The Miser
by W. R. S. Ralston · from Russian Folk Tales
Original Story
The Miser
THE MISER.[58]
There once was a rich merchant named Marko--a stingier fellow
never lived! One day he went out for a stroll. As he went
along the road he saw a beggar--an old man, who sat there asking
for alms--"Please to give, O ye Orthodox, for Christ's
sake!"
Marko the Rich passed by. Just at that time there came up
behind him a poor moujik, who felt sorry for the beggar, and gave
him a copeck. The rich man seemed to feel ashamed, for he
stopped and said to the moujik:
"Harkye, neighbor, lend me a copeck. I want to give that
poor man something, but I've no small change."
The moujik gave him one, and asked when he should come
for his money. "Come to-morrow," was the reply. Well next
day the poor man went to the rich man's to get his copeck. He
entered his spacious courtyard and asked:
"Is Marko the Rich at home?"
"Yes. What do you want?" replied Marko.
"I've come for my copeck."
"Ah, brother! come again. Really I've no change just now."
The poor man made his bow and went away.
"I'll come to-morrow," said he.
On the morrow he came again, but it was just the same story
as before.
"I haven't a single copper. If you like to change me a note
for a hundred--No? well then come again in a fortnight."
At the end of the fortnight the poor man came again, but
Marko the Rich saw him from the window, and said to his wife:
"Harkye, wife! I'll strip myself naked and lie down under
the holy pictures. Cover me up with a cloth, and sit down and
cry, just as you would over a corpse. When the moujik comes
for his money, tell him I died this morning."
Well the wife did everything exactly as her husband directed
her. While she was sitting there drowned in bitter tears, the
moujik came into the room.
"What do you want?" says she.
"The money Marko the Rich owes me," answers the poor
man.
"Ah, moujik, Marko the Rich has wished us farewell;[59] he's
only just dead."
"The kingdom of heaven be his! If you'll allow me, mistress,
in return for my copeck I'll do him a last service--just
give his mortal remains a wash."
So saying he laid hold of a pot full of boiling water and began
pouring its scalding contents over Marko the Rich. Marko, his
brows knit, his legs contorted, was scarcely able to hold out.[60]
"Writhe away or not as you please," thought the poor man,
"but pay me my copeck!"
When he had washed the body, and laid it out properly, he
said:
"Now then, mistress, buy a coffin and have it taken into the
church; I'll go and read psalms over it."
So Marko the Rich was put in a coffin and taken into the
church, and the moujik began reading psalms over him. The
darkness of night came on. All of a sudden a window opened,
and a party of robbers crept through it into the church. The
moujik hid himself behind the altar. As soon as the robbers had
come in they began dividing their booty, and after everything
else was shared there remained over and above a golden sabre--each
one laid hold of it for himself, no one would give up his
claim to it. Out jumped the poor man, crying:
"What's the good of disputing that way? Let the sabre
belong to him who will cut this corpse's head off!"
Up jumped Marko the Rich like a madman. The robbers
were frightened out of their wits, flung away their spoil and
scampered off.
"Here, Moujik," says Marko, "let's divide the money."
They divided it equally between them: each of the shares
was a large one.
"But how about the copeck?" asks the poor man.
"Ah, brother!" replies Marko, "surely you can see I've got
no change!"
And so Marko the Rich never paid the copeck after all.
We may take next the large class of stories about simpletons, so dear
to the public in all parts of the world. In the Skazkas a simpleton is
known as a duràk, a word which admits of a variety of explanations.
Sometimes it means an idiot, sometimes a fool in the sense of a
jester. In the stories of village life its signification is generally
that of a "ninny;" in the "fairy stories" it is frequently applied to
the youngest of the well-known "Three Brothers," the "Boots" of the
family as Dr. Dasent has called him. In the latter case, of course,
the hero's durachestvo, or foolishness, is purely subjective. It
exists only in the false conceptions of his character which his family
or his neighbors have formed.[61] But the duràk of the following
tale is represented as being really "daft." The story begins with one
of the conventional openings of the Skazka--"In a certain tsarstvo,
in a certain gosudarstvo,"--but the two synonyms for "kingdom" or
"state" are used only because they rhyme.
Story DNA
Moral
Greed can lead to absurd lengths, and sometimes, cleverness can extract an unexpected reward, even if the initial injustice remains.
Plot Summary
Marko, a notoriously stingy rich merchant, borrows a single copeck from a poor moujik to save face. He then repeatedly evades repayment, eventually faking his own death to avoid the debt. The clever moujik, however, offers to perform a 'last service' by washing the 'corpse' with boiling water, making Marko writhe. Later, in the church where Marko's 'body' lies, the moujik scares away robbers by tricking them into believing Marko is alive, leading to Marko jumping up. Marko and the moujik divide the robbers' abandoned loot, but despite their newfound wealth, Marko still refuses to repay the original copeck.
Themes
Emotional Arc
frustration to unexpected gain
Writing Style
Narrative Elements
Cultural Context
The story is presented as a 'Skazka', a Russian folk tale, and mentions the 'duràk' archetype, which can refer to a simpleton or a 'fool' whose perceived foolishness is subjective. This particular story's moujik is portrayed as genuinely clever despite his humble status.
Plot Beats (13)
- Marko the rich, stingy merchant, sees a beggar and a poor moujik.
- Marko, to appear generous, borrows a copeck from the moujik to give to the beggar, promising to repay it.
- The moujik comes to Marko's house the next day for his copeck, but Marko makes an excuse and sends him away.
- The moujik returns the following day, and Marko again makes an excuse, telling him to come back in a fortnight.
- After a fortnight, Marko sees the moujik approaching and fakes his death, instructing his wife to cover him and mourn.
- The moujik arrives, and Marko's wife tells him Marko has died.
- The moujik offers to wash the 'corpse' as a last service and pours boiling water on Marko, who writhes in pain.
- After 'washing' the body, the moujik suggests taking Marko to the church and offers to read psalms over him.
- In the church at night, robbers break in and begin dividing their loot.
- The moujik hides and then, seeing the robbers arguing over a golden sabre, suggests the sabre go to whoever cuts off the 'corpse's' head.
- Marko, terrified, jumps up, scaring the robbers away, who abandon their loot.
- Marko and the moujik divide the stolen money equally.
- The moujik asks for his copeck, but Marko again refuses, claiming he has no change.
Characters
Marko the Rich ★ protagonist
None explicitly stated, but implied to be of a robust build to withstand boiling water.
Attire: Initially implied to be dressed in typical rich merchant attire. Later, naked under a cloth.
Stingy, deceitful, quick-witted, cowardly.
Image Prompt & Upload
A middle-aged man with a well-groomed beard and sharp, confident eyes. He wears a doublet of deep burgundy velvet with intricate gold embroidery, polished leather boots, and a heavy gold chain around his neck. His posture is proud and upright, one hand resting on his hip. He stands in a grand hall with marble floors and a distant chandelier. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Moujik ⚔ antagonist
None explicitly stated.
Attire: Simple peasant clothing (implied by 'moujik').
Generous, persistent, clever, resourceful.
Image Prompt & Upload
A middle-aged man with a stern, weathered face, deep-set eyes, and a thick, untrimmed beard. He wears a traditional, coarse linen rubakha shirt belted at the waist, dark woolen porty trousers, and worn leather boots. His posture is rigid and imposing, with a broad-shouldered, stocky build. He stands with a slight forward lean, his expression a cold, calculating scowl, one hand resting on his belt. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Beggar ○ minor
None explicitly stated.
Attire: Rags (implied by 'beggar').
Needy, pious.
Image Prompt & Upload
An elderly man in his late sixties with a weathered face, deep wrinkles, and a long, unkempt grey beard. He wears a tattered, faded brown cloak over layers of patched, mismatched rags in dull earth tones. His posture is slightly hunched, leaning on a gnarled wooden staff. His expression is weary yet patient, with kind, tired eyes. He stands on a muddy village path at dusk. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature
Marko's Wife ◆ supporting
None explicitly stated.
Attire: Implied to be dressed in a traditional Russian wife's attire, later in mourning clothes.
Obedient, theatrical (when feigning grief).
Image Prompt & Upload
A woman in her late 20s with kind, warm brown eyes and a gentle, welcoming smile. She has long, chestnut brown hair loosely braided over one shoulder. She is wearing a simple, earthy-toned linen dress with a white apron, her posture relaxed and open with hands clasped softly in front of her. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Robbers ○ minor
None explicitly stated.
Attire: Implied to be dark, practical clothing for thievery.
Greedy, easily frightened, quarrelsome.
Image Prompt & Upload
A young teenage boy with a mischievous smirk, wearing a worn dark green tunic over brown trousers, a cloth tied over his messy brown hair. He crouches on a mossy forest log, clutching a small burlap sack, his eyes darting sideways. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Roadside
A road where Marko the Rich goes for a stroll and encounters a beggar.
Mood: ordinary, public
Marko encounters the beggar and borrows a copeck from the moujik.
Image Prompt & Upload
Late afternoon golden light filters through ancient gnarled oak trees lining a dusty, winding country road. Long shadows stretch across the path, which is flanked by overgrown wildflower meadows with Queen Anne's lace and poppies. In the distance, a small village with thatched-roof cottages and a stone well is visible under a clear, pale blue sky with a few wispy clouds. The atmosphere is peaceful yet slightly melancholic, with a hint of mist lingering near the tree roots. No border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Marko the Rich's Courtyard
A spacious courtyard leading to Marko the Rich's home.
Mood: imposing, wealthy
The poor man arrives to collect his copeck for the first time.
Image Prompt & Upload
A spacious courtyard at sunset, paved with smooth, sun-warmed flagstones. A central stone fountain, carved with mythical beasts, trickles water under the golden light. Lush climbing roses and ivy drape over the arched stone walls of the manor house, its tall windows glowing with a warm amber light. Ancient, gnarled olive trees in large terracotta pots cast long, soft shadows. The air is still and golden, with a few rose petals scattered on the ground. Rich, warm tones of honey, terracotta, and deep green dominate the scene. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
Marko the Rich's Room
A room in Marko's house where he pretends to be dead, with holy pictures on the wall.
Mood: somber, deceptive, tense
Marko feigns death, and the moujik 'washes' his body with scalding water.
Image Prompt & Upload
A dimly lit medieval bedchamber at dusk, heavy velvet curtains drawn across a tall arched window, allowing only thin shafts of amber twilight to pierce the gloom. Stone walls are adorned with flickering candlelight illuminating several solemn holy icons in gilded frames. A large, canopied bed with rumpled dark linen dominates the center of the room, its heavy drapes partially closed. Dust motes float in the slanted light beams. The air is still and thick with the scent of old wood and extinguished incense. Muted colors of burgundy, deep gold, and weathered wood create a somber, staged atmosphere. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Church
A church where Marko's coffin is taken, and the moujik reads psalms. It has a window through which robbers enter.
Mood: eerie, sacred, suspenseful
Robbers enter, Marko 'comes alive', and the treasure is divided.
Image Prompt & Upload
Evening light filters through a tall, narrow stained-glass window of an ancient Eastern European stone church, casting long, colored shadows across the empty wooden pews. A single, draped coffin rests on a stone bier before the altar, illuminated by the flickering, warm glow of dozens of beeswax candles. The air is still and heavy with the scent of old wood and incense. Through the arched, leaded window, a sliver of a cold, silver moon is visible, its light touching the moss on the exterior stone. The architecture is heavy Romanesque with thick walls and a vaulted ceiling lost in shadow. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration