Elijah the Prophet and Nicholas

by W. R. S. Ralston · from Russian Folk Tales

folk tale moral tale whimsical Ages 8-14 3330 words 15 min read
Cover: Elijah the Prophet and Nicholas
Original Story 3330 words · 15 min read

Elijah The Prophet And Nicholas

ELIJAH THE PROPHET AND NICHOLAS.[444]

A long while ago there lived a Moujik. Nicholas's day he

always kept holy, but Elijah's not a bit; he would even work

upon it. In honor of St. Nicholas he would have a taper lighted

and a service performed, but about Elijah the Prophet he

forgot so much as to think.

Well, it happened one day that Elijah and Nicholas were

walking over the land belonging to this Moujik; and as they

walked they looked--in the cornfields the green blades were

growing up so splendidly that it did one's heart good to look at

them.

"Here'll be a good harvest, a right good harvest!" says

Nicholas, "and the Moujik, too, is a good fellow sure enough,

both honest and pious: one who remembers God and thinks

about the Saints! It will fall into good hands--"

"We'll see by-and-by whether much will fall to his share!"

answered Elijah; "when I've burnt up all his land with lightning,

and beaten it all flat with hail, then this Moujik of yours will

know what's right, and will learn to keep Elijah's day holy."

Well, they wrangled and wrangled; then they parted asunder.

St. Nicholas went off straight to the Moujik and said:

"Sell all your corn at once, just as it stands, to the Priest

of Elijah.[445] If you don't, nothing will be left of it: it will all be

beaten flat by hail."

Off rushed the Moujik to the Priest.

"Won't your Reverence buy some standing corn? I'll sell

my whole crop. I'm in such pressing need of money just now.

It's a case of pay up with me! Buy it, Father! I'll sell it

cheap."

They bargained and bargained, and came to an agreement.

The Moujik got his money and went home.

Some little time passed by. There gathered together, there

came rolling up, a stormcloud; with a terrible raining and hailing

did it empty itself over the Moujik's cornfields, cutting

down all the crop as if with a knife--not even a single blade did

it leave standing.

Next day Elijah and Nicholas walked past. Says Elijah:

"Only see how I've devastated the Moujik's cornfield!"

"The Moujik's! No, brother! Devastated it you have

splendidly, only that field belongs to the Elijah Priest, not to

the Moujik."

"To the Priest! How's that?"

"Why, this way. The Moujik sold it last week to the

Elijah Priest, and got all the money for it. And so, methinks,

the Priest may whistle for his money!"

"Stop a bit!" said Elijah. "I'll set the field all right again.

It shall be twice as good as it was before."

They finished talking, and went each his own way. St.

Nicholas returned to the Moujik, and said:

"Go to the Priest and buy back your crop--you won't lose

anything by it."

The Moujik went to the Priest, made his bow, and said:

"I see, your Reverence, God has sent you a misfortune--the

hail has beaten the whole field so flat you might roll a ball

over it. Since things are so, let's go halves in the loss. I'll

take my field back, and here's half of your money for you to

relieve your distress."

The Priest was rejoiced, and they immediately struck hands

on the bargain.

Meanwhile--goodness knows how--the Moujik's ground

began to get all right. From the old roots shot forth new tender

stems. Rain-clouds came sailing exactly over the cornfield

and gave the soil to drink. There sprang up a marvellous crop--tall

and thick. As to weeds, there positively was not one to be

seen. And the ears grew fuller and fuller, till they were fairly

bent right down to the ground.

Then the dear sun glowed, and the rye grew ripe--like so

much gold did it stand in the fields. Many a sheaf did the

Moujik gather, many a heap of sheaves did he set up; and now

he was beginning to carry the crop, and to gather it together into

ricks.

At that very time Elijah and Nicholas came walking by

again. Joyfully did the Prophet gaze on all the land, and say:

"Only look, Nicholas! what a blessing! Why, I have rewarded

the Priest in such wise, that he will never forget it all

his life."

