THE WHITE DOBBIE

by James Bowker · from Goblin Tales of Lancashire

folk tale cautionary tale dark Ages 8-14 1305 words 6 min read
Cover: THE WHITE DOBBIE

Adapted Version

CEFR A1 Age 5 329 words 2 min Canon 100/100

In a small village by the sea, a quiet man often walked. He was thin. People called him The Mystery Man. He walked lonely roads at night. He never spoke.

A white rabbit ran in front of him. It was thin. It had red eyes. Other animals did not like the rabbit. Dogs barked at it. Then dogs ran away.

If someone looked at the rabbit, it jumped. It jumped into The Mystery Man's big pocket. Then it was gone.

The Mystery Man walked. He walked on cold, windy nights. He walked in the dark.

Many years passed. The Mystery Man never spoke. People saw him. They wondered about him. He was always quiet.

One stormy night came. A church bell rang. It rang for someone who had died. The Old Bell Ringer pulled the rope. She was in the church tower.

The tower was dark. A small light shone. The Old Bell Ringer felt alone. She felt a little scared. She looked around the room.

Suddenly, the white rabbit was there. It had red eyes. The Old Bell Ringer heard a quiet sound. She felt cold air. Then The Mystery Man was there. He looked at her. He spoke one word. "Who?" he asked. Then he asked, "Who is it for now?"

The church bell rang strange. Two men heard it. They ran to the tower. They saw The Mystery Man. They saw the rabbit. They saw the scared old woman.

The rabbit jumped. It jumped into The Mystery Man's pocket. Then it was gone. The Mystery Man turned. He walked out into the dark night.

Many winters passed. The Mystery Man came back. He came when the bell rang. He always asked the same question. "Who is it for now?"

No one knew why he asked. No one knew why he walked. People wondered about him. They thought he did something wrong. A long time ago. He felt sad about it. He still walks. With his secret.

Original Story 1305 words · 6 min read

THE WHITE DOBBIE.

MANY years ago, long before the lovely Furness district was invaded by the genius of steam, the villagers along the coast from Bardsea to Rampside were haunted by a wandering being whose errand, the purpose of which could never be learned, used to bring him at night along the lonely roads and past the straggling cottages. This pilgrim was a wearied, emaciated-looking man, on whose worn and wan face the sorrows of life had left deep traces, and in whose feverish, hungry-looking eyes, mystery and terror seemed to lurk. Nobody knew the order of his coming or going, for he neither addressed anyone, nor replied if spoken to, but disregarded alike the 'good neet' of the tramp who knew him not, and the startled cry of the belated villager who came suddenly upon him at a turn of the road. Never stopping even for a minute to gaze through the panes whence streamed the ruddy glow of the wood fires, and to envy the dwellers in the cosy cottages, he kept on his way, as though his mission was one of life and death, and, therefore, would not brook delay.

On wild wintry nights, however, when the salt wind whirled the foam across the bay, and dashed the blinding snow into heaps upon the window-sills and against the cottage doors, and darkness and storm spread their sombre wings over the coast, then was it certain that the mysterious being would be seen, for observation had taught the villagers and the dwellers in solitary houses along the lonely roads between the fishing hamlets that in storm and darkness the weird voyager was most likely to appear.

At such times, when the sound of footsteps, muffled by the snow, was heard between the soughs and moans of the wailing wind, the women cried, 'Heaven save us; 'tis th' White Dobbie,' as, convulsively clutching their little ones closer to their broad bosoms, they crept nearer to the blazing log upon the hearth, and gazed furtively and nervously at the little diamond-paned window, past which the restless wanderer was making his way, his companion running along a little way in advance, for not of the mysterious man alone were the honest people afraid. In front of him there invariably ran a ghastly-looking, scraggy white hare,21 with bloodshot eyes. No sooner however did anyone look at this spectral animal than it fled to the wanderer, and jumping into his capacious pocket, was lost to sight.

Verily of an unearthly stock was this white hare, for upon its approach and long before it neared a village, the chained dogs, by some strange instinct conscious of its coming, trembled in terror, and frantically endeavoured to snap their bonds; unfastened ones fled no man knew whither; and if one happened to be trotting alongside its belated master as he trudged homeward and chanced to meet the ghastly Dobbie with its blood-red eyes, with a scream of pain almost human in its keen intensity, away home scampered the terrified animal, madly dashing over hedge and ditch as though bewitched and fiend-chased.

For many years the lonely wanderer had traversed the roads, and for many years had the hare trotted in front of him; lads who were cradled upon their mother's knee when first they heard the awe-inspiring footfalls had grown up into hearty wide-chested men, and men who were ruddy fishers when the pilgrim first startled the dwellers in Furness had long passed away into the silent land; but none of them ever had known the wayfarer to utter a syllable. At length, however, the time came when the solemn silence was to be broken.

One night when the breeze, tired of whispering its weird messages to the bare branches, and chasing the withered leaves along the lanes, had begun to moan a hushed prelude to the music of a storm, through the mist that had crept over the bay, and which obscured even the white-crested wavelets at the foot of the hill on which stood the sacred old church, there came at measured intervals the melancholy monotone of the Bardsea passing bell9 for the dead.

Dismally upon the ears of the dwellers in the straggling hamlet fell the announcement of the presence of death, and even the woman who had for years been bell-ringer and sexton, felt a thrill of fear as she stood in the tower but dimly lighted by a candle in a horn lantern, and high above her head the message of warning rang out; for, although accustomed to the task, it was not often that her services were required at night. Now and again she gazed slowly round the chamber, upon the mouldering walls of which fantastic shadows danced, and she muttered broken fragments of prayers in a loud and terrified voice, for as the door had been closed in order that the feeble light in the lantern might not be extinguished by the gusts of wind, isolated as she was from the little world upon the hillside, she felt in an unwonted manner the utter loneliness of the place and its dread surroundings.

Suddenly she uttered a shrill shriek, for she heard a hissing whisper at her ear and felt an icy breath upon her cheek. She dared not turn round, for she saw that the door opening upon the churchyard remained closed as before, and that occasionally passing within the range of her fixed stare, a white hare with blood-red eyes gambolled round the belfry.

'T' Dobbie!' sighed she, as the dim light began to flicker and the hare suddenly vanished.

As she stood almost paralysed, again came the terrible whisper, and this time she heard the question—

'Who for this time?'

The horrified woman was unable to answer, and yet powerless to resist the strange fascination which forced her to follow the direction of the sound; and when the question was put a second time, in an agony of fear she gazed into the wild eyes of the being at her elbow, her parched tongue cleaving to her open mouth. From the pocket of the dread visitor the ghastly animal gazed at the ringer, who mechanically jerked the bell-rope, and the poor woman was fast losing her senses, when suddenly the door was burst open, and a couple of villagers, who had been alarmed by the irregular ringing, entered the tower. They at once started back as they saw the strange group—the wanderer with sad, inquiring look, and pallid face, the phantom hare with its firelit eyes, and the old ringer standing as though in a trance. No sooner, however, did one of the intruders gaze at the animal than it slipped out of sight down into the pocket of its companion and keeper, and the wanderer himself hastily glided between the astonished men, and out into the darkness of the graveyard.

On many other gloomy nights afterwards the ringer was accosted in the same manner, but although the unnatural being and the spectral hare continued for some winters to pass from village to village and from graveyard to graveyard, a thick cloud of mystery always hung over and about them, and no one ever knew what terrible sin the never-resting man had been doomed to expiate by so lonely and lasting a pilgrimage.

Whence he came and whither he went remained unknown; but long as he continued to patrol the coast the hollow sound of his hasty footsteps never lost its terror to the cottagers; and even after years had passed over without the usual visits, allusions to the weird pilgrim and his dread companion failed not to cause a shudder, for it was believed that the hare was the spirit of a basely-murdered friend, and that the restless voyager was the miserable assassin doomed to a wearisome, lifelong wandering.22



Story DNA folk tale · dark

Moral

null

Plot Summary

For many years, the Furness coast is haunted by the 'White Dobbie,' a silent, emaciated man who wanders lonely roads on stormy nights, always preceded by a terrifying, spectral white hare. No one knows his purpose, but his presence instills deep dread. One night, during a storm, the Dobbie appears in the church belfry where an old woman is ringing the passing bell for the dead. Breaking his long silence, he whispers to her, 'Who for this time?' before villagers, alarmed by the irregular ringing, burst in. The Dobbie and his hare vanish, leaving the villagers to speculate that he is an assassin doomed to wander with the spirit of his victim, forever seeking expiation for an unknown sin.

Themes

guilt and expiationmystery and the unknownsupernatural dreadloneliness and suffering

Emotional Arc

dread to continued dread

Writing Style

Voice: third person omniscient
Pacing: slow contemplative
Descriptive: lush
Techniques: descriptive imagery of weather and setting, emphasis on sensory details of fear

Narrative Elements

Conflict: person vs supernatural
Ending: ambiguous
Magic: spectral white hare, mysterious, silent wanderer, supernatural compulsion to wander
the white hare (spirit of the victim)the wandering man (guilt/expiation)the passing bell (death and foreboding)

Cultural Context

Origin: English
Era: pre-industrial

Reflects a time before industrialization, where local folklore and superstitions held strong sway in isolated communities.

Plot Beats (13)

  1. Villagers in Furness are regularly visited by a silent, emaciated man known as the 'White Dobbie', who wanders lonely roads at night.
  2. The Dobbie is always preceded by a ghastly, scraggy white hare with bloodshot eyes, which instills terror in all animals.
  3. The hare vanishes into the Dobbie's pocket if anyone looks at it directly.
  4. The Dobbie is most likely to appear on wild, wintry nights.
  5. Years pass, and the Dobbie never speaks, becoming a long-standing source of dread.
  6. One stormy night, the Bardsea passing bell tolls for the dead, rung by an old woman in the church tower.
  7. The bell-ringer feels an intense loneliness and dread in the dimly lit belfry.
  8. The white hare appears in the belfry, and the bell-ringer hears a hissing whisper and feels an icy breath.
  9. The Dobbie appears and asks the terrified bell-ringer, 'Who for this time?'
  10. Alarmed by the irregular ringing, two villagers burst into the tower, witnessing the Dobbie, hare, and paralyzed ringer.
  11. The hare vanishes into the Dobbie's pocket, and the Dobbie glides out into the graveyard.
  12. The Dobbie continues his visits for some winters, accosting the ringer in the same manner.
  13. The mystery of the Dobbie's purpose is never solved, but villagers believe he is an assassin doomed to wander with the spirit of his murdered friend.

Characters 3 characters

The White Dobbie (The Wanderer) ★ protagonist

human adult male

A wearied, emaciated-looking man of average height and gaunt build. His face is worn and wan, deeply etched with the sorrows of life. He moves with a purposeful, unceasing stride, never stopping.

Attire: Simple, dark, and worn clothing, likely made of coarse wool or linen, suitable for a perpetual traveler in a cold, coastal region of Furness, England. Perhaps a dark, long coat or cloak that allows him to blend into the night, and sturdy, well-worn boots.

Wants: To complete his 'mission' or 'pilgrimage', which is implied to be an expiation for a terrible sin, possibly a murder. He is driven by a powerful, unseen force.

Flaw: His eternal penance and the burden of his past sin, which isolates him from humanity and condemns him to endless wandering.

Remains largely unchanged throughout the story, continuing his silent, terrifying pilgrimage. His only 'change' is the single instance of speaking, which breaks years of silence but does not alter his fundamental state.

His emaciated, sorrow-etched face and feverish, hungry eyes, always accompanied by the spectral white hare.

Mysterious, sorrowful, driven, silent, terrifying (to others). He is consumed by his unknown mission or penance.

Image Prompt & Upload
A wearied, emaciated adult man of average height, facing forward, full body visible head to toe. He has a pale, wan face with deep lines of sorrow, and feverish, hungry-looking dark eyes. His dark, unkempt hair is short. He wears a dark, coarse wool long coat, simple dark trousers, and sturdy, worn leather boots. His posture is slightly hunched, suggesting perpetual travel and weariness, but with a determined expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The White Hare ◆ supporting

magical creature ageless non-human

A ghastly-looking, scraggy white hare, unnaturally pale and thin. It runs a little way in advance of the Wanderer.

Attire: None, as it is an animal.

Wants: To accompany the Wanderer on his pilgrimage, possibly as a constant reminder or manifestation of his past sin.

Flaw: Its spectral nature makes it vulnerable to being seen, causing it to flee.

Remains a constant, unchanging spectral companion throughout the story.

Its scraggy white fur and terrifying bloodshot, firelit eyes.

Terrifying, spectral, elusive, loyal (to the Wanderer), instinctual (dogs react to its presence).

Image Prompt & Upload
A scraggy, spectral white hare, facing forward, full body visible head to toe. It has unnaturally pale white fur and piercing, bloodshot red eyes that seem to glow. Its body is thin and gaunt. It is poised as if ready to dart away. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Bell-Ringer Woman ◆ supporting

human adult female

A woman who has been the bell-ringer and sexton for years, suggesting a sturdy build accustomed to physical labor. Not explicitly described, but likely of a common, hardy build for a villager in Furness.

Attire: Practical, sturdy clothing typical of a working village woman in 19th-century Furness, England. Likely a dark, thick wool skirt, a linen blouse, and a warm shawl or apron, suitable for working in a cold church tower at night.

Wants: To perform her duty as bell-ringer, but also to protect herself from the terrifying supernatural presence.

Flaw: Her fear and susceptibility to supernatural influence, which leaves her paralyzed and nearly causes her to lose her senses.

Experiences a profound and terrifying encounter that leaves her deeply shaken and forever marked by the White Dobbie's presence.

Standing frozen in terror in the dimly lit church tower, clutching the bell-rope, with a horn lantern nearby.

Accustomed to her duties, religious (muttering prayers), easily terrified, susceptible to strange fascination.

Image Prompt & Upload
An adult woman of sturdy build, facing forward, full body visible head to toe. She has a terrified expression, wide eyes, and her mouth slightly agape. Her hair is practical, pulled back from her face. She wears a dark, thick wool skirt, a simple linen blouse, and a practical dark shawl draped over her shoulders. Her hands are clasped tightly around a thick bell-rope. A small horn lantern with a flickering candle sits on a ledge beside her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
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Lonely Coastal Roads of Furness

outdoor night Wild wintry nights, salt wind, blinding snow, darkness, storm, mist

Winding, often snow-covered roads connecting villages from Bardsea to Rampside, flanked by straggling cottages and open bay. The air is frequently filled with the salt wind and the sound of the sea.

Mood: Eerie, desolate, foreboding, mysterious

The White Dobbie and his spectral hare are most frequently seen here, traversing their mysterious pilgrimage.

Snow drifts Straggling cottages with diamond-paned windows Ruddy glow of wood fires from windows Bay with foam-whipped waves Hedges and ditches along the roads
Image Prompt & Upload
A narrow, snow-covered lane winding through a bleak coastal landscape in the Furness district of England on a wild winter night. Sparse, gnarled trees line the path, their bare branches silhouetted against a dark, stormy sky. In the distance, a few small, half-timbered cottages with thatched roofs emit faint, warm light from diamond-paned windows, contrasting with the cold, driving snow. The ground is a mix of frozen mud and deep snowdrifts. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Interior of a Furness Cottage

indoor night Wild wintry nights, stormy, cold outside

A small, cozy cottage interior, dimly lit by a blazing log fire in a stone hearth. The walls are likely timber or plaster, and a small diamond-paned window looks out onto the stormy night.

Mood: Cozy, warm, but tinged with fear and apprehension

Villagers huddle together, fearing the Dobbie's passing, gazing nervously out their windows.

Blazing log fire in a hearth Broad bosoms of women clutching children Diamond-paned window Shadows cast by firelight Timber or plaster walls
Image Prompt & Upload
The interior of a humble 18th-century Furness cottage on a stormy winter night, seen from a low angle. A large, roaring log fire crackles in a rough-hewn stone hearth, casting warm, flickering light across the timber-beamed ceiling and simple plaster walls. A small, diamond-paned window, partially obscured by snowdrifts, shows only a glimpse of the dark, swirling outside. The floor is packed earth or rough flagstones. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Bardsea Church Tower and Belfry

indoor night Misty, stormy prelude, wind gusts

An old, sacred church tower, dimly lit by a single candle in a horn lantern. The walls are mouldering stone, and fantastic shadows dance upon them. The belfry is high above, where the passing bell rings out.

Mood: Eerie, isolated, terrifying, ancient

The bell-ringer is accosted by the White Dobbie and the spectral hare, who ask 'Who for this time?'

Mouldering stone walls Horn lantern with a flickering candle Bell rope Large church bell Door opening to the churchyard Fantastic shadows
Image Prompt & Upload
The interior of an ancient, circular stone church tower in Bardsea, England, on a misty, stormy night. A single, flickering candle in a horn lantern casts long, dancing shadows across the damp, mouldering rough-hewn stone walls. A thick, worn bell rope hangs down from the dark belfry above, where a massive, verdigris-stained bronze bell is partially visible. A heavy, weathered oak door, slightly ajar, reveals only inky blackness beyond. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.