Une Ruse De Jiro

by Claudius Ferrand · from Fables et légendes du Japon

folk tale trickster tale humorous Ages 8-14 1337 words 6 min read
Cover: Une Ruse De Jiro

Adapted Version

CEFR A1 Age 5 373 words 2 min Canon 100/100

Once there was a little boy named Jiro. His mommy was gone. He was alone. He had nothing. He felt very, very sad.

Jiro lived with his uncle. His uncle was rich. His uncle had no children. His uncle was very rich.

Jiro wanted to be big. He wanted his own things. He wanted his own money. But he had no money. He needed money. He wanted money very much.

Jiro knew Mr. Bacayémon. Mr. Bacayémon lived nearby. He was a kind man. He loved his big pig. He thought a special spirit lived inside it. This was his belief. The pig was very special to him.

Jiro had a clever idea. He went to Mr. Bacayémon's house. Jiro looked very sad. He looked very, very sad. He had a plan. He walked slowly. He looked very sad on purpose.

Jiro asked, "Do you have a pig?" Mr. Bacayémon said, "Yes, I do." Jiro jumped. He was so happy. He felt very happy inside.

Jiro asked to see the pig. Mr. Bacayémon showed him. Jiro hugged the pig. He gave it a big kiss. He hugged it tight. He kissed its nose.

Mr. Bacayémon was surprised. "Why are you hugging my pig?" he asked. "Tell me why." He looked very puzzled.

Jiro pretended to cry. He said, "My mommy came to me. She was in a dream. She told me a secret. My mommy is inside your pig! She told me this. I saw her." He made big, sad tears. He pointed to the pig.

Jiro asked, "Can I visit my mommy-pig?" He missed his mommy. He wanted to talk to her sometimes.

Mr. Bacayémon felt very sad. He felt sad for Jiro. "You can have the pig," he said. "It can be with its son!" He wanted to help Jiro.

Jiro pretended to be surprised. He said, "Oh, thank you!" He thanked Mr. Bacayémon again. He smiled a little.

Jiro took the pig. He went to the market. He sold the pig. He got money for it. Jiro was very happy. He had his own money now! He felt very good. He walked fast. He sold the pig quickly. He got much money. He felt very proud. He was a clever boy.

Original Story 1337 words · 6 min read

Une ruse de Jiro

Jiro a quatorze ans. C'est un garçon à la mine éveillée, aux yeux d'un noir d'ébène, pétillants de vivacité et d'intelligence. Il n'a jamais connu son père. Celui-ci est parti pour l'autre monde, quelques jours après la naissance de son fils. La mère de Jiro vient de mourir à son tour, emportée par une fluxion de poitrine. Le voilà donc orphelin. Pour fortune, il lui reste une paire de vieux fauteuils hors d'usage, une petite table, quelques livres d'école, une demi-douzaine de tasses à riz, les habits, plusieurs fois rapiécés, dont il est en ce moment couvert. Et c'est tout.

Tout le reste, c'est-à-dire tout ce qui avait une certaine valeur, a été saisi, quelques heures après la mort de la mère, par des créanciers impitoyables. Car la mère avait des dettes, et naturellement ne les avait pas payées.

Comme parents, Jiro possède une tante déjà âgée. Elle en est à son huitième mari, nourrit six enfants et ne désire pas en augmenter la collection. Il a aussi une sœur aînée. Celle-ci a épousé en secondes noces un employé de la Banque, lequel a filé en Chine, emmenant sa femme et une partie de la caisse. Enfin, il reste un oncle, gros marchand de riz, qui n'a pas d'enfants. C'est lui qui adopte l'orphelin. Jiro s'installe donc dans la maison de son oncle, et continue à vivre et à s'amuser.

Jiro était orphelin.

Un jour, il lui vient une vague idée de se faire une petite fortune, de reprendre son indépendance et d'échapper à la trop vigilante tutelle de son oncle. L'idée, d'abord vague, s'éclaircit, s'affermit, se développe. Mille projets se succèdent, mais à peine échafaudés, ils croulent, parce qu'ils n'ont pas de base.

Un capital! Un petit capital! Que faire si l'on n'a même pas un petit capital?

– Ah! si j'avais seulement quelques sous pour commencer! se dit et se répète Jiro à chaque projet qui survient.

Puis, tout naturellement, la question se pose:

– Comment faire?

Un jour, une idée subite traverse son esprit et l'illumine comme un éclair. Dans le même village que lui, habite un brave vieillard du nom de Bacayémon. Ce vieillard est l'honnêteté même, et de plus, c'est un fervent bouddhiste. Il croit à la métempsychose. Là-dessus ses opinions sont on ne peut plus arrêtées. Aussi, ne se hasarde-t-il jamais à manger de la chair d'un animal quelconque, voire même du poisson. Il craindrait d'engloutir par le fait l'âme de quelqu'un de ses ancêtres. Il se laisse volontiers dévorer par les insectes, il se ferait un crime de les écraser, de peur d'écraser en eux quelque vieille connaissance. Les rats ont beau jeu dans sa maison. Les tuer serait commettre un assassinat. Qui sait si dans le corps de ces petits rongeurs, ne loge pas l'âme de quelque ancien grand homme?

Le brave Bacayémon possède une truie qu'il nourrit et engraisse avec le plus profond respect et la plus grande affection, persuadé que sous son épaisse enveloppe se cache l'âme de quelque ancien monarque.

Or Jiro connaît tout cela. Il connaît le cœur honnête et pieux du brave vieillard et ses idées arrêtées sur la métempsychose. Un jour, il vient le trouver. Il a pris une figure de circonstance, grave et mélancolique.

– Bonjour, Monsieur Bacayémon, le temps est beau aujourd'hui.

– Ah! c'est toi, Jiro! En effet, il fait un temps superbe. Et comment vas-tu?

– Merci, je vais bien. A propos, est-ce que vous auriez par hasard une truie chez vous?

– Mais oui, j'en ai une! Et après?

– Ah! mais, c'est donc vrai!

Et voilà que la figure du jeune espiègle s'illumine tout à coup d'un rayonnement de joie intense. Le brave vieillard, tout surpris s'écrie:

– Pourquoi donc cette joie, Jiro? Qu'est-ce que cela peut te faire, que j'aie une truie chez moi?

– Ah! Monsieur, si vous saviez!… Mais y aurait-il de l'indiscrétion à vous demander de me la laisser voir un tout petit instant?

– Rien de plus facile, mon ami. Viens!

Et Bacayémon intrigué conduit Jiro dans la cour où l'énorme truie se vautre dans la fange en grognant. A peine Jiro l'a-t-il aperçue que, se précipitant vers elle, il la saisit, l'étreint, l'embrasse, avec toutes les marques d'un amour passionné. Le vieillard stupéfait contemple cette scène; puis, pressentant un mystère, il rappelle l'enfant:

– Jiro, lui dit-il, quel est le motif de cette étrange conduite? Tu dois avoir des raisons secrètes d'aimer ainsi cet animal. Explique-moi cela, raconte-moi tout!

– Monsieur, répond Jiro, le visage baigné de larmes, cette truie est ma mère!

Jiro saisit la truie et l'embrasse avec toutes les marques d'un amour passionné.

– Ta mère? Comment cela?

– Voici. La nuit dernière, tandis que je dormais profondément, quelqu'un m'a frappé sur le front. Réveillé en sursaut, j'aperçois ma mère, ma pauvre bonne mère qui est morte il y a trois mois. Elle avait une figure bien triste et ses yeux étaient humectés de larmes:

– Mon fils, m'a-t-elle dit, je vais te confier un secret. J'ai péché dans ma vie, et en punition de mes fautes, j'ai été condamnée à vivre trente ans dans le corps d'une bête. Pour le moment j'habite le corps de la truie que possède Bacayémon. S'il te reste pour moi un peu de piété filiale, viens me voir de temps à autre, me consoler et me distraire.

Jiro se rendit chez un boucher.

Elle dit et disparut aussitôt. Voilà pourquoi je suis venu, Monsieur, et mon seul désir est que vous m'autorisiez à venir de temps à autre. Ah! si vous saviez comme je l'aimais, ma pauvre mère!

Et les larmes recommencent à couler, Jiro retourne vers la truie, et de nouveau l'embrasse en lui répétant:

– Ma mère! oh! ma mère!

Le vieux Bacayémon se sent remué jusqu'au fond de l'âme. Après avoir réfléchi quelques secondes:

– Jiro, dit-il à l'enfant, j'admire ta piété filiale. Je suis ému des sentiments qu'elle t'inspire. Eh bien! écoute: puisque cette truie renferme l'âme de ta mère, prends-la, je te la donne. Emmène-la chez toi et soigne-la bien!

Jiro, qui s'attendait à la chose, simule la surprise, tombe aux pieds du vieillard et, la parole entrecoupée de sanglots, le regard rayonnant de joie, il le remercie de son extrême bonté. Puis, se retournant vers l'animal:

– Allons, ma mère, lui dit-il, venez avec moi. Nous allons comme autrefois vivre côte à côte, et je vous soignerai bien.

Puis, entraînant la truie, il sort de la maison, et de ce pas se rend chez le boucher, lui vend la bête, en obtient une petite somme, et riant jusqu'aux larmes:

– Bien joué, se dit-il, et maintenant que j'ai le capital, à moi la fortune, à moi l'avenir!


FIN

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Story DNA

Moral

Resourcefulness and cleverness, even through deception, can lead to opportunity.

Plot Summary

Jiro, a clever orphan, finds himself penniless and under the strict care of his uncle, longing for independence. He devises a plan to acquire capital by exploiting his neighbor Bacayémon's fervent belief in metempsychosis. Jiro convinces Bacayémon that his deceased mother's soul now inhabits Bacayémon's cherished pig, staging a dramatic display of filial piety. Moved by Jiro's supposed devotion, Bacayémon gifts him the pig, which Jiro promptly sells to a butcher, securing his initial fortune and laughing at his successful ruse.

Themes

ingenuityresourcefulnessambitiondeception

Emotional Arc

despair to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: direct address to reader (implied), rule of three (for Jiro's relatives)

Narrative Elements

Conflict: person vs society
Ending: moral justice
Magic: dream vision of a deceased mother
the pig (symbol of Bacayémon's piety and Jiro's opportunity)tears (Jiro's deceptive tool)

Cultural Context

Origin: Japanese (as presented by a French author)
Era: pre-industrial

The story reflects traditional Japanese societal structures where family ties and religious beliefs, like the sanctity of life and reincarnation, played significant roles. The emphasis on filial piety makes Bacayémon's decision plausible.

Plot Beats (13)

  1. Jiro, a 14-year-old orphan, loses his mother and is left with nothing after creditors seize their belongings.
  2. He is adopted by his wealthy, childless uncle, a rice merchant.
  3. Jiro dreams of making his own fortune and gaining independence but lacks the necessary capital.
  4. He learns about his neighbor Bacayémon, an honest and devout Buddhist who believes strongly in metempsychosis and cherishes his pig, believing it houses an ancestor's soul.
  5. Jiro devises a plan and visits Bacayémon, feigning a grave and melancholic demeanor.
  6. He asks Bacayémon if he owns a pig, then expresses sudden, intense joy upon confirmation.
  7. Jiro requests to see the pig, then embraces and kisses it with exaggerated passion.
  8. Bacayémon, intrigued, asks Jiro for an explanation.
  9. Jiro tearfully claims his deceased mother appeared to him in a dream, confessing she was condemned to live as a beast for 30 years and currently inhabits Bacayémon's pig.
  10. Jiro begs permission to visit the pig occasionally to console his 'mother'.
  11. Bacayémon, deeply moved by Jiro's filial piety, decides to give him the pig.
  12. Jiro feigns surprise and gratitude, profusely thanking Bacayémon.
  13. Jiro takes the pig directly to a butcher, sells it for a sum of money, and celebrates his successful ruse and newfound capital.

Characters

👤

Jiro

human child male

A slender boy of fourteen years, with an alert and lively demeanor. His build is typical for a boy of his age, not particularly muscular but agile. His complexion is likely East Asian, given the story's origin.

Attire: He wears clothes that are 'several times patched,' indicating simple, worn, and mended garments typical of a poor orphan in early 20th-century Japan. This would likely be a simple cotton kimono or a practical tunic and trousers, possibly in muted colors like indigo or grey.

Wants: To gain independence, escape his uncle's watchful eye, and acquire a small fortune to secure his future.

Flaw: His ambition can lead him to be manipulative and deceptive.

He transforms from a dependent orphan into a self-sufficient individual who has successfully acquired initial capital through his own cunning, setting him on a path to independence.

His sparkling, intelligent black eyes that betray his cleverness.

Intelligent, resourceful, cunning, ambitious, determined.

👤

Bacayémon

human elderly male

An elderly East Asian man, likely with a gentle and honest demeanor reflected in his features. His build is probably somewhat frail or stooped with age, but well-maintained.

Attire: He wears simple, clean, and respectable traditional Japanese clothing, such as a plain, well-maintained cotton kimono in a muted color like grey or brown, with a simple obi sash. His attire reflects his humble yet devout lifestyle.

Wants: To live according to his Buddhist beliefs, particularly the concept of metempsychosis, and to show kindness and compassion to all beings.

Flaw: His extreme piety and belief in metempsychosis make him easily susceptible to manipulation, especially when filial piety is invoked.

He remains consistent in his character, serving as a foil for Jiro's cunning. He is moved by what he perceives as Jiro's filial piety and acts generously.

His kind, honest eyes, often showing a gentle, contemplative expression.

Honest, pious, compassionate, naive, devout Buddhist.

🐾

The Sow

animal adult female

An enormous, thick-bodied pig, likely a domestic breed common in early 20th-century Japan, with coarse bristles and a robust build. Its skin would be pinkish-grey, possibly covered in mud from wallowing.

Attire: None, as it is an animal.

Wants: To eat and wallow.

Flaw: Its complete lack of agency or understanding of human schemes.

It is a passive object in the story, transferred from Bacayémon's care to Jiro's possession, and ultimately sold to a butcher, serving as the catalyst for Jiro's initial capital.

Its enormous size and habit of wallowing in the mud.

Content, docile, oblivious.

Locations

Jiro's Uncle's House

indoor implied temperate, no specific weather

The home of Jiro's wealthy rice merchant uncle, where Jiro lives after being orphaned. It is implied to be comfortable and well-maintained, contrasting with Jiro's previous poverty.

Mood: Initially safe and comfortable, but becomes a place of Jiro's growing restlessness and scheming.

Jiro lives here after his parents' death and begins to formulate his plan to gain independence and wealth.

traditional Japanese residence tatami mats shoji screens wooden beams implied garden view

Bacayémon's House Courtyard

outdoor daytime sunny, beautiful weather

A humble courtyard or yard belonging to the devout Buddhist Bacayémon, where his beloved pig wallows. It is likely a simple, functional space, possibly muddy.

Mood: Initially calm and ordinary, then becomes a scene of theatrical emotion and deception.

Jiro performs his elaborate act of filial piety, embracing the pig and convincing Bacayémon it is his reincarnated mother.

muddy patch large pig simple wooden fence or wall earthen ground implied traditional Japanese rural architecture

The Butcher's Shop

indoor daytime no specific weather, implied temperate

A practical, no-nonsense establishment where meat is sold. It would be functional and likely somewhat stark, with tools of the trade visible.

Mood: Transactional, pragmatic, a place of commerce where Jiro's scheme culminates in financial gain.

Jiro sells the pig he acquired from Bacayémon, securing his 'capital' and laughing triumphantly.

wooden counter butcher's block hooks for meat implied tools (knives, cleavers) simple, functional architecture