Wednesday
by W. R. S. Ralston · from Russian Folk Tales
Original Story
Wednesday
WEDNESDAY.[255]
A young housewife was spinning late one evening. It was during
the night between a Tuesday and a Wednesday. She had
been left alone for a long time, and after midnight, when the
first cock crew, she began to think about going to bed, only she
would have liked to finish spinning what she had in hand. "Well,"
thinks she, "I'll get up a bit earlier in the morning, but just
now I want to go to sleep." So she laid down her hatchel--but
without crossing herself--and said:
"Now then, Mother Wednesday, lend me thy aid, that I may
get up early in the morning and finish my spinning." And then
she went to sleep.
Well, very early in the morning, long before it was light, she
heard some one moving, bustling about the room. She opened
her eyes and looked. The room was lighted up. A splinter of
fir was burning in the cresset, and the fire was lighted in the
stove. A woman, no longer young, wearing a white towel by
way of head-dress, was moving about the cottage, going to and
fro, supplying the stove with firewood, getting everything ready.
Presently she came up to the young woman, and roused her, saying,
"Get up!" The young woman got up, full of wonder, saying:
"But who art thou? What hast thou come here for?"
"I am she on whom thou didst call. I have come to thy aid."
"But who art thou? On whom did I call?"
"I am Wednesday. On Wednesday surely thou didst call.
See, I have spun thy linen and woven thy web: now let us bleach
it and set it in the oven. The oven is heated and the irons are
ready; do thou go down to the brook and draw water."
The woman was frightened, and thought: "What manner of
thing is this?" (or, "How can that be?") but Wednesday glared
at her angrily; her eyes just did sparkle!
So the woman took a couple of pails and went for water. As
soon as she was outside the door she thought: "Mayn't something
terrible happen to me? I'd better go to my neighbor's instead
of fetching the water." So she set off. The night was
dark. In the village all were still asleep. She reached a neighbor's
house, and rapped away at the window until at last she
made herself heard. An aged woman let her in.
"Why, child!" says the old crone; "whatever hast thou got
up so early for? What's the matter?"
"Oh, granny, this is how it was. Wednesday has come to me,
and has sent me for water to buck my linen with."
"That doesn't look well," says the old crone. "On that linen
she will either strangle thee or scald[256] thee."
The old woman was evidently well acquainted with Wednesday's
ways.
"What am I to do?" says the young woman. "How can I
escape from this danger?"
"Well, this is what thou must do. Go and beat thy pails together
in front of the house, and cry, 'Wednesday's children
have been burnt at sea!'[257] She will run out of the house, and
do thou be sure to seize the opportunity to get into it before she
comes back, and immediately slam the door to, and make the
sign of the cross over it. Then don't let her in, however much
she may threaten you or implore you, but sign a cross with your
hands, and draw one with a piece of chalk, and utter a prayer.
The Unclean Spirit will have to disappear."
Well, the young woman ran home, beat the pails together,
and cried out beneath the window:
"Wednesday's children have been burnt at sea!"
Wednesday rushed out of the house and ran to look, and the
woman sprang inside, shut the door, and set a cross upon it.
Wednesday came running back, and began crying: "Let me in,
my dear! I have spun thy linen; now will I bleach it." But the
woman would not listen to her, so Wednesday went on knocking
at the door until cock-crow. As soon as the cocks crew, she
uttered a shrill cry and disappeared. But the linen remained
where it was.[258]
In one of the numerous legends which the Russian peasants hold in
reverence, St. Petka or Friday appears among the other saints, and
together with her is mentioned another canonized day, St. Nedélya or
Sunday,[259] answering to the Greek St. Anastasia, to _Der heilige
Sonntag_ of German peasant-hagiology. In some respects she resembles
both Friday and Wednesday, sharing their views about spinning and
weaving at unfitting seasons. Thus in Little-Russia she assures
untimely spinners that it is not flax they are spinning, but her hair,
and in proof of this she shows them her dishevelled kosa, or long
back plait.
In one of the Wallachian tales[260] the hero is assisted in his
search after the dragon-stolen heroine by three supernatural
females--the holy Mothers Friday, Wednesday, and Sunday. They replace
the three benignant Baba Yagas of Russian stories. In another,[261]
the same three beings assist the Wallachian Psyche when she is
wandering in quest of her lost husband. Mother Sunday rules the animal
world, and can collect her subjects by playing on a magic flute. She
is represented as exercising authority over both birds and beasts, and
in a Slovak story she bestows on the hero a magic horse. He has been
sent by an unnatural mother in search of various things hard to be
obtained, but he is assisted in the quest by St. Nedĕlka, who
provides him with various magical implements, and lends him her own
steed Tatoschik, and so enables him four times to escape from the
perils to which he has been exposed by his mother, whose mind has been
entirely corrupted by an insidious dragon. But after he has returned
home in safety, his mother binds him as if in sport, and the dragon
chops off his head and cuts his body to pieces. His mother retains his
heart, but ties up the rest of him in a bundle, and sets it on
Tatoschik's back. The steed carries its ghastly burden to St.
Nedĕlka, who soon reanimates it, and the youth becomes as sound and
vigorous as a young man without a heart can be. Then the saint sends
him, under the disguise of a begging piper, to the castle in which his
mother dwells, and instructs him how to get his heart back again. He
succeeds, and carries it in his hand to St. Nedĕlka. She gives it
to "the bird Pelekan (no mere Pelican, but a magic fowl with a very
long and slim neck), which puts its head down the youth's throat, and
restores his heart to its right place."[262]
St. Friday and St. Wednesday appear to belong to that class of
spiritual beings, sometimes of a demoniacal disposition, with which
the imagination of the old Slavonians peopled the elements. Of several
of these--such as the Domovoy or House-Spirit, the Rusalka or Naiad,
and the Vodyany or Water-Sprite--I have written at some length
elsewhere,[263] and therefore I will not at present quote any of the
stories in which they figure. But, as a specimen of the class to which
such tales as these belong, here is a skazka about one of the
wood-sprites or Slavonic Satyrs, who are still believed by the
peasants to haunt the forests of Russia. In it we see reduced to a
vulgar form, and brought into accordance with everyday peasant-life,
the myth which appears to have given rise to the endless stories about
the theft and recovery of queens and princesses. The leading idea of
the story is the same, but the Snake or Koshchei has become a paltry
wood-demon, the hero is a mere hunter, and the princely heroine has
sunk to the low estate of a priest's daughter.
Story DNA
Moral
Be careful what you wish for, especially when invoking supernatural entities, and always heed the advice of those with more experience.
Plot Summary
A young housewife, tired of spinning, invokes 'Mother Wednesday' for help. The next morning, Wednesday appears, having already started chores, and frightens the housewife with her angry demeanor and demands. Seeking advice, the housewife learns from an old neighbor that Wednesday is a dangerous spirit. Following the neighbor's instructions, the housewife performs a ritual to banish Wednesday, locking her out of the house with a cross. Wednesday eventually disappears at cock-crow, leaving the housewife safe but the linen unfinished.
Themes
Emotional Arc
complacency to fear to relief
Writing Style
Narrative Elements
Cultural Context
The story is presented as a 'skazka' (Russian folk tale) and is part of a broader tradition of personifying days of the week, particularly in Slavic folklore, often with associated superstitions regarding work on those days. The mention of St. Petka/Friday and St. Nedélya/Sunday provides context for Wednesday's character as a potentially benevolent or malevolent spirit tied to specific days and tasks.
Plot Beats (12)
- A young housewife spins late into the night, wishing to finish her task but wanting to sleep.
- She invokes 'Mother Wednesday' to help her rise early and complete her spinning.
- The next morning, before dawn, she awakens to find a woman, Wednesday, already at work in her home.
- Wednesday, with sparkling, angry eyes, orders the housewife to fetch water for bleaching the linen she has spun.
- Frightened, the housewife goes out but decides to seek help from a neighbor instead of fetching water.
- The old neighbor reveals Wednesday is a dangerous entity who might harm the housewife.
- The neighbor instructs the housewife to beat pails together, cry 'Wednesday's children have been burnt at sea!', and then lock Wednesday out of the house, sealing the door with a cross.
- The housewife returns home, performs the ritual, and traps Wednesday outside.
- Wednesday pleads and threatens to be let in, claiming she wants to bleach the linen.
- The housewife refuses, making the sign of the cross and drawing one on the door.
- Wednesday continues knocking until the cock crows, then utters a shrill cry and disappears.
- The linen remains unfinished, but the housewife is safe.
Characters
The Young Housewife ★ protagonist
None explicitly mentioned, but implied to be capable of household chores like spinning.
Attire: Period-appropriate peasant dress for a young housewife, likely simple and functional.
Diligent, easily frightened, resourceful.
Image Prompt & Upload
A young woman in her early twenties with a kind, thoughtful expression and a gentle smile. She has warm brown hair pinned up loosely with a few stray curls framing her face. She wears a simple, practical dress of soft blue linen with a white apron tied at the waist, the fabric slightly worn at the hem. In her hands, she holds a wooden bowl filled with ripe red apples. She stands in a cozy, rustic kitchen with a stone hearth and bundles of herbs hanging from the wooden beams. Her posture is poised and gentle, looking slightly off-camera as if listening to a visitor. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Wednesday ⚔ antagonist
None explicitly mentioned beyond her head-dress and sparkling eyes.
Attire: A white towel worn as a head-dress.
Helpful (initially), demanding, easily angered, persistent, malevolent.
Image Prompt & Upload
A pale young woman with sharp features and hollow, dark-rimmed eyes stares coldly forward. Her long, jet-black hair is straight and severe, framing a sallow complexion. She wears a high-collared, matte black Victorian-style dress with long sleeves and a hem that brushes the tops of her heavy, buckled leather boots. Her posture is rigid and upright, one hand holding a small, ornate silver dagger pointed downward at her side. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
The Aged Woman ◆ supporting
None explicitly mentioned, but described as an 'old crone'.
Attire: Period-appropriate simple clothing for an elderly peasant woman.
Wise, protective, knowledgeable about local folklore.
Image Prompt & Upload
An elderly woman in her late seventies with deep wrinkles and kind, tired eyes. Her silver-white hair is pulled back in a simple bun. She wears a faded, long-sleeved dress of muted blue wool, covered by a thick, hand-knitted shawl in earthy brown tones. She stands with a slight stoop, one hand resting gently on a gnarled wooden walking stick, the other holding a small, woven basket. Her expression is serene and knowing, with a faint, gentle smile. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Young housewife's cottage interior
A room where a young housewife is spinning. After midnight, it becomes lighted up by a splinter of fir burning in a cresset and a fire in the stove. It is where Wednesday appears and prepares things.
Mood: Initially quiet and industrious, then mysterious and unsettling, finally tense and fearful.
The young housewife's encounter with Wednesday, Wednesday's preparations, and the initial confrontation.
Image Prompt & Upload
A dim, cozy cottage interior at midnight, illuminated by two warm light sources. A splinter of fir wood burns brightly in a wrought-iron cresset mounted on a rough-hewn stone wall, casting dancing shadows. A pot-bellied stove glows with a deep, steady orange fire in the corner, its heat haze visible. The room features a simple wooden spinning wheel with a half-finished thread, a rustic table, and pegged wooden floors. The atmosphere is hushed and magical, with dust motes floating in the intersecting beams of light. Deep shadows cling to the timber-beamed ceiling and corners. The color palette is rich with amber, deep umber, and charcoal, contrasted by the cool blue moonlight faintly touching a windowpane. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Outside the cottage door
The immediate area outside the young housewife's cottage door, dark and quiet in the village.
Mood: Fearful, desperate, urgent.
The young woman's escape attempt and her subsequent return to trick Wednesday.
Image Prompt & Upload
A dark, quiet village night outside a quaint cottage door. The wooden door is painted a faded blue, slightly ajar, with warm, golden light spilling out from within onto the cobblestone path. A thatched roof overhangs the doorway, and a dormant, twisted vine climbs the stone wall. The narrow path is flanked by a low, moss-covered stone wall and a sleeping herb garden. Mist clings to the ground, and the only light comes from the cottage window and a sliver of pale moonlight filtering through bare branches of an ancient oak tree. The atmosphere is still and serene, with deep indigo shadows and cool blue tones dominating the scene. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
Neighbor's house
An aged woman's house in the village, where the young housewife seeks advice.
Mood: Safe, wise, conspiratorial.
The young woman receives crucial advice on how to escape Wednesday.
Image Prompt & Upload
A quaint, thatched-roof cottage with walls of weathered stone and a crooked chimney, nestled in a lush village garden. The late afternoon sun casts a golden glow through ancient oak trees, dappling the cobblestone path leading to a rounded wooden door. Surrounding the house are overflowing flowerbeds of lavender, roses, and foxglove, with a mossy stone well nearby. Climbing ivy frames the small, leaded glass windows, reflecting the warm light. A soft breeze rustles the leaves of a large willow tree, its branches hanging over a low, woven fence. The atmosphere is peaceful and inviting, with a hint of whimsy from a wooden birdhouse and a winding garden path disappearing into the background. Colors are warm earth tones—soft browns, creamy whites, and deep greens—accented by the vibrant flowers. The sky is a soft peach and lavender gradient, suggesting a serene, timeless wisdom. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.