"The Priest? No, brother! the blessing indeed is great,

but this land, you see, belongs to the Moujik. The Priest

hasn't got anything whatsoever to do with it."

"What are you talking about?"

"It's perfectly true. When the hail beat all the cornfield

flat, the Moujik went to the Priest and bought it back again at

half price."

"Stop a bit!" says Elijah. "I'll take the profit out of the

corn. However many sheaves the Moujik may lay on the

threshing-floor, he shall never thresh out of them more than a

peck[446] at a time."

"A bad piece of work!" thinks St. Nicholas. Off he went

at once to the Moujik.

"Mind," says he, "when you begin threshing your corn,

never put more than one sheaf at a time on the threshing-floor."

The Moujik began to thresh: from every sheaf he got a peck

of grain. All his bins, all his storehouses, he crammed with

rye; but still much remained over. So he built himself new

barns, and filled them as full as they could hold.

Well, one day Elijah and Nicholas came walking past his

homestead, and the Prophet began looking here and there, and

said:

"Do you see what barns he's built? has he got anything to

put into them?"

"They're quite full already," answers Nicholas.

"Why, wherever did the Moujik get such a lot of grain?"

"Bless me! Why, every one of his sheaves gave him a

peck of grain. When he began to thresh he never put more

than one sheaf at a time on the threshing-floor."

"Ah, brother Nicholas!" said Elijah, guessing the truth,

"it's you who go and tell the Moujik everything!"

"What an idea! that I should go and tell--"

"As you please; that's your doing! But that Moujik sha'n't

forget me in a hurry!"

"Why, what are you going to do to him?"

"What I shall do, that I won't tell you," replies Elijah.

"There's a great danger coming," thinks St. Nicholas, and

he goes to the Moujik again, and says:

"Buy two tapers, a big one and a little one, and do thus

and thus with them."

Well, next day the Prophet Elijah and St. Nicholas were

walking along together in the guise of wayfarers, and they met

the Moujik, who was carrying two wax tapers--one, a big

rouble one, and the other, a tiny copeck one.

"Where are you going, Moujik?" asked St. Nicholas.

"Well, I'm going to offer a rouble taper to Prophet Elijah;

he's been ever so good to me! When my crops were ruined

by the hail, he bestirred himself like anything, and gave me

a plentiful harvest, twice as good as the other would have

been."

"And the copeck taper, what's that for?"

"Why, that's for Nicholas!" said the peasant and passed

on.

"There now, Elijah!" says Nicholas, "you say I go and

tell everything to the Moujik--surely you can see for yourself

how much truth there is in that!"

Thereupon the matter ended. Elijah was appeased and

didn't threaten to hurt the Moujik any more. And the Moujik

led a prosperous life, and from that time forward he held in

equal honor Elijah's Day and Nicholas's Day.

It is not always to the Prophet Ilya that the power once attributed to

Perun is now ascribed. The pagan wielder of the thunderbolt is

represented in modern traditions by more than one Christian saint.

Sometimes, as St. George, he transfixes monsters with his lance;

sometimes, as St. Andrew, he smites with his mace a spot given over to

witchcraft. There was a village (says one of the legends of the

Chernigof Government) in which lived more than a thousand witches, and

they used to steal the holy stars, until at last "there was not one

left to light our sinful world." Then God sent the holy Andrew, who

struck with his mace--and all that village was swallowed up by the

earth, and the place thereof became a swamp.[447]

About St. George many stories are told, and still more ballads (if we

may be allowed to call them so) are sung. Under the names of Georgy,

Yury, and Yegory the Brave, he is celebrated as a patron as well of

wolves as of flocks and herds, as a Christian Confessor struggling and

suffering for the faith amid pagan foes, and as a chivalrous destroyer

of snakes and dragons. The discrepancies which exist between the

various representations given of his character and his functions are

very glaring, but they may be explained by the fact that a number of

legendary ideas sprung from separate sources have become associated

with his name; so that in one story his actions are in keeping with

the character of an old Slavonian deity, in another, with that of a

Christian or a Buddhist saint.

In some parts of Russia, when the cattle go out for the first time to

the spring pastures, a pie, made in the form of a sheep, is cut up by

the chief herdsman, and the fragments are preserved as a remedy

against the diseases to which sheep are liable. On St. George's Day in

spring, April 23, the fields are sanctified by a church service, at

the end of which they are sprinkled with holy water. In the Tula

Government a similar service is held over the wells. On the same day,

in some parts of Russia, a youth (who is called by the Slovenes the

Green Yegory) is dressed like our own "Jack in the Green," with

foliage and flowers. Holding a lighted torch in one hand and a pie in

the other, he goes out to the cornfields, followed by girls singing

appropriate songs. A circle of brushwood is then lighted, in the

centre of which is set the pie. All who take part in the ceremony then

sit down around the fire, and eventually the pie is divided among

them.

Numerous legends speak of the strange connection which exists between

St. George and the Wolf. In Little Russia that animal is called "St.

George's Dog," and the carcases of sheep which wolves have killed are

not used for human food, it being held that they have been assigned by

divine command to the beasts of the field. The human victim whom St.

George has doomed to be thus destroyed nothing can save. A man, to

whom such a fate had been allotted, tried to escape from his

assailants by hiding behind a stove; but a wolf transformed itself

into a cat, and at midnight, when all was still, it stole into the

house and seized the appointed prey. A hunter, who had been similarly

doomed, went on killing wolves for some time, and hanging up their

skins; but when the fatal hour arrived, one of the skins became a

wolf, and slew him by whom it had before been slain. In Little Russia

the wolves have their own herdsman[448]--a being like unto a man, who

is often seen in company with St. George. There were two brothers

(says a popular tale), the one rich, the other poor. The poor brother

had climbed up a tree one night, and suddenly he saw beneath him what

seemed to be two men--the one driving a pack of wolves, the other

attending to the conveyance of a quantity of bread. These two beings

were St. George and the Lisun. And St. George distributed the bread

among the wolves, and one loaf which remained over he gave to the poor

brother; who afterwards found that it was of a miraculous nature,

always renewing itself and so supplying its owner with an

inexhaustible store of bread. The rich brother, hearing the story,

climbed up the tree one night in hopes of obtaining a similar present.

But that night St. George found that he had no bread to give to one of

his wolves, so he gave it the rich brother instead.[449]

One of the legends attributes strange forgetfulness on one occasion to

St. George. A certain Gypsy who had a wife and seven children, and

nothing to feed them with, was standing by a roadside lost in

reflection, when Yegory the Brave came riding by. Hearing that the

saint was on his way to heaven, the Gypsy besought him to ask of God

how he was to support his family. St. George promised to do so, but

forgot. Again the Gypsy saw him riding past, and again the saint

promised and forgot. In a third interview the Gypsy asked him to leave

behind his golden stirrup as a pledge.

A third time St. George leaves the presence of the Lord without

remembering the commission with which he has been entrusted. But when

he is about to mount his charger the sight of the solitary stirrup

recalls it to his mind. So he returns and states the Gypsy's request,

and obtains the reply that "the Gypsy's business is to cheat and to

swear falsely." As soon as the Gypsy is told this, he thanks the Saint

and goes off home.

"Where are you going?" cries Yegory. "Give me back my golden stirrup."

"What stirrup?" asks the Gypsy.

"Why, the one you took from me."

"When did I take one from you? I see you now for the first time in my

life, and never a stirrup did I ever take, so help me Heaven!"

So Yegory had to go away without getting his stirrup back.[450]

There is an interesting Bulgarian legend in which St. George appears

in his Christian capacity of dragon-slayer, but surrounded by

personages belonging to heathen mythology. The inhabitants of the

pagan city of Troyan, it states, "did not believe in Christ, but in

gold and silver." Now there were seventy conduits in that city which

supplied it with spring-water; and the Lord made these conduits run

with liquid gold and silver instead of water, so that all the people

had as much as they pleased of the metals they worshipped, but they

had nothing to drink.

After a time the Lord took pity upon them, and there appeared at a

little distance from the city a deep lake. To this they used to go for

water. Only the lake was guarded by a terrible monster, which daily

devoured a maiden, whom the inhabitants of Troyan were obliged to give

to it in return for leave to make use of the lake. This went on for

three years, at the end of which time it fell to the lot of the king's

daughter to be sacrificed by the monster. But when the Troyan

Andromeda was exposed on the shore of the lake, a Perseus arrived to

save her in the form of St. George. While waiting for the monster to

appear, the saint laid his head on her knees, and she dressed his

locks. Then he fell into so deep a slumber that the monster drew nigh

without awaking him. But the Princess began to weep bitterly, and her

scalding tears fell on the face of St. George and awoke him, and he

slew the monster, and afterwards converted all the inhabitants of

Troyan to Christianity.[451]

St. Nicholas generally maintains in the legends the kindly character

attributed to him in the story in which he and the Prophet Ilya are

introduced together. It is to him that at the present day the anxious

peasant turns most readily for help, and it is he whom the legends

represent as being the most prompt of all the heavenly host to assist

the unfortunate among mankind. Thus in one of the stories a peasant is

driving along a heavy road one autumn day, when his cart sticks fast

in the mire. Just then St. Kasian comes by.

"Help me, brother, to get my cart out of the mud!" says the peasant.

"Get along with you!" replies St. Kasian. "Do you suppose I've got

leisure to be dawdling here with you!"

Presently St. Nicholas comes that way. The peasant addresses the same

request to him, and he stops and gives the required assistance.

When the two saints arrive in heaven, the Lord asks them where they

have been.

"I have been on the earth," replies St. Kasian. "And I happened to

pass by a moujik whose cart had stuck in the mud. He cried out to me,

saying, 'Help me to get my cart out!' But I was not going to spoil my

heavenly apparel."

"I have been on the earth," says St. Nicholas, whose clothes were all

covered with mud. "I went along that same road, and I helped the

moujik to get his cart free."

Then the Lord says, "Listen, Kasian! Because thou didst not assist the

moujik, therefore shall men honor thee by thanksgiving once only every

four years. But to thee, Nicholas, because thou didst assist the

moujik to set free his cart, shall men twice every year offer up

thanksgiving."

"Ever since that time," says the story, "it has been customary to

offer prayers and thanksgiving (molebnui) to Nicholas twice a year,

but to Kasian only once every leap-year."[452]

In another story St. Nicholas comes to the aid of an adventurer who

watches beside the coffin of a bewitched princess. There were two

moujiks in a certain village, we are told, one of whom was very rich

and the other very poor. One day the poor man, who was in great

distress, went to the house of the rich man and begged for a loan.

"I will repay it, on my word. Here is Nicholas as a surety," he cried,

pointing to a picture of St. Nicholas.

Thereupon the rich man lent him twenty roubles. The day for repayment

came, but the poor man had not a single copeck. Furious at his loss,

the rich man rushed to the picture of St. Nicholas, crying--

"Why don't you pay up for that pauper? You stood surety for him,

didn't you?"

And as the picture made no reply, he tore it down from the wall, set

it on a cart and drove it away, flogging it as he went, and crying--

"Pay me my money! Pay me my money!"

As he drove past the inn a young merchant saw him, and cried--

"What are you doing, you infidel!"

The moujik explained that as he could not get his money back from a

man who was in his debt, he was proceeding against a surety; whereupon

the merchant paid the debt, and thereby ransomed the picture, which he

hung up in a place of honor, and kept a lamp burning before it. Soon

afterwards an old man offered his services to the merchant, who

appointed him his manager; and from that time all things went well

with the merchant.

But after a while a misfortune befell the land in which he lived, for

"an evil witch enchanted the king's daughter, who lay dead all day

long, but at night got up and ate people." So she was shut up in a

coffin and placed in a church, and her hand, with half the kingdom as

her dowry, was offered to any one who could disenchant her. The

merchant, in accordance with his old manager's instructions, undertook

the task, and after a series of adventures succeeded in accomplishing

it. The last words of one of the narrators of the story are, "Now this

old one was no mere man. He was Nicholas himself, the saint of

God."[453]

With one more legend about this favorite saint, I will conclude this

section of the present chapter. In some of its incidents it closely

resembles the story of "The Smith and the Demon," which was quoted in

the first chapter.


Story DNA folk tale · whimsical

Moral

Even divine beings can be swayed by human actions and cleverness, and it is wise to honor all powers, not just those you favor.

Plot Summary

A peasant honors St. Nicholas but neglects Elijah the Prophet, angering Elijah who vows to destroy his harvest. Nicholas repeatedly intervenes with clever advice, first telling the peasant to sell his crop before Elijah's hail destroys it, then to buy it back after Elijah restores it, and finally to thresh his grain one sheaf at a time to circumvent Elijah's curse. Through Nicholas's guidance, the peasant prospers and, unaware of the divine machinations, attributes his good fortune to Elijah, offering him a grand taper. Appeased by this perceived devotion, Elijah ceases his threats, and the peasant lives well, honoring both saints equally.

Themes

divine interventionjustice and fairnesspiety and devotiontrickery and wit

Emotional Arc

conflict to resolution

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: repetition, dialogue-driven plot

Narrative Elements

Conflict: person vs supernatural
Ending: moral justice
Magic: divine intervention (hail, crop restoration, limited threshing, miraculous yield), saints walking among humans, saints disguising themselves
the cornfield (representing livelihood and divine favor)tapers (representing devotion and gratitude)

Cultural Context

Origin: Russian
Era: timeless fairy tale

This story reflects the syncretism of pre-Christian beliefs (like the thunder god Perun) with Christian saints in Russian folklore, where figures like Elijah inherited attributes of older deities. The interaction between saints often personifies different aspects of divine intervention or human-divine relationships.

Plot Beats (14)

  1. A Moujik honors St. Nicholas but not Elijah the Prophet.
  2. Elijah and Nicholas observe the Moujik's splendid cornfield.
  3. Elijah, angered by the Moujik's neglect, vows to destroy the harvest; Nicholas defends the Moujik.
  4. Nicholas warns the Moujik to sell his standing corn to Elijah's priest, which the Moujik does for money.
  5. Elijah sends a storm that devastates the cornfield, now belonging to the priest.
  6. Elijah discovers his destruction harmed the priest, not the Moujik, and vows to restore the field.
  7. Nicholas advises the Moujik to buy back the ruined crop from the priest at half price.
  8. The field miraculously recovers and yields an abundant harvest, far better than before.
  9. Elijah, seeing the bountiful harvest, believes he has blessed the priest and vows to limit the Moujik's threshing yield.
  10. Nicholas warns the Moujik to thresh only one sheaf at a time, allowing him to bypass Elijah's curse and fill his barns.
  11. Elijah and Nicholas, disguised, meet the Moujik carrying two tapers.
  12. The Moujik explains he is offering a large taper to Elijah for his 'blessings' and a small one to Nicholas.
  13. Elijah is appeased by the Moujik's perceived devotion.
  14. The Moujik lives prosperously and honors both saints equally thereafter.

Characters 4 characters

Elijah The Prophet ★ protagonist

divine being ageless male

Not explicitly described, but implied to be a powerful, authoritative figure capable of controlling weather.

Attire: Not explicitly described; likely simple, ancient robes befitting a prophet.

A figure commanding lightning and hail.

Stern, quick to anger, punitive, but also capable of generosity and correction.

Image Prompt & Upload
An elderly male prophet with a long, flowing white beard and weathered face, deep-set eyes gazing upward with divine intensity. He wears layered, earth-toned robes of rough linen and wool, cinched with a leather belt. One hand grips a simple wooden staff, the other holds an unfurled parchment scroll. He stands in a powerful, upright posture, his head slightly tilted as if listening to a celestial voice. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Nicholas ★ protagonist

divine being ageless male

Not explicitly described, but implied to be a benevolent, wise figure.

Attire: Not explicitly described; likely simple, ancient robes befitting a saint.

A figure subtly guiding mortals to good fortune.

Benevolent, cunning, protective, empathetic, resourceful.

Image Prompt & Upload
A young man in his late teens with a kind, determined expression and short, tousled brown hair. He wears a simple but well-made forest green tunic over a cream-colored shirt, brown leather trousers, and sturdy boots. A leather satchel is slung over his shoulder. He stands tall in a confident, ready posture, one hand resting on the strap of his satchel. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Moujik ◆ supporting

human adult male

Not explicitly described, but implied to be a working farmer.

Attire: Simple, practical peasant clothing suitable for farm work.

A peasant farmer with a field of rye.

Pious (towards Nicholas), hardworking, opportunistic, trusting, shrewd.

Image Prompt & Upload
A middle-aged man with a kind, weathered face and graying hair, wearing a simple linen shirt belted at the waist, woolen trousers, and worn leather boots. He stands with a humble, slightly slouched posture, holding a wooden staff. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Priest of Elijah ○ minor

human adult male

Not explicitly described, but implied to be a clergyman.

Attire: Clerical vestments or simple, dark clothing.

A priest receiving money for a crop.

Rejoiced by good fortune, perhaps a bit naive or easily swayed by a good bargain.

Image Prompt & Upload
A young teenage boy with short, neat brown hair and a solemn, devout expression. He wears simple, undyed linen robes that reach his ankles, cinched with a rope belt. A small wooden cross hangs from his neck. His hands are clasped together in prayer, and he stands with a respectful, upright posture. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 2 locations
No image yet

Moujik's Cornfields

outdoor Initially good growing weather, then a terrible storm with rain and hail, followed by restorative rain-clouds and glowing sun.

Expansive fields where green blades of corn are growing splendidly, later devastated by a storm, then miraculously restored to a 'marvellous crop—tall and thick' with 'ears grown fuller and fuller, till they were fairly bent right down to the ground,' and finally standing 'like so much gold.'

Mood: Initially hopeful and prosperous, then desolate and ruined, finally bountiful and golden.

Elijah and Nicholas observe the initial crop, Elijah destroys it, Nicholas orchestrates its sale and repurchase, and Elijah restores it to an even better state.

green corn blades hail-beaten stalks new tender stems tall and thick rye golden ears of corn sheaves ricks
Image Prompt & Upload
Expansive cornfields under a vast sky, first shown as vibrant green blades stretching to the horizon under a bright, clear sun. A sudden, dramatic shift to a stormy twilight: dark, swirling clouds, heavy rain, and wind-battered, flattened stalks. Then, a serene, misty dawn reveals the miraculously restored crop—tall, thick, and impossibly lush, with heavy ears of corn bending the stalks right down to the earth. Finally, a breathtaking golden hour scene: the entire field now stands like burnished gold under a warm, setting sun, each ear full and gleaming, creating a sea of radiant, harvest-ready splendor. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Moujik's Homestead

outdoor Implied harvest season, fair weather for threshing and building.

The area around the Moujik's home, including his threshing-floor and newly built barns, which are crammed full of rye.

Mood: Prosperous, industrious, and abundant.

The Moujik threshes his abundant crop, filling his existing storage and building new barns, observed by Elijah and Nicholas.

threshing-floor bins storehouses new barns rye grain
Image Prompt & Upload
Golden hour light bathes a rustic Russian homestead in a warm, amber glow. Two massive, newly built log barns with thatched roofs dominate the scene, their doors slightly ajar to reveal interiors crammed to the rafters with bundled rye sheaves. A large, circular threshing-floor of packed earth sits nearby, scattered with stray grains that glint in the low sun. A simple wooden fence encloses the yard, beyond which a well-trodden dirt path leads to a distant, cozy izba with a carved porch. The air is still and clear, with a hint of dust motes dancing in the light. The color palette is rich with golds, deep browns, and the soft green of distant birch trees under a pale, twilight sky. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration