THE EARTHENWARE GOOSE
by James Bowker · from Goblin Tales of Lancashire
Adapted Version
Once upon a time, in a small village. An old woman lived there. Her name was Mag. She lived alone. Villagers did not like her.
Bad things happened in the village. A cow was sick. Crops did not grow. Farmers blamed Mag.
Then, milk was gone. Milk was gone from the cows. Milk was gone from the farms. The Farmers were angry. They said Mag took the milk.
Some Farmers made a plan. They would watch Mag's house. They would watch at night. They wanted to see what she did.
Mag came out of her house. Her Cat was with her. A big Goose walked behind her. Mag walked away. The Farmers watched her go.
Mag came back alone. The Farmers stopped her. "Where is our milk?" they asked. Mag had no milk. The Farmers were still angry.
"I did nothing wrong," Mag said. "I just walked at night." The Farmers did not listen. They were very angry. They wanted to hurt Mag.
The Farmers wanted to take Mag away. Then, The Goose came back. It walked fast. It made a loud noise. It stood close to Mag. A Farmer tried to stop the Goose. The Goose changed. It became a pot. Warm milk came out of the pot. The Farmers saw this. They thought Mag was bad. Mag fell into the water. She was wet and cold. She got out of the water. Mag left the village. Mag left with her Cat. The Goose went with them. They found a new home. They were happy there. It is not good to blame people without knowing the truth. It is not good to be mean to people who are different.
Original Story
THE EARTHENWARE GOOSE.
ONCE upon a time, which somewhat vague reference in this instance means long before it was considered a compliment by the fair dames of Lancashire to be termed witches, there lived in the Fylde country village of Singleton a toothless, hooknosed old woman, whose ill fortune it was to be credited with the friendship of the Evil One. Perhaps had the ancient dame been somewhat better looking she might have borne a better character. In those distant days to be poor was considered decidedly discreditable, but to be ugly also was to add insult to injury. The old woman knew only too well that she was poor and that she was plain, for the urchins and hobbledehoys of the locality lost no opportunity of reminding her of the facts, whenever, on frugal mind intent, she emerged from her rude cottage to expend a few pence upon articles of food.
Ugliness and poverty, however, Mag Shelton persisted in considering misfortunes and not crimes, and when anybody to whom she was an eyesore, with gallantry peculiar to the time and place let us hope, wished that she would die and rid the village of her objectionable presence, the old woman took no notice of the polite expression. To die by particular desire was not in Mag's line. What harm could a toothless old woman do, that the world, by which term the half-dazed creature meant the village in which she had spent her life, should evince so much anxiety to be rid of her?—argued Mag. True, if toothless, she had her tongue; but without a visiting circle, and with no benefactors to belie, that valuable weapon in the service of spite might just as well have been in the mouth of an uneducated heathen. Harmless, however, as the old dame thought herself, the villagers held a different opinion, and the children, afraid of disturbing the witch, invariably removed their wooden-soled clogs before they ran past the hut in which Mag lived,25 while the older folk, if they did not literally take the coverings from their feet as they passed the lonely dwelling, crept by on tiptoe, and glanced furtively at the unsuspecting inhabitant of the cottage, who, by the aid of the fitful firelight, might be seen dozing near the dying embers, and now and again stroking a suspiciously bright-eyed cat, nestled snugly upon her knee.
The old woman's solitary way of life favoured the growth of superstitions regarding her, for the Singletonians were not without their share of that comforting vanity which impresses the provincial mind with a sense of the high importance of its society, parish, and creed; and they could not imagine anyone preferring to keep away from them and to sit alone, without at once believing, as a necessary consequence, that the unappreciative ones must have dealings with Satan.
It soon was found convenient to attribute anything and everything of an unpleasant nature to the denizen of the lonely cottage, 'th' Owd Witch,' as she was termed. Was a cow or a child ailing? Mag had done it! Had the housewife omitted to mark with the sign of the cross the baking of dough left in the mug on the hearth, and the bread had turned out 'heavy,' Mag Shelton had taken advantage of the overworked woman's negligence! Was there but a poor field of wheat? 'Twas the fault of old Mag, swore the farmer. In short, whatever went wrong throughout the entire country-side was judged to be clearly traceable to the spite and malevolence of the toothless old woman and her suspicious-looking cat.
This state of things might, however, have continued without any interruption, until Nature had interposed and released Mag from her attendance upon such a world, had it not begun to be noticed that almost every farmer in the neighbourhood was complaining of the mysterious disappearance of milk, not only from the dairies, but also from the udders of the cows grazing in the pastures. A bucolic genius immediately proclaimed that in this case, too, the culprit must be Mag, for had not she her familiars to feed, and what could be more agreeable to the palate of a parched fiend or perspiring imp, than a beaker of milk fresh from the cow and redolent of meadow-flowers? With such a gaping family to satisfy, what regard could the old lady retain for the Eighth Commandment?
This logic was deemed unanswerable, and a number of the farmers determined to conceal themselves one night about the witch's cottage, in the hope of something confirmatory turning up. It was late when they took their places, and they barely had settled themselves comfortably behind the hedgerow before a noise was heard, and the old woman emerged from the house,—the cat, and, of all things else in the world, a stately goose solemnly paddling behind her.
The men in ambush remained silent until Mag and her attendants had passed out of sight and hearing, when one of them said, 'Keep still, chaps, till hoo comes back. Hoo's gone a milkin', I daat.' The watchers therefore kept perfectly quiet, and in a little while their patience was rewarded; for the old woman reappeared, walking slowly and unattended by her former companions. As she paused to unfasten the cottage door, the men pounced out of their hiding-place, seized her roughly, and at once tore off her cloak. To the surprise of the rude assailants, however, no sign of milkjugs could be observed; and, as they stood aghast, Mag cried, in a shrill and angry voice, 'Will ye never learn to respect grey hair, ye knaves?' 'We'll respect tha' into th' pit yon, mi lady,' immediately responded one of the roughest of the men. 'What hes ta done with th' milk to-neet?'
In vain were the old woman's protestations,—that, driven from the roads and lanes in the daytime by the children and the hobbledehoys who persecuted her, she had of late taken her exercise by night; the judicial mind was made up, and rude hands were outstretched to drag her to the horsepond, when, fortunately for Mag, the appearance of the goose, waddling in a hurried and agitated manner, created a timely diversion in her favour.
'I thowt it quare,' said one of the would-be executioners—'varra quare, that th' goose worn't somewheer abaat, for hoo an' it's as thick as Darby an' Jooan.'
As though conscious that all was not well with its mistress, the ungainly and excited bird, stretching its neck towards the bystanders, and hissing loudly, placed itself by the old woman's side.
'We want no hissin' heear,' said the leader of the band, as he lifted a heavy stick and struck the sibilant fowl a sharp rap on its head.
No sooner had the sound of the blow fallen upon the ears of the assembled rustics than the goose vanished, not a solitary feather being left behind, and in its place there stood a large broken pitcher, from which milk, warm from the cow, was streaming. Here was proof to satisfy even the most credulous, and, as a consequence, in a moment the old woman was floundering in the pond, from which she barely escaped with her life. A few days afterwards, however, upon the interposition of the Vicar, she was permitted to leave the inhospitable village, and away she tramped in search of 'fresh woods and pastures new,' her cat and the revivified goose bearing her company.26
She had left the inhospitable place, when the landlord of the Blue Pig discovered that the jug in which the witch-watchers had conveyed their 'allowance' to the place of ambush had not been returned. It was not again seen in its entirety, and the sarcastic host often vowed that it was here and there in the village in the shape of cherished fragments of the broken one into which the watchers declared that they had seen Mag's goose transformed.
Story DNA
Moral
Prejudice and fear can lead people to falsely accuse and persecute the innocent, often based on flimsy evidence.
Plot Summary
In the village of Singleton, an old, poor woman named Mag Shelton is feared as a witch due to her solitary life and the villagers' superstitions. When milk mysteriously disappears, farmers blame Mag and ambush her, witnessing her leave with a cat and a goose. Upon her return, they confront her, and when one strikes the goose, it transforms into a broken earthenware pitcher streaming with milk, seemingly proving her guilt. Mag is thrown into a horsepond but survives and is eventually banished, leaving with her cat and the revived goose, while the villagers later realize the 'goose' was their own stolen jug.
Themes
Emotional Arc
persecution to escape
Writing Style
Narrative Elements
Cultural Context
Reflects historical witch hunts and the persecution of marginalized individuals in rural communities, particularly in regions like Lancashire, where such beliefs were prevalent.
Plot Beats (14)
- Mag Shelton, an old, poor, and ugly woman, lives a solitary life in Singleton village and is widely feared and ostracized as a witch.
- Villagers attribute all misfortunes, from ailing livestock to bad harvests, to Mag's malevolence.
- Farmers begin to notice mysterious disappearances of milk from dairies and cows, which they immediately blame on Mag feeding her 'familiars'.
- A group of farmers decides to stake out Mag's cottage one night to catch her in the act of witchcraft.
- They see Mag emerge from her cottage with her cat and a stately goose, which they believe to be her familiar, and watch her depart.
- When Mag returns alone, the farmers ambush her, tear off her cloak, and accuse her of stealing milk, despite finding no evidence.
- Mag protests her innocence, explaining she was merely taking a night walk for exercise, but the farmers are determined to punish her.
- As they prepare to drag her to the horsepond, the goose reappears, waddling agitatedly and hissing protectively by Mag's side.
- One of the farmers strikes the goose on the head with a stick.
- The goose vanishes instantly, leaving behind a broken earthenware pitcher from which warm milk streams, which the farmers interpret as proof of Mag's guilt.
- The farmers immediately throw Mag into the horsepond, from which she barely escapes with her life.
- A few days later, with the intervention of the Vicar, Mag is permitted to leave the inhospitable village.
- Mag departs with her cat and the now-revivified goose, seeking a new life elsewhere.
- The landlord of the Blue Pig later discovers that the jug the witch-watchers used to carry their 'allowance' to the ambush site was never returned, and its fragments are seen around the village, implying it was the 'goose' they struck.
Characters
Mag Shelton ★ protagonist
A toothless, hook-nosed old woman, described as plain and ugly by the villagers. She is likely of average height for an elderly woman, with a thin, frail build due to poverty and age.
Attire: Simple, worn, and practical clothing typical of a poor 19th-century Lancashire villager. She wears a 'cloak' which is torn off by the farmers, suggesting a heavy, dark, practical outer garment made of wool or coarse fabric to protect against the weather.
Wants: To live her life peacefully despite the villagers' animosity, to survive, and to care for her animal companions.
Flaw: Her physical vulnerability due to age and lack of social standing, making her an easy target for the superstitious villagers.
Initially a persecuted outcast, she is nearly killed but is ultimately forced to leave the village, finding a new beginning with her companions, suggesting a move towards peace and acceptance elsewhere.
Resilient, independent, misunderstood, persistent, and somewhat defiant. She considers her misfortunes, not crimes, and takes no notice of insults. She is also protective of her companions.
Image Prompt & Upload
An elderly woman with a gaunt, wrinkled face, a prominent hooked nose, and thin, wispy grey hair. Her mouth is toothless, and her eyes are sharp but weary. She wears a simple, dark, coarse wool cloak over a plain, dark linen dress, typical of a poor 19th-century Lancashire villager. Her posture is slightly hunched, and she has a defiant, weary expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Earthenware Goose ◆ supporting
Initially appears as a 'stately goose,' then transforms into a 'large broken pitcher' made of earthenware, streaming with milk, and finally revivifies back into a goose. As a goose, it is 'ungainly and excited,' stretching its neck and hissing. It is likely a domestic goose, with white feathers and an orange beak and feet.
Attire: None, as an animal/object.
Wants: To protect Mag Shelton and accompany her.
Flaw: Vulnerable to physical attack, as shown when struck by the farmer's stick.
Acts as a catalyst for Mag's near-downfall and subsequent escape. It transforms, is broken, and then revivifies to accompany Mag to a new life.
Loyal, protective, agitated when its mistress is in danger, somewhat clumsy ('ungainly').
Image Prompt & Upload
A stately white domestic goose with an orange beak and orange webbed feet, standing upright and facing forward. Its neck is slightly stretched, and it has an agitated, protective expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Cat ◆ supporting
A 'suspiciously bright-eyed cat,' nestled snugly on Mag's knee. Likely a domestic cat, possibly dark-furred or black to enhance the 'familiar' stereotype, with piercing or unusually luminous eyes.
Attire: None.
Wants: To be with and accompany Mag Shelton.
Flaw: Vulnerable as a domestic animal.
Remains a constant companion to Mag, accompanying her as she leaves the village.
Loyal, watchful, mysterious, calm when with Mag.
Image Prompt & Upload
A sleek, black domestic cat with unusually bright, piercing green eyes, sitting calmly and facing forward. Its fur is short and glossy. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Farmers ⚔ antagonist
A group of 'rough' men, likely strong and sturdy from farm labor, typical of 19th-century Lancashire villagers. One is described as 'one of the roughest of the men.'
Attire: Practical, sturdy working clothes typical of 19th-century Lancashire farmers: coarse wool trousers, heavy shirts, possibly waistcoats, and sturdy boots. Colors would be muted and earthy.
Wants: To stop the mysterious disappearance of milk, to punish Mag Shelton whom they believe is a witch, and to rid the village of her 'objectionable presence.'
Flaw: Their superstition, ignorance, and mob mentality make them unjust and easily manipulated.
They act as the primary antagonists, escalating their persecution of Mag Shelton to attempted murder, but ultimately fail to fully dispose of her.
Superstitious, aggressive, judgmental, easily swayed by rumor, cruel, lacking empathy, and quick to violence.
Image Prompt & Upload
A burly adult man, facing forward, with a weathered, stern face and short, dark hair. He wears a coarse brown wool waistcoat over a cream linen shirt, dark grey trousers, and heavy leather boots. He holds a thick wooden stick in his right hand. His posture is rigid and accusatory. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Mag Shelton's Cottage
A rude, lonely cottage in the Fylde country village of Singleton. Inside, the fitful firelight illuminates the old woman dozing near dying embers, often with her cat nestled on her knee. The exterior is simple and unassuming, often crept past on tiptoe by villagers.
Mood: Eerie, isolated, humble, yet a focal point of village fear and superstition.
Mag Shelton spends her solitary life here; it's the target of the farmers' ambush and where she is confronted.
Image Prompt & Upload
A small, weathered stone and timber cottage, typical of 17th-century Lancashire, with a low thatched roof and a single small, leaded window glowing with a dim, flickering orange light from within. The surrounding ground is rough and uneven, with sparse, damp grass. A narrow, muddy path leads to the simple wooden door. The sky above is dark and moonless, with a few faint stars. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Hedgerow near the Cottage
A dense hedgerow providing concealment for the farmers ambushing Mag Shelton. It's close enough to the cottage to observe her movements.
Mood: Tense, watchful, secretive, foreboding.
The farmers hide here to spy on Mag Shelton, witnessing her emergence with the goose and cat.
Image Prompt & Upload
A thick, tangled hedgerow of hawthorn and blackthorn, typical of English rural landscapes, casting deep shadows under a moonless night sky. The thorny branches are interwoven, forming a dense screen. The ground in front is uneven, covered in dry leaves and sparse, dark grasses. Beyond the hedgerow, the faint outline of a small, dark cottage can be discerned. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Horsepond
A muddy, cold pond used for watering horses, located within the village. It serves as a place of punishment for accused witches.
Mood: Hostile, dangerous, public, a place of mob justice.
Mag Shelton is dragged here by the angry villagers and thrown into the water as punishment.
Image Prompt & Upload
A murky, still horsepond in a 17th-century Lancashire village, its dark water reflecting the faint, starless night sky. The banks are churned earth and thick, wet mud, with sparse, reedy grass growing at the edges. A few gnarled, bare trees stand silhouetted against the horizon. The air feels cold and damp. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.