The Soldier and The Vampire
by W. R. S. Ralston · from Russian Folk Tales
Original Story
The Soldier And The Vampire
THE SOLDIER AND THE VAMPIRE.[412]
A certain soldier was allowed to go home on furlough.
Well, he walked and walked, and after a time he began to draw
near to his native village. Not far off from that village lived a
miller in his mill. In old times the Soldier had been very
intimate with him: why shouldn't he go and see his friend? He
went. The Miller received him cordially, and at once brought
out liquor; and the two began drinking, and chattering about
their ways and doings. All this took place towards nightfall, and
the Soldier stopped so long at the Miller's that it grew quite
dark.
When he proposed to start for his village, his host exclaimed:
"Spend the night here, trooper! It's very late now, and perhaps
you might run into mischief."
"How so?"
"God is punishing us! A terrible warlock has died among
us, and by night he rises from his grave, wanders through the
village, and does such things as bring fear upon the very boldest!
How could even you help being afraid of him?"
"Not a bit of it! A soldier is a man who belongs to the
crown, and 'crown property cannot be drowned in water nor
burnt in fire.' I'll be off: I'm tremendously anxious to see my
people as soon as possible."
Off he set. His road lay in front of a graveyard. On one
of the graves he saw a great fire blazing. "What's that?"
thinks he. "Let's have a look." When he drew near, he saw
that the Warlock was sitting by the fire, sewing boots.
"Hail, brother!" calls out the Soldier.
The Warlock looked up and said:
"What have you come here for?"
"Why, I wanted to see what you're doing."
The Warlock threw his work aside and invited the Soldier to
a wedding.
"Come along, brother," says he, "let's enjoy ourselves.
There's a wedding going on in the village."
"Come along!" says the Soldier.
They came to where the wedding was; there they were
given drink, and treated with the utmost hospitality. The Warlock
drank and drank, revelled and revelled, and then grew
angry. He chased all the guests and relatives out of the house,
threw the wedded pair into a slumber, took out two phials and
an awl, pierced the hands of the bride and bridegroom with the
awl, and began drawing off their blood. Having done this, he
said to the Soldier:
"Now let's be off."
Well, they went off. On the way the Soldier said:
"Tell me; why did you draw off their blood in those phials?"
"Why, in order that the bride and bridegroom might die.
To-morrow morning no one will be able to wake them. I alone
know how to bring them back to life."
"How's that managed?"
"The bride and bridegroom must have cuts made in their
heels, and some of their own blood must then be poured back
into those wounds. I've got the bridegroom's blood stowed
away in my right-hand pocket, and the bride's in my left."
The Soldier listened to this without letting a single word
escape him. Then the Warlock began boasting again.
"Whatever I wish," says he, "that I can do!"
"I suppose it's quite impossible to get the better of you?"
says the Soldier.
"Why impossible? If any one were to make a pyre of aspen
boughs, a hundred loads of them, and were to burn me on that
pyre, then he'd be able to get the better of me. Only he'd
have to look out sharp in burning me; for snakes and worms
and different kinds of reptiles would creep out of my inside, and
crows and magpies and jackdaws would come flying up. All
these must be caught and flung on the pyre. If so much as a
single maggot were to escape, then there'd be no help for it; in
that maggot I should slip away!"
The Soldier listened to all this and did not forget it. He and
the Warlock talked and talked, and at last they arrived at the
grave.
"Well, brother," said the Warlock, "now I'll tear you to
pieces. Otherwise you'd be telling all this."
"What are you talking about? Don't you deceive yourself;
I serve God and the Emperor."
The Warlock gnashed his teeth, howled aloud, and sprang
at the Soldier--who drew his sword and began laying about him
with sweeping blows. They struggled and struggled; the Soldier
was all but at the end of his strength. "Ah!" thinks he,
"I'm a lost man--and all for nothing!" Suddenly the cocks
began to crow. The Warlock fell lifeless to the ground.
The Soldier took the phials of blood out of the Warlock's
pockets, and went on to the house of his own people. When he
had got there, and had exchanged greetings with his relatives,
they said:
"Did you see any disturbance, Soldier?"
"No, I saw none."
"There now! Why we've a terrible piece of work going
on in the village. A Warlock has taken to haunting it!"
After talking awhile, they lay down to sleep. Next morning
the Soldier awoke, and began asking:
"I'm told you've got a wedding going on somewhere here?"
"There was a wedding in the house of a rich moujik,"
replied his relatives, "but the bride and bridegroom have died
this very night--what from, nobody knows."
"Where does this moujik live?"
They showed him the house. Thither he went without
speaking a word. When he got there, he found the whole
family in tears.
"What are you mourning about?" says he.
"Such and such is the state of things, Soldier," say they.
"I can bring your young people to life again. What will
you give me if I do?"
"Take what you like, even were it half of what we've got!"
The Soldier did as the Warlock had instructed him, and
brought the young people back to life. Instead of weeping
there began to be happiness and rejoicing; the Soldier was
hospitably treated and well rewarded. Then--left about, face!
off he marched to the Starosta, and told him to call the peasants
together and to get ready a hundred loads of aspen wood.
Well, they took the wood into the graveyard, dragged the Warlock
out of his grave, placed him on the pyre, and set it alight--the
people all standing round in a circle with brooms, shovels,
and fire-irons. The pyre became wrapped in flames, the Warlock
began to burn. His corpse burst, and out of it crept snakes,
worms, and all sorts of reptiles, and up came flying crows, magpies,
and jackdaws. The peasants knocked them down and
flung them into the fire, not allowing so much as a single maggot
to creep away! And so the Warlock was thoroughly consumed,
and the Soldier collected his ashes and strewed them
to the winds. From that time forth there was peace in the
village.
The Soldier received the thanks of the whole community.
He stayed at home some time, enjoying himself thoroughly.
Then he went back to the Tsar's service with money in his
pocket. When he had served his time, he retired from the
army, and began to live at his ease.
The stories of this class are very numerous, all of them based on the
same belief--that in certain cases the dead, in a material shape,
leave their graves in order to destroy and prey upon the living. This
belief is not peculiar to the Slavonians but it is one of the
characteristic features of their spiritual creed. Among races which
burn their dead, remarks Hertz in his exhaustive treatise on the
Werwolf (p. 126), little is known of regular "corpse-spectres." Only
vague apparitions, dream-like phantoms, are supposed, as a general
rule, to issue from graves in which nothing more substantial than
ashes has been laid.[413] But where it is customary to lay the dead
body in the ground, "a peculiar half-life" becomes attributed to it by
popular fancy, and by some races it is supposed to be actuated at
intervals by murderous impulses. In the East these are generally
attributed to the fact of its being possessed by an evil spirit, but
in some parts of Europe no such explanation of its conduct is given,
though it may often be implied. "The belief in vampires is the
specific Slavonian form of the universal belief in spectres
(Gespenster)," says Hertz, and certainly vampirism has always made
those lands peculiarly its own which are or have been tenanted or
greatly influenced by Slavonians.
But animated corpses often play an important part in the traditions
of other countries. Among the Scandinavians and especially in Iceland,
were they the cause of many fears, though they were not supposed to be
impelled by a thirst for blood so much as by other carnal
appetites,[414] or by a kind of local malignity.[415] In Germany tales
of horror similar to the Icelandic are by no means unknown, but the
majority of them are to be found in districts which were once wholly
Lettic or Slavonic, though they are now reckoned as Teutonic, such as
East Prussia, or Pomerania, or Lusatia. But it is among the races
which are Slavonic by tongue as well as by descent, that the genuine
vampire tales flourish most luxuriantly: in Russia, in Poland, and in
Servia--among the Czekhs of Bohemia, and the Slovaks of Hungary, and
the numerous other subdivisions of the Slavonic family which are
included within the heterogeneous empire of Austria. Among the
Albanians and Modern Greeks they have taken firm root, but on those
peoples a strong Slavonic influence has been brought to bear. Even
Prof. Bernhard Schmidt, although an uncompromising opponent of
Fallmerayer's doctrines with regard to the Slavonic origin of the
present inhabitants of Greece, allows that the Greeks, as they
borrowed from the Slavonians a name for the Vampire, may have received
from them also certain views and customs with respect to it.[416]
Beyond this he will not go, and he quotes a number of passages from
Hellenic writers to prove that in ancient Greece spectres were
frequently represented as delighting in blood, and sometimes as
exercising a power to destroy. Nor will he admit that any very great
stress ought to be laid upon the fact that the Vampire is generally
called in Greece by a name of Slavonic extraction; for in the islands,
which were, he says, little if at all affected by Slavonic influences,
the Vampire bears a thoroughly Hellenic designation.[417] But the
thirst for blood attributed by Homer to his shadowy ghosts seems to
have been of a different nature from that evinced by the material
Vampire of modern days, nor does that ghastly revenant seem by any
means fully to correspond to such ghostly destroyers as the spirit of
Gello, or the spectres of Medea's slaughtered children. It is not only
in the Vampire, however, that we find a point of close contact between
the popular beliefs of the New-Greeks and the Slavonians. Prof.
Bernhard Schmidt's excellent work is full of examples which prove how
intimately they are connected.
The districts of the Russian Empire in which a belief in vampires
mostly prevails are White Russia and the Ukraine. But the ghastly
blood-sucker, the Upir,[418] whose name has become naturalized in so
many alien lands under forms resembling our "Vampire," disturbs the
peasant-mind in many other parts of Russia, though not perhaps with
the same intense fear which it spreads among the inhabitants of the
above-named districts, or of some other Slavonic lands. The numerous
traditions which have gathered around the original idea vary to some
extent according to their locality, but they are never radically
inconsistent.
Some of the details are curious. The Little-Russians hold that if a
vampire's hands have grown numb from remaining long crossed in the
grave, he makes use of his teeth, which are like steel. When he has
gnawed his way with these through all obstacles, he first destroys the
babes he finds in a house, and then the older inmates. If fine salt be
scattered on the floor of a room, the vampire's footsteps may be
traced to his grave, in which he will be found resting with rosy cheek
and gory mouth.
The Kashoubes say that when a Vieszcy, as they call the Vampire,
wakes from his sleep within the grave, he begins to gnaw his hands and
feet; and as he gnaws, one after another, first his relations, then
his other neighbors, sicken and die. When he has finished his own
store of flesh, he rises at midnight and destroys cattle, or climbs a
belfry and sounds the bell. All who hear the ill-omened tones will
soon die. But generally he sucks the blood of sleepers. Those on whom
he has operated will be found next morning dead, with a very small
wound on the left side of the breast, exactly over the heart. The
Lusatian Wends hold that when a corpse chews its shroud or sucks its
own breast, all its kin will soon follow it to the grave. The
Wallachians say that a murony--a sort of cross between a werwolf and
a vampire, connected by name with our nightmare--can take the form of
a dog, a cat, or a toad, and also of any blood-sucking insect. When he
is exhumed, he is found to have long nails of recent growth on his
hands and feet, and blood is streaming from his eyes, ears, nose and
mouth.
The Russian stories give a very clear account of the operation
performed by the vampire on his victims. Thus, one night, a peasant is
conducted by a stranger into a house where lie two sleepers, an old
man and a youth. "The stranger takes a pail, places it near the youth,
and strikes him on the back; immediately the back opens, and forth
flows rosy blood. The stranger fills the pail full, and drinks it dry.
Then he fills another pail with blood from the old man, slakes his
brutal thirst, and says to the peasant, 'It begins to grow light! let
us go back to my dwelling.'"[419]
Many skazkas also contain, as we have already seen, very clear
directions how to deprive a vampire of his baleful power. According to
them, as well as to their parallels elsewhere, a stake must be driven
through the murderous corpse. In Russia an aspen stake is selected for
that purpose, but in some places one made of thorn is preferred. But a
Bohemian vampire, when staked in this manner in the year 1337, says
Mannhardt,[420] merely exclaimed that the stick would be very useful
for keeping off dogs; and a strigon (or Istrian vampire) who was
transfixed with a sharp thorn cudgel near Laibach, in 1672, pulled it
out of his body and flung it back contemptuously. The only certain
methods of destroying a vampire appear to be either to consume him by
fire, or to chop off his head with a grave-digger's shovel. The Wends
say that if a vampire is hit over the back of the head with an
implement of that kind, he will squeal like a pig.
