The Awful Drunkard
by W. R. S. Ralston · from Russian Folk Tales
Original Story
The Awful Drunkard
THE AWFUL DRUNKARD.[43]
Once there was an old man who was such an awful drunkard
as passes all description. Well, one day he went to a kabak,
intoxicated himself with liquor, and then went staggering home
blind drunk. Now his way happened to lie across a river.
When he came to the river, he didn't stop long to consider, but
kicked off his boots, hung them round his neck, and walked
into the water. Scarcely had he got half-way across when he
tripped over a stone, tumbled into the water--and there was an
end of him.
Now, he left a son called Petrusha.[44] When Peter saw that
his father had disappeared and left no trace behind, he took the
matter greatly to heart for a time, he wept for awhile, he had a
service performed for the repose of his father's soul, and he
began to act as head of the family. One Sunday he went to
church to pray to God. As he passed along the road a woman
was pounding away in front of him. She walked and walked,
stumbled over a stone, and began swearing at it, saying, "What
devil shoved you under my feet?"
Hearing these words, Petrusha said:
"Good day, aunt! whither away?"
"To church, my dear, to pray to God."
"But isn't this sinful conduct of yours? You're going to
church, to pray to God, and yet you think about the Evil One;
your foot stumbles and you throw the fault on the Devil!"
Well, he went to church and then returned home. He
walked and walked, and suddenly, goodness knows whence,
there appeared before him a fine-looking man, who saluted him
and said:
"Thanks, Petrusha, for your good word!"
"Who are you, and why do you thank me?" asks Petrusha.
"I am the Devil.[45] I thank you because, when that woman
stumbled, and scolded me without a cause, you said a good
word for me." Then he began to entreat him, saying, "Come
and pay me a visit, Petrusha. How I will reward you to be
sure! With silver and with gold, with everything will I endow
you."
"Very good," says Petrusha, "I'll come."
Having told him all about the road he was to take, the Devil
straightway disappeared, and Petrusha returned home.
Next day Petrusha set off on his visit to the Devil. He
walked and walked, for three whole days did he walk, and then he
reached a great forest, dark and dense--impossible even to see
the sky from within it! And in that forest there stood a rich
palace. Well, he entered the palace, and a fair maiden caught
sight of him. She had been stolen from a certain village by the
evil spirit. And when she caught sight of him she cried:
"Whatever have you come here for, good youth? here
devils abide, they will tear you to pieces."
Petrusha told her how and why he had made his appearance
in that palace.
"Well now, mind this," says the fair maiden; "the Devil will
begin giving you silver and gold. Don't take any of it, but ask
him to give you the very wretched horse which the evil spirits
use for fetching wood and water. That horse is your father.
When he came out of the kabak drunk, and fell into the water,
the devils immediately seized him and made him their hack, and
now they use him for fetching wood and water."
Presently there appeared the gallant who had invited
Petrusha, and began to regale him with all kinds of meat and
drink. And when the time came for Petrusha to be going homewards,
"Come," said the Devil, "I will provide you with
money and with a capital horse, so that you will speedily get
home."
"I don't want anything," replied Petrusha. "Only, if you
wish to make me a present, give me that sorry jade which you
use for carrying wood and water."
"What good will that be to you? If you ride it home
quickly, I expect it will die!"
"No matter, let me have it. I won't take any other."
So the Devil gave him that sorry jade. Petrusha took it by
the bridle and led it away. As soon as he reached the gates
there appeared the fair maiden, and asked:
"Have you got the horse?"
"I have."
"Well then, good youth, when you get nigh to your village,
take off your cross, trace a circle three times about this horse,
and hang the cross round its neck."
Petrusha took leave of her and went his way. When he
came nigh to his village he did everything exactly as the maiden
had instructed him. He took off his copper cross, traced a
circle three times about the horse, and hung the cross round its
neck. And immediately the horse was no longer there, but in
its place there stood before Petrusha his own father. The son
looked upon the father, burst into tears, and led him to his cottage;
and for three days the old man remained without speaking,
unable to make use of his tongue. And after that they
lived happily and in all prosperity. The old man entirely gave
up drinking, and to his very last day never took so much as a
single drop of spirits.[46]
The Russian peasant is by no means deficient in humor, a fact of
which the Skazkas offer abundant evidence. But it is not easy to find
stories which can be quoted at full length as illustrations of that
humor. The jokes which form the themes of the Russian facetious tales
are for the most part common to all Europe. And a similar assertion
may be made with regard to the stories of most lands. An unfamiliar
joke is but rarely to be discovered in the lower strata of fiction. He
who has read the folk-tales of one country only, is apt to attribute
to its inhabitants a comic originality to which they can lay no claim.
And so a Russian who knows the stories of his own land, but has not
studied those of other countries, is very liable to credit the Skazkas
with the undivided possession of a number of "merry jests" in which
they can claim but a very small share--jests which in reality form the
stock-in-trade of rustic wags among the vineyards of France or
Germany, or on the hills of Greece, or beside the fiords of Norway, or
along the coasts of Brittany or Argyleshire--which for centuries have
set beards wagging in Cairo and Ispahan, and in the cool of the
evening hour have cheered the heart of the villager weary with his
day's toil under the burning sun of India.
It is only when the joke hinges upon something which is peculiar to a
people that it is likely to be found among that people only. But most
of the Russian jests turn upon pivots which are familiar to all the
world, and have for their themes such common-place topics as the
incorrigible folly of man, the inflexible obstinacy of woman. And in
their treatments of these subjects they offer very few novel features.
It is strange how far a story of this kind may travel, and yet how
little alteration it may undergo. Take, for instance, the skits
against women which are so universally popular. Far away in outlying
districts of Russia we find the same time-honored quips which have so
long figured in collections of English facetiæ. There is the good old
story, for instance, of the dispute between a husband and wife as to
whether a certain rope has been cut with a knife or with scissors,
resulting in the murder of the scissors-upholding wife, who is pitched
into the river by her knife-advocating husband; but not before she
has, in her very death agony, testified to her belief in the scissors
hypothesis by a movement of her fingers above the surface of the
stream.[47] In a Russian form of the story, told in the government of
Astrakhan, the quarrel is about the husband's beard. He says he has
shaved it, his wife declares he has only cut it off. He flings her
into a deep pool, and calls to her to say "shaved." Utterance is
impossible to her, but "she lifts one hand above the water and by
means of two fingers makes signs to show that it was cut."[48] The
story has even settled into a proverb. Of a contradictory woman the
Russian peasants affirm that, "If you say 'shaved' she'll say 'cut.'"
In the same way another story shows us in Russian garb our old friend
the widower who, when looking for his drowned wife--a woman of a very
antagonistic disposition--went up the river instead of down, saying to
his astonished companions, "She always did everything contrary-wise,
so now, no doubt, she's gone against the stream."[49] A common story
again is that of the husband who, having confided a secret to his wife
which he justly fears she will reveal, throws discredit on her
evidence about things in general by making her believe various absurd
stories which she hastens to repeat.[49] The final paragraph of one of
the variants of this time-honored jest is quaint, concluding as it
does, by way of sting, with a highly popular Russian saw. The wife has
gone to the seigneur of the village and accused her husband of having
found a treasure and kept it for his own use. The charge is true, but
the wife is induced to talk such nonsense, and the husband complains
so bitterly of her, that "the seigneur pitied the moujik for being so
unfortunate, so he set him at liberty; and he had him divorced from
his wife and married to another, a young and good-looking one. Then
the moujik immediately dug up his treasure and began living in the
best manner possible." Sure enough the proverb doesn't say without
reason: "Women have long hair and short wits."[50]
There is another story of this class which is worthy of being
mentioned, as it illustrates a custom in which the Russians differ
from some other peoples.
A certain man had married a wife who was so capricious that there was
no living with her. After trying all sorts of devices her dejected
husband at last asked her how she had been brought up, and learnt that
she had received an education almost entirely German and French, with
scarcely any Russian in it; she had not even been wrapped in
swaddling-clothes when a baby, nor swung in a liulka.[51] Thereupon
her husband determined to remedy the short-comings of her early
education, and "whenever she showed herself capricious, or took to
squalling, he immediately had her swaddled and placed in a liulka,
and began swinging her to and fro." By the end of a half year she
became "quite silky"--all her caprices had been swung out of her.
But instead of giving mere extracts from any more of the numerous
stories to which the fruitful subject of woman's caprice has given
rise, we will quote a couple of such tales at length. The first is the
Russian variant of a story which has a long family tree, with
ramifications extending over a great part of the world. Dr. Benfey has
devoted to it no less than sixteen pages of his introduction to the
Panchatantra,[52] tracing it from its original Indian home, and its
subsequent abode in Persia, into almost every European land.
Story DNA
Moral
Even the most lost can be redeemed through love and supernatural aid, and vice has dire consequences.
Plot Summary
An old drunkard drowns, leaving his son, Petrusha, to mourn. Petrusha inadvertently earns the Devil's gratitude by defending him, leading to an invitation to the Devil's palace. There, a captive maiden reveals that Petrusha's father was transformed into a 'sorry jade' horse by devils. Following her advice, Petrusha requests only this horse from the Devil, then performs a ritual with his cross, restoring his father to human form. The father, now redeemed, abandons drinking, and they live happily ever after.
Themes
Emotional Arc
grief to joy
Writing Style
Narrative Elements
Cultural Context
The story reflects a traditional Russian peasant worldview, incorporating Christian elements (church, cross) with folk beliefs about devils and their influence. Alcoholism was a recognized social issue.
Plot Beats (13)
- An old man, a notorious drunkard, drowns in a river while intoxicated.
- His son, Petrusha, grieves and performs a service for his father's soul.
- Petrusha goes to church and corrects a woman who blames the Devil for stumbling.
- The Devil appears to Petrusha, thanks him for his 'good word,' and invites him to his palace with promises of reward.
- Petrusha agrees and sets off, walking for three days to reach the Devil's dark forest palace.
- Inside the palace, Petrusha meets a fair maiden, stolen by evil spirits, who warns him of the devils.
- The maiden reveals that Petrusha's father was seized by devils after his death and transformed into a 'sorry jade' horse used for chores.
- She advises Petrusha to refuse all riches and ask only for this specific horse.
- The Devil regales Petrusha and offers him money and a fine horse for his journey home.
- Petrusha refuses all offers, insisting only on the 'sorry jade' horse, which the Devil reluctantly gives him.
- As Petrusha leaves, the maiden instructs him to take off his cross, trace a circle three times around the horse, and hang the cross around its neck when he nears his village.
- Petrusha follows the instructions, and the horse transforms back into his father.
- Petrusha and his father are reunited, the father gives up drinking, and they live happily and prosperously.
Characters
The Awful Drunkard ⚔ antagonist
None explicitly stated, but implied to be a typical man of the village, later transformed into a wretched horse.
Attire: Kicked off his boots, hung them round his neck before entering the river. Implied to wear typical peasant clothing.
Irresponsible, alcoholic, neglectful.
Image Prompt & Upload
A disheveled, middle-aged man with a bloated, ruddy face and bloodshot eyes. He has a greasy, unkempt beard and matted, thinning hair. He wears a stained, tattered greatcoat over a dirty shirt, with patched trousers held up by a frayed rope belt. One hand clutches a half-empty bottle, the other is raised in a threatening gesture. His expression is a cruel, sneering grimace, and he stands with a hunched, unsteady posture, leaning slightly forward. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Petrusha ★ protagonist
None explicitly stated.
Attire: Implied to wear typical peasant clothing, including a copper cross.
Pious, observant, compassionate, determined.
Image Prompt & Upload
A young peasant boy around 12 years old with tousled brown hair and bright, determined eyes. He wears a simple, patched linen tunic, brown trousers, and worn leather boots. A small leather satchel is slung over his shoulder, and he holds a sturdy walking stick in one hand. His posture is upright and resolute, taking a step forward as if beginning a long journey, with a look of hopeful courage on his face. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Woman ○ minor
None explicitly stated.
Attire: Implied to wear typical peasant clothing.
Superstitious, quick to blame.
Image Prompt & Upload
A young woman in her late teens with long, chestnut brown hair braided over one shoulder. She wears a simple, earth-toned linen dress with a fitted bodice and long sleeves. Her expression is calm and observant, standing with a relaxed but upright posture, her hands gently clasped in front of her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Devil ◆ supporting
Appears as a 'fine-looking man'.
Attire: Implied to be well-dressed, fitting his 'fine-looking' appearance.
Cunning, grateful (in his own way), manipulative, powerful.
Image Prompt & Upload
A middle-aged man with sharp, angular features, a neatly trimmed goatee, and small, curved horns peeking through slicked-back dark hair. He has a knowing, mischievous smirk and glowing amber eyes. He is dressed in a tailored crimson waistcoat over a black silk shirt, with dark trousers and polished boots. A long, thin tail with a spaded tip curls lazily at his side. He leans casually on a simple black cane, one eyebrow slightly raised. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Fair Maiden ◆ supporting
Fair.
Attire: Implied to be dressed in a manner befitting someone stolen and held in a rich palace, perhaps simple or distressed.
Wise, helpful, captive.
Image Prompt & Upload
A young woman in her early twenties with a gentle, kind expression and soft hazel eyes. She has long, flowing auburn hair loosely braided with a few wildflowers woven in. She wears a simple but elegant dress of soft sage green linen, with long sleeves and a modest neckline, cinched at the waist with a braided leather cord. Her posture is serene and open, standing with one hand lightly resting on her heart and the other holding a small, woven basket of herbs. She appears poised to offer help or comfort. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
River Crossing
A river that the old man attempts to cross while intoxicated. It has stones in its bed.
Mood: perilous, tragic
The old man drowns, becoming a 'hack' for devils.
Image Prompt & Upload
A murky river at twilight, its turbulent waters swirling around large, glistening stepping stones. The riverbed is visible through the shallow, rushing current. Mist clings to the surface, illuminated by the last fading light of dusk, casting long shadows. The banks are lined with twisted, ancient trees with gnarled roots, their leaves dark and damp. The atmosphere is tense and foreboding, with a palette of deep blues, greys, and muddy browns. The wet stones appear treacherously slippery. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
Road to Church
A road leading to a church, where Petrusha encounters a woman who stumbles.
Mood: mundane, observational
Petrusha defends the Devil, leading to the Devil's invitation.
Image Prompt & Upload
A winding cobblestone road glows under the soft light of a twilight sky, painted in hues of peach and lavender. The path leads toward a small, ancient wooden church with a single onion-domed steeple, nestled at the edge of a birch forest. Golden hour sunlight filters through the slender white trunks, casting long, gentle shadows across the road. A light, ethereal mist clings to the ground near the moss-covered stone wall bordering the churchyard. Fireflies begin to blink in the deepening blue shadows. The atmosphere is quiet, magical, and slightly mysterious. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Great Forest
A vast, dark, and dense forest where the sky is impossible to see. It conceals a rich palace.
Mood: eerie, mysterious, foreboding
Petrusha travels for three days to reach the Devil's domain.
Image Prompt & Upload
A vast, ancient forest at dusk, where colossal, gnarled trees form an impenetrable canopy so thick the twilight sky is completely obscured. Deep shadows pool between massive trunks covered in moss and lichen. The air is thick with mist. Through a rare gap in the oppressive foliage, the faint, golden glow of a concealed palace is visible—a structure of dark stone and intricate spires, seamlessly integrated into the natural landscape, its windows like distant amber eyes. Bioluminescent fungi dot the forest floor, casting an eerie blue-green light on twisted roots. The color palette is dominated by deep emerald, shadowy browns, and muted gold. Atmosphere of profound mystery and ancient silence. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Devil's Palace
A rich palace located within the great forest, where the Devil resides and keeps a stolen maiden.
Mood: deceptive luxury, dangerous, magical
Petrusha retrieves his father, disguised as a horse, from the Devil.
Image Prompt & Upload
Twilight settles over a twisted, ancient forest, where gnarled trees with bark like blackened iron form a dense canopy. At its heart looms Devil's Palace, a towering Gothic structure of obsidian-like stone, its sharp spires clawing at the bruised purple sky. Cold, unnatural green light glows faintly from its narrow, arched windows. The palace is surrounded by a moat of dark, still water, reflecting the last embers of sunset. Thorny, blood-red roses crawl aggressively up the walls. The air is heavy with mist, and the only sounds are the distant caw of a raven and the low rustle of dead leaves. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
Village Outskirts
The area just outside Petrusha's village, where he performs a ritual to transform the horse.
Mood: hopeful, magical, transformative
Petrusha's father is restored to human form.
Image Prompt & Upload
Twilight descends over the muddy outskirts of a humble village, thatched-roof cottages visible in the hazy distance. In a clearing of gnarled, ancient oaks, a circle of moss-covered standing stones hums with faint, ethereal light. The air is thick with mist, swirling around the stones and over the damp earth. A single, unnatural beam of silver-violet light pierces the gloom from above, illuminating the center of the circle where the ground is scorched in a perfect ring. The surrounding grass is unnaturally vibrant, glowing faintly at the tips. A dirt path, rutted from cart wheels, leads away from the stones toward the sleeping village under a deep indigo sky pricked with the first cold stars. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration