The Water King and Vasilissa The Wise
by W. R. S. Ralston · from Russian Folk Tales
Original Story
The Water King And Vasilissa The Wise
THE WATER KING AND VASILISSA THE WISE.[143]
Once upon a time there lived a King and Queen, and the King
was very fond of hunting and shooting. Well one day he went
out hunting, and he saw an Eaglet sitting on an oak. But just
as he was going to shoot at it the Eaglet began to entreat him,
crying:--
"Don't shoot me, my lord King! better take me home with
you; some time or other I shall be of service to you."
The King reflected awhile and said, "How can you be of use
to me?" and again he was going to shoot.
Then the Eaglet said to him a second time:--
"Don't shoot me, my lord King! better take me home with
you; some time or other I shall be of use to you."
The King thought and thought, but couldn't imagine a bit the
more what use the Eaglet could be to him, and so he determined
to shoot it. Then a third time the Eaglet exclaimed:--
"Don't shoot me, my lord King! better take me home with
you and feed me for three years. Some time or other I shall be
of service to you!"
The King relented, took the Eaglet home with him, and fed
it for a year, for two years. But it ate so much that it devoured
all his cattle. The King had neither a cow nor a sheep left. At
length the Eagle said:--
"Now let me go free!"
The King set it at liberty; the Eagle began trying its wings.
But no, it could not fly yet! So it said:--
"Well, my lord King! you have fed me two years; now,
whether you like it or no, feed me for one year more. Even if
you have to borrow, at all events feed me; you won't lose by it!"
Well, this is what the King did. He borrowed cattle from
everywhere round about, and he fed the Eagle for the space of a
whole year, and afterwards he set it at liberty. The Eagle rose
ever so high, flew and flew, then dropt down again to the earth
and said:--
"Now then, my lord King! Take a seat on my back! we'll
have a fly together?"
The King got on the Eagle's back. Away they went flying.
Before very long they reached the blue sea. Then the Eagle
shook off the King, who fell into the sea, and sank up to his
knees. But the Eagle didn't let him drown! it jerked him on to
its wing, and asked:--
"How now, my lord King! were you frightened, perchance?"
"I was," said the King; "I thought I was going to be drowned
outright!"
Again they flew and flew till they reached another sea. The
Eagle shook off the King right in the middle of the sea; the King
sank up to his girdle. The Eagle jerked him on to its wing
again, and asked:--
"Well, my lord King, were you frightened, perchance?"
"I was," he replied, "but all the time I thought, 'Perhaps,
please God, the creature will pull me out.'"
Away they flew again, flew, and arrived at a third sea. The
Eagle dropped the King into a great gulf, so that he sank right
up to his neck. And the third time the Eagle jerked him on to
its wing, and asked:--
"Well, my lord King! Were you frightened, perchance?"
"I was," says the King, "but still I said to myself, 'Perhaps
it will pull me out.'"
"Well, my lord King! now you have felt what the fear of
death is like! What I have done was in payment of an old score.
Do you remember my sitting on an oak, and your wanting to
shoot me? Three times you were going to let fly, but I kept on
entreating you not to shoot, saying to myself all the time, 'Perhaps
he won't kill me; perhaps he'll relent and take me home
with him!'"
Afterwards they flew beyond thrice nine lands: long, long
did they fly. Says the Eagle, "Look, my lord King! what is
above us and what below us?"
The King looked.
"Above us," he says, "is the sky, below us the earth."
"Look again; what is on the right hand and on the left?"
"On the right hand is an open plain, on the left stands a
house."
"We will fly thither," said the Eagle; "my youngest sister
lives there."
They went straight into the courtyard. The sister came out
to meet them, received her brother cordially, and seated him at
the oaken table. But on the King she would not so much as
look, but left him outside, loosed greyhounds, and set them at
him. The Eagle was exceedingly wroth, jumped up from table,
seized the King, and flew away with him again.
Well, they flew and flew. Presently the Eagle said to the
King, "Look round; what is behind us?"
The King turned his head, looked, and said, "Behind us is a
red house."
"That is the house of my youngest sister--on fire, because
she did not receive you, but set greyhounds at you."
They flew and flew. Again the Eagle asked:
"Look again, my lord King; what is above us, and what
below us?"
"Above us is the sky, below us the earth."
"Look and see what is on the right hand and on the left."
"On the right is the open plain, on the left there stands a
house."
"There lives my second sister; we'll go and pay her a visit."
They stopped in a wide courtyard. The second sister received
her brother cordially, and seated him at the oaken table; but the
King was left outside, and she loosed greyhounds, and set them
at him. The Eagle flew into a rage, jumped up from table,
caught up the King, and flew away farther with him. They flew
and flew. Says the Eagle:
"My lord King! look round! what is behind us?"
The King looked back.
"There stands behind us a red house."
"That's my second sister's house burning!" said the Eagle.
"Now we'll fly to where my mother and my eldest sister live."
Well, they flew there. The Eagle's mother and eldest sister
were delighted to see them, and received the King with cordiality
and respect.
"Now, my lord King," said the Eagle, "tarry awhile with
us, and afterwards I will give you a ship, and will repay you for
all I ate in your house, and then--God speed you home again!"
So the Eagle gave the King a ship and two coffers--the one
red, the other green--and said:
"Mind now! don't open the coffers until you get home.
Then open the red coffer in the back court, and the green coffer
in the front court."
The King took the coffers, parted with the Eagle, and sailed
along the blue sea. Presently he came to a certain island, and
there his ship stopped. He landed on the shore, and began
thinking about the coffers, and wondering whatever there could
be in them, and why the Eagle had told him not to open them.
He thought and thought, and at last couldn't hold out any more--he
longed so awfully to know all about it. So he took the red
coffer, set it on the ground, and opened it--and out of it came
such a quantity of different kinds of cattle that there was no
counting them: the island had barely room enough for them.
When the King saw that, he became exceedingly sorrowful,
and began to weep and therewithal to say:
"What is there now left for me to do? how shall I get all
this cattle back into so little a coffer?"
Lo! there came out of the water a man--came up to him, and
asked:
"Wherefore are you weeping so bitterly, O lord King?"
"How can I help weeping!" answers the King. "How
shall I be able to get all this great herd into so small a coffer?"
"If you like, I will set your mind at rest. I will pack up all
your cattle for you. But on one condition only. You must give
me whatever you have at home that you don't know of."
The King reflected.
"Whatever is there at home that I don't know of?" says he.
"I fancy I know about everything that's there."
He reflected, and consented. "Pack them up," says he. "I
will give you whatever I have at home that I know nothing
about."
So that man packed away all his cattle for him in the coffer.
The King went on board ship and sailed away homewards.
When he reached home, then only did he learn that a son
had been born to him. And he began kissing the child, caressing
it, and at the same time bursting into such floods of tears!
"My lord King!" says the Queen, "tell me wherefore thou
droppest bitter tears?"
"For joy!" he replies.
He was afraid to tell her the truth, that the Prince would
have to be given up. Afterwards he went into the back court,
opened the red coffer, and thence issued oxen and cows, sheep
and rams; there were multitudes of all sorts of cattle, so that
all the sheds and pastures were crammed full. He went into
the front court, opened the green coffer, and there appeared a
great and glorious garden. What trees there were in it to be
sure! The King was so delighted that he forgot all about
giving up his son.
Many years went by. One day the King took it into his
head to go for a stroll, and he came to a river. At that moment
the same man he had seen before came out of the water, and
said:
"You've pretty soon become forgetful, lord King! Think a
little! surely you're in my debt!"
The King returned home full of grief, and told all the truth to
the Queen and the Prince. They all mourned and wept together,
but they decided that there was no help for it, the Prince must
be given up. So they took him to the mouth of the river and
there they left him alone.
The Prince looked around, saw a footpath, and followed
trusting God would lead him somewhere. He walked and walked,
and came to a dense forest: in the forest stood a hut, in the
hut lived a Baba Yaga.
"Suppose I go in," thought the Prince, and went in.
"Good day, Prince!" said the Baba Yaga. "Are you seeking
work or shunning work?"
"Eh, granny! First give me to eat and to drink, and then ask
me questions."
So she gave him food and drink, and the Prince told her
everything as to whither he was going and with what purpose.
Then the Baba Yaga said: "Go, my child, to the sea-shore;
there will fly thither twelve spoonbills, which will turn into fair
maidens, and begin bathing; do you steal quietly up and lay
your hands on the eldest maiden's shift. When you have come
to terms with her, go to the Water King, and there will meet
you on the way Obédalo and Opivalo, and also Moroz Treskum[144]--take
all of them with you; they will do you good service."
The Prince bid the Yaga farewell, went to the appointed spot
on the sea-shore, and hid behind the bushes. Presently twelve
spoonbills came flying thither, struck the moist earth, turned
into fair maidens, and began to bathe. The Prince stole the
eldest one's shift, and sat down behind a bush--didn't budge
an inch. The girls finished bathing and came out on the shore:
eleven of them put on their shifts, turned into birds, and
flew away home. There remained only the eldest, Vasilissa the
Wise. She began praying and begging the good youth:
"Do give me my shift!" she says. "You are on your way
to the house of my father, the Water King. When you come
I will do you good service."
So the Prince gave her back her shift, and she immediately
turned into a spoonbill and flew away after her companions.
The Prince went further on; there met him by the way three
heroes--Obédalo, Opivalo, and Moroz Treskum; he took them
with him and went on to the Water King's.
The Water King saw him, and said:
"Hail, friend! why have you been so long in coming to me?
I have grown weary of waiting for you. Now set to work.
Here is your first task. Build me in one night a great crystal
bridge, so that it shall be ready for use to-morrow. If you don't
build it--off goes your head!"
The Prince went away from the Water King, and burst into a
flood of tears. Vasilissa the Wise opened the window of her
upper chamber, and asked:
"What are you crying about, Prince?"
"Ah! Vasilissa the Wise! how can I help crying? Your
father has ordered me to build a crystal bridge in a single night,
and I don't even know how to handle an axe."
"No matter! lie down and sleep; the morning is wiser than
the evening."
She ordered him to sleep, but she herself went out on the
steps, and called aloud with a mighty whistling cry. Then from
all sides there ran together carpenters and workmen; one
levelled the ground, another carried bricks. Soon had they
built a crystal bridge, and traced cunning devices on it; and then
they dispersed to their homes.
Early next morning Vasilissa the Wise awoke the Prince:
"Get up, Prince! the bridge is ready: my father will be
coming to inspect it directly."
Up jumped the Prince, seized a broom, took his place on the
bridge, and began sweeping here, clearing up there.
The Water King bestowed praise upon him:
"Thanks!" says he. "You've done me one service: now
do another. Here is your task. Plant me by to-morrow a
garden green--a big and shady one; and there must be birds
singing in the garden, and flowers blossoming on the trees, and
ripe apples and pears hanging from the boughs."
Away went the Prince from the Water King, all dissolved in
tears. Vasilissa the Wise opened her window and asked:
"What are you crying for, Prince?"
"How can I help crying? Your father has ordered me to
plant a garden in one night!"
"That's nothing! lie down and sleep: the morning is wiser
than the evening."
She made him go to sleep, but she herself went out on the
steps, called and whistled with a mighty whistle. From every
side there ran together gardeners of all sorts, and they planted
a garden green, and in the garden birds sang, on the trees
flowers blossomed, from the boughs hung ripe apples and pears.
Early in the morning Vasilissa the Wise awoke the Prince:
"Get up, Prince! the garden is ready: Papa is coming to
see it."
The Prince immediately snatched up a broom, and was off to
the garden. Here he swept a path, there he trained a twig.
The Water King praised him and said:
"Thanks, Prince! You've done me right trusty service. So
choose yourself a bride from among my twelve daughters. They
are all exactly alike in face, in hair, and in dress. If you can
pick out the same one three times running, she shall be your
wife; if you fail to do so, I shall have you put to death."
Vasilissa the Wise knew all about that, so she found time to
say to the Prince:
"The first time I will wave my handkerchief, the second I
will be arranging my dress, the third time you will see a fly
above my head."
And so the Prince guessed which was Vasilissa the Wise
three times running. And he and she were married, and a wedding
feast was got ready.
Now the Water King had prepared much food of all sorts
more than a hundred men could get through. And he ordered
his son-in-law to see that everything was eaten. "If anything
remains over, the worse for you!" says he.
"My Father," begs the Prince, "there's an old fellow of
mine here; please let him take a snack with us."
"Let him come!"
Immediately appeared Obédalo--ate up everything, and
wasn't content then! The Water King next set out two score
tubs of all kinds of strong drinks, and ordered his son-in-law to
see that they were all drained dry.
"My Father!" begs the Prince again, "there's another old
man of mine here, let him, too, drink your health."
"Let him come!"
Opivalo appeared, emptied all the forty tubs in a twinkling,
and then asked for a drop more by way of stirrup-cup.[145]
The Water King saw that there was nothing to be gained that
way, so he gave orders to prepare a bath-room for the young
couple--an iron bath-room--and to heat it as hot as possible.
So the iron bath-room was made hot. Twelve loads of firewood
were set alight, and the stove and the walls were made
red-hot--impossible to come within five versts of it.
"My Father!" says the Prince; "let an old fellow of ours
have a scrub first, just to try the bath-room."
"Let him do so!"
Moroz Treskum went into the bath room, blew into one corner,
blew in another--in a moment icicles were hanging there.
After him the young couple also went into the bath-room, were
lathered and scrubbed,[146] and then went home.
After a time Vasilissa said to the Prince, "Let us get out of
my father's power. He's tremendously angry with you; perhaps
he'll be doing you some hurt."
"Let us go," says the Prince.
Straightway they saddled their horses and galloped off into
the open plain. They rode and rode; many an hour went by.
"Jump down from your horse, Prince, and lay your ear close
to the earth," said Vasilissa. "Cannot you hear a sound as of
pursuers?"
The prince bent his ear to the ground, but he could hear nothing.
Then Vasilissa herself lighted down from her good
steed, laid herself flat on the earth, and said: "Ah Prince! I hear
a great noise as of chasing after us." Then she turned the
horses into a well, and herself into a bowl, and the Prince into
an old, very old man. Up came the pursuers.
"Heigh, old man!" say they, "haven't you seen a youth and
a maiden pass by?"
"I saw them, my friends! only it was a long while ago. I was
a youngster at the time when they rode by."
The pursuers returned to the Water King.
"There is no trace of them," they said, "no news: all we
saw was an old man beside a well, and a bowl floating on the
water."
"Why did not ye seize them?" cried the Water King, who
thereupon put the pursuers to a cruel death, and sent another
troop after the Prince and Vasilissa the Wise.
The fugitives in the mean time had ridden far, far away.
Vasilissa the Wise heard the noise made by the fresh set of
pursuers, so she turned the Prince into an old priest, and she
herself became an ancient church. Scarcely did its walls hold
together, covered all over with moss. Presently up came the
pursuers.
"Heigh, old man! haven't you seen a youth and a maiden
pass by?"
"I saw them, my own! only it was long, ever so long ago. I
was a young man when they rode by. It was just while I was
building this church."
So the second set of pursuers returned to the Water King,
saying:
"There is neither trace nor news of them, your Royal Majesty.
All that we saw was an old priest and an ancient church."
"Why did not ye seize them?" cried the Water King louder
than before, and having put the pursuers to a cruel death, he
galloped off himself in pursuit of the Prince and Vasilissa the
Wise. This time Vasilissa turned the horses into a river of
honey with kissel[147] banks, and changed the Prince into a Drake
and herself into a grey duck. The Water King flung himself
on the kissel and honey-water, and ate and ate, and drank and
drank until he burst! And so he gave up the ghost.
The Prince and Vasilissa rode on, and at length they drew
nigh to the home of the Prince's parents. Then said Vasilissa,
"Go on in front, Prince, and report your arrival to your
father and mother. But I will wait for you here by the wayside.
Only remember these words of mine: kiss everyone
else, only don't kiss your sister; if you do, you will forget me."
The Prince reached home, began saluting every one, kissed
his sister too--and no sooner had he kissed her than from that
very moment he forgot all about his wife, just as if she had
never entered into his mind.
Three days did Vasilissa the Wise await him. On the fourth
day she clad herself like a beggar, went into the capital, and
took up her quarters in an old woman's house. But the Prince
was preparing to marry a rich Princess, and orders were given
to proclaim throughout the kingdom, that all Christian people
were to come to congratulate the bride and bridegroom, each
one bringing a wheaten pie as a present. Well, the old woman
with whom Vasilissa lodged, prepared, like everyone else, to
sift flour and make a pie.
"Why are you making a pie, granny?" asked Vasilissa.
"Is it why? you evidently don't know then. Our King is
giving his son in marriage to a rich princess: one must go to
the palace to serve up the dinner to the young couple."
"Come now! I, too, will bake a pie and take it to the
palace; may be the King will make me some present."
"Bake away in God's name!" said the old woman.
Vasilissa took flour, kneaded dough, and made a pie. And
inside it she put some curds and a pair of live doves.
Well, the old woman and Vasilissa the Wise reached the
palace just at dinner-time. There a feast was in progress, one
fit for all the world to see. Vasilissa's pie was set on the table,
but no sooner was it cut in two than out of it flew the two
doves. The hen bird seized a piece of curd, and her mate said
to her:
"Give me some curds, too, Dovey!"
"No I won't," replied the other dove: "else you'd forget
me, as the Prince has forgotten his Vasilissa the Wise."
Then the Prince remembered about his wife. He jumped
up from table, caught her by her white hands, and seated her
close by his side. From that time forward they lived together
in all happiness and prosperity.
[With this story may be compared a multitude of tales
in very many languages. In German for instance, "Der
König vom goldenen Berg," (Grimm, _KM._ No. 92. See
also Nos. 51, 56, 113, 181, and the opening of No.
31), "Der Königssohn und die Teufelstochter,"
(Haltrich, No. 26), and "Grünus Kravalle" (Wolf's
"Deutsche Hausmärchen," No. 29)--the Norse
"Mastermaid," (Asbjörnsen and Moe, No. 46, Dasent, No.
11) and "The Three Princesses of Whiteland," (A. and
M. No. 9, Dasent, No. 26)--the Lithuanian story
(Schleicher, No. 26, p. 75) in which a "field-devil"
exacts from a farmer the promise of a child--the
Wallachian stories (Schott, Nos. 2 and 15) in which a
devil obtains a like promise from a woodcutter and a
fisherman--the Modern Greek (Hahn, Nos. 4, 5, 54, and
68) in which a child is promised to a Dervish, a
_Drakos_, the Devil, and a Demon--and the Gaelic tales
of "The Battle of the Birds" and "The Sea-maiden,"
(Campbell, Nos. 2 and 4) in the former of which the
child is promised to a Giant, in the latter to a
Mermaid. The likeness between the Russian story and
the "Battle of the Birds" is very striking. References
to a great many other similar tales will be found in
Grimm (_KM._ iii. pp. 96-7, and 168-9). The group to
which all these stories belong is linked with a set of
tales about a father who apprentices his son to a
wizard, sometimes to the Devil, from whom the youth
escapes with great difficulty. The principal Russian
representative of the second set is called "Eerie
Art," "Khitraya Nauka," (Afanasief, v. No. 22, vi. No.
45, viii. p. 339).
To the hero's adventures while with the Water King,
and while escaping from him, an important parallel is
offered by the end of the already mentioned (at p. 92)
Indian story of Sringabhuja. That prince asks
Agnisikha, the Rákshasa whom, in his crane-form, he
has wounded, to bestow upon him the hand of his
daughter--the maiden who had met him on his arrival at
the Rákshasa's palace. The demon pretends to consent,
but only on condition that the prince is able to pick
out his love from among her numerous sisters. This
Sringabhuja is able to do in spite of all the demon's
daughters being exactly alike, as she has told him
beforehand she will wear her pearls on her brow
instead of round her neck. Her father will not remark
the change, she says, for being of the demon race, he
is not very sharp witted. The Rákshasa next sets the
prince two of the usual tasks. He is to plough a great
field, and sow a hundred bushels of corn. When this,
by the daughter's help, is done, he is told to gather
up the seed again. This also the demon's daughter does
for him, sending to his aid a countless swarm of ants.
Lastly he is commanded to visit the demon's brother
and invite him to the wedding. He does so, and is
pursued by the invited guest, from whom he escapes
only by throwing behind him earth, water, thorns, and
lastly fire, with all of which he has been provided by
his love. They produce corresponding obstacles which
enable him to get away from the uncle of his bride.
The demon now believes that his proposed son-in-law
must be a god in disguise, so he gives his consent to
the marriage. All goes well for a time, but at last
the prince wants to go home, so he and his wife fly
from her father's palace. Agnisikha pursues them. She
makes her husband invisible, while she assumes the
form of a woodman. Up comes her angry sire, and asks
for news of the fugitives. She replies she has seen
none, her eyes being full of tears caused by the death
of the Rákshasa prince Agnisikha. The slow-witted
demon immediately flies home to find out whether he is
really dead. Discovering that he is not, he renews the
pursuit. Again his daughter renders her husband
invisible, and assumes the form of a messenger
carrying a letter. When her father arrives and repeats
his question, she says she has seen no one: she is
going with a letter to his brother from Agnisikha, who
has just been mortally wounded. Back again home flies
the demon in great distress, anxious to find out
whether he has really been wounded to death or not.
After settling this question, he leaves his daughter
and her husband in peace. See Professor Brockhaus in
the "Berichte der phil. hist. Classe der K. Sächs.
Gesellschaft der Wissenschaften," 1861, pp. 226-9, and
Professor Wilson, "Essays, &c.," ii. p. 136-8. Cf. R.
Köhler in "Orient und Occident," ii. pp. 107-14.]
In another story a king is out hunting and becomes thirsty. Seeing a
spring near at hand, he bends down and is just going to lap up its
water, when the Tsar-Medvéd, a King-Bear, seizes him by the beard. The
king is unable to free himself from his grasp, and is obliged to
promise as his ransom "that which he knows not of at home," which
turns out to be a couple of children--a boy and a girl--who have been
born during his absence. In vain does he attempt to save the twins
from their impending fate, by concealing them in a secret abode
constructed for that purpose underground. In the course of time the
King-Bear arrives to claim them, finds out their hiding-place, digs
them up, and carries them off on his back to a distant region where no
man lives. During his absence they attempt to escape being carried
through the air on the back of a friendly falcon, but the King-Bear
sees them, "strikes his head against the earth, and burns the falcon's
wings." The twins fall to the ground, and are carried by the King-Bear
to his home amid inaccessible mountains. There they make a second
attempt at escape, trusting this time to an eagle's aid; but it meets
with exactly the same fate as their first trial. At last they are
rescued by a bull-calf, which succeeds in baffling all the King-Bear's
efforts to recover them. At the end of their perilous journey the
bull-calf tells the young prince to cut its throat, and burn its
carcase. He unwillingly consents, and from its ashes spring a horse, a
dog, and an apple-tree, all of which play important parts in the next
act of the drama.[148]
In one of the variants of the Water King story,[149] the seizer of
the drinking kings' beard is not called the Morskoi Tsar but _Chudo
Morskoe_, a Water Chudo, whose name recalls to mind the Chudo Yudo we
have already met with.[150] The Prince who is obliged, in consequence
of his father's promise, to surrender himself to the Water Giant,
falls in love with a maiden whom he finds in that potentate's palace,
and who is an enchantress whom the Chudo has stolen. She turns herself
into a ring, which he carries about with him, and eventually, after
his escape from the Chudo, she becomes his bride.
In another story,[151] the being who obtains a child from one of the
incautious fathers of the Jephthah type who abound in popular fiction,
is of a very singular nature. A merchant is flying across a river on
the back of an eagle, when he drops a magic "snuff-box," which had
been entrusted to his charge by that bird, and it disappears beneath
the waters. At the eagle's command, the crayfish search for it, and
bring back word that it is lying "on the knees of an Idol." The eagle
summons the Idol, and demands the snuff box. Thereupon the Idol says
to the merchant--"Give me what you do not know of at home?" The
merchant agrees and the Idol gives him back his snuff-box.
In some of the variants of the story, the influence of ideas
connected with Christianity makes itself apparent in the names given
to the actors. Thus in the "Moujik and Anastasia Adovna,"[152] it is
no longer a king of the waters, but a devil's imp,[153] who bargains
with the thirsting father for his child, and the swan-maiden whose
shift the devoted youth steals bears the name of Adovna, the daughter
of Ad or Hades. In "The Youth,"[154] a moujik, who has lost his way in
a forest makes the rash promise to a man who enables him to cross a
great river; "and that man (says the story) was a devil."[155] We
shall meet with other instances further on of parents whose "hasty
words" condemn their children to captivity among evil spirits. In one
of the stories of this class,[156] the father is a hunter who is
perishing with cold one night, and who makes the usual promise as the
condition of his being allowed to warm himself at a fire guarded by a
devil. Being in consequence of this deprived of a son, he becomes very
sad, and drinks himself to death. "The priest will not bury his sinful
body, so it is thrust into a hole at a crossway," and he falls into
the power of "that very same devil," who turns him into a horse, and
uses him as a beast of burden. At last he is released by his son, who
has forced the devil to free him after several adventures--one of them
being a fight with the evil spirit in the shape of a three-headed
snake.
In the Hindoo story of "Brave Seventee Bai,"[157] that heroine kills
"a very large Cobra" which comes out of a lake. Touching the waters
with a magic diamond taken from the snake, she sees them roll back "in
a wall on either hand," between which she passes into a splendid
garden. In it she finds a lovely girl who proves to be the Cobra's
daughter and who is delighted to hear of her serpent-father's death.
Demon haunted waters, which prove fatal to mortals who bathe in or
drink of them, often occur in oriental fiction. In one of the Indian
stories, for instance,[158] a king is induced to order his escort to
bathe in a lake which is the abode of a Rákshasa or demon. They leap
into the water simultaneously, and are all devoured by the terrible
man-eater. From the assaults of such a Rákshasa as this it was that
Buddha, who was at the time a monkey, preserved himself and 80,000 of
his brother monkeys, by suggesting that they should drink from the
tank in which the demon lay in wait for them, "through reeds
previously made completely hollow by their breath."[159]
* * * * *
From these male personifications of evil--from the Snake, Koshchei,
and the Water King--we will now turn to their corresponding female
forms. By far the most important beings of the latter class are those
malevolent enchantresses who form two closely related branches of the
same family. Like their sisters all over the world, they are, as a
general rule, old, hideous, and hateful. They possess all kinds of
supernatural powers, but their wits are often dull. They wage constant
war with mankind, but the heroes of storyland find them as easily
overcome as the males of their family. In their general character they
bear a strong resemblance to the Giantesses, Lamias, female Trolls,
Ogresses, Dragonesses, &c., of Europe, but in some of their traits
they differ from those well-known beings, and therefore they are
worthy of a detailed notice.
In several of the stories which have already been quoted, a prominent
part is played by the Baba Yaga, a female fiend whose name has given
rise to much philological discussion of a somewhat unsatisfactory
nature.[160] Her appearance is that of a tall, gaunt hag, with
dishevelled hair. Sometimes she is seen lying stretched out from one
corner to the other of a miserable hut, through the ceiling of which
passes her long iron nose; the hut is supported "by fowl's legs," and
stands at the edge of a forest towards which its entrance looks. When
the proper words are addressed to it, the hut revolves upon its
slender supports, so as to turn its back instead of its front to the
forest. Sometimes, as in the next story, the Baba Yaga appears as the
mistress of a mansion, which stands in a courtyard enclosed by a fence
made of dead men's bones. When she goes abroad she rides in a mortar,
which she urges on with a pestle, while she sweeps away the traces of
her flight with a broom. She is closely connected with the Snake in
different forms; in many stories, indeed, the leading part has been
ascribed by one narrator to a Snake and by another to a Baba Yaga. She
possesses the usual magic apparatus by which enchantresses work their
wonders; the Day and the Night (according to the following story) are
among her servants, the entire animal world lies at her disposal. On
the whole she is the most prominent among the strange figures with
which the Skazkas make us acquainted. Of the stories which especially
relate to her the following may be taken as a fair specimen.
Story DNA
Moral
Promises, especially those made under duress or ignorance, carry significant weight and can lead to unforeseen consequences, but wisdom and courage can overcome even the most formidable challenges.
Plot Summary
A King spares an Eaglet, feeding it for three years. The grown Eagle repays him by teaching him fear and then gifting him two magical coffers. The King prematurely opens one, releasing countless cattle, and unknowingly promises his newborn daughter, Vasilissa, to a Water Man in exchange for re-containing them. Years later, the Water King claims Vasilissa, who, aided by a magical doll from her mother, completes a series of impossible tasks and ultimately escapes his clutches through transformation. She returns home, marries a prince, and the Water King is destroyed, while the second coffer reveals a beautiful palace and garden.
Themes
Emotional Arc
fear to relief to challenge to triumph
Writing Style
Narrative Elements
Cultural Context
This story, collected by Ralston, is part of a broader tradition of Russian folk tales (Skazkas) which often feature magical creatures, impossible tasks, and moral lessons. The 'unknown gift' motif is widespread in European folklore, often involving water spirits or devils.
Plot Beats (16)
- King spares an Eaglet's life after three pleas and feeds it for three years, depleting his resources.
- The grown Eagle takes the King on a flight, dropping him into the sea three times to teach him fear, revealing it was repayment for the King's mercy.
- The Eagle takes the King to visit its two younger sisters, who are inhospitable, resulting in their houses burning.
- The Eagle takes the King to its mother and eldest sister, who are hospitable, and gives the King two magical coffers (red and green) with instructions not to open them until home.
- The King, out of curiosity, opens the red coffer on an island, releasing an immense herd of cattle he cannot control.
- A Water Man appears, offering to re-contain the cattle in exchange for 'what the King has at home that he doesn't know of'. The King agrees, unknowingly promising his newborn daughter, Vasilissa.
- Years later, the Water King comes to claim Vasilissa, who is taken to his underwater palace.
- Vasilissa is given impossible tasks by the Water King's mother, but is aided by a magical doll given to her by her own mother.
- Vasilissa is tasked with fetching a magical ring from the bottom of the sea, which she accomplishes with the help of a crab and a fish.
- Vasilissa is tasked with spinning a shirt from flax, which she completes with the doll's help, and then weaves a carpet from a single thread.
- Vasilissa is tasked with baking bread from a single grain, which she does with the doll's help, and then prepares a feast from a single egg.
- Vasilissa is tasked with building a church from a single chip of wood, which she does with the doll's help, and then building a bridge from a single splinter.
- Vasilissa is tasked with building a palace from a single stone, which she does with the doll's help, and then building a garden from a single seed.
- Vasilissa escapes the Water King's palace by transforming into a needle, then a flower, then a bird, and finally a girl again, aided by the doll.
- Vasilissa returns to her father, marries a prince, and lives happily ever after, while the Water King is destroyed by a thunderbolt.
- The King opens the green coffer at home, which releases a beautiful garden and palace, fulfilling the Eagle's promise of repayment.
Characters
The King ★ protagonist
None explicitly mentioned, but implied to be capable of hunting and riding an eagle.
Attire: Implied to be royal attire suitable for hunting, likely a tunic, breeches, and possibly a cloak, in a medieval European style.
Fond of hunting, initially hesitant, but eventually compassionate and trusting.
Image Prompt & Upload
A regal middle-aged monarch with a neatly trimmed beard and kind yet determined eyes, wearing an ornate golden crown set with rubies and sapphires, dressed in luxurious deep purple robes trimmed with white ermine fur and gold thread, a heavy velvet cape draped over his shoulders, holding a crystal scepter, standing upright with a noble posture, one hand resting on the hilt of a sheathed sword at his side, in a grand castle hall with stone arches and banners, but the background is plain white, full body visible head to toe, single figure, no watermark, no text, no signature.
The Eaglet / The Eagle ◆ supporting
Starts as an eaglet, grows into a large eagle capable of carrying a human. Its wings are initially weak but become strong enough for long flights.
Attire: Natural plumage of an eagle.
Intelligent, cunning, vengeful (initially), but ultimately helpful and loyal.
Image Prompt & Upload
A young man with sharp, bird-like features and keen amber eyes. He has a lean, athletic build and short, tousled dark brown hair. He wears a simple tunic of rough-spun linen and leather breeches, standing alertly on a mossy forest stone. His posture is straight and watchful, head slightly tilted as if listening. He holds a simple wooden staff. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Eagle's Youngest Sister ⚔ antagonist
None explicitly mentioned, but implied to be a bird-like being or a human with bird-like characteristics.
Attire: None explicitly mentioned, but implied to be in a domestic setting, perhaps a simple dress.
Hostile, unwelcoming, cruel.
Image Prompt & Upload
A young woman in her late teens with sharp, angular features and pale skin. Her eyes are a piercing gold, like a bird of prey, framed by dark, heavy lashes. She has long, ink-black hair styled in severe braids woven with small, dark feathers. She wears a form-fitting gown of deep emerald green velvet with intricate black embroidery resembling talons and feathers along the sleeves and hem. A high collar accentuates her long neck. Her posture is rigid and proud, standing tall with her shoulders back and chin slightly raised, a cold, calculating smirk on her lips. One hand rests on her hip, the other holds a single, large black feather. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Eagle's Second Sister ⚔ antagonist
None explicitly mentioned, but implied to be a bird-like being or a human with bird-like characteristics.
Attire: None explicitly mentioned, but implied to be in a domestic setting, perhaps a simple dress.
Hostile, unwelcoming, cruel.
Image Prompt & Upload
A mature woman with sharp, angular features and pale skin, her piercing golden eyes narrowed in cold calculation. She has sleek, dark hair pulled back into a severe bun. She wears an elegant, high-collared gown of black velvet with subtle, feather-like textures along the sleeves and hem. Her posture is rigid and authoritative, standing tall with her hands clasped before her, a faint, disdainful smirk on her lips. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Eagle's Mother ◆ supporting
None explicitly mentioned, but implied to be a bird-like being or a human with bird-like characteristics.
Attire: None explicitly mentioned, but implied to be in a domestic setting, perhaps a simple dress.
Welcoming, cordial, respectful.
Image Prompt & Upload
An elderly woman with weathered, wise features and deep-set eyes, appearing around 60-70 years old. She has silver-white hair pulled back into a loose bun with a few stray wisps framing her face. She wears a long flowing robe in earthy browns and deep golds with feathered trim along the collar and sleeves. A large feathered cloak drapes over her shoulders, reminiscent of eagle wings with dark brown and white plumage. She holds a gnarled wooden staff topped with a carved eagle talon. Her expression is serene yet commanding, with a gentle knowing smile. She stands tall with dignified posture, one hand resting on the staff. Around her neck hangs a pendant shaped like an eagle claw holding a glowing amber stone. Her hands are aged but strong, with long fingers. She wears simple leather sandals. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature
The Eagle's Eldest Sister ◆ supporting
None explicitly mentioned, but implied to be a bird-like being or a human with bird-like characteristics.
Attire: None explicitly mentioned, but implied to be in a domestic setting, perhaps a simple dress.
Welcoming, cordial, respectful.
Image Prompt & Upload
A tall, stern woman in her late thirties with sharp, angular features and high cheekbones. Her long, silver-streaked dark hair is tightly braided and coiled atop her head. She wears a layered gown of deep charcoal and slate grey fabrics, with intricate embroidery resembling feather patterns along the sleeves and bodice. A cloak of actual dark feathers drapes from her shoulders. She stands with a proud, upright posture, one hand resting on a carved wooden staff, her gaze direct and unwavering. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Oak tree in the forest
A large oak tree where an Eaglet is perched.
Mood: tense, pivotal
The King first encounters the Eaglet and almost shoots it.
Image Prompt & Upload
Ancient massive oak tree with gnarled, sprawling branches dominates a sun-dappled forest clearing. Morning golden hour light filters through dense canopy, casting long shadows and warm highlights on thick moss covering bark. Forest floor covered in ferns, wildflowers, and fallen leaves. Soft mist hangs between towering trees in background. Rich earthy color palette of deep greens, warm browns, and golden light accents. Textured bark with intricate patterns, sprawling root system visible above soil. Peaceful, serene atmosphere with gentle forest ambiance. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
The King's home/palace
The King's residence where the Eaglet is fed for three years, devouring all his cattle.
Mood: strained, financially draining
The Eaglet is fed and grows to full size, consuming all the King's livestock.
Image Prompt & Upload
Late afternoon sun casts long shadows across the sprawling grounds of a medieval stone palace. The grand, imposing architecture features tall towers with blue-tiled roofs and arched windows, but the stonework shows subtle signs of weathering. The foreground reveals a vast, empty pasture where the grass is sparse and worn, hinting at the absence of livestock. A single, colossal golden chain lies coiled near a massive iron-studded gate, leading to the palace courtyard. The atmosphere is still and heavy, with a clear sky transitioning to the warm hues of sunset, painting the clouds in shades of orange and deep purple. Surrounding the palace are ancient, twisted oak trees, their branches bare. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
The Blue Sea (and subsequent seas)
A vast blue body of water where the Eagle repeatedly drops the King, first up to his knees, then his girdle, then his neck.
Mood: terrifying, testing
The Eagle tests the King's fear of death as repayment for its own past fear.
Image Prompt & Upload
A vast, endless ocean under a pale dawn sky, where the water transitions from shallow turquoise near the unseen shore to a deep, fathomless sapphire blue at the horizon. The surface is calm with gentle, rhythmic swells, reflecting the soft pink and gold light of the rising sun. The atmosphere is serene yet immense, emphasizing the ocean's scale. The water's clarity suggests varying depths, from visible sandy shallows to mysterious, dark abysses. No land or structures are visible, only the infinite meeting of water and sky, with a few wispy clouds tinged with morning color. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Youngest Sister's House and Courtyard
A house with a courtyard where the Eagle's youngest sister lives. The King is left outside while greyhounds are set upon him.
Mood: hostile, unwelcoming
The King is ill-treated by the youngest sister, leading to her house being burned.
Image Prompt & Upload
Twilight storm over an ancient stone manor house, its tall narrow windows glowing with faint amber light from within. A neglected courtyard of cracked cobblestones surrounds it, overgrown with thorny weeds and shadowed by gnarled, leafless trees. A wrought-iron gate stands ominously ajar. The air is thick with impending rain, the sky a churning palette of deep purple and charcoal grey, pierced by a single cold star. The architecture is severe, with steep gables and a heavy oak door, suggesting isolation and secrecy. A palpable sense of tension hangs in the damp, cold air. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Eldest Sister and Mother's House
A welcoming house where the Eagle's mother and eldest sister reside, receiving the King with cordiality and respect.
Mood: warm, respectful, safe
The King finally receives proper hospitality and is invited to stay.
Image Prompt & Upload
Late afternoon golden sunlight filters through tall, ancient oak trees, casting long shadows across a cobblestone path leading to a charming, well-maintained cottage. The house has a thatched roof, warm honey-colored stone walls, and dark wooden beams. Smoke curls gently from a stone chimney. Flower boxes burst with vibrant red geraniums and purple lavender beneath mullioned windows. A lush, overgrown cottage garden surrounds the home, filled with blooming roses, foxgloves, and daisies. A small, clear pond reflects the sky nearby. The atmosphere is serene, welcoming, and bathed in a soft, golden-hour glow. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.