The origin of the Vampire is hidden in obscurity. In modern times it
has generally been a wizard, or a witch, or a suicide,[421] or a
person who has come to a violent end, or who has been cursed by the
Church or by his parents, who takes such an unpleasant means of
recalling himself to the memory of his surviving relatives and
acquaintances. But even the most honorable dead may become vampires by
accident. He whom a vampire has slain is supposed, in some countries,
himself to become a vampire. The leaping of a cat or some other animal
across a corpse, even the flight of a bird above it, may turn the
innocent defunct into a ravenous demon.[422] Sometimes, moreover, a
man is destined from his birth to be a vampire, being the offspring of
some unholy union. In some instances the Evil One himself is the
father of such a doomed victim, in others a temporarily animated
corpse. But whatever may be the cause of a corpse's "vampirism," it is
generally agreed that it will give its neighbors no rest until they
have at least transfixed it. What is very remarkable about the
operation is, that the stake must be driven through the vampire's body
by a single blow. A second would restore it to life. This idea
accounts for the otherwise unexplained fact that the heroes of
folk-tales are frequently warned that they must on no account be
tempted into striking their magic foes more than one stroke. Whatever
voices may cry aloud "Strike again!" they must remain contented with a
single blow.[423]
FOOTNOTES:
[379] Some account of Russian funeral rites and beliefs, and of the
dirges which are sung at buryings and memorials of the dead, will be
found in the "Songs of the Russian People," pp. 309-344.
[380] Afanasief, iv. No. 7. From the Archangel Government.
[381] Zhornovtsui, i.e. mill-stones, or a hand-mill.
[382] Pp. 341-349 of the first edition. See, also, for some other
versions of the story, as well as for an attempt to explain it, A. de
Gubernatis, "Zoological Mythology," i. 243, 244.
[383] See supra, chap. I. p. 36.
[384] Afanasief, iv. No. 9.
[385] Ibid., iv. No. 7. p. 34.
[386] Prigovarivat' = to say or sing while using certain (usually
menacing) gestures.
[387] Afanasief, iv. p. 35.
[388] Afanasief, vi. No. 2.
[389] Afanasief, "Legendui," No. 33.
[390] Chudinsky, No. 9.
[391] Afanasief, v. No. 47. From the Tver Government.
[392] "You have fallen here" neladno. Ladno means "well,"
"propitiously," &c., also "in tune."
[393] Nenashi = not ours.
[394] Gospodi blagoslovi! exactly our "God bless us;" with us now
merely an expression of surprise.
[395] Iz adu kromyeshnago = from the last hell. Kromyeshnaya t'ma
= utter darkness. Kromyeshny, or kromyeshnaya, is sometimes used
by itself to signify hell.
[396] Ha pomin dushi. Pomin = "remembrance," also "prayers for the
dead."
[397] Afanasief, vii. No. 20. In some variants of this story, instead
of the three holy elders appear the Saviour, St. Nicholas, and St.
Mitrofan.
[398] "Die Nelke," Grimm, KM., No. 76, and vol. iii. pp. 125-6.
[399] Wenzig, No. 17, pp. 82-6.
[400] See Chap. I. p. 32.
[401] Afanasief, v. p. 144.
[402] Afanasief, vi, p. 322, 323.
[403] Evening gatherings of young people.
[404] Afanasief, v. No. 30 a, pp. 140-2. From the Voroneje
Government.
[405] Obyednya, the service answering to the Latin mass.
[406] At the end of the obyednya.
[407] The kosa or single braid in which Russian girls wear their
hair. See "Songs of the Russian People," pp. 272-5. On a story of this
kind Goethe founded his weird ballad of "Der Todtentanz." Cf.
Bertram's "Sagen," No. 18.
[408] Afanasief, v. pp. 142-4. From the Tambof Government.
[409] Afanasief, vi. pp. 324, 325.
[410] Chasovenka, a small chapel, shrine, or oratory.
[411] Afanasief, vi. pp 321, 322.
[412] Afanasief, v. pp. 144-7. From the Tambof Government.
[413] On this account Hanush believes that the Old Slavonians, as
burners of their dead, must have borrowed the vampire belief from some
other race. See the "Zeitschrift für deutsche Mythologie," &c., vol.
iv. p. 199. But it is not certain that burial by cremation was
universally practised by the heathen Slavonians. Kotlyarevsky, in his
excellent work on their funeral customs, arrives at the conclusion
that there never was any general rule on the subject, but that some
Slavonians buried without burning, while others first burned their
dead, and then inhumed their ashes. See "Songs of the Russian People,"
p. 325.
[414] See the strange stories in Maurer's "Isländische Volkssagen,"
pp. 112, and 300, 301.
[415] As in the case of Glam, the terrible spectre which Grettir had
so much difficulty in overcoming. To all who appreciate a shudder may
be recommended chap. xxxv. of "The Story of Grettir the Strong,"
translated from the Icelandic by E. Magnússon and W. Morris, 1869.
[416] The ordinary Modern-Greek word for a vampire, βουρκόλακας, he
says, "is undoubtedly of Slavonic origin, being identical with the
Slavonic name of the werwolf, which is called in Bohemian vlkodlak,
in Bulgarian and Slovak, vrkolak, &c.," the vampire and the werwolf
having many points in common. Moreover, the Regular name for a vampire
in Servian, he remarks, is vukodlak. This proves the Slavonian
nature (die Slavicität) of the name beyond all doubt.--"Volksleben
der Neugriechen," 1871, p. 159.
[417] In Crete and Rhodes, καταχανᾶς; in Cyprus, σαρκωμένος; in
Tenos, ἀναικαθούμενος. The Turks, according to Mr. Tozer, give the
name of vurkolak, and some of the Albanians, says Hahn, give that of
βουρβολάκ-ου to the restless dead. Ibid, p. 160.
[418] Russian vampir, South-Russian upuir, anciently upir;
Polish upior, Polish and Bohemian upir. Supposed by some
philologists to be from pit' = drink, whence the Croatian name for a
vampire pijawica. See "Songs of the Russian People," p. 410.
[419] Afanasief, P.V.S. iii. 558. The story is translated in full in
"Songs of the Russian People," pp. 411, 412
[420] In a most valuable article on "Vampirism" in the "Zeitschrift
für deutsche Mythologie und Sittenkunde," Bd. iv. 1859, pp. 259-82.
[421] How superior our intelligence is to that of Slavonian peasants
is proved by the fact that they still drive stakes through supposed
vampires, whereas our law no longer demands that a suicide shall have
a stake driven through his corpse. That rite was abolished by 4 Geo.
iv. c. 52.
[422] Compare with this belief the Scotch superstition mentioned by
Pennant, that if a dog or cat pass over a corpse the animal must be
killed at once. As illustrative of this idea, Mr. Henderson states, on
the authority of "an old Northumbrian hind," that "in one case, just
as a funeral was about to leave the house, the cat jumped over the
coffin, and no one would move till the cat was destroyed." In another,
a colly dog jumped over a coffin which a funeral party had set on the
ground while they rested. "It was felt by all that the dog must be
killed, without hesitation, before they proceeded farther, and killed
it was." With us the custom survives; its explanation has been
forgotten. See Henderson's "Notes on the Folk Lore of the Northern
Counties of England," 1866, p. 43.
[423] A great deal of information about vampires, and also about
turnskins, wizards and witches, will be found in Afanasief, P.V.S.
iii. chap. xxvi., on which I have freely drawn. The subject has been
treated with his usual judgment and learning by Mr. Tylor in his
"Primitive Culture," ii. 175, 176. For several ghastly stories about
the longing of Rákshasas and Vetálas for human flesh, some of which
bear a strong resemblance to Slavonic vampire tales, see Brockhaus's
translation of the first five books of the "Kathásaritságara," vol. i.
p. 94; vol. ii. pp. 13, 142, 147.
CHAPTER VI.
LEGENDS.
I
About Saints.
As besides the songs or pyesni there are current among the people a
number of stikhi or poems on sacred subjects, so together with the
skazki there have been retained in the popular memory a multitude of
legendui, or legends relating to persons or incidents mentioned in
the Bible or in ecclesiastical history. Many of them have been
extracted from the various apocryphal books which in olden times had
so wide a circulation, and many also from the lives of the Saints;
some of them may be traced to such adaptations of Indian legends as
the "Varlaam and Josaphat" attributed to St. John of Damascus; and
others appear to be ancient heathen traditions, which, with altered
names and slightly modified incidents, have been made to do service as
Christian narratives. But whatever may be their origin, they all bear
witness to the fact of their having been exposed to various
influences, and many of them may fairly be considered as relics of
hoar antiquity, memorials of that misty period when the pious
Slavonian chronicler struck by the confusion of Christian with heathen
ideas and ceremonies then prevalent, styled his countrymen a
two-faithed people.[424]
On the popular tales of a religious character current among the
Russian peasantry, the duality of their creed, or of that of their
ancestors, has produced a twofold effect. On the one hand, into
narratives drawn from purely Christian sources there has entered a
pagan element, most clearly perceptible in stories which deal with
demons and departed spirits; on the other hand, an attempt has been
made to give a Christian nature to what are manifestly heathen
legends, by lending saintly names to their characters and clothing
their ideas in an imitation of biblical language. Of such stories as
these, it will be as well to give a few specimens.
Among the legends borrowed from the apocryphal books and similar
writings, many of which are said to be still carefully preserved among
the "Schismatics," concealed in hiding-places of which the secret is
handed down from father to son--as was once the case with the Hussite
books among the Bohemians--there are many which relate to the creation
of the world and the early history of man. One of these states that
when the Lord had created Adam and Eve, he stationed at the gates of
Paradise the dog, then a clean beast, giving it strict orders not to
give admittance to the Evil One. But "the Evil One came to the gates
of Paradise, and threw the dog a piece of bread, and the dog went and
let the Evil One into Paradise. Then the Evil One set to work and spat
over Adam and Eve--covered them all over with spittle, from the head
to the little toe of the left foot." Thence is it that spittle is
impure (pogana). So Adam and Eve were turned out of Paradise, and
the Lord said to the dog:
"Listen, O Dog! thou wert a Dog (Sobaka), a clean beast; through all
Paradise the most holy didst thou roam. Henceforward shalt thou be a
Hound (Pes, or Pyos), an unclean beast. Into a dwelling it shall
be a sin to admit thee; into a church if thou dost run, the church
must be consecrated anew."
And so--the story concludes--"ever since that time it has been called
not a dog but a hound--skin-deep it is unclean (pogana), but clean
within."
According to another story, when men first inhabited the earth, they
did not know how to build houses, so as to keep themselves warm in
winter. But instead of asking aid from the Lord, they applied to the
Devil, who taught them how to make an izba or ordinary Russian
cottage. Following his instructions, they made wooden houses, each of
which had a door but no window. Inside these huts it was warm; but
there was no living in them, on account of the darkness. "So the
people went back to the Evil One. The Evil one strove and strove, but
nothing came of it, the izba still remained pitch dark. Then the
people prayed unto the Lord. And the Lord said: 'Hew out a window!' So
they hewed out windows, and it became light."[425]
Some of the Russian traditions about the creation of man are closely
connected with Teutonic myths. The Schismatics called Dukhobortsui,
or Spirit-Wrestlers, for instance, hold that man was composed of
earthly materials, but that God breathed into his body the breath of
life. "His flesh was made of earth, his bones of stone, his veins of
roots, his blood of water, his hair of grass, his thought of the wind,
his spirit of the cloud."[426] Many of the Russian stories about the
early ages of the world, also, are current in Western Europe, such as
that about the rye--which in olden days was a mass of ears from top to
bottom. But some lazy harvest-women having cursed "God's corn," the
Lord waxed wroth and began to strip the ears from the stem. But when
the last ear was about to fall, the Lord had pity upon the penitent
culprits, and allowed the single ear to remain as we now see it.[427]
A Little-Russian variant of this story says that Ilya (Elijah), was so
angry at seeing the base uses to which a woman turned "God's corn,"
that he began to destroy all the corn in the world. But a dog begged
for, and received a few ears. From these, after Ilya's wrath was
spent, mankind obtained seed, and corn began to grow again on the face
of the earth, but not in its pristine bulk and beauty. It is on
account of the good service thus rendered to our race that we ought to
cherish and feed the dog.[428]
Another story, from the Archangel Government, tells how a certain
King, as he roamed afield with his princes and boyars, found a grain
of corn as large as a sparrow's egg. Marvelling greatly at its size,
he tried in vain to obtain from his followers some explanation
thereof. Then they bethought them of "a certain man from among the old
people, who might be able to tell them something about it." But when
the old man came, "scarcely able to crawl along on a pair of
crutches," he said he knew nothing about it, but perhaps his father
might remember something. So they sent for his father, who came
limping along with the help of one crutch, and who said:
"I have a father living, in whose granary I have seen just such a
seed."
So they sent for his father, a man a hundred and seventy years old.
And the patriarch came, walking nimbly needing neither guide nor
crutch. Then the King began to question him, saying:
"Who sowed this sort of corn?"
"I sowed it, and reaped it," answered the old man, "and now I have
some of it in my granary. I keep it as a memorial. When I was young,
the grain was large and plentiful, but after a time it began to grow
smaller and smaller."
"Now tell me," asked the King, "how comes it, old man, that thou goest
more nimbly than thy son and thy grandson?"
"Because I lived according to the law of the Lord," answered the old
man. "I held mine own, I grasped not at what was another's."[429]
The existence of hills is accounted for by legendary lore in this
wise. When the Lord was about to fashion the face of the earth, he
ordered the Devil to dive into the watery depths and bring thence a
handful of the soil he found at the bottom. The Devil obeyed, but when
he filled his hand, he filled his mouth also. The Lord took the soil,
sprinkled it around, and the Earth appeared, all perfectly flat. The
Devil, whose mouth was quite full, looked on for some time in silence.
At last he tried to speak, but choked, and fled in terror. After him
followed the thunder and the lightning, and so he rushed over the
whole face of the earth, hills springing up where he coughed, and
sky-cleaving mountains where he leaped.[430]
As in other countries, a number of legends are current respecting
various animals. Thus the Old Ritualists will not eat the crayfish
(rak), holding that it was created by the Devil. On the other hand
the snake (uzh, the harmless or common snake) is highly esteemed,
for tradition says that when the Devil, in the form of a mouse, had
gnawed a hole in the Ark, and thereby endangered the safety of Noah
and his family, the snake stopped up the leak with its head.[431] The
flesh of the horse is considered unclean, because when the infant
Saviour was hidden in the manger the horse kept eating the hay under
which the babe was concealed, whereas the ox not only would not touch
it, but brought back hay on its horns to replace what the horse had
eaten. According to an old Lithuanian tradition, the shape of the sole
is due to the fact that the Queen of the Baltic Sea once ate one half
of it and threw the other half into the sea again. A legend from the
Kherson Government accounts for it as follows. At the time of the
Angelical Salutation, the Blessed Virgin told the Archangel Gabriel
that she would give credit to his words "if a fish, one side of which
had already been eaten, were to come to life again. That very moment
the fish came to life, and was put back in the water."
With the birds many graceful legends are connected. There is a bird,
probably the peewit, which during dry weather may be seen always on
the wing, and piteously crying Peet, Peet,[432] as if begging for
water. Of it the following tale is told. When God created the earth,
and determined to supply it with seas, lakes and rivers, he ordered
the birds to convey the waters to their appointed places. They all
obeyed except this bird, which refused to fulfil its duty, saying that
it had no need of seas, lakes or rivers, to slake its thirst. Then the
Lord waxed wroth and forbade it and its posterity ever to approach a
sea or stream, allowing it to quench its thirst with that water only
which remains in hollows and among stones after rain. From that time
it has never ceased its wailing cry of "Drink, Drink," _Peet,
Peet_.[433]
When the Jews were seeking for Christ in the garden, says a Kharkof
legend, all the birds, except the sparrow, tried to draw them away
from his hiding-place. Only the sparrow attracted them thither by its
shrill chirruping. Then the Lord cursed the sparrow, and forbade that
men should eat of its flesh. In other parts of Russia, tradition tells
that before the crucifixion the swallows carried off the nails
provided for the use of the executioners, but the sparrows brought
them back. And while our Lord was hanging on the cross the sparrows
were maliciously exclaiming Jif! Jif! or "He is living! He is
living!" in order to urge on the tormentors to fresh cruelties. But
the swallows cried, with opposite intent, Umer! Umer! "He is dead!
He is dead." Therefore it is that to kill a swallow is a sin, and that
its nest brings good luck to a house. But the sparrow is an unwelcome
guest, whose entry into a cottage is a presage of woe. As a punishment
for its sins, its legs have been fastened together by invisible bonds,
and therefore it always hops, not being able to run.[434]
A great number of the Russian legends refer to the visits which Christ
and his Apostles are supposed to pay to men's houses at various times,
but especially during the period between Easter Sunday and Ascension
Day. In the guise of indigent wayfarers, the sacred visitors enter
into farm-houses and cottages and ask for food and lodging; therefore
to this day the Russian peasant is ever unwilling to refuse
hospitality to any man, fearing lest he might repulse angels unawares.
Tales of this kind are common in all Christian lands, especially in
those in which their folk-lore has preserved some traces of the old
faith in the heathen gods who once walked the earth, and in
patriarchal fashion dispensed justice among men. Many of the Russian
stories closely resemble those of a similar nature which occur in
German and Scandinavian collections; all of them, for instance,
agreeing in the unfavorable light in which they place St. Peter. The
following abridgment of the legend of "The Poor Widow,"[435] may be
taken as a specimen of the Russian tales of this class.
Long, long ago, Christ and his twelve Apostles were wandering about
the world, and they entered into a village one evening, and asked a
rich moujik to allow them to spend the night in his house. But he
would not admit them, crying:
"Yonder lives a widow who takes in beggars; go to her."
So they went to the widow, and asked her. Now she was so poor that
she had nothing in the house but a crust of bread and a handful of
flour. She had a cow, but it had not calved yet, and gave no milk. But
she did all she could for the wayfarers, setting before them all the
food she had, and letting them sleep beneath her roof. And her store
of bread and flour was wonderfully increased, so that her guests fed
and were satisfied. And the next morning they set out anew on their
journey.
As they went along the road there met them a wolf. And it fell down
before the Lord, and begged for food. Then said the Lord, "Go to the
poor widow's; slay her cow, and eat."
The Apostles remonstrated in vain. The wolf set off, entered the
widow's cow-house, and killed her cow. And when she heard what had
taken place, she only said:
"The Lord gave, the Lord has taken away. Holy is His will!"
As the sacred wayfarers pursued their journey, there came rolling
towards them a barrel full of money. Then the Lord addressed it,
saying:
"Roll, O barrel, into the farmyard of the rich moujik!"
Again the Apostles vainly remonstrated. The barrel went its way, and
the rich moujik found it, and stowed it away, grumbling the while:
"The Lord might as well have sent twice as much!"
The sun rose higher, and the Apostles began to thirst. Then said the
Lord:
"Follow that road, and ye will find a well; there drink your fill."
They went along that road and found the well. But they could not
drink thereat, for its water was foul and impure, and swarming with
snakes and frogs and toads. So they returned to where the Lord awaited
them, described what they had seen, and resumed their journey. After a
time they were sent in search of another well. And this time they
found a place wherein was water pure and cool, and around grew
wondrous trees, whereon heavenly birds sat singing. And when they had
slaked their thirst, they returned unto the Lord, who said:
"Wherefore did ye tarry so long?"
"We only stayed while we were drinking," replied the Apostles. "We did
not spend above three minutes there in all."
"Not three minutes did ye spend there, but three whole years," replied
the Lord. "As it was in the first well, so will it be in the other
world with the rich moujik! But as it was in the second well, so will
it be in that world with the poor widow!"
Sometimes our Lord is supposed to wander by himself, under the guise
of a beggar. In the story of "Christ's Brother"[436] a young
man--whose father, on his deathbed, had charged him not to forget the
poor--goes to church on Easter Day, having provided himself with red
eggs to give to the beggars with whom he should exchange the Pascal
greeting. After exhausting his stock of presents, he finds that there
remains one beggar of miserable appearance to whom he has nothing to
offer, so he takes him home to dinner. After the meal the beggar
exchanges crosses with his host,[437] giving him "a cross which blazes
like fire," and invites him to pay him a visit on the following
Tuesday. To an enquiry about the way, he replies, "You have only to go
along yonder path and say, 'Grant thy blessing, O Lord!' and you will
come to where I am."
The young man does as he is told, and commences his journey on the
Tuesday. On his way he hears voices, as though of children, crying, "O
Christ's brother, ask Christ for us--have we to suffer long?" A little
later he sees a group of girls who are ladling water from one well
into another, who make the same request. At last he arrives at the end
of his journey, finds the aged mendicant who had adopted him as his
brother, and recognizes him as "the Lord Jesus Christ Himself." The
youth relates what he has seen, and asks:
"Wherefore, O Lord, are the children suffering?"
"Their mothers cursed them while still unborn," is the reply.
"Therefore is it impossible for them to enter into Paradise."
"And the girls?"
"They used to sell milk, and they put water into the milk. Now they
are doomed to pour water from well to well eternally."
After this the youth is taken into Paradise, and brought to the place
there provided for him.[438]
Sometimes the sacred visitor rewards with temporal goods the kindly
host who has hospitably received him. Thus the story of "Beer and
Corn"[439] tells how a certain man was so poor that when the rest of
the peasants were brewing beer, and making other preparations to
celebrate an approaching feast of the Church, he found his cupboard
perfectly bare. In vain did he apply to a rich neighbor, who was in
the habit of lending goods and money at usurious rates; having no
security to offer, he could borrow nothing. But on the eve of the
festival, when he was sitting at home in sadness, he suddenly rose and
drew near to the sacred painting which hung in the corner, and sighed
heavily, and said,
"O Lord! forgive me, sinner that I am! I have not even wherewith to
buy oil, so as to light the lamp before the image[440] for the
festival!"
Soon afterwards an old man entered the cottage, and obtained leave to
spend the night there. After a time the guest enquired why his host
was so sad, and on learning the reason, told him to go again to his
rich neighbor and borrow a quarter of malt. The moujik obeyed, and
soon returned with the malt, which the old man ordered him to throw
into his well. When this was done the villager and his guest went to
bed.
Next morning the old man told his guest to borrow a number of tubs,
and fill them with liquor drawn from the well, and then to make his
neighbors assemble and drink it. He did so, and the buckets were
filled with "such beer as neither fancy nor imagination can conceive,
but only a skazka can describe." The villagers, excited by the news,
collected in crowds, and drank the beer and rejoiced. Last of all came
the rich neighbor, begging to know how such wonderful beer was brewed.
The moujik told him the whole story, whereupon he straightway
commanded his servants to pour all his best malt into his well. And
next day he hastened to the well to taste the liquor it contained; but
he found nothing but malt and water; not a drop of beer was there.
We may take next the legends current among the peasantry about
various saints. Of these, the story of "The Prophet Elijah and St.
Nicholas," will serve as a good specimen. But, in order to render it
intelligible, a few words about "Ilya the Prophet," as Elijah is
styled in Russia, may as well be prefixed.
It is well known that in the days of heathenism the Slavonians
worshipped a thunder-god, Perun,[441] who occupied in their
mythological system the place which in the Teutonic was assigned to a
Donar or a Thor. He was believed, if traditions may be relied upon, to
sway the elements, often driving across the sky in a flaming car, and
launching the shafts of the lightning at his demon foes. His name is
still preserved by the western and southern Slavonians in many local
phrases, especially in imprecations; but, with the introduction of
Christianity into Slavonic lands, all this worship of his divinity
came to an end. Then took place, as had occurred before in other
countries, the merging of numerous portions of the old faith in the
new, the transferring of many of the attributes of the old gods to the
sacred personages of the new religion.[442] During this period of
transition the ideas which were formerly associated with the person of
Perun, the thunder-god, became attached to that of the Prophet Ilya or
Elijah.
One of the causes which conduced to this result may have been--if
Perun really was considered in old times, as he is said to have been,
the Lord of the Harvest--that the day consecrated by the Church to
Elijah, July 20, occurs in the beginning of the harvest season, and
therefore the peasants naturally connected their new saint with their
old deity. But with more certainty may it be accepted that, the
leading cause was the similarity which appeared to the recent converts
to prevail between their dethroned thunder-god and the prophet who was
connected with drought and with rain, whose enemies were consumed by
fire from on high, and on whom waited "a chariot of fire and horses of
fire," when he was caught up by a whirlwind into heaven. And so at the
present day, according to Russian tradition, the Prophet Ilya thunders
across the sky in a flaming car, and smites the clouds with the darts
of the lightning. In the Vladimir Government he is said "to destroy
devils with stone arrows,"--weapons corresponding to the hammer of
Thor and the lance of Indra. On his day the peasants everywhere expect
thunder and rain, and in some places they set out rye and oats on
their gates, and ask their clergy to laud the name of Ilya, that he
may bless their cornfields with plenteousness. There are districts,
also, in which the people go to church in a body on Ilya's day, and
after the service is over they kill and roast a beast which has been
purchased at the expense of the community. Its flesh is cut up into
small pieces and sold, the money paid for it going to the church. To
stay away from this ceremony, or not to purchase a piece of the meat,
would be considered a great sin; to mow or make hay on that day would
be to incur a terrible risk, for Ilya might smite the field with the
thunder, or burn up the crop with the lightning. In the old Novgorod
there used to be two churches, the one dedicated to "Ilya the Wet,"
the other to "Ilya the Dry." To these a cross-bearing procession was
made when a change in the weather was desired: to the former in times
of drought, to the latter when injury was being done to the crops by
rain. Diseases being considered to be evil spirits, invalids used to
pray to the thunder-god for relief. And so, at the present day, a
zagovor or spell against the Siberian cattle-plague entreats the
"Holy Prophet of God Ilya," to send "thirty angels in golden array,
with bows and with arrows" to destroy it. The Servians say that at the
division of the world Ilya received the thunder and lightning as his
share, and that the crash and blaze of the storm are signs of his
contest with the devil. Wherefore the faithful ought not to cross
themselves when the thunder peals, lest the evil one should take
refuge from the heavenly weapons behind the protecting cross. The
Bulgarians say that forked lightning is the lance of Ilya who is
chasing the Lamia fiend: summer lightning is due to the sheen of that
lance, or to the fire issuing from the nostrils of his celestial
steeds. The white clouds of summer are named by them his heavenly
sheep, and they say that he compels the spirits of dead Gypsies to
form pellets of snow--by men styled hail--with which he scourges in
summer the fields of sinners.[443]
Such are a few of the ideas connected by Slavonian tradition with the
person of the Prophet Elijah or Ilya. To St. Nicholas, who has
succeeded to the place occupied by an ancient ruler of the waters, a
milder character is attributed than to Ilya, the thunder-god's
successor. As Ilya is the counterpart of Thor, so does Nicholas in
some respects resemble Odin. The special characteristics of the Saint
and the Prophet are fairly contrasted in the following story.
Story DNA
Moral
Resourcefulness and courage can overcome even the most terrifying evil, and knowledge is power.
Plot Summary
A soldier on furlough encounters a terrifying Warlock who drains the blood of a newlywed couple. The clever soldier tricks the Warlock into revealing his weaknesses and the method to revive the couple. After a struggle, the soldier defeats the Warlock at dawn, then revives the couple. He then rallies the villagers to burn the Warlock's body on an aspen pyre, meticulously destroying every creature that emerges, ensuring the Warlock's complete demise and bringing peace back to the village.
Themes
Emotional Arc
fear to triumph
Writing Style
Narrative Elements
Cultural Context
The story reflects pre-Christian Slavic beliefs about the undead and the methods for their destruction, later integrated with Christian elements. The explanatory notes in the original text highlight the cultural significance of these beliefs.
Plot Beats (14)
- A soldier on furlough stops at a miller's house near his village and learns of a dangerous Warlock haunting the area.
- Ignoring the miller's warning, the soldier proceeds towards his village, passing the graveyard.
- The soldier finds the Warlock by a fire, sewing boots, and the Warlock invites him to a wedding.
- At the wedding, the Warlock gets drunk, chases guests, puts the couple to sleep, and drains their blood into phials.
- As they leave, the soldier tricks the Warlock into revealing that the couple can be revived by returning their blood to cuts in their heels, and that the Warlock's only weakness is being burned on a pyre of 100 loads of aspen wood, with all creatures emerging from his body also burned.
- The Warlock attempts to kill the soldier at his grave, but the soldier fights him until dawn, when the Warlock falls lifeless.
- The soldier takes the blood phials and goes to his family's home, where he learns of the mysteriously dead wedding couple.
- The soldier goes to the mourning family, offers to revive the couple for a reward, and successfully does so using the Warlock's instructions.
- The soldier then instructs the village elder to gather 100 loads of aspen wood and assemble the villagers.
- The villagers exhume the Warlock's body, place it on the pyre, and set it alight.
- As the Warlock burns, snakes, worms, reptiles, crows, magpies, and jackdaws emerge from his body, which the villagers diligently catch and throw back into the fire.
- Not a single creature, not even a maggot, is allowed to escape, ensuring the Warlock's complete destruction.
- The soldier collects the ashes and scatters them to the winds, bringing peace to the village.
- The soldier is thanked, enjoys his time at home, returns to service, and eventually retires to live comfortably.
Characters
The Soldier ★ protagonist
Implied to be strong and resilient, able to fight the Warlock and endure a long journey.
Attire: Military uniform, likely a period-appropriate Russian soldier's attire, and carries a sword.
Brave, resourceful, observant, loyal (to crown and God), quick-witted.
Image Prompt & Upload
A young man in his early twenties with a determined expression and short brown hair. He wears a classic blue military uniform with brass buttons, red epaulettes, and white trousers tucked into tall black boots. A red-lined cape is draped over his shoulders, and he carries a worn leather knapsack. He stands tall in a heroic, upright posture, looking directly forward with a resolute gaze. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Warlock ⚔ antagonist
Undead, rises from his grave. Implied to be capable of human-like actions (sewing, drinking, talking) but also supernatural feats.
Attire: Unknown, but seen sewing boots, implying some form of clothing.
Malicious, boastful, cruel, powerful, cunning.
Image Prompt & Upload
A tall, gaunt elderly man with sharp cheekbones and a thin, cruel smile. His skin is pale and weathered, with deep-set eyes glowing with a faint purple light. Long, silver hair flows past his shoulders, and a neatly trimmed beard frames his angular jaw. He wears layered black and dark purple robes with intricate silver embroidery depicting arcane symbols. A heavy leather belt cinches his waist, holding a pouch and a grimoire. His long, bony fingers are extended as if channeling dark energy, with wisps of shadow curling around his hands. He stands in a commanding posture, shoulders back and head slightly raised, emanating an aura of menace and ancient power. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Miller ○ minor
Unknown.
Attire: Likely simple, practical clothing suitable for a miller.
Hospitable, fearful (of the Warlock), friendly.
Image Prompt & Upload
A middle-aged man with a sturdy build, wearing a rough-spun brown tunic and a flour-dusted leather apron. He has a weathered face, a short beard, and kind, tired eyes. His hair is hidden under a simple cloth cap. He stands with a slight stoop, one hand resting on a large burlap sack of grain. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Bride ○ minor
Unconscious, later revived.
Attire: Wedding dress, implied by the context of a wedding.
Passive (due to being under a spell).
Image Prompt & Upload
A young girl, no older than twelve, with wide, uncertain eyes and loose chestnut hair falling past her shoulders. She wears a simple, slightly too-large white cotton dress with a high neckline and long sleeves, the fabric clean but unadorned. Her posture is hesitant, shoulders slightly slumped, hands clasped nervously in front of her. Her expression is solemn and contemplative, a faint trace of confusion on her brow. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Bridegroom ○ minor
Unconscious, later revived.
Attire: Wedding attire, implied by the context of a wedding.
Passive (due to being under a spell).
Image Prompt & Upload
A young man in his early twenties with a solemn expression, standing stiffly upright. He wears a dark, well-tailored frock coat with a high collar, a crisp white shirt, and a neatly tied cravat. His trousers are dark, and he holds a pair of white gloves in one hand. A black top hat rests on his head, and his dark hair is neatly combed. His posture is formal and slightly rigid. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Miller's Mill
The home and workplace of the miller, where the Soldier is received cordially and offered liquor.
Mood: cordial, friendly, then foreboding
The Soldier learns about the Warlock haunting the village and decides to leave despite warnings.
Image Prompt & Upload
At dusk, a cozy stone mill sits beside a gently flowing stream, its large wooden wheel partially submerged. Warm, golden light spills from small, multi-paned windows, illuminating the thatched roof and weathered wooden door. Autumn leaves in shades of amber and russet drift on the water and gather around the mossy stone foundation. A dirt path leads to the entrance, flanked by stacked firewood and a rustic wooden sign. The air is misty, with a soft, glowing atmosphere from the setting sun and the mill's interior light. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Graveyard
A burial ground where the Warlock's grave is located. A great fire blazes on one of the graves.
Mood: eerie, mysterious, supernatural
The Soldier encounters the Warlock for the first time, sitting by a fire on his grave.
Image Prompt & Upload
A desolate graveyard at twilight under a bruised purple sky, heavy with low-hanging mist. Ancient, crumbling tombstones tilt at odd angles, their inscriptions worn smooth. A single, unnaturally vibrant great fire blazes atop one particular grave, casting long, dancing orange and black shadows across the overgrown grass. Gnarled, leafless trees claw at the sky. The air is still and cold, the only light coming from the roaring flames and a sliver of moon. Colors are muted: stone grays, dead grass yellows, deep shadows, with the fire's intense orange and gold as the sole vivid focal point. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Wedding House
A house in the village where a wedding celebration is taking place, filled with guests and hospitality.
Mood: festive, hospitable, then terrifying and deadly
The Warlock and Soldier attend the wedding, where the Warlock drains the blood of the bride and groom.
Image Prompt & Upload
Early evening, just after sunset, a warm twilight sky with hues of soft pink and gold. A quaint, two-story village house with a thatched roof, wooden beams, and large windows glowing warmly from within. The exterior is adorned with garlands of white and red roses, draped ivory fabrics, and hanging brass lanterns casting a golden light. A cobblestone path leads to the arched doorway, lined with flickering candles in glass jars. The surrounding garden is lush with blooming lavender, ivy climbing the walls, and tall oak trees in the background. Fairy lights are strung between the trees, twinkling softly in the calm, clear air. The atmosphere is festive and inviting, filled with the implied warmth of celebration. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
The Soldier's Home Village
The Soldier's native village, described as being haunted by the Warlock.
Mood: fearful, grieving, then hopeful and joyous
The Soldier returns home, learns of the Warlock's deeds, and later revives the bride and groom.
Image Prompt & Upload
Twilight descends upon the Soldier's home village, a desolate hamlet shrouded in a thick, unnatural fog. Crooked timber houses with sagging roofs and darkened, empty windows lean inward along a muddy, winding lane. Gnarled, leafless trees claw at a bruised purple sky, where storm clouds gather. A sickly, pale light emanates from some windows, casting long, distorted shadows. The air feels heavy and silent, with a distant, low rumble of thunder. The landscape is muted in desaturated tones of grey, deep blue, and damp brown, with patches of dead grass and twisted roots breaking through the cobblestones. The overall atmosphere is one of profound neglect and eerie stillness, as if the village itself is holding its breath. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration