Wednesday

by W. R. S. Ralston · from Russian Folk Tales

folk tale cautionary tale solemn Ages 8-14 1317 words 6 min read
Cover: Wednesday
Original Story 1317 words · 6 min read

Wednesday

WEDNESDAY.[255]

A young housewife was spinning late one evening. It was during

the night between a Tuesday and a Wednesday. She had

been left alone for a long time, and after midnight, when the

first cock crew, she began to think about going to bed, only she

would have liked to finish spinning what she had in hand. "Well,"

thinks she, "I'll get up a bit earlier in the morning, but just

now I want to go to sleep." So she laid down her hatchel--but

without crossing herself--and said:

"Now then, Mother Wednesday, lend me thy aid, that I may

get up early in the morning and finish my spinning." And then

she went to sleep.

Well, very early in the morning, long before it was light, she

heard some one moving, bustling about the room. She opened

her eyes and looked. The room was lighted up. A splinter of

fir was burning in the cresset, and the fire was lighted in the

stove. A woman, no longer young, wearing a white towel by

way of head-dress, was moving about the cottage, going to and

fro, supplying the stove with firewood, getting everything ready.

Presently she came up to the young woman, and roused her, saying,

"Get up!" The young woman got up, full of wonder, saying:

"But who art thou? What hast thou come here for?"

"I am she on whom thou didst call. I have come to thy aid."

"But who art thou? On whom did I call?"

"I am Wednesday. On Wednesday surely thou didst call.

See, I have spun thy linen and woven thy web: now let us bleach

it and set it in the oven. The oven is heated and the irons are

ready; do thou go down to the brook and draw water."

The woman was frightened, and thought: "What manner of

thing is this?" (or, "How can that be?") but Wednesday glared

at her angrily; her eyes just did sparkle!

So the woman took a couple of pails and went for water. As

soon as she was outside the door she thought: "Mayn't something

terrible happen to me? I'd better go to my neighbor's instead

of fetching the water." So she set off. The night was

dark. In the village all were still asleep. She reached a neighbor's

house, and rapped away at the window until at last she

made herself heard. An aged woman let her in.

"Why, child!" says the old crone; "whatever hast thou got

up so early for? What's the matter?"

"Oh, granny, this is how it was. Wednesday has come to me,

and has sent me for water to buck my linen with."

"That doesn't look well," says the old crone. "On that linen

she will either strangle thee or scald[256] thee."

The old woman was evidently well acquainted with Wednesday's

ways.

"What am I to do?" says the young woman. "How can I

escape from this danger?"

"Well, this is what thou must do. Go and beat thy pails together

in front of the house, and cry, 'Wednesday's children

have been burnt at sea!'[257] She will run out of the house, and

do thou be sure to seize the opportunity to get into it before she

comes back, and immediately slam the door to, and make the

sign of the cross over it. Then don't let her in, however much

she may threaten you or implore you, but sign a cross with your

hands, and draw one with a piece of chalk, and utter a prayer.

The Unclean Spirit will have to disappear."

Well, the young woman ran home, beat the pails together,

and cried out beneath the window:

"Wednesday's children have been burnt at sea!"

Wednesday rushed out of the house and ran to look, and the

woman sprang inside, shut the door, and set a cross upon it.

Wednesday came running back, and began crying: "Let me in,

my dear! I have spun thy linen; now will I bleach it." But the

woman would not listen to her, so Wednesday went on knocking

at the door until cock-crow. As soon as the cocks crew, she

uttered a shrill cry and disappeared. But the linen remained

where it was.[258]

In one of the numerous legends which the Russian peasants hold in

reverence, St. Petka or Friday appears among the other saints, and

together with her is mentioned another canonized day, St. Nedélya or

Sunday,[259] answering to the Greek St. Anastasia, to _Der heilige

Sonntag_ of German peasant-hagiology. In some respects she resembles

both Friday and Wednesday, sharing their views about spinning and

weaving at unfitting seasons. Thus in Little-Russia she assures

untimely spinners that it is not flax they are spinning, but her hair,

and in proof of this she shows them her dishevelled kosa, or long

back plait.

In one of the Wallachian tales[260] the hero is assisted in his

search after the dragon-stolen heroine by three supernatural

females--the holy Mothers Friday, Wednesday, and Sunday. They replace

the three benignant Baba Yagas of Russian stories. In another,[261]

the same three beings assist the Wallachian Psyche when she is

wandering in quest of her lost husband. Mother Sunday rules the animal

world, and can collect her subjects by playing on a magic flute. She

is represented as exercising authority over both birds and beasts, and

in a Slovak story she bestows on the hero a magic horse. He has been

sent by an unnatural mother in search of various things hard to be

obtained, but he is assisted in the quest by St. Nedĕlka, who

provides him with various magical implements, and lends him her own

steed Tatoschik, and so enables him four times to escape from the

perils to which he has been exposed by his mother, whose mind has been

entirely corrupted by an insidious dragon. But after he has returned

home in safety, his mother binds him as if in sport, and the dragon

chops off his head and cuts his body to pieces. His mother retains his

heart, but ties up the rest of him in a bundle, and sets it on

Tatoschik's back. The steed carries its ghastly burden to St.

Nedĕlka, who soon reanimates it, and the youth becomes as sound and

vigorous as a young man without a heart can be. Then the saint sends

him, under the disguise of a begging piper, to the castle in which his

mother dwells, and instructs him how to get his heart back again. He

succeeds, and carries it in his hand to St. Nedĕlka. She gives it

to "the bird Pelekan (no mere Pelican, but a magic fowl with a very

long and slim neck), which puts its head down the youth's throat, and

restores his heart to its right place."[262]

St. Friday and St. Wednesday appear to belong to that class of

spiritual beings, sometimes of a demoniacal disposition, with which

the imagination of the old Slavonians peopled the elements. Of several

of these--such as the Domovoy or House-Spirit, the Rusalka or Naiad,

and the Vodyany or Water-Sprite--I have written at some length

elsewhere,[263] and therefore I will not at present quote any of the

stories in which they figure. But, as a specimen of the class to which

such tales as these belong, here is a skazka about one of the

wood-sprites or Slavonic Satyrs, who are still believed by the

peasants to haunt the forests of Russia. In it we see reduced to a

vulgar form, and brought into accordance with everyday peasant-life,

the myth which appears to have given rise to the endless stories about

the theft and recovery of queens and princesses. The leading idea of

the story is the same, but the Snake or Koshchei has become a paltry

wood-demon, the hero is a mere hunter, and the princely heroine has

sunk to the low estate of a priest's daughter.


Story DNA folk tale · solemn

Moral

Be careful what you wish for, especially when invoking supernatural entities, and always heed the advice of those with more experience.

Plot Summary

A young housewife, tired of spinning, invokes 'Mother Wednesday' for help. The next morning, Wednesday appears, having already started chores, and frightens the housewife with her angry demeanor and demands. Seeking advice, the housewife learns from an old neighbor that Wednesday is a dangerous spirit. Following the neighbor's instructions, the housewife performs a ritual to banish Wednesday, locking her out of the house with a cross. Wednesday eventually disappears at cock-crow, leaving the housewife safe but the linen unfinished.

Themes

supernatural encountersdanger of the unknownwisdom of elderssuperstition and belief

Emotional Arc

complacency to fear to relief

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: direct address to reader (implied by the framing), rule of three (implied by the three saints in the broader context)

Narrative Elements

Conflict: person vs supernatural
Ending: moral justice
Magic: personified day of the week (Wednesday) with supernatural powers, Wednesday's ability to appear and perform chores, the protective power of the sign of the cross and prayer, Wednesday's disappearance at cock-crow
the spinning wheel/linen (domestic labor, the housewife's duty)the cross (protection against evil)the cock's crow (boundary between night/day, supernatural/natural)

Cultural Context

Origin: Russian
Era: timeless fairy tale

The story is presented as a 'skazka' (Russian folk tale) and is part of a broader tradition of personifying days of the week, particularly in Slavic folklore, often with associated superstitions regarding work on those days. The mention of St. Petka/Friday and St. Nedélya/Sunday provides context for Wednesday's character as a potentially benevolent or malevolent spirit tied to specific days and tasks.

Plot Beats (12)

  1. A young housewife spins late into the night, wishing to finish her task but wanting to sleep.
  2. She invokes 'Mother Wednesday' to help her rise early and complete her spinning.
  3. The next morning, before dawn, she awakens to find a woman, Wednesday, already at work in her home.
  4. Wednesday, with sparkling, angry eyes, orders the housewife to fetch water for bleaching the linen she has spun.
  5. Frightened, the housewife goes out but decides to seek help from a neighbor instead of fetching water.
  6. The old neighbor reveals Wednesday is a dangerous entity who might harm the housewife.
  7. The neighbor instructs the housewife to beat pails together, cry 'Wednesday's children have been burnt at sea!', and then lock Wednesday out of the house, sealing the door with a cross.
  8. The housewife returns home, performs the ritual, and traps Wednesday outside.
  9. Wednesday pleads and threatens to be let in, claiming she wants to bleach the linen.
  10. The housewife refuses, making the sign of the cross and drawing one on the door.
  11. Wednesday continues knocking until the cock crows, then utters a shrill cry and disappears.
  12. The linen remains unfinished, but the housewife is safe.

Characters 3 characters

The Young Housewife ★ protagonist

human young adult female

None explicitly mentioned, but implied to be capable of household chores like spinning.

Attire: Period-appropriate peasant dress for a young housewife, likely simple and functional.

A young woman spinning flax by a cresset light.

Diligent, easily frightened, resourceful.

Image Prompt & Upload
A young woman in her early twenties with a kind, thoughtful expression and a gentle smile. She has warm brown hair pinned up loosely with a few stray curls framing her face. She wears a simple, practical dress of soft blue linen with a white apron tied at the waist, the fabric slightly worn at the hem. In her hands, she holds a wooden bowl filled with ripe red apples. She stands in a cozy, rustic kitchen with a stone hearth and bundles of herbs hanging from the wooden beams. Her posture is poised and gentle, looking slightly off-camera as if listening to a visitor. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Wednesday ⚔ antagonist

magical creature adult female

None explicitly mentioned beyond her head-dress and sparkling eyes.

Attire: A white towel worn as a head-dress.

A woman with a white towel on her head, eyes sparkling with anger.

Helpful (initially), demanding, easily angered, persistent, malevolent.

Image Prompt & Upload
A pale young woman with sharp features and hollow, dark-rimmed eyes stares coldly forward. Her long, jet-black hair is straight and severe, framing a sallow complexion. She wears a high-collared, matte black Victorian-style dress with long sleeves and a hem that brushes the tops of her heavy, buckled leather boots. Her posture is rigid and upright, one hand holding a small, ornate silver dagger pointed downward at her side. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Aged Woman ◆ supporting

human elderly female

None explicitly mentioned, but described as an 'old crone'.

Attire: Period-appropriate simple clothing for an elderly peasant woman.

An old woman giving urgent advice through a window.

Wise, protective, knowledgeable about local folklore.

Image Prompt & Upload
An elderly woman in her late seventies with deep wrinkles and kind, tired eyes. Her silver-white hair is pulled back in a simple bun. She wears a faded, long-sleeved dress of muted blue wool, covered by a thick, hand-knitted shawl in earthy brown tones. She stands with a slight stoop, one hand resting gently on a gnarled wooden walking stick, the other holding a small, woven basket. Her expression is serene and knowing, with a faint, gentle smile. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 3 locations
No image yet

Young housewife's cottage interior

indoor night Implied cold, as a fire is lit

A room where a young housewife is spinning. After midnight, it becomes lighted up by a splinter of fir burning in a cresset and a fire in the stove. It is where Wednesday appears and prepares things.

Mood: Initially quiet and industrious, then mysterious and unsettling, finally tense and fearful.

The young housewife's encounter with Wednesday, Wednesday's preparations, and the initial confrontation.

spinning wheel hatchel cresset with fir splinter stove with fire Wednesday (figure) linen woven web
Image Prompt & Upload
A dim, cozy cottage interior at midnight, illuminated by two warm light sources. A splinter of fir wood burns brightly in a wrought-iron cresset mounted on a rough-hewn stone wall, casting dancing shadows. A pot-bellied stove glows with a deep, steady orange fire in the corner, its heat haze visible. The room features a simple wooden spinning wheel with a half-finished thread, a rustic table, and pegged wooden floors. The atmosphere is hushed and magical, with dust motes floating in the intersecting beams of light. Deep shadows cling to the timber-beamed ceiling and corners. The color palette is rich with amber, deep umber, and charcoal, contrasted by the cool blue moonlight faintly touching a windowpane. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Outside the cottage door

transitional night Dark night

The immediate area outside the young housewife's cottage door, dark and quiet in the village.

Mood: Fearful, desperate, urgent.

The young woman's escape attempt and her subsequent return to trick Wednesday.

door pails darkness
Image Prompt & Upload
A dark, quiet village night outside a quaint cottage door. The wooden door is painted a faded blue, slightly ajar, with warm, golden light spilling out from within onto the cobblestone path. A thatched roof overhangs the doorway, and a dormant, twisted vine climbs the stone wall. The narrow path is flanked by a low, moss-covered stone wall and a sleeping herb garden. Mist clings to the ground, and the only light comes from the cottage window and a sliver of pale moonlight filtering through bare branches of an ancient oak tree. The atmosphere is still and serene, with deep indigo shadows and cool blue tones dominating the scene. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
No image yet

Neighbor's house

indoor night Dark night

An aged woman's house in the village, where the young housewife seeks advice.

Mood: Safe, wise, conspiratorial.

The young woman receives crucial advice on how to escape Wednesday.

window (rapped upon) aged woman (crone)
Image Prompt & Upload
A quaint, thatched-roof cottage with walls of weathered stone and a crooked chimney, nestled in a lush village garden. The late afternoon sun casts a golden glow through ancient oak trees, dappling the cobblestone path leading to a rounded wooden door. Surrounding the house are overflowing flowerbeds of lavender, roses, and foxglove, with a mossy stone well nearby. Climbing ivy frames the small, leaded glass windows, reflecting the warm light. A soft breeze rustles the leaves of a large willow tree, its branches hanging over a low, woven fence. The atmosphere is peaceful and inviting, with a hint of whimsy from a wooden birdhouse and a winding garden path disappearing into the background. Colors are warm earth tones—soft browns, creamy whites, and deep greens—accented by the vibrant flowers. The sky is a soft peach and lavender gradient, suggesting a serene, timeless wisdom. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.