spiritual calling.

Holding a stick, ready to strike Dschemile's body.

Brave, decisive, practical, somewhat blunt, argumentative. He is willing to take drastic action.

👤

The Son

human young adult male

A young man, likely of average build, with an appearance that allowed him to conduct business in another land.

Attire: Practical but respectable clothing suitable for travel and business, perhaps a tunic and trousers of good quality linen or cotton.

Wants: To follow his father's instructions regarding his sister's marriage and to conduct family business.

Flaw: His independent action in betrothing Dschemile contributes to the conflict.

He acts on his father's instructions, inadvertently creating one of the three claims. He returns to find the conflict unresolved and is relieved by Dschemile's ultimate decision.

His return from a business trip.

Obedient (to his father's instructions), discerning (in choosing Zarif), responsible (traveling for business).

👤

The Wife

human adult female

An adult woman, likely of a modest and traditional appearance, consistent with a wife of an ascetic man in Chorasan.

Attire: Modest and traditional garments, such as a long dress or tunic and trousers, made of simple fabrics like cotton, possibly with a head covering.

Wants: To follow her husband's instructions and ensure her daughter's marriage.

Flaw: Her independent action in betrothing Dschemile contributes to the conflict.

She acts on her husband's instructions, inadvertently creating one of the three claims. She returns to find the conflict unresolved and is relieved by Dschemile's ultimate decision.

Her modest head covering.

Obedient (to her husband's instructions), responsible (in finding a suitor), distressed by the conflict.

Locations

Asket's House in Khorasan

indoor Implied temperate climate of Khorasan, no specific weather mentioned.

A traditional Persian house, likely built of sun-dried brick or stone, with a flat roof and possibly an inner courtyard. The interior would feature woven rugs, cushions, and minimal furnishings, reflecting the ascetic lifestyle of the father. The atmosphere is initially one of domestic calm, later shifting to confusion and distress.

Mood: Initially calm and domestic, later filled with confusion, distress, and argument.

The initial setting where the father departs, the mother and son make marriage arrangements, and later where the three suitors converge, leading to the central conflict and Dschemile's distress.

Woven rugs Cushions Simple furnishings Inner courtyard (implied) Sun-dried brick or stone walls

Dschemile's Grave

outdoor dusk | night Implied dry, possibly cool night.

A freshly dug grave in a burial ground, likely outside the city walls of Khorasan. The ground would be dry earth, possibly with sparse, hardy vegetation. The atmosphere is somber and desolate, later becoming tense and urgent as the suitors interact with the deceased.

Mood: Somber, desolate, eerie, tense, urgent.

The pivotal location where Dschemile is buried, and where the three suitors gather, leading to the exhumation and her miraculous revival.

Freshly dug earth Tombstone or simple marker (implied) Sparse vegetation Moonlight (implied)

Asket's Monastery

indoor Implied temperate climate, calm.

A serene, austere monastery, likely attached to or part of the Asket's former home, or a dedicated religious building. It would feature simple, unadorned spaces conducive to prayer and meditation, with natural light filtering through small windows. The atmosphere is one of peace, devotion, and renunciation.

Mood: Peaceful, devout, austere, reflective.

The final setting where Dschemile dedicates her life to God, renouncing worldly desires and finding peace.

Bare stone or plaster walls Woven prayer mats Small, arched windows Quiet courtyards (implied) Simple wooden doors