THE DEMON of THE OAK

by James Bowker · from Goblin Tales of Lancashire

folk tale cautionary tale dark Ages all ages 2484 words 11 min read
Cover: THE DEMON of THE OAK

Adapted Version

CEFR A1 Age 5 497 words 3 min Canon 98/100

Long ago, there was a very old house. It was big and quiet. It sat on a green hill. Trees grew all around it.

A sad young man came to this house. His name was Edgar. He was quiet and sad. He sat alone. He did not smile. The servants watched him. They felt a little scared. At night, strange lights shone in his room.

Every day, Edgar sat under a big tree. He read a big, old book. The Kind Lord was nice to him. His family tried to make Edgar happy. But Edgar just sat and read.

One servant was very curious. He wanted to know Edgar's secret. So one night, he crept to Edgar's door. He looked through a small hole.

Edgar sat at a little table. He put special things into a cup. Little lights danced in the cup. They were many colors. Edgar said quiet words. He wanted to see his lost friend again. He wanted it very much.

Then a strange voice spoke. It came from nowhere. "Go to the tree at night," it said. "Do one more special thing. Then you will see her."

The servant was very scared. He fell down. Edgar found him there. "Do not tell anyone," Edgar said. "Not one word." The servant promised.

Next day, Edgar was not under the tree. Dark clouds came. Wind blew hard. A big storm started.

That night, Edgar went to the big tree. The scared servant went too. Edgar made a circle on the ground. He put a pot down. He put red powder in it. The powder made a bright flame.

Edgar said more strange words. Thunder crashed in the sky. Lightning flashed around the tree. Birds cried out. The wind screamed. But Edgar did not stop.

Then the storm stopped. It was very quiet. A thick mist came. In the mist, a sad face appeared. It was Edgar's lost friend. She looked at him with sad eyes.

Edgar reached out his hands to her. But then a bad shadow came. "You are mine!" it hissed. The Kind Lord ran out of the house. Other servants ran out too. The storm and strange sounds woke them up.

"Stay back!" Edgar cried. But the Kind Lord was brave. He walked close. He said strong, good words. The strange things stopped. The wind stopped. The shadow went away. The moon came out. Soft light fell on the old garden.

Edgar stood by the big tree. He did not move. His eyes looked far away. He was very confused. The Kind Lord took his hand. He led Edgar away, like a small child. Edgar did not know where he was. He did not know his own name. The servant was scared but he was fine. But his hand had a strange red mark. It looked like big fingers. It never went away.

Edgar was never the same. The servant always remembered the strange red mark. Some things are best left alone.

Original Story 2484 words · 11 min read

THE DEMON OF THE OAK.

ONCE a fortress and a mansion, but now, unfortunately, little more than a noble ruin, Hoghton Tower stands on one of the most commanding sites in Lancashire. From the fine old entrance-gate a beautiful expanse of highly-cultivated land slopes down and stretches away to the distant sea, glimmering like a strip of molten silver; and on either hand there are beautiful woods, in the old times 'so full of tymber that a man passing through could scarce have seen the sun shine in the middle of the day.' At the foot of these wooded heights a little river ripples through a wild ravine, and meanders through the rich meadows to the proud Ribble. From the building itself, however, the glory has departed. Over the noble gateway, with its embattled towers, and in one of the fast-decaying wainscots, the old family arms, with the motto, Mal Gre le Tort, still remain; but these things, and a few mouldering portraits, are all that are left there to tell of the stately women who, from the time of Elizabeth down to comparatively modern days, pensively watched the setting sun gild the waters of the far-off Irish Sea, and dreamed of lovers away in the wars—trifling things to be the only unwritten records of the noble men who buckled on their weapons, and climbed into the turrets to gaze over the road along which would come the expected besieging parties. Gone are the gallants and their ladies, the roystering Cavalier and the patient but none the less brave Puritan, for, as Isaac Ambrose has recorded, during the troublous times of the Restoration, the place, with its grand banqueting chamber, its fine old staircases, and quaint little windows, was 'a colledge for religion.' The old Tower resounds no more with the gay song of the one or the solemn hymn of the other,

'Men may come, and men may go,'

and an old tradition outlives them all.

To this once charming mansion there came, long ago, a young man, named Edgar Astley. His sable garments told that he mourned the loss of a relative or friend; and he had not been long at the Tower before it began to be whispered in the servants'-hall that 'the trappings and the suits of woe' were worn in memory of a girl who had been false to him, and who had died soon after her marriage to his rival. This story in itself was sufficient to throw a halo of romance around the young visitor; but when it was rumoured that domestics, who had been returning to the Tower late at night, had seen strange-coloured lights burning in Edgar's room, and that, even at daybreak, the early risers had seen the lights still unextinguished, and the shadow of the watcher pass across the curtains, an element of fear mingled with the feelings with which he was regarded.

There was much in the visitor calculated to deepen the impressions by which the superstitious domestics were influenced, for, surrounded by an atmosphere of gloom, out of which he seemed to start when any of them addressed him, and appearing studiously to shun all the society which it was possible for him to avoid, he spent most of his time alone, seated beneath the spreading branches of the giant oak tree at the end of the garden, reading black-letter volumes, and plunged in meditation. Not that he was in any way rude to his hosts; on the contrary, he was almost chivalrous in his attention to the younger members of the family and to the ladies of the house, who, in their turn, regarded him with affectionate pity, and did their utmost to wean him from his lonely pursuits. Yet, although he would willingly accompany them through the woods, or to the distant town, the approach of the gloaming invariably found him in his usual place beneath the shadow of the gnarled old boughs, either poring over his favourite books, or, with eyes fixed upon vacancy, lost in a reverie.

Time would, the kind people thought, bring balm to his wounds, and in the meanwhile they were glad to have their grief-stricken friend with them; and fully appreciating their sympathy, Edgar came and went about the place and grounds just as the whim of the moment took him. This absence of curiosity on the part of the members of the family was, however, amply compensated for by the open wonder with which many of the domestics regarded the young stranger; and before he had been many months in the house his nightly vigils were the theme of many a serious conversation in the kitchen, where, in front of a cosy fire, the gossips gathered to compare notes.

Unable to repress their vulgar curiosity, or to gratify it in any more honourable or less dangerous manner, it was determined that one of the domestics should, at the hour of twelve, creep to the door of the visitor's chamber, and endeavour to discover what was the nature of those pursuits which rendered lights necessary during the whole of the night. The selection was soon made, and after a little demur the chosen one agreed to perform the unpleasant task.

At midnight, therefore, the trembling ambassador made his way to the distant door, and after a little hesitation, natural enough under the circumstances, he stooped, and gazed through a hole in the dried oak whence a knot had fallen. Edgar Astley was seated at a little table, an old black-looking book with huge clasps open before him. With one hand he shaded his eyes from the light which fell upon his face from the flames of many colours dancing in a tall brazen cup. Suddenly, however, he turned from his book, and put a few pinches of a bright-looking powder to the burning matter in the stand. A searching and sickly odour immediately filled the room, and the quivering flames blazed upwards with increased life and vigour as the student turned once more to the ponderous tome, and, after hastily glancing down its pages, muttered: 'Strange that I cannot yet work the spell. All things named here have I sought for and found, even blood of bat, dead man's hand, venom of viper, root of gallows mandrake, and flesh of unbaptized and strangled babe. Am I, then, not to succeed until I try the charm of charms at the risk of life itself? And yet,' said he, unconscious of the presence of the terrified listener, 'what should I fear? So far have I gone uninjured, and now will I proceed to the triumphant or the bitter end. Once I would have given the future happiness of my soul to have called her by my name, and now what is this paltry life to me that I should hesitate to risk it in this quest, and perhaps win one glimpse of her face?'

There was a moment of silence as the student bent his head over the book, but though no other person was visible, the listener, to his horror, quickly heard a sharp hissing voice ask, 'And wouldst thou not even yet give thy soul in exchange for speech with thy once betrothed?' The student hastily stood erect, and rapidly cried: 'Let me not be deceived! Whatever thou art, if thou canst bring her to me my soul shall be thine now and for ever!'

There was a dead hush for a minute or two, during which the lout at the door heard the beating of his own heart, and then the invisible being again spoke: 'Be it so. Thou hast but one spell left untried. When that has been done thou shalt have thy reward. Beneath the oak at midnight she shall be brought to thee. Darest thou first behold me?'

'I have no fear,' calmly replied the student, but such was not the state of the petrified listener, for no sooner had the lights commenced to burn a weird blue than he sank fainting against the door.

When he came to consciousness he was within the awful room, the student having dragged him in when he fell.

'What art thou, wherefore dost thou watch me at this hour, and what hast thou seen?' sternly demanded Edgar, addressing the terrified boor, and in few and trembling words the unhappy domestic briefly answered the queries; but the student did not permit him to leave the chamber, through the little window of which the dawn was streaming, before he had sworn that not a word as to anything he had seen or heard should pass his lips. The solemnity of the vow was deepened by the mysterious and awful threats with which it was accompanied, and the servant, therefore, loudly protested to his fellows that he had not seen or heard anything, but that, overcome by his patient watching, he had fallen asleep at the door; and many were the congratulations which followed when it was imagined what the consequences would have been had he been discovered in his strange resting-place.

The day following that of the adventure passed over without anything remarkable beyond the absence of Edgar from his usual seat under the shade of the giant oak, but the night set in stormily, dark clouds scudded before the wind, which swept up from the distant sea, and moaned around the old tower, whirling the fallen leaves in fantastic dances about the garden and the green, and shaking in its rage even the iron boughs of the oak. The household had retired early, and at eleven o'clock only Edgar and another were awake. In the student's chamber the little lamp was burning and the book lay open as usual, and Edgar pored over the pages, but at times he glanced impatiently at the quaint clock. At length, with a sigh of relief, he said, sternly and sadly, 'The time draws nigh, and once more we shall meet!' He then gathered together a few articles from different corners of the room and stepped out upon the broad landing, passed down the noble old staircase, and out from the hall. Here he was met by a cold blast of wind, which shrieked round him, as though rejoicing over its prey; and as Edgar was battling with it, a man emerged from a recess and joined him.

The night was quite dark, not a star or a rift in the sky visible, and the two men could hardly pick their way along the well-known path. They reached the oak tree, however, and Edgar placed the materials at its foot, and at once, with a short wand, drew a large circle around the domestic and himself. This done, he placed a little cauldron on the grass, and filled it with a red powder, which, although the wind was roaring through the branches above, immediately blazed up with a steady flame.

The old mastiffs chained under the gateway began to howl dismally; but, regardless of the omen,32 Edgar struck the ground three times with his hazel stick, and cried in a loud voice: 'Spirit of my love, I conjure thee obey my words, and verily and truly come to me this night!'

Hardly had he spoken when a shadowy figure of a beautiful child appeared, as though floating around the magic ring. The servant sank upon his knees, but the student regarded it not, and it vanished, and the terrified listener again heard Edgar's voice as he uttered another conjuration. No sooner had he begun this than terrible claps of thunder were heard, lightning flashed round the tree, flocks of birds flew across the garden and dashed themselves against the window of the student's chamber, where a light still flickered; and, loud above the noises of the storm, cocks could be heard shrilly crowing, and owls uttering their mournful cries. In the midst of this hubbub the necromancer calmly went on with his incantation, concluding with the dread words: 'Spirit of my love, I conjure thee to fulfil my will without deceit or tarrying, and without power over my soul or body earthly or ghostly! If thou comest not, then let the shadow and the darkness of death be upon thee for ever and ever!'

As the last word left his lips the storm abated its violence, and comparative silence followed. Suddenly the little flame in the cauldron flared up some yards in height, and sweet voices chanting melodiously could be heard. 'Art thou prepared to behold the dead?' asked an invisible being.

'I am!' undauntedly answered Edgar.

An appearance as of a thick mist gathered opposite him, and slowly, in the midst of it, the outlines of a beautiful human face, with mournful eyes, in which earthly love still lingered, could be discerned.

Clad in the garments of the grave, the betrothed of Edgar Astley appeared before him.

For some time the young man gazed upon her as though entranced, but at length he slowly extended his arms as though to embrace the beautiful phantom. The domestic fell upon his face like one stricken by death, the spectre vanished, and again the pealing thunder broke forth.

'Thou art for ever mine,' cried a hissing voice; but as the words broke upon the ears of the two men, the door of the mansion was flung open, and the old baronet and a number of the servants, who had been disturbed by the violence of the storm, the howling of the dogs, and the shrill cries of the birds, rushed forth.

'Come not near me if ye would save yourselves,' cried the necromancer.

'We would save thee,' shouted the old man, still advancing. 'In nomine Patris,' said he, solemnly, as he neared the magic circle; and no sooner had the words left his lips than sudden stillness fell upon the scene; the lightning no longer flashed round the oak; and, as the flame in the cauldron sank down, the moon broke through a cloud, and threw her soft light over the old garden.

Edgar was leaning against the oak tree, his eyes fixed in the direction where the image of his betrothed had appeared; and when they led him away, it was as one leads a trusting child, for the light of reason had left him. The unfortunate domestic, being less sensitive, retained his faculties; but he ever afterwards bore upon his wrist, as if deeply burned into the flesh, the marks of a broad thumb and fingers. This strange appearance he was wont to explain to stray visitors, by saying that when, terrified almost out of his wits, he fell to the ground, his hand was outside the magic circle, and 'summat' seized him; which lucid explanation was generally followed up by an old and privileged servitor, who remarked, 'Tha'll t'hev mooar marks nor thuse on tha' next toime as He grabs tha', mi lad.'



Story DNA folk tale · dark

Moral

Meddling with dark magic to defy the natural order of life and death can lead to madness and ruin.

Plot Summary

Grief-stricken Edgar Astley arrives at Hoghton Tower, where his solitary, nocturnal rituals under an ancient oak tree alarm the servants. A curious domestic spies on Edgar, discovering his dark pact with an invisible entity to summon his deceased betrothed, offering his soul in exchange. Despite a violent storm, Edgar performs the final conjuration, and his love's phantom appears, but a demonic voice claims him. The mansion's inhabitants interrupt the ritual, finding Edgar driven mad, while the spying domestic bears a permanent supernatural mark, a chilling testament to the dangers of defying death.

Themes

grief and lossforbidden knowledgesupernatural consequencesunrequited love

Emotional Arc

melancholy to despair

Writing Style

Voice: third person omniscient
Pacing: slow contemplative
Descriptive: lush
Techniques: atmospheric description, foreshadowing

Narrative Elements

Conflict: person vs supernatural
Ending: tragic
Magic: dark rituals, summoning spirits, invisible entities, magic circles, enchanted objects (brazen cup, wand, cauldron), supernatural marks
the giant oak tree (site of ancient power/pacts)the black-letter book (forbidden knowledge)the burn mark (permanent consequence of supernatural encounter)

Cultural Context

Origin: English
Era: timeless fairy tale

Hoghton Tower is a real historical site in Lancashire, lending a sense of authenticity to the setting, though the story itself is fantastical. The mention of Cavaliers and Puritans places the historical context around the English Civil War and Restoration period, adding to the 'old times' atmosphere.

Plot Beats (15)

  1. Hoghton Tower, a once-grand but now decaying mansion, is introduced with its rich history and surrounding natural beauty.
  2. Edgar Astley, a young man in mourning, arrives at the Tower, his somber demeanor and nightly activities sparking rumors and fear among the superstitious domestics.
  3. Edgar spends his days in solitary meditation under a giant oak, reading black-letter volumes, while his hosts pity him and try to draw him out.
  4. Driven by curiosity, a domestic spies on Edgar's room at midnight through a knot-hole.
  5. The domestic witnesses Edgar performing a ritual with strange powders and multi-colored flames, muttering about dark ingredients and his quest to see his lost love again, even at the risk of his soul.
  6. An invisible, hissing voice responds to Edgar, confirming his pact and instructing him on the final spell to be performed under the oak at midnight.
  7. The domestic faints from terror, is discovered by Edgar, and is forced to swear secrecy under dire threats.
  8. The following day, Edgar is absent from his usual spot, and a violent storm gathers as night falls.
  9. At midnight, Edgar, accompanied by the terrified domestic, goes to the oak tree, draws a magic circle, and lights a cauldron with red powder.
  10. Edgar performs the first conjuration, and a shadowy figure of a child appears and vanishes, while the dogs howl dismally.
  11. Edgar begins a second, more powerful incantation amidst thunder, lightning, and the cries of animals, concluding with a demand for his love's spirit without power over his soul.
  12. The storm abates, and a thick mist forms, revealing the mournful face and form of Edgar's deceased betrothed.
  13. Edgar reaches out to embrace the phantom, but a hissing voice claims him, and the old baronet and servants rush out, disturbed by the storm and strange noises.
  14. The baronet utters a holy invocation, causing the supernatural phenomena to cease and the moon to appear.
  15. Edgar is found leaning against the oak, his mind broken, and is led away like a child; the domestic, though sane, bears a permanent burn mark from the encounter, and an old servitor hints at a darker future for him.

Characters 4 characters

Edgar Astley ★ protagonist

human young adult male

A young man of slender to average build, appearing somewhat gaunt from grief and lack of sleep. His skin is likely pale from his nocturnal habits and indoor studies. He carries an aura of melancholy.

Attire: Consistently wears 'sable garments,' indicating deep mourning. This would be a dark, probably black, suit of clothes typical of a gentleman in the 17th or 18th century Lancashire, made of wool or heavy linen, with a waistcoat, breeches, and a simple cravat. The fabric would be plain, without adornment.

Wants: To reunite with his deceased betrothed, driven by profound grief and a desperate desire to overcome death.

Flaw: His overwhelming grief and obsession with necromancy blind him to reason and ultimately lead to his madness.

Begins as a grief-stricken scholar seeking to reclaim his lost love. He descends into madness after successfully conjuring her spirit, losing his reason and becoming a 'trusting child' led away.

A young man in plain black mourning clothes, intensely poring over a large, dark, clasped book under a gnarled oak tree.

Melancholy, obsessive, determined, scholarly, grief-stricken.

Image Prompt & Upload
A young man of slender build, appearing pale and drawn, with dark, slightly unkempt hair. He wears a plain, dark wool suit consisting of a long coat, waistcoat, and breeches, with a simple white cravat. His expression is one of intense concentration mixed with profound sorrow. He is seated under a massive, gnarled oak tree, holding a large, dark, leather-bound book with prominent metal clasps open on his lap. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Domestic ◆ supporting

human adult male

A man of average build, likely sturdy from manual labor. He is prone to trembling and fear, which would be evident in his posture and expressions.

Attire: Wears practical, sturdy clothing typical of a household servant in a grand English manor of the period: a simple linen shirt, wool breeches, a plain waistcoat, and possibly a leather apron or jerkin. Colors would be muted, like browns, greys, or undyed linen.

Wants: Initially driven by vulgar curiosity about Edgar's activities; later, by fear and self-preservation.

Flaw: His overwhelming fear makes him susceptible to manipulation and physical harm.

Starts as a curious observer, becomes an unwilling participant in a magical ritual, and ends up physically marked and forever changed by the experience, becoming a storyteller of the strange event.

A man with a distinct, deeply burned mark of a broad thumb and fingers on his wrist.

Curious, superstitious, easily terrified, loyal (due to fear of consequences).

Image Prompt & Upload
An adult man of sturdy build, with a worried expression and slightly disheveled hair. He wears a practical, undyed linen shirt, brown wool breeches, and a simple grey waistcoat. His right wrist clearly shows a dark, deeply burned mark resembling a broad thumb and fingers. He stands with a slightly hunched, wary posture. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Betrothed ○ minor

ghost young adult female

A beautiful human face, with mournful eyes. Her form is described as a 'shadowy figure' and later as an 'appearance as of a thick mist' from which her outlines emerge. She is clad in 'garments of the grave,' implying a shroud or burial clothes.

Attire: Clad in 'garments of the grave,' which would be a simple, unadorned white linen shroud or burial gown, typical of 17th or 18th century English burial practices. The fabric would appear ethereal or mist-like.

Wants: To respond to Edgar's conjuration, though her true motivations as a spirit are not explicitly stated beyond the lingering 'earthly love' in her eyes.

Flaw: Bound by the conjuration, she is a spectral being with no physical power.

Appears as a spectral vision, fulfilling Edgar's desperate wish, but her appearance ultimately leads to his madness.

A beautiful, mournful female face emerging from a swirling mist, clad in a simple white shroud.

Mournful, ethereal, passive (as a spirit).

Image Prompt & Upload
A beautiful young woman's face, with mournful, dark eyes, slowly emerging from a swirling, translucent white mist. Her form is draped in a simple, flowing white linen shroud, appearing ethereal. Her expression is one of deep sadness, with a hint of lingering affection. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Old Baronet ◆ supporting

human elderly male

An old man, likely of a dignified but robust build, as he is able to rush forth and advance towards the magic circle. His appearance would reflect his status as the lord of Hoghton Tower.

Attire: Wears nightclothes appropriate for an elderly nobleman disturbed from sleep, perhaps a rich silk or linen nightshirt and a velvet dressing gown, possibly with a nightcap. The colors would be deep and muted, reflecting his wealth and status.

Wants: To save Edgar from whatever danger he is in, driven by concern for his guest and perhaps a sense of responsibility as host.

Flaw: His age might limit his physical capabilities, but his courage overcomes this.

Remains consistent as a protective and pious figure, acting as the catalyst for breaking the demonic spell and rescuing Edgar.

An elderly nobleman, disturbed from sleep, holding a crucifix or making a sign of the cross, standing bravely against a magical storm.

Brave, protective, pious, authoritative, concerned.

Image Prompt & Upload
An elderly man with a dignified, weathered face and white hair, wearing a dark velvet dressing gown over a white linen nightshirt. He stands with a determined and authoritative posture, his hand raised as if in a blessing or warding gesture. His expression is one of grave concern and courage. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 2 locations
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Hoghton Tower - Edgar's Chamber

indoor night varies, but often stormy outside during key events

A private room within the decaying wainscoted Hoghton Tower, where Edgar conducts his nightly vigils. It contains a small table, an old black-looking book with huge clasps, and a tall brazen cup from which multi-colored flames dance. The room is filled with a searching and sickly odor during his rituals.

Mood: Mysterious, eerie, intense, secretive

Edgar performs his nightly rituals and incantations, attempting to summon spirits. A domestic spies on him through a knot-hole.

decaying wainscots small table old black-letter book with huge clasps tall brazen cup with multi-colored flames quaint little windows shadows on curtains
Image Prompt & Upload
A dimly lit chamber within a weathered English Jacobean manor house, with dark, decaying oak wainscoting and a small, leaded window looking out into profound darkness. A heavy, ancient black-letter book with ornate brass clasps lies open on a simple wooden table. Beside it, a tall, tarnished brass cup emits flickering, multi-colored flames that cast dancing, elongated shadows across the timbered walls. The air is thick with an unseen, sickly haze. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Hoghton Tower - The Giant Oak at the End of the Garden

outdoor gloaming | night varies, but specifically a stormy, dark night with scudding clouds and strong winds for the climax

A massive, ancient oak tree with spreading, gnarled branches located at the far end of the garden of Hoghton Tower. The ground beneath it is grass, and it is exposed to the elements, particularly the wind sweeping in from the distant Irish Sea.

Mood: Melancholy, solitary, then intensely dramatic and supernatural

Edgar spends much of his solitary time here reading. It is the site of the climactic conjuration where he summons the spirit of his deceased betrothed, leading to his madness.

giant, gnarled oak tree with spreading branches garden lawn magic circle drawn on the grass small cauldron distant view of the old tower howling wind lightning flashes
Image Prompt & Upload
A colossal, ancient English oak tree stands alone at the edge of a windswept garden, its immense, gnarled branches twisting against a tumultuous, starless night sky. The ground beneath is rough grass, marked by a freshly drawn, glowing magic circle. A small, iron cauldron sits within the circle, emitting a steady, red flame that illuminates the swirling leaves caught in the fierce gale. The distant silhouette of a decaying Jacobean manor house, Hoghton Tower, is barely visible through the driving rain. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.